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Found: 48 | Record 1-48 |
Devlieger, Clara (2018) | |
Rome and the Romains: laughter on the border between Kinshasa and Brazzaville | |
Africa: Journal of the International African Institute. Volume 88 #1. p. 160-182. |
Nick, Paige (2017) | |
Unpresidented: a comedy of errors | |
N&B Books. 213p. |
Delamere, Hugh (2016) | |
Not in the history books | |
Naivasha: Old Africa Books. 123p. |
Dlanga, Khaya (2016) | |
To quote myself: a memoir | |
Johannesburg: Macmillan. 227p. |
Frankland, Stan (2016) | |
The Pygmy mimic | |
Africa: Journal of the International African Institute. Volume 86 #3. p. 552-570. |
Hadj-Naceur, Malika (2016) | |
La dérision comme stratégie d'écriture: l'exemple des littératures africaines et antillaises de langue française | |
Paris: Éditions Karthala. Lettres du Sud. 499p. |
Hernann, Andrew (2016) | |
Joking through hardship: humor and truth-telling among displaced Timbuktians | |
African Studies Review. Volume 59 #1. p. 57-76. |
Maas, Deon (2016) | |
Melk die heilige koeie: van baarde en banting tot Zupta en zol | |
Kaapstad: Tafelberg. 244p. |
Nwosu, Maik (2016) | |
The comic imagination in modern African literature and cinema: a poetics of laughter | |
New York: Routlege. Routledge interdisciplinary perspectives on literature #62. 147p. |
Obadare, Ebenezer (2016) | |
Humor, silence, and civil society in Nigeria | |
Rochester, NY: University of Rochester Press. Rochester studies in African history and the diaspora. 177p. |
Parsons, Neil (2016) | |
Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 | |
Journal of African Cinemas. Volume 8 #2. p. 133-154. |
Swanepoel, Rilette (2016) | |
Everybody hurts: abjection, pain and laughter in Ivan Vladislavic's 'Courage' | |
Critical Arts: A Journal of Media Studies. Volume 30 #5. p. 672-688. |
Irwin, Ronald (2015) | |
Santam and Nando's: an advertising narrative of local humour, local conflict, local co-branding | |
Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 506-522. |
McKinnon, June (2015) | |
Wine, women and Good Hope: a history of scandalous behaviour at the Cape | |
Cape Town: Zebra Press. 198p. |
Nouhou, Idi (ed.) (2015) | |
Chronique dessinée pour le petit peuple | |
Lussas: DocNet. |
Pype, Katrien (2015) | |
Funerary comedies in contemporary Kinshasa: social difference, urban communities and the emergence of a cultural form | |
Africa: Journal of the International African Institute. Volume 85 #3. p. 457-477. |
Dahico, Adama (2014) | |
Eh djah ! ma vieille !: dieu avant tout | |
Abidjan: NEI-CEDA éditions. 135p. |
Tchak, Sami (2014) | |
La couleur de l'écrivain: comédie littéraire | |
Ciboure: La Cheminante. Harlem renaissance. 221p. |
Cooper, Silvie; Dickinson, David (2013) | |
Just jokes!: icebreakers, innuendo, teasing and talking: the role of humour in HIV/AIDS peer education among university students | |
African Journal of AIDS Research. Volume 12 #4. p. 229-238. |
Dikderm, Stienie (2013) | |
The unauthorised history of South Africa | |
Cape Town: Zebra Press. 189p. |
Diouf, Nafissatou Dia (2013) | |
SocioBiz 2: chroniques encore plus irrévérencieuses ! | |
Dakar: TML Éditions. 214p. |
Diyen, Colin (2013) | |
Daddy | |
Mankon: Langaa Research & Publishing CIG. 117p. |
Guèye, Omar (2013) | |
Sanokho ou Le métier du rire | |
Paris: L'Harmattan. 150p. |
Tumusiime, James R. (2013) | |
What makes Africans laugh? Reflections of an entrepreneur in humour, media and culture | |
Kampala: Fountain Publishers. |
Zinsou, Edgar Okiki (2013) | |
La gouvernance concertee: comédie en trois actes | |
Lomé: Editions Continents. Collection Palabre. 113p. |
Chiumbu, Sarah; Musemwa, Muchaparara (eds.) (2012) | |
Crisis! what crisis? The multiple dimensions of the Zimbabwean crisis | |
Cape Town: Human Sciences Research Council. 286p. |
Ehikhamenor, Victor (2012) | |
Excuse me: one Nigerian's funny outsized reality | |
Lagos: Parrésia Publishers Ltd. 250p. |
Freimond, Craig; Apteker, Ronnie; Thorpe, Robbie; Moosa, RIaad (eds.) (2012) | |
Material | |
Johannesburg: Nu Metro Home Entertainment. Volume 94. |
Kuhlmann, Jenny (2012) | |
Zimbabwean diaspora politics and the power of laughter: humour as a tool for political communication, criticism and protest | |
Journal of African Media Studies. Volume 4 #3. p. 295-314. |
Manganga, Kudakwashe (2012) | |
The use of jokes and mobile telephony to create counter-publics in Zimbabwe | |
Journal of African Media Studies. Volume 4 #2. p. 243-255. |
Raji, Remi (2012) | |
Playful blasphemies: postproverbials as archetypes of modernity in Yorùbá culture | |
Trier: WVT, Wissenschaftlicher Verlag Trier. LuKA, Studien zu Literaturen und Kunst Afrikas #3. 168p. |
Ronnenberg, R. (2012) | |
'House of believers': irony and commensurability in Tanganyikan colonial discourse | |
African Identities. Volume 10 #1. p. 33-54. |
Fall, Ibou (2011) | |
Les égocrates: nous sommes gouvernés par leurs vanités | |
Dakar: Forte Impression. Sénégalaiseries et autres complications pour se simplifier la vie #4. 306p. |
Horn, Karen (2011) | |
'Stalag happy': South African prisoners of war during World War Two (1939-1945) and their experience and use of humour | |
South African Historical Journal. Volume 63 #4. p. 537-552. |
Wako, Fugich (2011) | |
Poetry, play and history: a critical appraisal of the Borana age-set joke performance | |
Egerton Journal of Humanities, Social Sciences and Education. Volume 10. p. 18-45. |
Fall, Ibou (2010) | |
Banc diakhlé | |
Dakar: Forte Impression. Sénégalaiseries et autres complications pour se simplifier la vie. 159p. |
Fall, Ibou (2010) | |
Dieu le pire | |
Dakar: I. Fall. Sénégalaiseries et autres complications pour se simplifier la vie. 138p. |
Nabwana, Isaac Godfrey Geoffrey (ed.) (2010) | |
Who killed captain Alex? | |
Kampala: Ramon Film Productions. |
Fall, Ibou (201*) | |
Le nouveau type de sénégalaiseries | |
Dakar: Forte Impression. Sénégalaiseries et autres complications pour se simplifier la vie #5. 161p. |
Bamidele, Lanre (2009) | |
Grotesque and mirthless humour in 'Midnight Hotel' and 'Morning yet on Judgement Day' | |
African Performance Review. Volume 3 #1. p. 59-73. |
Ndongo, Hyacynthe (ed.) (2009) | |
Maïagal 'la prìère' | |
Yaoundé: LN International. |
Obadare, Ebenezer (2009) | |
The uses of ridicule: humour, 'infrapolitics' and civil society in Nigeria | |
African Affairs: The Journal of the Royal African Society. Volume 108 #431. p. 241-261. |
Bivona, Rosalia (ed.) (2008) | |
Humour(s) et humeur(s) | |
Expressions maghrébines. Volume 7 #2. 171p. |
Glez, Aminata Diallo; Ndiaye, Mouna (eds.) (2008) | |
Super flics: Marc et Malika | |
Asnières: H & O Diffusion. |
Kola, Jean-François (2008) | |
Les chanteurs 'zouglou' de Côte d'Ivoire: des griots des temps modernes? | |
Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 27-52. |
Ndiaye, Christiane (ed.) (2008) | |
Rira bien... humour et ironie dans les littératures et le cinéma francophones | |
Montréal: Mémoire d'encrier. 300p. |
Ngonebu, Chinyere L. (2006) | |
Jokes and joking relationship in Chinua Achebe's novels | |
Okike: an African Journal of New Writing. #48. p. 137-161. |
Zeitz, Sophie; Wagenbreth, Henning (eds.) (2006) | |
Cry for help: 36 scam e-mails from Africa | |
Corte Madera, CA: Gingko Press. |
Search: su=humour | ||||||||
Found: 48 | Record 1-48 |
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