AfricaBib 
bibliographic database
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| Search: su=musicals | ||||||||
| Found: 13 | Record 1-13 | |||||||
 | André, Naomi; Somma, Donato; Mhlambi, Innocentia Jabulisile (eds.) (2016) |
 | Special issue: new voices in Black South African opera |
 | African Studies. Volume 75 #1. p. 1-97. |
| Koch, Jerzy (ed.) (2012) |
| Themed edition: J.M. Coetzee in Poland | |
| Werkwinkel: a Journal of Low Countries and South African Studies. Volume 7. p. 9-134. |
 | Nii-Dortey, Moses N. (2012) |
| Historical and cultural context of folk opera development in Ghana: Saka Acquaye's 'The lost fishermen' in perspective | |
| Research Review. Volume 27 #2. p. 25-58. |
| Petty, Sheila (2009) |
| The rise of the African musical: postcolonial disjunction in 'Karmen Geď' and 'Madame Brouette' | |
| Journal of African Cinemas. Volume 1 #1. p. 95-112. |
| Kapp, Pieter (2008) |
| Die Akademie en opera | |
| Tydskrif vir geesteswetenskappe. Volume 48 #1. p. 13-22. |
| Khamis, Said A.M. (2007) |
| Versatility of the 'taarab' lyric: local aspects and global influences |
| Kiswahili. Volume 70. p. 90-117. |
| Collins, John (2004) |
| Ghanaian popular performance and the urbanisation process: 1900-1980 |
| Transactions of the Historical Society of Ghana. #8. p. 203-226. |
| Avorgbedor, Daniel (1999) |
| The Turner-Schechner model of performance as social drama: a re-examination in the light of Anlo-Ewe 'haló' |
| Research in African Literatures. Volume 30 #4. p. 144-155. |
| Oyegoke, Lekan (1994) |
| 'Sade's testimony': a new genre of autobiography in African folklore |
| Research in African Literatures. Volume 25 #3. p. 131-140. |
| Apedo-Amah, Togoata (1985) |
| Le concert-party: une pédagogie pour les opprimés | |
| Peuples noirs, peuples africains. Volume 8 #44. p. 61-72. |
| Ricard, A. (1982) |
| Les Parisiens du concert: discours métissé ou discours dominé |
| Politique africaine. #5. p. 35-46. |
| Ricard, Alain (1974) |
| The concert party as a genre: the Happy Stars of Lomé |
| Research in African Literatures. Volume 5 #2. p. 165-179. |
| Bame, K.N. (1972) |
| The influence of contemporary Ghanaian traditional drama on the attitudes and behaviour of play-goers | |
| Research Review. Volume 9 #2. p. 26-32. |
| Search: su=musicals | ||||||||
| Found: 13 | Record 1-13 | |||||||
| Previous page | New search |