AfricaBib 
bibliographic database
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| Search: pe=Journal of African Cinemas | ||||||||
| Found: 63 | Record 1-63 | |||||||
 | Ureke, Oswelled; Tomaselli, Keyan (2017) |
 | From 'African Cinema' to film services industries: a cinematic fact |
 | Journal of African Cinemas. Volume 9 #1. p. 75-92. |
| Kwansah-Aidoo, Kwamena; Owusu, Joyce Osei (2017) |
| A contemporary, empowered female figure? Towards a feminist reading of Frimpong-Manso's 'Life and living it and 'The perfect picture |
| Journal of African Cinemas. Volume 9 #1. p. 55-73. |
| Shule, Vicensia (2017) |
| Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps |
| Journal of African Cinemas. Volume 9 #1. p. 37-54. |
| Moya, Ana (2017) |
| When borderlands are where we live: 'Disgrace' (Jacobs, 2008), 'Invictus' (Eastwood, 2009) and 'District 9' (Blomkamp, 2009) |
| Journal of African Cinemas. Volume 9 #1. p. 19-36. |
| Tager, Michele (2017) |
| 'Elelwani' (2012): a Third Cinema analysis of a Venda tale of a young woman's journey of self-discovery |
| Journal of African Cinemas. Volume 9 #1. p. 3-18. |
| Tchouaffe, Olivier J. (2016) |
| Perspectives on new popular African cinema, history and creative destruction in 'Viva Riva!' (2011) |
| Journal of African Cinemas. Volume 8 #3. p. 299-312. |
| Carmo Piçarra, Maria do (2016) |
| Empire Cinema: propaganda and censorship in colonial films during the Portuguese Estado Novo |
| Journal of African Cinemas. Volume 8 #3. p. 283-297. |
| Victor, Anna (2016) |
| Experimental cartographies in Tariq Teguia's 'Inland' |
| Journal of African Cinemas. Volume 8 #3. p. 267-281. |
| Hamilton-Wray, Tama Lynne (2016) |
| Haile Gerima's 'Sankofa' experience: man, mission, movie, movement |
| Journal of African Cinemas. Volume 8 #3. p. 249-266. |
| Harrow, Kenneth W. (2016) |
| Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
| Journal of African Cinemas. Volume 8 #3. p. 233-248. |
| Oyinsan, Bunmi (2016) |
| Orality, documentary, intertextual performance and discursive practices: a reading of 'Ye Wonz Maibel (Deluge)' 1997 by Salem Mekuria |
| Journal of African Cinemas. Volume 8 #2. p. 199-214. |
| Repinecz, Jonathon (2016) |
| 'This is not a pipe'? Reflexivity, fictionality and dialogism in Sembène's films |
| Journal of African Cinemas. Volume 8 #2. p. 181-197. |
| Mizoguchi, Akiko (2016) |
| What languages do aliens speak? Multilingual 'Otherness' of diasporic dystopia in 'District 9' |
| Journal of African Cinemas. Volume 8 #2. p. 169-179. |
| Stobie, Cheryl (2016) |
| Diamonds at the meeting of her thighs: representations of gender and sexuality in 'U-Carmen eKhayelitsha' |
| Journal of African Cinemas. Volume 8 #2. p. 155-168. |
| Parsons, Neil (2016) |
| Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
| Journal of African Cinemas. Volume 8 #2. p. 133-154. |
 | Van de Peer, Stefanie (ed.) (2016) |
| Special issue: the North in African cinemas |
| Journal of African Cinemas. Volume 8 #1. p. 3-128. |
| Bisschoff, Lizelle (ed.) (2015) |
| Special issue: Cinema in East Africa |
| Journal of African Cinemas. Volume 7 #2. p. 71-201. |
| Dipio, Dominica; Cherif Diop, Oumar (2015) |
| Art's subtle, liberating ways: violence, trauma and agency in Fanta Regina Nacro's 'The Night of Truth' (2004) |
| Journal of African Cinemas. Volume 7 #1. p. 41-49. |
| Ojoniyi, Olabode Wale (2015) |
| Violence as intentionality for survival and power in two Yoruba films | |
| Journal of African Cinemas. Volume 7 #1. p. 31-39. |
| Mngadi, Sikhumbuzo (2015) |
| The cultural politics of adaptation: 'Fools' and the politics of gender |
| Journal of African Cinemas. Volume 7 #1. p. 15-30. |
| Tomaselli, Keyan (2015) |
| Accessing the archive: a TV history of Afrikaans film |
| Journal of African Cinemas. Volume 7 #1. p. 3-14. |
| Mboti, Nyasha (ed.) (2014) |
| Special issue: Everyday violence(s) and visualities in Africa |
| Journal of African Cinemas. Volume 6 #2. 122p. |
| Brown, Matthew H.; Mboti, Nyasha (eds.) (2014) |
| Special issue: Nollywood's 'Unknowns' |
| Journal of African Cinemas. Volume 6 #1. 122p. |
| Tomaselli, Keyan G. (2013) |
| Film cities and competitive advantage: development factors in South African film |
| Journal of African Cinemas. Volume 5 #2. p. 237-252. |
| Brereton, Pat (2013) |
| Eco-cinema, sustainability and Africa: a reading of 'Out of Africa' (1985), 'The Constant Gardener' (2005) and 'District 9' (2010) |
| Journal of African Cinemas. Volume 5 #2. p. 219-235. |
| Saint, Lily (2013) |
| 'You kiss in Westerns': cultural translation in Moustapha Alassane's 'Le retour d'un aventurier' |
| Journal of African Cinemas. Volume 5 #2. p. 203-217. |
| De Groof, Matthias (2013) |
| How text reflects context: representation of African film audiences in 'Aristotle's Plot' |
| Journal of African Cinemas. Volume 5 #2. p. 181-202. |
| Malcic, Steven (2013) |
| Ousmane Sembene's vicious circle: the politics and aesthetics of 'La Noire de …' |
| Journal of African Cinemas. Volume 5 #2. p. 167-180. |
| Azeez, Adesina Lukuman (2013) |
| Audience perception of the reality in the representations of women in Nigerian films |
| Journal of African Cinemas. Volume 5 #2. p. 149-166. |
| Dima, Vlad (2013) |
| Women and posters as heterotopias in Ousmane Sembene's 'Xala' |
| Journal of African Cinemas. Volume 5 #2. p. 137-148. |
| Mhiripiri, Nhamo Anthony (2013) |
| (Auto)Biographical and cinematographic exposition of Dambudzo Marechera on documentary film and video | |
| Journal of African Cinemas. Volume 5 #1. p. 99-121. |
| Ryan, Connor (2013) |
| Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
| Journal of African Cinemas. Volume 5 #1. p. 85-97. |
| Teversham, Edward (2013) |
| 'Army of Cars': the automobile in Flora Gomes' 'The Blue Eyes of Yonta' | |
| Journal of African Cinemas. Volume 5 #1. p. 73-83. |
| Kilian, Cassis (2013) |
| Worth a closer look: a comparative study of 'Xala' and 'Osuofia' in London | |
| Journal of African Cinemas. Volume 5 #1. p. 55-71. |
| Janis, Michael (2013) |
| The United States of Africa: Afrofuturistic pasts and Afropolitan futures | |
| Journal of African Cinemas. Volume 5 #1. p. 33-54. |
| Peters, Roanne (2013) |
| Anthro-tourism, documentary film and method | |
| Journal of African Cinemas. Volume 5 #1. p. 19-31. |
| Sow, Moussa (2013) |
| Ecocinema in Senegalese documentary film | |
| Journal of African Cinemas. Volume 5 #1. p. 3-17. |
| Rollet, Brigitte (ed.) (2012) |
| Celebrating 40 years of films made by women directors in francophone Africa | |
| Journal of African Cinemas. Volume 4 #2. p. 139-233. |
| Haynes, Jonathan (ed.) (2012) |
| Reflections on Nollywood | |
| Journal of African Cinemas. Volume 4 #1. 133p. |
| Meleiro, Alessandra (ed.) (2011) |
| Luso-African cinema: nation and cinema | |
| Journal of African Cinemas. Volume 3 #2. p. 133-249. |
| Van de Peer, Stefanie (2011) |
| Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries | |
| Journal of African Cinemas. Volume 3 #1. p. 109-124. |
| Levine, Alison J. Murray (2011) |
| 'Provoking situations': Abderrahmane Sissako's documentary fiction | |
| Journal of African Cinemas. Volume 3 #1. p. 93-107. |
| Riep, David M.M. (2011) |
| Visual revision: intersecting art and film in the work of Jean-Marie Teno and Raoul Peck | |
| Journal of African Cinemas. Volume 3 #1. p. 81-92. |
| Kerr, David (2011) |
| The reception of Nigerian video drama in a multicultural female community in Botswana | |
| Journal of African Cinemas. Volume 3 #1. p. 65-79. |
| Olaoluwa, Senayon; Adejayan, Adewole (2011) |
| Thierry Henry as 'Igwe': soccer fandom, christening and cultural passage in Nollywood | |
| Journal of African Cinemas. Volume 3 #1. p. 25-42. |
| Tomaselli, Keyan G.; Shepperson, Arnold (2011) |
| Mirror communities and straw individualisms: essentialism, cinema and semiotic analysis | |
| Journal of African Cinemas. Volume 3 #1. p. 3-24. |
| Carklin, Michael (2010) |
| Images of childhood in southern Africa: a study of three films | |
| Journal of African Cinemas. Volume 2 #2. p. 137-149. |
| Fisher, Alexander (2010) |
| Funding, ideology and the aesthetics of the development film in postcolonial Zimbabwe | |
| Journal of African Cinemas. Volume 2 #2. p. 111-120. |
| Mhiripiri, Nhamo Anthony (2010) |
| Thematic concerns in the emergent Zimbabwean short film genre | |
| Journal of African Cinemas. Volume 2 #2. p. 91-109. |
| Cieplak, Piotr A. (2010) |
| The Rwandan genocide and the bestiality of representation in '100 Days' (2001) and 'Shooting Dogs' (2005) | |
| Journal of African Cinemas. Volume 2 #1. p. 49-63. |
| Bisschoff, Lizelle (2010) |
| Visions of female emancipation: three recent films from West Africa | |
| Journal of African Cinemas. Volume 2 #1. p. 37-48. |
| Austin, Guy (2010) |
| Against amnesia: representations of memory in Algerian cinema | |
| Journal of African Cinemas. Volume 2 #1. p. 27-35. |
| Mhando, Martin R.; Kipeja, Laurian (2010) |
| Creative/cultural industries financing in Africa: a Tanzanian film value chain study | |
| Journal of African Cinemas. Volume 2 #1. p. 3-25. |
| Tomaselli, Keyan G.; Dockney, Jonathan; Dawson, Sarah (2009) |
| Bumping into reality, brutal realism and Bafundi 2009: some thoughts on a student film festival | |
| Journal of African Cinemas. Volume 1 #2. p. 225-234. |
| Diop, Samba (2009) |
| Music and narrative in five films by Ousmane Sembène | |
| Journal of African Cinemas. Volume 1 #2. p. 207-224. |
| Stefanson, Blandine (2009) |
| Violence in Souleymane Cissé's films: a cultural perspective | |
| Journal of African Cinemas. Volume 1 #2. p. 189-205. |
| Mushengyezi, Aaron (2009) |
| Problematizing a 'fundamentalist' ideology: a close analysis of Atef Hetata's 'The Closed Doors' and Phil Mullaly's 'The Martyrs of Uganda' | |
| Journal of African Cinemas. Volume 1 #2. p. 173-188. |
| Papaioannou, P. Julie (2009) |
| From orality to visuality: the question of aesthetics in African cinema | |
| Journal of African Cinemas. Volume 1 #2. p. 141-157. |
| Petty, Sheila (2009) |
| The rise of the African musical: postcolonial disjunction in 'Karmen Geï' and 'Madame Brouette' | |
| Journal of African Cinemas. Volume 1 #1. p. 95-112. |
| Nkunzimana, Obed (2009) |
| Beyond colonial stereotypes: reflections on postcolonial cinema in the African Great Lakes region | |
| Journal of African Cinemas. Volume 1 #1. p. 79-94. |
| Tchouaffé, Jean Olivier (2009) |
| Reframing African cinema and democracy: the case of Cameroon | |
| Journal of African Cinemas. Volume 1 #1. p. 57-77. |
| Adeoti, Gbemisola (2009) |
| Home video films and the democratic imperative in contemporary Nigeria | |
| Journal of African Cinemas. Volume 1 #1. p. 35-56. |
| Mhando, Martin (2009) |
| Globalization and African cinema: distribution and reception in the anglophone region | |
| Journal of African Cinemas. Volume 1 #1. p. 19-34. |
| Search: pe=Journal of African Cinemas | ||||||||
| Found: 63 | Record 1-63 | |||||||
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