AfricaBib 
bibliographic database
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 | Abdelrahman, Rania (2020) |
 | Envisioning 'Freedom': Liberated Gender Identities in Young Egyptian Women Artists' Oral and Visual Narratives |
| Studi Magrebini. Volume 18 #2. p. 135-163. |
 | Hemelbesem (2017) |
| God praat Afrikaans | |
| Pretoria: LAPA Uitgewers. 222p. |
| Mèhou Zohoncon, Cocou Christian (2017) |
| Enfant visionnaire béni: odju-ori-bi: autobiographie | |
| Paris: L'Harmattan. 183p. |
| Ncube, Gibson; Siziba, Gugulethu (2017) |
| Compelled to Perform in the 'Oppressor's' Language? Ndebele Performing Artists and Zimbabwe's Shona-Centric Habitus |
| Journal of Southern African Studies. Volume 43 #4. p. 825-836. |
| Coulidiaty, Patrick (2016) |
| Mon passeport culturel burkinabè: les artistes parlent de leurs métiers | |
| Paris: L'Harmattan. 253p. |
 | Vincent, Cédric (ed.) (2016) |
| De l'art (d'être) contemporain | |
 | Cahiers d'études africaines. Volume 56 #223. p. 459-761. |
| Chapanga, Evans; Choto, Isaac (2015) |
| A critical evaluation of persuasive communication discourses inspired by celebrity endorsement in the telecommunication sector in Zimbabwe | |
| Journal for Studies in Humanities and Social Sciences. Volume 4 #1. p. 58-71. |
| Criseo, Clément; Verlomme, Malou (2015) |
| Ici c'est bon: enseignes peintes à la main en Afrique de l'Ouest | |
| Paris: Gallimard-Alternatives. 198p. |
| Gilvin, Amanda (2015) |
| Games of seduction and games of history: Alioum Moussa's 'Fashion Victims' in Niamey, Niger |
| African Studies Review. Volume 58 #1. p. 55-89. |
| Jacobs, J.U. (2015) |
| Performing the precolonial: Zakes Mda's 'The Sculptors of Mapungubwe' |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #1. p. 13-25. |
| Lewis, Megan; Krueger, Anton (eds.) (2015) |
| Magnet theatre: three decades of making space | |
| Bristol: Intellect. 304p. |
| Magnin, André (ed.) (2015) |
| Beauté Congo: 1926-2015: Congo kitoko | |
| Paris: Fondation Cartier pour l'art contemporain. 377p. |
| Matsinde, Tapiwa (2015) |
| Fashion illustration Africa: a new generation | |
| Shoko Press. 107p. |
 | Nouhou, Idi (ed.) (2015) |
| Chronique dessinée pour le petit peuple | |
| Lussas: DocNet. |
| Okeke-Agulu, Chika (2015) |
| Postcolonial modernism: art and decolonization in twentieth-century Nigeria | |
| Durham: Duke University Press. 357p. |
| Schemmel, Annette (2015) |
| Visual arts in Cameroon: a genealogy of non-formal training, 1976-2014 | |
| Mankon: Langaa Research & Publishing CIG. 406p. |
| Waberi, Abdourahman A. (2015) |
| La divine chanson: roman | |
| Paris: Zulma. 237p. |
| Amnim, Ayo Elebute (2014) |
| Influence of Bruce Onobrakpeya's workshop experiments on the development of etching techniques in Nigera | |
| African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 38 #1. p. 1-22. |
| Ayodele, Otonye Bille (2014) |
| Art and architecture in global change: adaptations, renovations and revitalisations in Demas Nwoko's new culture | |
| African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 38 #1. p. 23-39. |
| Clarkson, Carrol (2014) |
| Drawing the line: toward an aesthetics of transitional justice | |
| New York: Fordham University Press. Just ideas. 204p. |
| Diarra, Ousmane (2014) |
| La route des clameurs: roman | |
| Paris: Gallimard. Continents noirs. 171p. |
| Dor, George Worlasi Kwasi (2014) |
| Ephraim Amu's 'Bonwere Kentenwene': a celebration of Ghanaian traditional knowledge, wisdom, and artistry | |
| African Music Journal. Volume 9 #4. p. 7-35. |
| Hertz, Betti-Sue; Smigiel, Frank; Willsdon, Dominic (eds.) (2014) |
| Public intimacy: art and other ordinary acts in South Africa | |
| San Francisco: Yerba Buena Center for the Arts. 291p. |
| Imperato, Pascal James; Imperato, Austin C.; Sow, Victor Forestier (eds.) (2014) |
| Victor Forestier Sow: a pioneer Malian painter | |
| New York: QCC Art Gallery. 72p. |
| Krampelhuber, Sandra (ed.) (2014) |
| 100% Dakar: more than art |
| Sandra Krampelhuber. |
| Kringelbach, Hélène Neveu (2014) |
| Choreographic performance, generations and the art of life in post-colonial Dakar |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 36-54. |
| Savage, Polly; Loder, Robert; Picton, John (eds.) (2014) |
| Making art in Africa 1960-2010 | |
| Farnham: Lund Humphries Publishers. 304p. |
 | Seror, Céline (ed.) (2014) |
| IAM: intense art magazine: the first magazine dedicated to art, women and Africa = Le premier mangazine dédié à l'art, les femmes et l'Afrique | |
| Amsterdam: IAM - Intense Art Magazine. |
| Strong, Krystal; Ossei-Owusu, Shaun (2014) |
| Naija boy remix: Afroexploitation and the new media creative economies of cosmopolitan African youth |
| Journal of African Cultural Studies. Volume 26 #2. p. 189-205. |
| Badiane, Alioune (2013) |
| Présentation de l'artiste Djibril Ndiaye de la sculpture à la 'sculpeinture' | |
| Éthiopiques: revue socialiste de culture négro-africaine. #91. p. 289-296. |
| Bogaert, Pascal (2013) |
| David Mzuguno: the last days of the master | |
| Dar es Salaam: Mkuki na Nyota Publishers. 76p. |
| Daley, Patricia (2013) |
| Rescuing African bodies: celebrities, consumerism and neoliberal humanitarianism |
| Review of African Political Economy. Volume 40 #137. p. 375-393. |
| Enz, Molly Krueger; Bryson, Devin (eds.) (2013) |
| Special Issue: Fed up: creating a new type of Senegal through the arts |
| African Studies Quarterly. Volume 14 #3. p. 1-156. |
| Grabski, Joanna; Magee, Carol L. (eds.) (2013) |
| African art, interviews, narratives: bodies of knowledge at work | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 194p. |
| Guèye, Omar (2013) |
| Sanokho ou Le métier du rire | |
| Paris: L'Harmattan. 150p. |
| Hassan, Salah M.; Adams, Sarah; El Salahi, Ibrahim (eds.) (2013) |
| Ibrahim El-Salahi: a visionary modernist | |
| London: Tate. 190p. |
| Kasfir, Sidney Littlefield; Förster, Till (eds.) (2013) |
| African art and agency in the workshop | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 410p. |
| Lebry, Léon Francis (2013) |
| Lougah: coulisses d'un artiste | |
| Abidjan: NEI/CEDA. 205p. |
| Maart, Brenton; Bloch, Joanne (eds.) (2013) |
| Imaginary fact: contemporary South African art and the archive: an exhibition presented in the South African Pavilion at the 55th La Biennale di Venezia | |
| Grahamstown: National Arts Festival. 178p. |
| Mutu, Wangechi (2013) |
| Wangechi Mutu: a fantastic journey | |
| Durham, NC: Nasher Museum of Art. 167p. |
| Olaniyan, Tejumola (ed.) (2013) |
| Africa cartoons: encyclopedia of African political cartooning |
| Madison: Tejumola Olaniyan. |
| Rabdi, Larbi (2013) |
| Artistes et intellectuels du Sétifois | |
| Paris: L'Harmattan. Présence berbère. 124p. |
| Salami, Gitti; Visonà, Monica Blackmun (eds.) (2013) |
| A companion to modern African Art | |
| Chichester: Wiley Blackwell. Blackwell companions to art history #6. 626p. |
| Schauert, Paul (2013) |
| Managing culture: discipline, artistry, and alternative education in Ghana's State dance ensembles |
| Africa Today. Volume 60 #3. p. 3-33. |
| Tissières, Hélène Colette (2013) |
| Créations et défis au Sénégal: Sembène, Diop, Diadji et Awadi | |
| Paris: L'Harmattan. 170p. |
| Adom, Marie Clémence (2012) |
| Noms d'artistes et horizons identitaires dans la poésie chantée de Côte d'Ivoire (Esquisse d'un imaginaire zouglou) | |
| Intel'actuel: revue de lettres et sciences humaines. #11. p. 153-176. |
| Bassalè, Gérard; Franken, Marlijn (eds.) (2012) |
| The journey |
| Cultural Centre OUADA. |
| Coutelet, Nathalie (2012) |
| Féral Benga: de la danse nègre à la chorégraphie africaine | |
| Cahiers d'études africaines. Volume 52 #205. p. 199-215. |
| Grabski, Joanna (ed.) (2012) |
| Market imaginary | |
| Bloomington, IN: Indiana University Press. |
| Gray, Stephen (2012) |
| Noel Langley & Co.: some South Africans in showbiz abroad |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 16-26. |
| Heidenreich-Seleme, Lien; O'Toole, Sean (eds.) (2012) |
| Über(w)unden: art in troubled times | |
| Auckland Park: Jacana Media. 269p. |
| Makhubu, Nomusa M. (2012) |
| Violence and the cultural logics of pain: representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi |
| Critical Arts: A Journal of Media Studies. Volume 26 #4. p. 504-524. |
| Ndagire, Mariam; Jaubarl, Zziwa Dungu (eds.) (2012) |
| Dear Mum: courage will walk you against stormy winds |
| Kampala: Trendz Studios. |
| Wasamba, Peter; Sihanya, Bernard (2012) |
| What do Kenyan artists get for their skill? Reforming compensation under copyright |
| Journal of African Cultural Studies. Volume 24 #2. p. 171-183. |
| Bhanji, Shams (ed.) (2011) |
| Zamora |
| Zanzibar: ZG Films. |
| Garb, Tamar (ed.) (2011) |
| Figures & fictions: contemporary South African photography | |
| Göttingen: Steidl. 312p. |
| Hoffmann, Nancy; Schau, Didier; Simon, Njami; Mba Bikoro, Nathalie; Malinda, Ato (eds.) (2011) |
| Ato Malinda | |
| Nairobi: Goethe-Institut Kenya. Contact zones NRB #4. 128p. |
| Aka-Evy, Jean-Luc (2010) |
| Les arts au creuset de la pensée congolaise contemporaine | |
| Cahiers d'études africaines. Volume 50 #198-200. p. 1215-1240. |
| Diop, Wasis (ed.) (2010) |
| Joe Ouakam: soul feast | |
| Dakar: DDM Productions. |
| Farber, Leora; Bishop, Ryan (eds.) (2010) |
| The address of the other: the body and the senses in contemporary South African visual art |
| Critical Arts: A Journal of Media Studies. Volume 24 #3. p. 303-485. |
| Glassie, Henry (2010) |
| Prince Twins Seven-Seven: his art, his life in Nigeria, his exile in America | |
| Bloomington, IN: Indiana University Press. 474p. |
| Hervieu-Wane, Fabrice (2010) |
| Made in Dakar: actualité de la culture sénégalaise | |
| Dakar: La Rochette. 319p. |
| Lopes, Leão (2010) |
| Bitú | |
| Lussas: DocNet. |
| Muholi, Zanele; Goldsmid, Peter (eds.) (2010) |
| Difficult love |
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| Okeke-Agulu, Chika (2010) |
| Contemporary African art history and the scholarship: Nka roundtable II |
| Nka: Journal of Contemporary African Art. #26. p. 81-151. |
| Sani, Elhadj Magori (2010) |
| Koukan Kourcia: le cri de la tourterelle |
| Merignac: La SMAC. |
| Siegert, Nadine (2010) |
| António Ole: from the border of the city to the shore of the island |
| Nka: Journal of Contemporary African Art. #26. p. 38-47. |
| Vallet, Alíenor (ed.) (2010) |
| Bô, l'empreinte du rythme |
| Regards Entrecroisés Nord Sud. |
| Anonymous (2009) |
| Beyond stone: Chikabadwa's sculpture | |
| WASI: [bulletin]. Volume 19 #2. April. p. 4-6. |
| Gibson, N.J. (2009) |
| Making art, making identity: moving beyond racialised perceptions of identity through collaborative exhibition in the new South Africa |
| South African Historical Journal. Volume 61 #3. p. 594-620. |
 | Little, Roger (ed.) (2009) |
| Lucie Cousturier, les tirailleurs sénégalais et la question coloniale: actes du colloque international tenu à Fréjus les 13 et 14 juin 2008, augmentés de lettres adressées à Paul Signac et Léon Werth | |
| Paris: L'Harmattan. 340p. |
| Saint-Lary, Maud (ed.) (2009) |
| Entrepreneurs et entreprises en quête de normes = Entrepreneurs and enterprises in search of norms | |
| Münster: Lit Verlag. Bulletin #29-30. 153p. |
| Sylla, Abdou (2009) |
| Cahier critique pour Iba Ndiaye | |
| Éthiopiques: revue socialiste de culture négro-africaine. #83. p. 225-308. |
 | Wetaba, Aggrey Nganyi R. (2009) |
| Kenyan hip-hop as a site of negotiating urban youth identities in Nairobi | |
| Göttingen: Sierke Verlag. 450p. |
| Anonymous (2008) |
| Dramatizing our folk stories: an interview | |
| WASI: [bulletin]. Volume 18 #2. April. p. 9-11. |
| Anonymous (2008) |
| Stories told in the wilderness | |
| WASI: [bulletin]. Volume 18 #2. April. p. 4-8. |
| Assegued, Meskerem (2008) |
| A retrospective observation of Elias Sime | |
| African Identities. Volume 6 #4. p. 477-504. |
| Cloete, Nadine Angel (ed.) (2008) |
| Jitsfinger: maak it aan |
| UCT Honours Production. |
| Coutelet, Nathalie (2008) |
| Habib Benglia et le cinéma colonial |
| Cahiers d'études africaines. Volume 48 #191. p. 531-547. |
| Coutelet, Nathalie (2008) |
| Habib Benglia, idole noire du music-hall | |
| Revue africaine: philosophie/art, littérature/linguistique, sociologie/économie. #3. p. 35-46. |
| Manga, Lionel (2008) |
| L'ivresse du papillon: le Cameroun aujourd'hui: ombres et lucioles dans le sillage des artistes | |
| Servoz: Artistafrica/Édimontagne. 211p. |
| Miliani, Hadj; Obadia, Lionel (eds.) (2008) |
| Art et transculturalité au Maghreb: incidences et résistances: Actes de la journée d'études organisée par le Centre de recherches en anthroplogie sociale et culturelle (CRASC) et le réseau Diversité des expressions culturelles et artistiques et mondialisations (DCAM) de l'Agence universitaire de Francophonie, Oran, 2-3 décembre 2006 | |
| Paris: Agence universitaire de la Francophonie (AUF). AS actualité scientifique. 142p. |
| Segokgo, B. (2008) |
| Power in the Voice serenades Gaborone | |
| Kutlwano. Volume 46 #10. October. p. 28-29. |
| Sylla, Abdou (2008) |
| Les arts plastiques sénégalais contemporains: évolutions et tendances (2ème partie) | |
| Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 219-243. |
| Sylla, Abdou (2008) |
| Les arts plastiques sénégalais contemporains: évolution et tendances (1ère partie) | |
| Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 269-292. |
| Anonymous (2007) |
| AIDS art in 3D | |
| WASI: [bulletin]. Volume 17 #2. April. p. 19-21. |
| Brahima, Issa Traore de; Ilboudo, Flora (eds.) (2007) |
| Le monde est un ballet | |
| Sahelis Productions. |
| Burnet, Éliane (2007) |
| Ndary Lô, un art des passages | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 269-279. |
| Kinsella, Joseph James (2007) |
| Carving identity: artistic traditions and aesthetic knowledge in contemporary Zimbabwe | |
| Ann Arbor, MI: UMI Dissertation Services. 266p. |
| Kringelbach, Hélène Neveu (2007) |
| 'Le poids du succès': construction du corps, danse et carrière à Dakar | |
| Politique africaine. #107. p. 81-101. |
| Motlatshiping, M. (2007) |
| The rise and rise of Maitisong Festival | |
| Kutlwano. Volume 48 #3. March. p. 12-13. |
| Nagy, Rebecca Martin (2007) |
| Continuity and change: three generations of Ethiopian artists | |
| Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida. 124p. |
| Robins, Steven (2007) |
| 'Can't forget, can't remember': reflections on the cultural afterlife of the TRC |
| Critical Arts: A Journal of Media Studies. Volume 21 #1. p. 125-151. |
| Wiles, Colette (2007) |
| Robert Paul | |
| Heritage of Zimbabwe. #26. p. 102-112. |
| Anonymous (2006) |
| AIDS on canvass | |
| WASI: [bulletin]. Volume 17 #1. December. p. 12-14. |
| Anonymous (2006) |
| The evolution of Mai nyamuleni | |
| WASI: [bulletin]. Volume 16 #3. August. p. 11-14. |
| Anonymous (2006) |
| The WESM art exhibition | |
| WASI: [bulletin]. Volume 16 #2. April. p. 12-13. |
| Bouayed, Anissa (2006) |
| A l'ombre d'Alger: l'intrusion silencieuse des artistes algériens dans les lieux culturels de la cité oranaise |
| Insaniyat: revue algérienne d'anthropologie et de sciences sociales. Volume 10 #32-33. p. 155-172. |
| Eyene, Christine (2006) |
| L'art de la lutte |
| Africultures. #66. p. 110-119. |
| Galeage, L. (2006) |
| Thapong the home of art | |
| Kutlwano. Volume 47 #8. August. p. 10-11. |
| Search: su=artists | ||||||||
| Found: 269 | Record 1-100 | |
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