AfricaBib 
bibliographic database
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| Search: su=body arts | ||||||||
| Found: 19 | Record 1-19 | |||||||
 | Beckwith, Carol; Fisher, Angela; Fitzgerald, Mary Anne (eds.) (2012) |
| Painted bodies: African body painting, tattoos & scarification | |
| New York: Rizzoli. 288p. |
 | Fayers-Kerr, Kate Nialla (2012) |
 | The 'miranda' and the 'cultural archive': from Mun (Mursi) lip-plates, to body painting and back again |
| Paideuma. Volume 58. p. 245-259. |
| LaTosky, Shauna (2012) |
| A form of self-harm? Opening the dialogue on 'harmful cultural practices' in southern Ethiopia |
| Paideuma. Volume 58. p. 229-244. |
| Mpako, Mombeko Penelope (ed.) (2011) |
| Ceremonial usage of clays for body painting according to traditional Xhosa culture |
 | Indilinga: African Journal of Indigenous Knowledge Systems. Volume 10 #2. p. 235-244. |
| Matike, D.M.E.; Ekosse, G.I.; Ngole, V.M. (2010) |
| Indigenous knowledge applied to the use of clays for cosmetic purposes in Africa: an overview | |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 9 #2. p. 138-150. |
| Fokuo, J. Konadu (2009) |
| The lighter side of marriage: skin bleaching in post-colonial Ghana |
| African and Asian Studies. Volume 8 #1-2. p. 125-146. |
| Fokuo, J. Konadu (2009) |
| The lighter side of marriage: skin bleaching in post-colonial Ghana | |
| Research Review. Volume 25 #1. p. 51-73. |
| Babou, Cheikh Anta (2008) |
| Migration and cultural change: money, 'caste', gender, and social status among Senegalese female hair braiders in the Untied States |
| Africa Today. Volume 55 #2. p. 3-22. |
| Utoh-Ezeajuh, Tracie (2008) |
| Traditional body design idioms and multimedia application: the Igbo 'uli' art form | |
| African Performance Review. Volume 2 #2-3. p. 65-84. |
| Lesourd, Céline (2007) |
| 'Capital beauté': de quelques riches femmes maures | |
| Politique africaine. #107. p. 62-80. |
 | Klemm, Peri Marka (2003) |
| Shaping the future, wearing the past: dress and the decorated female body among the Afran Qallo Oromo in eastern Hararghe, Ethiopia | |
| Ann Arbor, MI: UMI. 259p. |
| Peller, Anni (2003) |
| No pain no gain: zur Verbesserung sozialer Chancen durch das Ertragen von Schmerz | |
| Afrika Spectrum. Volume 38 #2. p. 197-214. |
| Becker, Cynthia Jeanne (2002) |
| Arts, gender and changing constructions of Amazigh (Berber) identity: the Ait Khabbash of southeastern Morocco, 1930-1999 | |
| Ann Arbor, MI: UMI. 434p. |
| Coquet, Michèle (1994) |
| L'envers du regard | |
| Journal des africanistes. Volume 64 #2. p. 39-63. |
| Sylla, Abdou (1986) |
| Pratiques mutilantes et féminité: questions d'esthétique de la femme africaine | |
| Bulletin de l'Institut Fondamental d'Afrique Noire, Série B: Sciences humaines. Volume 46 #3-4. p. 305-342. |
| Fisher, Angela (1984) |
| Africa adorned | |
| London: Collins. Africa. 304p. |
| Omari, C.K. (1974) |
| In the name of culture | |
| Tanzania Notes and Records. Volume 74. p. 11-17. |
| Faris, James C. (1972) |
| Nuba personal art | |
| London: Duckworth. Art and society series. |
 | Lafargue, Fernand (ed.) (19**) |
| La fête de Dipri | |
| Paris: Comité du film ethnographique. |
| Search: su=body arts | ||||||||
| Found: 19 | Record 1-19 | |||||||
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