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Found: 482 | Record 101-200 |
Grové, Izak (ed.) (2013) | |
Stefans Grové: opstelle oor sy lewe en werk | |
Tydskrif vir geesteswetenskappe. Volume 53 #2. 265p. |
Jenje-Makwenda, Joyce (2013) | |
Women musicians of Zimbabwe: a celebration of women's struggle for voice and artistic expression | |
Harare: Joyce Jenje Makwenda. 194p. |
Lokin, Rob; Ouwehand, Ton; Lucas, Rob (eds.) (2013) | |
25 jaar Afrika in Hertme | |
Hertme: Werkgroep Afrikafestival. 168p. |
Lwanda, John; Kanjo, Chipo (2013) | |
Computers, culture and music: the history of the recording industry in Malawi | |
The Society of Malawi Journal. Volume 66 #1. p. 23-42. |
Martin, Denis-Constant (2013) | |
Sounding the Cape: music, identity and politics in South Africa | |
Cape Town: African Minds. 444p. |
Morgan, Andy (2013) | |
Music, culture and conflict in Mali | |
Copenhagen: Freemuse. 217p. |
Ofosu, Terry Bright Kweku (2013) | |
Rap culture and its parallels: the 'La kpa' and Akan praise singing in perspective | |
Journal of Performing Arts. Volume 4 #4. p. 41-54. |
Owoahene-Acheampong, Stephen (ed.) (2013) | |
African studies and knowledge production: a reader | |
Legon-Accra: Sub-Saharan Publishers, for the University of Ghana. University of Ghana readers, Arts & humanities series. 197p. |
Rutten, Kris; Van Dienderen, An; Soetaert, Ronald (eds.) (2013) | |
Special issue 1: Revisiting the ethnographic turn in contemporary art | |
Critical Arts: A Journal of Media Studies. Volume 27 #5. p. 459-626. |
Sum, Maisie (2013) | |
Music for the unseen: interaction between two realms during a Gnawa 'lila' | |
African Music Journal. Volume 9 #3. p. 151-182. |
Uil, Renske den (2013) | |
Music to the rescue: defining the meaning of music for youth in the context of human security in Kampala, Uganda | |
92p. |
Webster-Kogen, Ilana (2013) | |
Engendering homeland: migration, diaspora and feminism in Ethiopian music | |
Journal of African Cultural Studies. Volume 25 #2. p. 183-196. |
Whitmore, Aleysia K. (2013) | |
'Cuban music is African music': negotiating African and the African diaspora on the world music stage | |
African Music Journal. Volume 9 #3. p. 111-121. |
Bahuchet, Serge (ed.) (2012) | |
Identités 'pygmées' dans un monde qui change: questions et recherches actuelles | |
Journal des africanistes. Volume 82 #1-2. p. 5-205. |
Brito, Celso de (2012) | |
Berimbau's 'use value' and 'exchange value': Production and consumption as symbols of freedom in contemporary global Capoeira Angola | |
Vibrant: Virtual Brazilian Anthropology. Volume 9 #2. p. 103-127. |
Dahrendorf, Sibylle; Schlingensief, Christoph (eds.) (2012) | |
Knistern der Zeit: Christoph Schlingensief und sein Operndorf in Burkina Faso | |
Berlin: Filmgalerie 451. |
Glasser, Jonathan (2012) | |
Edmond Yafil and Andalusi Musical Revival in Early 20th Century Algeria | |
International Journal of Middle East Studies. Volume 44 #4. p. 671-692. |
Hashim, Muhammad Jalal (2012) | |
Sudanese music: a loud voice silenced by an inconvenient ideology: a historical review | |
Tinabantu: journal of African national affairs. Volume 4 #2. p. 37-43. |
Mhiripiri, Joyce Tsitsi (2012) | |
Towards an epistemology of management and economics in the Zimbabwean music industry | |
Journal of African Media Studies. Volume 4 #3. p. 339-355. |
Miller, Ivor L. (2012) | |
Bongó Itá: leopard society music and language in West Africa, Western Cuba, and New York City | |
African and Black Diaspora: An International Journal. Volume 5 #1. p. 85-103. |
Mukuna, Kazadi Wa (2012) | |
'Nsumwinu': meaning and role in the structural composition of melodies in the urban music of the Democratic Republic of the Congo | |
África: Revista do Centro de Estudos Africanos. Volume Especial. p. 199-210. |
Nannyonga-Tamusuza, Sylvia; Solomon, Thomas (eds.) (2012) | |
Ethnomusicology in East Africa: perspectives from Uganda and beyond | |
Kampala: Fountain Publishers. 255p. |
Olatunji, Michael Olutayo (2012) | |
Yorùbá proverbs and musicality | |
Legon Journal of the Humanities. Volume 23. p. 125-140. |
Pasler, Jann (2012) | |
Musical hybridity in flux: representing race, colonial policy, and modernity in French North Africa, 1860s-1930s | |
Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #20-21. p. 21-68. |
Ratiba, Matome M. (2012) | |
To copyright 'dikosa tsa setso' or not: pondering the challenges | |
Indilinga: African Journal of Indigenous Knowledge Systems. Volume 11 #2. p. 233-244. |
Barz, Gregory; Cohen, Judah M. (eds.) (2011) | |
The culture of AIDS in Africa: hope and healing in music and the arts | |
New York: Oxford University Press. 500p. |
Fotsing Mangoua, Robert (2011) | |
Apartheid et intermédialité chez André Brink et Célestin Monga | |
Intel'actuel: revue de lettres et sciences humaines. #10. p. 71-86. |
Makokha, J.K.S.; Obiero, Ogone John (eds.) (2011) | |
Style in African literature: essays on literary stylistics and narrative styles | |
Amsterdam: Rodopi. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft #154. 444p. |
Ogude, James; Ojwang, Dan (eds.) (2011) | |
Special issue: Eastern African literatures and cultures | |
Africa Today. Volume 57 #3. 95p. |
Racanelli, David (2011) | |
Diasporic jeliya as a collaborative trade in New York City | |
African Music Journal. Volume 9 #1. p. 136-153. |
Dada, Adekunle Oyinloye (2010) | |
Music and prophetic inspiration in selected indigenous Pentecostal churches in Nigeria | |
Orita: Ibadan Journal of Religious Studies. Volume 42 #2. p. 151-171. |
Dubus, Claire (2010) | |
Territoires de la musique et culture mondialisée à Dar es Salaam | |
Les Cahiers d'Afrique de l'Est / The East African Review. Volume 43. p. 1-178. |
Fischer, Anja (2010) | |
Tuareg society within a globalized world: Saharan life in transition | |
London: Tauris Academic Studies. Library of modern Middle East studies #91. 307p. |
Makwa, Dominic D.B. (2010) | |
Musicking and dancing 'imbalu' circumcision rituals ('khushina imbalu'): performing gender among the Bagisu of Eastern Uganda | |
175p. |
Nabti, Mehdi (2010) | |
Les Aïssawa: soufisme, musique et rituels de transe au Maroc | |
Paris: Harmattan. Histoire et perspectives méditerranéennes. 437p. |
Rizk, Nagla; Shaver, Lea Bishop (eds.) (2010) | |
Access to knowledge in Egypt: new research in intellectual property, innovation and development | |
London: Bloomsbury Academic. 214p. |
Siundu, G. (2010) | |
The musical reconfiguration of the Luhyia community in Jacob Luseno's music | |
Nairobi Journal of Literature. #6. July. p. 67-79. |
Tarsitani, Belle Asante; Tarsitani, Simone; Shigeta, Masayoshi (eds.) (2010) | |
Preserving local knowledge in the Horn of Africa: challenges and prospects for collaborative research in oral literature, music and rituals practices | |
African Study Monographs: Supplementary Issue. #41. 151p. |
Amoah, Joshua A. (2009-2010) | |
The use of traditional musical genre as a pre-compositional resource in Ghanaian contemporary choral art music: perspectives from Newlove Annan's 'Ewuradze' | |
Journal of Performing Arts. Volume 4 #1. p. 42-62. |
Andoh, Timothy Esiam (2009-2010) | |
The growth and development of choral music in Ghana: the contributions and aspects of the choral style of Ephraim Amu | |
Journal of Performing Arts. Volume 4 #1. p. 123-135. |
Olatuji, M.O. (2009-2010) | |
The biography of col. J.A. Olubobokun: a foremost Nigerian military musician | |
Journal of Performing Arts. Volume 4 #1. p. 29-41. |
(2009) | |
Journal of Performing Arts | |
Accra: School of Performing Arts, University of Ghana. |
Adedeji, Femi (2009) | |
Classification of Nigerian gospel music styles | |
África: Revista do Centro de Estudos Africanos. Volume 24-26. p. 225-246. |
Diop, Samba (2009) | |
Music and narrative in five films by Ousmane Sembène | |
Journal of African Cinemas. Volume 1 #2. p. 207-224. |
Ebighgbo, Chris (2009) | |
The Trumpets: Okike, Odu-mkpalo, and Enenke as Ethnography in Igbo Social Commitments | |
GEFAME Journal of African Studies. Volume 6 #1. |
Eyisi, Joy; Odimegwu, Ike; Ezenwa-Ohaeto, Ngozi; Ezenwa-Ohaeto (eds.) (2009) | |
African literature and development in the twenty-first century: proceedings of Ezenwa-Ohaeto International Memorial Conference | |
Owerri: Living Flames Resources. 486p. |
Fotsing Mangoua, Robert (ed.) (2009) | |
L'imaginaire musical dans les littératures africaines | |
Paris: l'Harmattan. Littératures et savoirs. 268p. |
Keïta, Cheick M. Chérif (2009) | |
Salif Keïta: l'ambassadeur de la musique du Mali | |
Brinon-sur-Sauldre: Grandvaux. 169p. |
Lüdemann, Winfried (2009) | |
Musiek en kulturele diversiteit in Suid-Afrika = Music and cultural diversity in South Africa | |
Tydskrif vir geesteswetenskappe. Volume 49 #4. p. 639-657. |
O'Dúbhda, Fíacha (2009) | |
On the musical patterning of sculpted words: exploring the relationship between melody and metre in a Somali poetic form | |
African Music Journal. Volume 8 #3. p. 97-116. |
Shain, Richard M. (2009) | |
The re(public) of salsa: Afro-Cuban music in 'fin-de-siècle' Dakar | |
Africa: Journal of the International African Institute. Volume 79 #2. p. 186-206. |
Shelemay, Kay Kaufman (2009) | |
Musical scholarship and Ethiopian studies: past, present, future | |
Journal of Ethiopian Studies. Volume 42 #1-2. June-December. p. 175-190. |
Van der Eecken, Tineke (2009) | |
Café d'Afrique | |
YouWriteOn.Com. 292p. |
Akuno, E.A. (2008) | |
Creativity from an old score: Afro-classics in the concert hall | |
Chemchemi. Volume 5 #1. p. 53-68. |
Andoh, Timothy E. (2008) | |
The choral music scene in the Gold Coast (Ghana) prior to 1933 | |
The Ghana Bulletin of Theology. Volume 3. December. p. 77-110. |
Babani, M.S. (2008) | |
La musique de l'algaita dans les sultanats et lamidats du Nord-Cameroun, de 1904 [1804] à 2004 | |
Journal of environment and culture. Volume 5 #1. p. 56-64. |
Capp, Myrna (2008) | |
Keeping the embers alive: musicians of Zimbabwe | |
Trenton, NJ: Africa World Press. 126p. |
Chikowero, Moses (2008) | |
'Our People Father, They Haven't Learned Yet': Music and Postcolonial Identities in Zimbabwe, 1980-2000 | |
Journal of Southern African Studies. Volume 34 #1. March. p. 145-160. |
Fold, Niels; Nylandsted Larsen, Marianne (eds.) (2008) | |
Globalization and restructuring of African commodity flows | |
Uppsala: Nordiska Afrikainstitutet. 276p. |
Ghasarian, Christian (ed.) (2008) | |
Anthropologies de La Réunion | |
Paris: Éditions des archives contemporaines (EAC). 257p. |
Giddings, Joshua (2008) | |
Research on Liberian music: a historical perspective | |
Liberian Studies Journal. Volume 33 #2. p. 25-58. |
Grové, Izak (2008) | |
Lewe-ín-werk: outobiografiek in Arnold van Wyk se musiek | |
Tydskrif vir geesteswetenskappe. Volume 48 #1. p. 1-12. |
Gunderson, Frank (2008) | |
Music performance on 19th-century Sukuma-Nyamwezi caravans to the Swahili coast | |
African Music Journal. Volume 8 #2. p. 6-25. |
Jayasuriya, Shihan de Silva (2008) | |
Indian Ocean crossings: music of the Afro-Asian diaspora | |
African Diaspora: a Journal of Transnational Africa in a Global World. Volume 1 #1-2. p. 135-154. |
Lwanda, John (2008) | |
The history of popular music in Malawi, 1891 to 2007: a preliminary communication | |
The Society of Malawi Journal. Volume 61 #1. p. 26-40. |
Maxwell, Heather A. (2008) | |
Of youth-harps and songbirds: the sweet music of Wasulu | |
African Music Journal. Volume 8 #2. p. 26-55. |
Ndour, Saliou (ed.) (2008) | |
L'industrie musicale au Sénégal: essai d'analyse | |
Dakar: CODESRIA. CODESRIA book series. 179p. |
Olwage, Grant (ed.) (2008) | |
Composing apartheid: music for and against apartheid | |
Johannesburg: Wits University Press. 311p. |
Stone, Ruth M. (ed.) (2008) | |
The Garland handbook of African music | |
New York: Routledge. 501p. |
Beeko, Eric Odame (2007) | |
Creative processes in Akan musical cultures: innovation within tradition | |
Ann Arbor, MI: UMI Dissertation Services. 214p. |
Gilbert, Shirli (2007) | |
Singing against Apartheid: ANC Cultural Groups and the International Anti-Apartheid Struggle | |
Journal of Southern African Studies. Volume 33 #2. June. p. 421-441. |
Kaminski, Joseph S. (2007) | |
Asante ivory trumpets in Ghana: traditions, repertories, histories, metaphysics | |
Ann Arbor, MI: UMI Dissertation Services. 376p. |
Khamis, Said A.M. (2007) | |
Versatility of the 'taarab' lyric: local aspects and global influences | |
Kiswahili. Volume 70. p. 90-117. |
Marcus, Scott (2007) | |
Music in Egypt: experiencing music, expressing culture | |
New York: Oxford University Press. |
Muller, Carol (2007) | |
South Africa and American Jazz: Towards a Polyphonic Historiography | |
History Compass. Volume 5 #4. p. 1062-1077. |
Ohadike, Don C. (2007) | |
Sacred drums of liberation: religions and music of resistance in Africa and the diaspora | |
Trenton, NJ: Africa World. 259p. |
Olivier, Emmanuelle (2007) | |
On polyphonic construction: an analysis of Ju/'hoan vocal music (Namibia) | |
African Music Journal. Volume 8 #1. p. 82-111. |
Schrag, Brian Edward (2007) | |
How Bamiléké music-makers create culture in Cameroon | |
Ann Arbor, MI: UMI Dissertation Services. 320p. |
Vambe, Maurice Taonezvi (2007) | |
'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 | |
African Identities. Volume 5 #3. December. p. 355-369. |
Baroin, Catherine (2006) | |
Le luth chez les Toubou: approche comparative et évolution | |
Journal des africanistes. Volume 76 #1. p. 59-80. |
Collins, J. (2006) | |
African guitarism: one hundred years of West African highlife | |
Legon Journal of the Humanities. Volume 17. p. 173-196. |
Collins, John (2006) | |
Copyright, folklore and music piracy in Ghana | |
Critical Arts: A Journal of Media Studies. Volume 20 #1. p. 158-170. |
Coplan, David B. (2006) | |
Sophiatown et le jazz sud-africain: réappropriation d'une identité culturelle | |
Africultures. #66. p. 120-135. |
Kaufman Shelemay, Kay; Kaplan, Steven (eds.) (2006) | |
Special issue: Creating the Ethiopian diaspora: perspectives from across the disciplines | |
Diaspora. Volume 15 #2-3. p. 191-395. |
Kidula, Jean N. (2006) | |
Ethnomusicology, The Music Canon, and African Music: Positions, Tensions, and Resolutions in the African Academy | |
Africa Today. Volume 52 #3. Spring. p. 99-113. |
Mans, Minette (ed.) (2006) | |
Centering on African practice in musical arts education | |
Cape Town: African Minds, for the Pan-African Society of Musical Arts Education. 260p. |
Miya, F. (2006) | |
Contextualization of animation programs in Kenya: musical arts and education | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 121-132. |
Mujlisul Ulama of South Africa (2006) | |
Sautush Shaitaan: the voice of Shaitaan: music and singing | |
Benoni: Young Men's Muslim Association. 116p. |
Olaniyan, Oluyemi (2006) | |
The manifestation of Nigerian national identity through music | |
Tinabantu: journal of African national affairs. Volume 2 #2. p. 9-14. |
Olivier, Emmanuelle (2006) | |
Archives Khoisan: l'histoire comme champ de la musique | |
Afrique & histoire. #6. p. 195-224. |
South African Society for Research in Music (SASRIM) (2006) | |
SAMUS: South African music studies | |
Capetown: Sabinet Host. |
Van der Mescht, Heinrich (2006) | |
'Musiek kan my teken': klanke, voëlgeluide en musiek in die digkuns van Lina Spies | |
Tydskrif vir letterkunde. Volume 43 #1. p. 122-140. |
Ciantar, Philip (2005) | |
Tripoli's musical soundscape: experiences and meanings | |
Libyan Studies. Volume 36. p. 79-88. |
Collins, John (2005) | |
A Social History of Ghanaian Popular Entertainment since Independence | |
Transactions of the Historical Society of Ghana. #9. p. 17-40. |
Gearheart, Rebecca (2005) | |
Ngoma Memories: How Ritual Music and Dance Shaped the Northern Kenya Coast | |
African Studies Review. Volume 48 #3. December. p. 21-47. |
Nkomo, Dion (2005) | |
Compiling specialised dictionaries in African languages: 'Isichazamazwi SezoMculo' as a special reference | |
Zambezia. Volume 32 #1-2. p. 64-77. |
Olatunji, Michael Olutayo (2005) | |
The biography of T.K.E. Phillips: Nigeria's foremost contemporary art musician | |
Research Review. Volume 21 #2. p. 11-16. |
Sambauma, H. (2005) | |
Chants de propagande islamique des madâris de la Grande Comore | |
In: L'Islam politique au sud du Sahara: identités, discours et enjeux. p. 243-264. |
Walton, Chris; Muller, Stephanus (eds.) (2005) | |
Gender and sexuality in South African music | |
Stellenbosch: SUN ePReSS. 97p. |
Waugh, Earle H. (2005) | |
Memory, music, and religion: Morocco's mystical chanters | |
Columbia, SC: University of South Carolina Press. Studies in comparative religion. 260p. |
Search: su=music | ||||||||
Found: 482 | Record 101-200 |
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