AfricaBib 
bibliographic database
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| Search: au=Tomaselli, Keyan G. | ||||||||
| Found: 29 | Record 1-29 | |||||||
 | Segopolo, Irene M.; Tomaselli, Keyan G. (2017) |
 | 'I will not share my partner': the 'care of the self' in an HIV prevention campaign |
 | Journal of African Media Studies. Volume 9 #1. p. 91-111. |
| Ureke, Oswelled; Tomaselli, Keyan (2017) |
| From 'African Cinema' to film services industries: a cinematic fact |
| Journal of African Cinemas. Volume 9 #1. p. 75-92. |
| Tomaselli, Keyan (2016) |
| Research ethics in the Kalahari: issues, contradictions and concerns |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 804-822. |
| Tomaselli, Keyan G. (2016) |
| Ideological contestation and disciplinary associations: an autoethnographic analysis |
| Communicatio: South African journal for communication theory and research. Volume 42 #2. p. 276-292. |
| Mboti, Nyasha; Tomaselli, Keyan (2015) |
| New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
| Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
| Tomaselli, Keyan (2015) |
| Accessing the archive: a TV history of Afrikaans film |
| Journal of African Cinemas. Volume 7 #1. p. 3-14. |
| Tomaselli, Keyan; Sakarombe, Phebbie (2015) |
| Griots, satirical columns, and the micro-public sphere |
| Journal of African Media Studies. Volume 7 #3. p. 315-327. |
 | Tomaselli, Keyan G. (ed.) (2014) |
| Special issue: San representation, part II |
| Critical Arts: A Journal of Media Studies. Volume 28 #4. p. 593-759. |
| Tomaselli, Keyan G. (ed.) (2014) |
| Special issue: San representation, part I |
| Critical Arts: A Journal of Media Studies. Volume 28 #3. p. 465-592. |
| Tomaselli, Keyan G. (2013) |
| Film cities and competitive advantage: development factors in South African film |
| Journal of African Cinemas. Volume 5 #2. p. 237-252. |
 | Tomaselli, Keyan G. (ed.) (2012) |
| Cultural tourism and identity: rethinking indigeneity |
| Leiden: Brill. Afrika-Studiecentrum series #24. 231p. |
| Tomaselli, Keyan G.; Causey, Andrew (eds.) (2012) |
| Researchers as tourists and travellers |
| Critical Arts: A Journal of Media Studies. Volume 26 #3. p. 233-446. |
| Tomaselli, Keyan G. (2012) |
| Alter-egos: cultural and media studies |
| Critical Arts: A Journal of Media Studies. Volume 26 #1. p. 14-38. |
| Tomaselli, Keyan G.; Wright, Handel Kashope (eds.) (2011) |
| Africa, cultural studies and difference | |
| London: Routledge. 190p. |
| Tomaselli, Keyan G.; Shepperson, Arnold (2011) |
| Mirror communities and straw individualisms: essentialism, cinema and semiotic analysis | |
| Journal of African Cinemas. Volume 3 #1. p. 3-24. |
| Mulwo, Abraham Kiprop; Tomaselli, Keyan G.; Dalrymple, Lynn (2009) |
| Condom brands, perceptions of condom efficacy and HIV prevention among university students in KwaZulu-Natal, South Africa |
| African Journal of AIDS Research. Volume 8 #3. p. 311-320. |
 | Tomaselli, Keyan G.; Mhando, Martin (eds.) (2009) |
| Journal of African cinemas | |
| Bristol: Intellect. |
| Tomaselli, Keyan G.; Dockney, Jonathan; Dawson, Sarah (2009) |
| Bumping into reality, brutal realism and Bafundi 2009: some thoughts on a student film festival | |
| Journal of African Cinemas. Volume 1 #2. p. 225-234. |
| Tomaselli, Keyan G. (2009) |
| Repositioning African media studies: thoughts and provocations | |
| Journal of African Media Studies. Volume 1 #1. p. 9-21. |
| Tomaselli, Keyan G. (ed.) (2004) |
| Transformation of the South African media |
| Critical Arts: A Journal of Media Studies. Volume 18 #1. 186p. |
| Jeursen, Belinda; Tomaselli, Keyan G. (2002) |
| Romancing the Kalahari: personal journeys of methodological discovery | |
| Current Writing: Text and Reception in Southern Africa. Volume 14 #1. p. 29-58. |
| Tomaselli, Ruth; Tomaselli, Keyan; Muller, Johan (eds.) (2001) |
| Currents of power: state broadcasting in South Africa | |
| Denver, CO: Academic Books, International Academic Publishers. Critical studies on African media and culture. 227p. |
| Tomaselli, Keyan G. (1999-2001) |
| The Semiotics of Anthropological Authenticity: How Cultures Change to Fit Their Media Image | |
| Journal of Natal and Zulu History. Volume 19. p. 63-72. |
| Tomaselli, Keyan (ed.) (1995) |
| Recuperating the San |
| Critical Arts: A Journal of Media Studies. Volume 9 #2. 153p. |
| Tomaselli, Keyan G.; Shepperson, Arnold; Eke, Maureen (1995) |
| Towards a theory of orality in African cinema |
| Research in African Literatures. Volume 26 #3. p. 18-35. |
| Tomaselli, Keyan (ed.) (1993) |
| African cinema |
| Critical Arts: A Journal of Media Studies. Volume 7 #1. 157p. |
| Tomaselli, K.G.; Sienaert, E. (1989) |
| Ethnographic film/video production and oral documentation: the case of Piet Draghoender in 'Kat River: the end of hope' |
| Research in African Literatures. Volume 20 #2. p. 242-264. |
| Tomaselli, Keyan; Tomaselli, Ruth; Muller, Johan (eds.) (1987) |
| The press in South Africa | |
| London: James Currey. 258p. |
| Tommaselli, K.G. (1984) |
| La presse communautaire et la résistance en Afrique du Sud | |
| Politique africaine. #15. p. 115-119. |
| Search: au=Tomaselli, Keyan G. | ||||||||
| Found: 29 | Record 1-29 | |||||||
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