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Found: 28 | Record 1-28 |
Thomas, I.B.; Karin Barber (1949-) (2012) | |
Print culture and the first Yoruba novel: I.B. Thomas's 'Life Story of Me, Segilola' and other texts | |
Leiden: Brill. African sources for African history. 421p. |
Barber, Karin (2007) | |
The anthropology of texts, persons and publics | |
Cambridge: Cambridge University Press. New departures in anthropology. 276p. |
Barber, Karin; Moraes Farias, P.F. de (2006) | |
Archive as work-in-progress | |
Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 14-32. |
Barber, Karin (ed.) (2006) | |
Africa's hidden histories: everyday literacy and making the self | |
Bloomington, IN: Indiana University Press. African expressive cultures. 451p. |
Okédìjì, Oládèjo; Barber, Karin (2006) | |
Oládèjo Òkédìjí on his writing life | |
Research in African Literatures. Volume 37 #3. p. 28-44. |
Barber, Karin (2003) | |
Text and Performance in Africa | |
Bulletin of the School of Oriental and African Studies. Volume 66 #3. October. p. 324-333. |
Barber, Karin; Moraes Farias, Paulo F. de (2000) | |
An archive of Yorùbá religious ephemera | |
Africa Bibliography. p. VII-XIX. |
Barber, Karin (2000) | |
The generation of plays: Yorùbá popular life in theater | |
Bloomington, IN: Indiana University Press. 485p. |
Barber, Karin (1999) | |
Quotation in the constitution of Yorùbá oral texts | |
Research in African Literatures. Volume 30 #2. p. 17-41. |
Barber, Karin (1997) | |
Preliminary notes on audiences in Africa | |
Africa: Journal of the International African Institute. Volume 67 #3. p. 347-362. |
Barber, Karin (ed.) (1997) | |
Readings in African Popular Culture | |
Bloomington, IN: Indiana University Press. 184p. |
Barber, Karin; Collins, John; Ricard, Alain (1997) | |
West African popular theatre | |
Oxford: James Currey. Drama and performance studies. 285p. |
Barber, Karin (1995) | |
Money, self-realization and the person in Yorùbá texts | |
In: Money matters: instability, values and social payments in the modern history of West African communities / ed. by Jane I. Guyer. - Portsmouth, N.H.: Heinemann. p. 205-224. |
Barber, Karin (1995) | |
African-language literature and postcolonial criticism | |
Research in African Literatures. Volume 26 #4. p. 3-30. |
Barber, Karin (1994) | |
Polyvocality and the Individual Talent: Thre Women Oriki Singers | |
In: Abiodun, Rowland and Drewal, Henry J. and Pemberton, John (eds.). The Yoruba Artist: New Theoretical Perspectives on African Art. Washington, D.C.: Smithsonian Institution Press. p. 151-160. |
Barber, Karin; Ògúndíjo, Báyò (eds.) (1994) | |
Yorùbá popular theatre: three plays by the Oyin Adéjobí Company | |
Atlanta, GA: African Studies Association, Emory University. African historical sources #9. 604p. |
Barber, Karin (1991) | |
I Could Speak until Tomorrow: Oriki Women and the Past in a Yoruba Town | |
Edinburgh: Edinburgh University Press for the International African Institute, London. International African library #7. 354p. |
Barber, Karin (1990) | |
Oriki, Women and the Proliferation and Merging of Orisa | |
Africa: Journal of the International African Institute. Volume 60 #3. p. 313-337. |
Moraes Farias, P.F. de; Barber, Karin (eds.) (1990) | |
Self-assertion and brokerage: early cultural nationalism in West Africa | |
Birmingham: University of Birmingham, Centre of West African Studies. Birmingham University African studies series #2. 242p. |
Barber, Karin; Moraes Farias, P.F. de (eds.) (1989) | |
Discourse and its disguises: the interpretation of African oral texts | |
Birmingham: University of Birmingham, Centre of West African Studies. Birmingham University African studies series #1. |
Barber, K. (1988) | |
Ethnies, État et littérature populaire yorouba | |
Politique africaine. #32. p. 65-78. |
Barber, Karin (1987) | |
Popular Arts in Africa | |
African Studies Review. Volume 30 #3. September. p. 1-78. |
Barber, Karin (1986) | |
Radical conservatism in Yoruba popular plays | |
In: Drama and theatre in Africa. - Cop. p. 5-32. |
Barber, Karin; Fiebach, Joachim; Ricard, Alain (eds.) (1986) | |
Drama and theatre in Africa | |
Bayreuth: Bayreuth University. Bayreuth African studies series #7. 87p. |
Barber, Karin (1984) | |
Yoruba Oriki and Deconstructive Criticism | |
Research in African Literatures. Volume 15 #4. p. 497-518. |
Barber, Karin (1982) | |
Popular Reactions to the Petro-Naira | |
Journal of Modern African Studies. Volume 20 #3. September. p. 431-450. |
Barber, Karin (1981) | |
Documenting Social and Ideological Change through Yoruba Oriki: A Stylistic Analysis | |
Journal of the Historical Society of Nigeria. Volume 10 #4. June. p. 39-52. |
Barber, Karin (1981) | |
How Man Makes God in West Africa: Yoruba Attitudes towards the Orisa | |
Africa: Journal of the International African Institute. Volume 51 #3. p. 724-745. |
Search: au=0000000109253651 | ||||||||
Found: 28 | Record 1-28 |
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