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bibliographic database
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 | Jayathilake, Chitra (2018) |
 | Muselmann: Incarceration and the mobilised body in Athol Fugard, John Kani and Winston Ntshona's 'The Island' |
| African Studies. Volume 77 #4. p. 607-625. |
| Akinyemi, Akintunde (2016) |
| Names and naming characters in African-language dramaturgy: the Yoruba example |
 | African Identities. Volume 14 #3. p. 242-254. |
| Akoh, Ameh Dennis (2016) |
| Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
| African Performance Review. Volume 8 #1. p. 17-29. |
 | Anwar, Nadia (2016) |
| Dynamics of distancing in Nigerian drama: a functional approach to metatheatre | |
| Stuttgart: Ibidem-Verlag. Studies in world literature #1. 256p. |
| Godin, Marie (2016) |
| Theatre and photography as new contentious repertoires of Congolese women in the diaspora: towards another politics of representation of rape |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 101-127. |
| Hutchison, Yvette (2016) |
| South African performance and archives of memory | |
| Manchester: Manchester University Press. Theatre, theory - practice - performance. 238p. |
| Kenya Film Classification Board (KFCB) (2016) |
| Films, stage plays and publications act [draft] |
| Nairobi: Kenya Film Classification Board (KFCB). |
| Mangosho, Tatenda; Chivandikwa, Nehemia; Mlenga, Tafadzwa (2016) |
| Radical acting techniques in Zimbabwean street theatre: implications on audience criticality | |
| Journal for Studies in Humanities and Social Sciences. Volume 5 #2. p. 26-36. |
| Osofisan, Femi (2016) |
| Insidious treasons and beyond: forty years of alternative theatre in Nigeria (essays) | |
| Ibadan: Bookcraft. 239p. |
| Seda, Owen (2016) |
| Grotesque realism in Dambudzo Marechera's drama |
| The English Academy Review. Volume 33 #1. p. 97-108. |
| Adebiyi, Kazeem (2015) |
| A critique of South Africa Truth and Reconciliation in John Kani's 'Nothing but the truth' | |
| Okike: an African Journal of New Writing. #53. p. 89-105. |
| Anyachonkeya, Ngozi (ed.) (2015) |
| A lion on the 'Ijele' dance: a festschrift in honour of Professor P. Emeka Nwabueze | |
| Abakaliki, Ebonyi State: Ojiiaka Press. 337p. |
| Appiah-Adjei, Daniel (2015) |
| Treasure on the shelves and the stage longs for new plays and playwrights | |
| Journal of Performing Arts. Volume 5 #1. p. 7-32. |
| Dan-Inna, Chaïbou (2015) |
| Yazi Dogo et l'art du théâtre populaire au Niger | |
| Paris: L'Harmattan. Culture africaine. 256p. |
| Keuris, Marisa (2015) |
| Twee Fischers, twee dramas: 'Die geheime Bloemfontein-konferensie' (1938) en 'Die Bram Fischer-wals' (2011) = Two fischers, two plays: 'The secret Bloemfontein conference' (1938) and 'Die Bram Fischer waltz' (2011) | |
| Tydskrif vir letterkunde. Volume 52 #2. p. 48-60. |
| Lewis, Megan; Krueger, Anton (eds.) (2015) |
| Magnet theatre: three decades of making space | |
| Bristol: Intellect. 304p. |
| Ricard, Alain (2015) |
| Wole Soyinka et Nestor Zinsou: de la scène à l'espace public: politique et religion | |
| Paris: Karthala. Lettres du Sud. 190p. |
| Banham, Martin; Gibbs, James Morel; Osofisan, Femi (eds.) (2014) |
| Ngugi wa Thiong'o & Wole Soyinka | |
| Oxford: James Currey. African theatre #13. 128p. |
| Barnaby, Andrew (2014) |
| 'The purest mode of looking': (post)colonial trauma in Wole Soyinka's Death and the King's Horseman |
| Research in African literatures. Volume 45 #1. p. 125-149. |
| Bello, Hakeem (2014) |
| The interpreters: ritual, violence and social regeneration in the writing of Wole Soyinka | |
| Ibadan: Kraft Books Limited. 177p. |
| Canut, Cécile; Sow, Alioune (2014) |
| 'Nous nous appelons les voyageurs': mise en scène des parcours migratoire dans le théâtre des réfugiés d'Afrique centrale à Bamako | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 383-414. |
| Diala, Isidore (ed.) (2014) |
| Syncretic arenas: essays on postcolonial African drama and theatre for Esiaba Irobi | |
| Amsterdam: Rodopi. Cross/cultures #177. 369p. |
| Doh, Emmanuel Fru (2014) |
| The Obasinjom warrior: the life and works of Bate Besong | |
| Mankon: Langaa Research & Publishing CIG. 213p. |
 | Evouna, Jacques; Essono, Louis Martin Onguéné (eds.) (2014) |
| Au coeur du verbe: discours, syntaxe et didactique | |
| Mosaïques. #2. 87p. |
| Faï, Gilbert Tarka (2014) |
| Female representation and gender dynamics in Commonwealth drama: African and Caribbean perspectives | |
| Rhumsiki: revue scientifique de la Faculté des lettres et sciences humaines de l'Université de Maroua. #1. p. 69-82. |
| Le Lay, Maëline (2014) |
| 'La parole construit le pays': théâtre, langues et didactisme au Katanga (République démocratique du Congo) | |
| Paris: Honoré Champion éditeur. Francophonies #4. 490p. |
 | Mbwangi Mbwangi, Julien (2014) |
| Le théâtre africain et ses caractéristiques: analyse de quelques critères définitoires à travers le théâtre urbain kikongophone |
| Bruxelles: Université libre de Bruxelles. 439p. |
| Mehta, Brinda (2014) |
| Commemorating the 'disappeared': maternal activism and the Algerian civil war in Fatima Bourega-Gallaire's 'La beauté de l'icône' |
| Research in African Literatures. Volume 45 #2. p. 26-45. |
| Milton, Viola Candice (2014) |
| Histories of becoming: 'Donkerland' re-members South Africa |
| Communicatio: South African journal for communication theory and research. Volume 40 #4. p. 323-344. |
| Nkealah, Naomi (2014) |
| Women's contribution to the development of Anglophone Cameroonian drama: the plays of Anne Tanyi-Tang |
| Research in African Literatures. Volume 45 #2. p. 122-134. |
| Ojukwu, Chinyelu Florence (2014) |
| The politics of Apartheid and the new South Africa: an exploration of selected plays of Athol Fugard | |
| Port Harcourt: University of Port Harcourt Press. 174p. |
| Rubira, Virginie (2014) |
| Les mythes dans le théâtre de Wajdi Mouawad et Caya Makhélé | |
| Acoria éditions. 180p. |
| Sall, El Hadj Abdoulaye (2014) |
| L'histoire comme base argumentatif dans le théâtre africain francophone post colonial: l'exemple des pièces historiques: 'Béatrice du Congo' de Bernard Dadié, 'Les Sofas' de Bernard Z. Zaourou, 'L'exil d'Alboury' de Cheick Aliou Ndao, 'La tragédie du roi' d'Aimé Césaire, 'Lat Dior ou le chemin de l'honneur' de Thierno Bâ | |
| Sophia: la revue du Laboratoire de Littérature Comparée. #2. p. 230-269. |
| Terega, Lealem Berhanu; Solomon, Mahlet (2014) |
| Religious, political and cultural influences on the first Ethiopian playwright, Teklehawariat Teklemariam and his play 'Fabula: Yawreoch Commedia' |
| Journal of African Cultural Studies. Volume 26 #3. p. 276-286. |
| Tobrise, Mabel (2014) |
| Nigerian feminist theatre: essays on female axes in contemporary Nigerian drama | |
| Ibadan: Wits Publishing Ltd. 208p. |
| Willan, Brian (2014) |
| 'Implanting the better instincts of civilisation'? Black South Africans and Shakespeare in Victorian Grahamstown |
| Journal of African Cultural Studies. Volume 26 #1. p. 1-14. |
| Adjidahun, C.O. (2013) |
| Femi Osofisan tackles graft and corruption: a reading of his socially committed plays |
| Tydskrif vir letterkunde. Volume 50 #2. p. 111-123. |
| Barnes, Hazel (ed.) (2013) |
| Applied drama and theatre as an interdisciplinary field in the context of HIV/AIDS in Africa |
| Matatu: Journal for African Culture and Society. Volume 43. 294p. |
| Chinyowa, Kennedy C. (2013) |
| A Matter of 'Knowledge in the Blood'? Unperforming Racial and Ethnic Prejudice in Tertiary Educational Spaces in South Africa |
| African Conflict and Peacebuilding Review. Volume 3 #2. p. 91-109. |
| Coetser, Johan (2013) |
| Voorstellings van geweld in Slaghuis (2007) en Skrapnel (2011) deur dramaturg Willem Anker = Representations of violence in Slaghuis (2007) and Skrapnel (2011) by playwright Willem Anker | |
| Tydskrif vir geesteswetenskappe. Volume 53 #1. p. 45-59. |
| Djisenu, John (2013) |
| Sizwe Bansi is Dead: mirroring the paradox of the living-dead in Apartheid South Africa | |
| Journal of Performing Arts. Volume 4 #4. p. 73-89. |
| Ehiemua, Kingsley I. (2013) |
| Essence and multi-lingualism in the plays of Sam Ukala | |
| Journal of Performing Arts. Volume 4 #4. p. 91-102. |
 | Eyoh, Hansel Ndumbe; Lyonga, Nalova; Azeyeh, Albert (eds.) (2013) |
| Critical perspectives on Cameroon writing | |
| Mankon: Langaa Research & Publishing CIG. 554p. |
| Julius-Adeoye, Rantimi Jays (2013) |
| The drama of Ahmed Yerima: studies in Nigerian theatre |
| Leiden University. Ph.D. dissertation (2013-05-08). 263p. |
| Kamuri, Peter Kairu; Ngatia, Antony (2013) |
| Benchmark study guide to Betrayal in the city (Francis Imbuga) | |
| Nairobi: Benchmark Education. 91p. |
| Oloruntoba-Oju, Omotayo (2013) |
| From 'Alarinjo' to 'Arugba': continuities in indigenous Nigerian drama | |
| African Identities. Volume 11 #4. p. 395-406. |
| Osofisan, Femi (2013) |
| Black Dionysos: conversations with Femi Osofisan | |
| Ibadan: Kraft Books Limited. 337p. |
| Plastow, Jane; Banham, Martin (eds.) (2013) |
| Shakespeare in & out of Africa | |
| Woodbridge, Suffolk: James Currey. African theatre #12. 194p. |
| Sankharé, Oumar (2013) |
| Regard sur les oeuvres de Alioune Badara Bèye: 1974 - 2009 (essai, poésie, roman, théâtre) | |
| Dakar: Editions Maguilen. 88p. |
| Thérésine, Amélie (2013) |
| Le théâtre de Dieudonné Niangouna: corps en scène et en parole | |
| Châtenay-Malabry: Acoria éditions. 151p. |
| Weyenberg, Astrid van (2013) |
| The politics of adaptation: contemporary African drama and Greek tragedy | |
| Amsterdam: Rodopi. Cross/cultures #165. |
| Ajidahun, C.O. (2012) |
| Femi Osofisan's discourse on pan-Africanism and reconciliation in 'Nkrumah-Ni...Africa-Ni' and 'Reel, Rwanda' |
| Tydskrif vir letterkunde. Volume 49 #2. p. 89-98. |
| Chinyowa, Kennedy C. (2012) |
| Un-performing racial and ethnic prejudice in tertiary institutional spaces in South Africa | |
| African Performance Review. Volume 6 #2. p. 43-57. |
| Chumbe, Charles; Kisilu, Anne Syomwene; Mulwa, David (2012) |
| A literature workbook on David Mulwa's play: Redemption | |
| Saarbrücken: LAP Lambert Academic Publishing. 67p. |
| Fugard, Athol (2012) |
| Millstones or milestones? The journey of a South African bastard |
| The English Academy Review. Volume 29 #1. p. 5-18. |
| Gnaoulé-Oupoh, Bruno (2012) |
| Bernard Zadi Zaourou, poète et dramaturge ivoirien | |
| Paris: L'Harmattan. Espaces littéraires. 147p. |
| Gover, Daniel (2012) |
| Wole Soyinka: dance master of appetite | |
| JALA: the Journal of the African Literature Association. Volume 7 #1. p. 25-34. |
| Mugubi, John; Kebaya, Charles (eds.) (2012) |
| African drama & theatre: a criticism | |
| Nairobi: Focus Publishers Ltd. 171p. |
| Ojukwu, Chinyelu (2012) |
| The politics of power and the struggle for self-assertation: Tess Onwueme's 'The reign of Wazobia'; Akachi Adimora-Ezeigbo's 'Hands that crush stone' and Julie Okoh's 'Edewede' | |
| JALA: the Journal of the African Literature Association. Volume 7 #2. p. 147-163. |
| Pype, Katrien (ed.) (2012) |
| The making of the Pentecostal melodrama: religion, media and gender in Kinshasa | |
| New York, NY: Berghahn Books. Anthropology of media 6. 331p. |
| Secovnie, Kelly O. (2012) |
| Translating culture in West African drama |
| Journal of African Cultural Studies. Volume 24 #2. p. 237-247. |
| Udengwu, Ngozi; Ukaegbu, Victor (eds.) (2012) |
| Women in Nigerian theatre | |
| African Performance Review. Volume 6 #1. 128p. |
| Adekannbi, Gills Oluwatosin (2011) |
| Re-enacting Oedipus Rex with Yoruba witticism | |
| Drumspeak: international journal of research in the humanities. Volume 4 #1-2. p. 56-74. |
| Bühler-Dietrich, Annette; Mandé, Hamadou (2011) |
| The artist as educator: the oeuvre of Jean-Pierre Guingané | |
| African Performance Review. Volume 5 #2. p. 78-94. |
| Collier, Gordon (ed.) (2011) |
| Spheres public and private: Western genres in African literature |
| Matatu: Journal for African Culture and Society. Volume 39. 712p. |
| Diala, Isidore (2011) |
| Esiaba Irobi's legacy: theory and practice of postcolonial performance |
| Research in African Literatures. Volume 42 #4. p. 20-38. |
| Fofié, Jacques Raymond (2011) |
| Théâtre camerounais et africain de l'émi-immigration au XXIe siècle | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. Volume 1 #12. p. 145-188. |
| Makokha, J.K.S.; Kabaji, Egara; Dipio, Dominica (eds.) (2011) |
| East African literature: essays on written and oral traditions | |
| Berlin: Logos Verlag. 513p. |
| Makokha, J.K.S.; Obiero, Ogone John (eds.) (2011) |
| Style in African literature: essays on literary stylistics and narrative styles | |
| Amsterdam: Rodopi. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft #154. 444p. |
| Nwabueze, Emeka (2011) |
| Visions and re-visions: selected discourses on literary criticism | |
| Enugu: ABIC Books. 304p. |
| Yerima, Ahmed (2011) |
| Issues and development in contemporary Nigerian drama and theatre practice | |
| African Performance Review. Volume 5 #1. p. 36-44. |
| Ball, Jeremy (2010) |
| The 'Three Crosses' of mission work: fifty years of the American Board of Commissioners for Foreign Missions (ABCFM) in Angola, 1880-1930 |
| Journal of Religion in Africa. Volume 40 #3. p. 331-357. |
| Chivandikwa, Nehemia (2010) |
| Dialects and dynamics of religion in theatre: reflections on gender and sexuality in selected Zimbabwean theatrical performances | |
| Journal for the Study of Religion. Volume 23 #1-2. p. 131-149. |
| Coetser, J.L. (2010) |
| Dramakroniek 2008-9 = Drama chronicle 2008-9 | |
| Tydskrif vir geesteswetenskappe. Volume 50 #3. p. 383-403. |
| Conteh-Morgan, John; Almeida, Irène Assiba d' (eds.) (2010) |
| 'The original explosion that created worlds': essays on Werewere Liking's art and writings | |
| Amsterdam: Rodopi. Francopolyphonies #8. 363p. |
| Flockemann, Miki (2010) |
| The everyday experience of xenophobia: performing 'The Crossing' from Zimbabwe to South Africa |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 245-259. |
| Hutchison, Yvette; Plastow, Jane (eds.) (2010) |
| Histories 1850-1950 | |
| Oxford: James Currey. African theatre #9. 183p. |
| Kanoute, Oumar (2010) |
| Identité et mondialité: la réception Bambara de 'La tragédie du Roi Christophe' | |
| Les cahiers de Mande Bukari. #19. 51p. |
| Kasule, Sam (2010) |
| 'Your experience is your only truth': Elvania Namukwaya Zirimu 1939-1980 | |
| African Performance Review. Volume 4 #2. p. 7-22. |
| Rapoo, Connie (2010) |
| Staging sacrifice: performing history, memory, and ancestral culture in four African ritual plays | |
| Marang: Journal of Language and Literature. #20. p. 167-175. |
| Udengwu, Ngozi (2010) |
| Cultural literacy and educational empowerment of women in the 21st century: a study of 'Into the world', 'Nneora: an African doll's house' and 'Our wife is not a woman' | |
| African Performance Review. Volume 4 #1. p. 35-50. |
| Abubakar, Abdullahi S. (2009) |
| A new concept of actor/audience interaction and audience participation in modern African dramatic theater: an example of Osofisan |
| Research in African Literatures. Volume 40 #3. p. 174-185. |
| Adedimeji, Mahfouz A. (2009) |
| Nigerian pidgin as a national language: a thematic appraisal of Segun Oyekunle's 'Katakata for sofahead' and Ola Rotimi's 'Grip am' | |
| Drumspeak: international journal of research in the humanities. Volume 2 #3. p. 1-27. |
| Akyea, Gladys Mansa F.; Asante, Comfort (2009) |
| Women in the works of two Ghanaian dramatists: Fiawoo F.K. and Danquah J.B. | |
| Drumspeak: international journal of research in the humanities. Volume 2 #2. p. 72-92. |
| Bamidele, Lanre (2009) |
| Grotesque and mirthless humour in 'Midnight Hotel' and 'Morning yet on Judgement Day' | |
| African Performance Review. Volume 3 #1. p. 59-73. |
| Caulker, Tcho Mbaimba (2009) |
| Shakespeare's 'Julius Caesar' in Sierra Leone: Thomas Decker's 'Juliohs Siza', Roman politics, and the emergence of a postcolonial African State |
| Research in African Literatures. Volume 40 #2. p. 208-227. |
| Crow, Brian (2009) |
| 'African Brecht' |
| Research in African Literatures. Volume 40 #2. p. 190-207. |
| Ebewo, Patrick J. (2009) |
| Satire: a shifting paradigm in Zakes Mda's dramaturgy |
| The English Academy Review. Volume 26 #2. p. 25-37. |
| Kasule, Sam (2009) |
| More than just musical plays: intersections of politics and folklore in Byron Kawadwa's theatre | |
| African Performance Review. Volume 3 #1. p. 39-58. |
| Mwangi, Evan (2009) |
| Amandina Lihamba's gendered adaptation of Sembene Ousmane's 'The money-order' |
| Research in African Literatures. Volume 40 #3. p. 149-173. |
| Odhiambo, Christopher (2009) |
| Whose nation? Romanticizing the vision of a nation in Bole Butake's 'Betrothal without Libation' and 'Family Saga' |
| Research in African Literatures. Volume 40 #2. p. 159-172. |
| Okoye, Chukwuma (ed.) (2009) |
| In black and white | |
| African Performance Review. Volume 3 #2-3. 147p. |
| Asiedu, Awo Mana (2008) |
| Returning to the 'motherland', illusions and realities: a study of Aidoo's 'The dilemma of a ghost' and Onwueme's 'Legacies/The missing face' | |
| Legon Journal of the Humanities. Volume 19. p. 1-19. |
| Diakhaté, Ousmane (2008) |
| Léopold Sédar Senghor et le théâtre | |
| Annales de la Faculté des lettres et sciences humaines. #38. p. 289-298. |
| Dotson-Renta, Lara N. (2008) |
| Translated identities: writing between Morocco and Spain |
| The Journal of North African Studies. Volume 13 #4. p. 429-439. |
| Irobi, Esiaba (ed.) (2008) |
| Special issue on Wole Soyinka | |
| Philosophia Africana. Volume 11 #1. 88p. |
| Jedlowski, Allessandro (2008) |
| Violenza, teatro e resistenza: un breve percorso attraverso l'opera di Dieudonné Niangouna | |
| Studia Africana. #19. p. 134-139. |
| Maphumulo, A.M. (2008) |
| An analysis of a plot structure of D.B.Z. Ntuli's radio trilogy: 'Isivumelwano', 'Isivumelwano Esisha' and 'Ngenxa Yesivumelwano' | |
| Viva Africa. p. 91-99. |
| Njogu, Kimani (2008) |
| Getting heard: [re]claiming performance space in Kenya | |
| Nairobi: Twaweza. Art, culture & society series #3. 192p. |
| Omoregie, F.-K. (2008) |
| Styles and levels of acting in Zimbabwean traditional performances | |
| Marang: Journal of Language and Literature. #18. p. 121-136. |
| Search: su=drama | ||||||||
| Found: 246 | Record 1-100 | |
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