AfricaBib 
bibliographic database
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| Search: pe=African Performance Review | ||||||||
| Found: 53 | Record 1-53 | |||||||
 | Kasule, Samuel (2016) |
| Re-imagining Bertolt Brecht, redefining British theatre: Oladipo Agboluaje's 'Mother Courage' | |
 | African Performance Review. Volume 8 #1. p. 48-63. |
| Hahn, Matthew (2016) |
| The research, development and production history of 'The Robben Island Shakespeare' | |
| African Performance Review. Volume 8 #1. p. 30-47. |
| Akoh, Ameh Dennis (2016) |
| Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
| African Performance Review. Volume 8 #1. p. 17-29. |
| Bühler-Dietrich, Annette (2016) |
| Contemporary West African monodrama and its stage productions: a challenge | |
| African Performance Review. Volume 8 #1. p. 7-16. |
| Fondzeyuf K., Tume (2013) |
| From people theatre to film: articulating minority voices in Cameroon - an Anglophone grass field minority case study | |
| African Performance Review. Volume 7 #2. p. 54-71. |
| Sibanda, Nkululeko (2013) |
| Seeking an alternative approach to teaching scenographic theory and practice: the university of Zimbabwe theatre legacy | |
| African Performance Review. Volume 7 #2. p. 35-53. |
| Uzor, Tia-Monique (2013) |
| The evolving face of 'Iwa Akwa' | |
| African Performance Review. Volume 7 #1. p. 104-115. |
| Ofosu, Terry Bright K.; Dei, Tabitha (2013) |
| The 'Azonto' dance - a Ghanaian new creation: exploring new boundaries of popular dance forms | |
| African Performance Review. Volume 7 #1. p. 45-64. |
| Johnson Jones, E. Jean (2013) |
| Mapping the Nama Stap: reed-flutes and Nama Stap | |
| African Performance Review. Volume 7 #1. p. 13-30. |
| Ibrahim Abdalla, Anwaar A. Khalik (2012) |
| Acting as survival: the plays of Athol Fugard, John Kani and Winston Ntshona | |
| African Performance Review. Volume 6 #2. p. 75-86. |
| Karungi, Viola (2012) |
| Kinyankore folk poetry: structure and context | |
| African Performance Review. Volume 6 #2. p. 58-74. |
| Chinyowa, Kennedy C. (2012) |
| Un-performing racial and ethnic prejudice in tertiary institutional spaces in South Africa | |
| African Performance Review. Volume 6 #2. p. 43-57. |
| Nwadigwe, Charles E. (2012) |
| Body, space, and technology: interrogating conventionality in postmodern african dance theatre | |
| African Performance Review. Volume 6 #2. p. 27-42. |
| Ododo, Sunday Enessi (2012) |
| Gender ambiguity and iconic paradox in Ebiran Ekuechi 'facekuerade' ritualization | |
| African Performance Review. Volume 6 #2. p. 7-26. |
 | Udengwu, Ngozi; Ukaegbu, Victor (eds.) (2012) |
| Women in Nigerian theatre | |
| African Performance Review. Volume 6 #1. 128p. |
| Bühler-Dietrich, Annette; Mandé, Hamadou (2011) |
| The artist as educator: the oeuvre of Jean-Pierre Guingané | |
| African Performance Review. Volume 5 #2. p. 78-94. |
| Anyanwu, Chika (2011) |
| Intellectual capital contributions to Nigeria: the ideology of Adelugbaism | |
| African Performance Review. Volume 5 #1. p. 54-70. |
| Yerima, Ahmed (2011) |
| Issues and development in contemporary Nigerian drama and theatre practice | |
| African Performance Review. Volume 5 #1. p. 36-44. |
| Dunton, Chris (2011) |
| From practice-based to practice-led research: Dapo Adelugba's work on 'Kiriji' and 'Langbodo' as inspiration | |
| African Performance Review. Volume 5 #1. p. 28-35. |
| Okoye, Chukwuma (2011) |
| Postcolonial African theatre: notes towards a definition | |
| African Performance Review. Volume 5 #1. p. 9-27. |
| Aniago, Peter Emeka (2010) |
| Contextual elements of vicious performance: focus on a category of audience-orientated physical contest | |
| African Performance Review. Volume 4 #2. p. 81-91. |
| Chinyowa, Kennedy C. (2010) |
| From passive spectatorship to critical citizenship: towards a paradigm shift for community-based theatre practice in Zimbabwe | |
| African Performance Review. Volume 4 #2. p. 54-65. |
| Ugolo, Christopher E. (2010) |
| Ogunde's dance choreography and the quest for national unity in Nigeria | |
| African Performance Review. Volume 4 #2. p. 41-53. |
| Ukala, Sam (2010) |
| Transformations of the African folktale: towards a poetics for authentic adaptation | |
| African Performance Review. Volume 4 #2. p. 23-40. |
| Kasule, Sam (2010) |
| 'Your experience is your only truth': Elvania Namukwaya Zirimu 1939-1980 | |
| African Performance Review. Volume 4 #2. p. 7-22. |
| Udengwu, Ngozi (2010) |
| Cultural literacy and educational empowerment of women in the 21st century: a study of 'Into the world', 'Nneora: an African doll's house' and 'Our wife is not a woman' | |
| African Performance Review. Volume 4 #1. p. 35-50. |
| Ododo, Sunday Enessi (2010) |
| The playing aesthetics of Ebiran Ekuechi 'facekuerade' festival | |
| African Performance Review. Volume 4 #1. p. 12-26. |
| Okoye, Chukwuma (ed.) (2009) |
| In black and white | |
| African Performance Review. Volume 3 #2-3. 147p. |
| Nwaozuzu, Uche-Chinemere (2009) |
| Theatre and globalization: emerging trends in the dialectics of performance in sub-Saharan Africa | |
| African Performance Review. Volume 3 #1. p. 86-99. |
| Asigbo, Alex (2009) |
| Oral performance as therapy: the example of Perry-Como Okoye | |
| African Performance Review. Volume 3 #1. p. 74-85. |
| Bamidele, Lanre (2009) |
| Grotesque and mirthless humour in 'Midnight Hotel' and 'Morning yet on Judgement Day' | |
| African Performance Review. Volume 3 #1. p. 59-73. |
| Kasule, Sam (2009) |
| More than just musical plays: intersections of politics and folklore in Byron Kawadwa's theatre | |
| African Performance Review. Volume 3 #1. p. 39-58. |
| Igweonu, Kene (2008) |
| Re/negotiating interculturalism: Africa in Caribbean dance performances | |
| African Performance Review. Volume 2 #2-3. p. 103-124. |
| Chinyowa, Kennedy C. (2008) |
| Emerging paradigms for applied drama and theatre practice in African contexts | |
| African Performance Review. Volume 2 #2-3. p. 85-102. |
| Utoh-Ezeajuh, Tracie (2008) |
| Traditional body design idioms and multimedia application: the Igbo 'uli' art form | |
| African Performance Review. Volume 2 #2-3. p. 65-84. |
| Magalasi, Mufunanji (2008) |
| Repression and comedic performances: Kamuzu Banda's rule and Kwathu's 'Ku Chipatala' and Umodzi's 'Akapasule' | |
| African Performance Review. Volume 2 #2-3. p. 48-64. |
| Duruaku, A.B.C. Toni (2008) |
| To coma and back: re-awakening stage drama in Nigeria through a systemic overhaul | |
| African Performance Review. Volume 2 #2-3. p. 32-47. |
| Kruger, Marie (2008) |
| Puppets in theatre for social change: an analysis of the popularity of puppets in Africa | |
| African Performance Review. Volume 2 #2-3. p. 7-31. |
| Oni, Duro (2008) |
| Theatre training in the Nigeria university system: a critical assessment of selected design and technology courses at Ibadan and Lagos | |
| African Performance Review. Volume 2 #1. p. 82-89. |
| Kafewo, Samuel Ayedime (2008) |
| From post-performance discussions to intervention and processing: theatre-for-development and citizenship issues in Nigeria | |
| African Performance Review. Volume 2 #1. p. 58-72. |
| Okagbue, Osita (2008) |
| Images and memories of home: African video movies in the diaspora | |
| African Performance Review. Volume 2 #1. p. 43-57. |
| Nwaru, Christian I. (2008) |
| Dance as a signifying practice: a study of 'Iri-Agha' | |
| African Performance Review. Volume 2 #1. p. 29-42. |
| Abuku, Mnena (2008) |
| Masks and symbols in masquerade performances among the Tiv of central Nigeria | |
| African Performance Review. Volume 2 #1. p. 19-28. |
| Akunna, Gladys Ijeoma (2008) |
| Dance as mental therapeutic in the African experience: beyond the speculation | |
| African Performance Review. Volume 2 #1. p. 9-18. |
| Okagbue, Osita (2007) |
| Through other eyes and voices: women in 'Koteba' and 'Mmonwu' performances | |
| African Performance Review. Volume 1 #2-3. p. 114-129. |
| Ewu, Jumai (2007) |
| Crossing the 'Zaure': theatre for development and women's empowerment in Northern Nigeria | |
| African Performance Review. Volume 1 #2-3. p. 75-97. |
| Irobi, Esiaba (2007) |
| Feminist aesthetics in African theatre of the colonial period | |
| African Performance Review. Volume 1 #2-3. p. 56-74. |
| Doki, Gowon Ama (2007) |
| Signifying systems in traditional African theatre aesthetics: the 'Girinya' ritual dance of the Tiv people of Nigeria | |
| African Performance Review. Volume 1 #2-3. p. 7-26. |
| Okoye, Chukwuma (2007) |
| Technologies and faith performance: theatre/performance and Pentecostalism in Africa | |
| African Performance Review. Volume 1 #1. p. 80-95. |
| Magalasi, Mufunanji (2007) |
| To outwit or not to outwit censorship in Malawi: university theatre and Banda's policies in the 1970s | |
| African Performance Review. Volume 1 #1. p. 64-78. |
| Kasule, Sam (2007) |
| Resistant voices in African popular performance | |
| African Performance Review. Volume 1 #1. p. 38-49. |
| Adéyemí, Solá (2007) |
| Agony, Antigone and the dialectics of resistance in African performance | |
| African Performance Review. Volume 1 #1. p. 25-33. |
| Ukaegbu, Victor I. (2007) |
| Written over, written out: the gendered misrepresentation of women in modern African performance | |
| African Performance Review. Volume 1 #1. p. 7-23. |
| Search: pe=African Performance Review | ||||||||
| Found: 53 | Record 1-53 | |||||||
| Previous page | New search |