AfricaBib 
bibliographic database
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| Found: 139 | Record 1-100 |  |
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 | Osiebe, Garhe (2020) |
 | Methods in performing Fela in contemporary Afrobeats, 2009-2019 |
| African Studies. Volume 79 #1. p. 88-109. |
 | Coulidiaty, Patrick (2016) |
| Mon passeport culturel burkinabè: les artistes parlent de leurs métiers | |
| Paris: L'Harmattan. 253p. |
 | Mosses, Sarah; Schwartz, Johanna; Morgan, Andy (eds.) (2016) |
| They will have to kill us first: Malian music in exile |
| London: Mojo Music in association with Together Films and Spring Films. |
| Naylor, Phillip C. (2016) |
| Paul Bowles and Morocco's music |
 | The Journal of North African Studies. Volume 21 #4. p. 550-598. |
| Villiers, Marguerite de (2016) |
| Johnny Clegg: a shadow man |
| Anthropology Southern Africa. Volume 39 #1. p. 58-63. |
| Adjei, Godwin K. (2015) |
| Creative transformation in African art music: a case study |
| Contemporary Journal of African Studies. Volume 3 #1. p. 39-67. |
| Bailly, Séry (2015) |
| Le Tohourou: un chemin vers la sagesse | |
| Abidjan: Nouvelles Editions Balafons. 130p. |
| Batchiellilys, Annie Flore; Kombila, Jannys (2015) |
| Nzile: itinéraire d'une étoile de Mighoma à l'Olympia | |
| Rungis: la Doxa éditions. Collection empreintes. 155p. |
| Camison, Mat; Steffan-Guillaume, Odile (2015) |
| Le baiser de l'éléphant, ou, L'adolescence tumultueuse de Mat Camison, musicien, compositeur, arrangeur, interprète | |
| Paris: L'Harmattan. Collection Cabaret. 138p. |
| Contreras, Arnaud (2015) |
| Sahara rocks ! | |
| Chantepie: Éditions de Juillet. 135p. |
| Eyre, Banning (2015) |
| Thomas Mapfumo and the popularization of Shona mbira | |
| African Music Journal. Volume 10 #1. p. 84-101. |
| Gaulier, Armelle; Gary-Tounkara, Daouda (eds.) (2015) |
| Dossier: musique et pouvoir, pouvoirs des musiques dans les Afriques |
| Afrique contemporaine. #254. p. 13-102. |
| Kandé Senghor, Fatou (2015) |
| Wala Bok: Une histoire orale du hip hop au Sénégal | |
| Dakar: Éditions Amalion. 289p. |
| Laatey Ayeh, Alex Kofi (2015) |
| Memoirs of Lt. Col. Alex Kofi Laatey Ayeh: and, Profile of three popular Ghanaian musicians | |
| Accra. 165p. |
| Lepeytre, Laurène (2015) |
| Du piment sur les lèvres = Chilly on the lips |
|
| Madalane, Ignatia (2015) |
| From Paul to Penny: the emergence and development of Tsonga disco 1985-1990s | |
| African Music Journal. Volume 10 #1. p. 150-179. |
| Ndiaye, Amadou (2015) |
| Baaba Maal et le Fouta: message local et patrimoine universel | |
| Dakar: L'Harmattan Sénégal. Mémoires & biographies #15. 134p. |
| Nederveen, Arda (ed.) (2015) |
| Sabar: Senegal's heartbeat |
| Amsterdam: Arda Nederveen Visuele Producties. |
| Skinner, Ryan Thomas (2015) |
| Bamako sounds: the Afropolitan ethics of Malian music | |
| Minneapolis: University of Minnesota Press. 233p. |
 | Solomon, Thomas (ed.) (2015) |
| African musics in context: institutions, culture, identity | |
| Kampala: Fountain Publishers. 365p. |
| Asiedu, Awo Mana (ed.) (2014) |
| The performing arts in Africa - Ghanaian perspectives | |
| Oxfordshire, UK: Ayebia Clarke Publishing Limited. University of Ghana readers, Arts & humanities series #5. 144p. |
| Etou Nianga, Anicet (2014) |
| Papa Wemba: la voix de la musique congolaise moderne: contribution et odyssée | |
| Paris: L'Harmattan. Culture africaine. 269p. |
| Goth, Bashir (2014) |
| Magool: the inimitable nightingale of Somali music | |
| Bildhaan: An International Journal of Somali Studies. Volume 14. p. 1-24. |
| Koffi, Brou Dieudonné (2014) |
| Tiken Jah Fakoly: les enjeux coups de gueule: essai | |
| Abidjan: Balafons. 143p. |
| Mavouba-Sokate, Georges (2014) |
| La construction d'une conscience nationale au Congo par les musiciens | |
| Paris: L'Harmattan. Points de vue. 129p. |
| Rutabana, Benjamin (2014) |
| De l'enfer à l'enfer: du Hutu power à la dictature de Kagame | |
| Paris: Books. Les moutons noirs. 279p. |
| Sanga, Imani (2014) |
| Postcolonial archival fever and the musical archiving of African identity in selected paintings by Elias Jengo |
| Journal of African Cultural Studies. Volume 26 #2. p. 140-154. |
| Santos, David; Sousa, Vanessa (2014) |
| Voz de Cabo Verde: a história de um povo ... | |
| Alfragide: Fresco Produções. 104p. |
| Topp Fargion, Janet (2014) |
| Taarab music in Zanzibar in the twentieth century: a story of 'old is gold' and flying spirits | |
| Burlington, VT: Ashgate. SOAS musicology series. 237p. |
| Vakunta, Peter Wuteh (2014) |
| The life and times of a Cameroonian icon: tribute to Lapiro De Mbanga Ngata man | |
| Bamenda: Langaa Research & Publishing CIG. 189p. |
| Baines, Gary (2013) |
| Lionising De la Rey: Afrikaner identity politics and performative nostalgia in post-apartheid South Africa |
| African Identities. Volume 11 #3. p. 249-259. |
| Bousbia, Safinez (ed.) (2013) |
| El gusto |
| Arnhem: Contact Film. |
| Brunner, Anja (2013) |
| The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
| African Music Journal. Volume 9 #3. p. 40-58. |
| Fair, Laura (2013) |
| Historia ya Jamii ya Zanzibar Na Nyimbo za Siti Binti Saad | |
| Nairobi: Twaweza Communications. 112p. |
| Goetze, Volker; Cissoko, Ablaye (eds.) (2013) |
| Griot |
| Brooklyn, NY: Weitblick Media. |
| Gqola, Pumla Dineo (2013) |
| A renegade called Simphiwe | |
| Johannesburg: MFBooks. 158p. |
 | Grové, Izak (ed.) (2013) |
| Stefans Grové: opstelle oor sy lewe en werk | |
| Tydskrif vir geesteswetenskappe. Volume 53 #2. 265p. |
| Jenje-Makwenda, Joyce (2013) |
| Women musicians of Zimbabwe: a celebration of women's struggle for voice and artistic expression | |
| Harare: Joyce Jenje Makwenda. 194p. |
| Morgan, Andy (2013) |
| Music, culture and conflict in Mali | |
| Copenhagen: Freemuse. 217p. |
| N'Goran, Emmanuel Yao (2013) |
| La rumba congolaise: sa splendeur, ses effluves, ses profondeurs | |
| Abidjan: L'Encre Bleue. Collection musicalia. 244p. |
| Bendjelloul, Malik (ed.) (2012) |
| Searching for Sugar Man |
| Amsterdam: A-Film. |
| Kaurismäki, Mika; Makeba, Miriam (eds.) (2012) |
| Mama Africa: Miriam Makeba |
| Matchbox Films. |
| Khan, Khatija Bibi (2012) |
| Senses of communities: hip hop music, Islam and the Black Atlantic | |
| Harare: Africa Institute for Culture. 145p. |
| Nwafor, P. Chuka (2012) |
| Chinua Achebe and Fela Anikulapo Kuti: revolutionary consciousness in music and literature | |
| Baltimore, MD: Black Academy Press. 326p. |
| Osumare, Halifu (2012) |
| The hiplife in Ghana: the West African indigenization of hip-hop | |
| Basingstoke: Palgrave Macmillan. 219p. |
 | Andualem, Mesganaw (2011) |
| Change and continuity in the lives of Birbuax 'azmaris' in Godar Zuria Woreda |
| Addis Ababa: Addis Ababa University, School of Graduate Studies. 162p. |
| Dowling, Tessa; Stinson, Kathryn (2011) |
| Pop singer as healer: the use of Xhosa lyrics as cultural self-realization |
| Journal of African Cultural Studies. Volume 23 #2. p. 177-188. |
| Lawrence, Sidra (2011) |
| Sounds of development? Race, authenticity, and tradition among Dagara female musicians in northwestern Ghana | |
| African Music Journal. Volume 9 #1. p. 206-220. |
| Lucia, Christine (2011) |
| Joshua Pulumo Mohapeloa and the heritage of African song | |
| African Music Journal. Volume 9 #1. p. 56-86. |
| Létourneau, Yanick; Loumède, Colette; Tétrault, Sébastien; Ouichou, Hany; Awadi, Didier (eds.) (2011) |
| Les États-Unis d'Afrique: au-delà du hip hop = United States of Africa: beyond hip hop |
| Montréal, Québec: National Film Board of Canada. |
| Mazzoleni, Florent (2011) |
| Musiques modernes et traditionnelles du Mali | |
| Bordeaux: Castor Astral. 173p. |
| Scharfenberger, Angela (2011) |
| West African women in music: an analysis of scholarship, women's participation in music in West Africa: a reflection on fieldwork, self, and understanding | |
| African Music Journal. Volume 9 #1. p. 221-246. |
| Abdallah, Zablong Zakariah; Locke, David (eds.) (2010) |
| The Lunsi (drummers) of Dagbon: tradition and change | |
| Research Review. #21. 67p. |
| Mhiripiri, Nhamo Anthony (2010) |
| The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period | |
| Journal of African Media Studies. Volume 2 #2. p. 209-223. |
| Mlambo, Alois (ed.) (2010) |
| Special issue: the culture of crisis and crisis of culture in Zimbabwe | |
| African Identities. Volume 8 #2. p. 89-190. |
| Sanga, Imani (2010) |
| Postcolonial cosmopolitan music in Dar es Salaam: Dr. Remmy Ongala and the traveling sounds |
| African Studies Review. Volume 53 #3. p. 61-76. |
| Amoah, Joshua A. (2009-2010) |
| The use of traditional musical genre as a pre-compositional resource in Ghanaian contemporary choral art music: perspectives from Newlove Annan's 'Ewuradze' | |
| Journal of Performing Arts. Volume 4 #1. p. 42-62. |
| Andoh, Timothy Esiam (2009-2010) |
| The growth and development of choral music in Ghana: the contributions and aspects of the choral style of Ephraim Amu | |
| Journal of Performing Arts. Volume 4 #1. p. 123-135. |
| Counsel, Graeme (2009) |
| Mande popular music and cultural policies in West Africa: griots and government policy since independence | |
| Saarbrücken: VDM Verlag. 290p. |
| Gibert, Marie-Pierre; Meinhof, Ulrike Hanna (2009) |
| Inspiration triangulaire: musique, tourisme et développement à Madagascar | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 227-256. |
| Hilhorst, Sean (2009) |
| Remmy Ongala: capitalist transition and popular music in Tanzania 1979-2002 |
| Journal of African Cultural Studies. Volume 21 #2. p. 105-126. |
| Jal, Emmanuel; Lloyd Davies, Megan (2009) |
| War child: a child soldier's story | |
| London: Abacus. |
| Keïta, Cheick M. Chérif (2009) |
| Salif Keïta: l'ambassadeur de la musique du Mali | |
| Brinon-sur-Sauldre: Grandvaux. 169p. |
| Kubik, Gerhard (2009) |
| Central African guitar song composers: the second and third generations: field recordings 1962-2009 | |
| Vienna: Department of Musicology, University of Vienna. Vienna series in ethnomusicology #3. 48p. |
| Moore, Carlos (2009) |
| Fela: this bitch of a life | |
| Chicago, IL: Lawrence Hill Books. 290p. |
| Noss-van Buren, Kathleen J. (2009) |
| Locating hope in performance: lessons from Edward Kabuye | |
| African Music Journal. Volume 8 #3. p. 144-161. |
| Omojola, Bode (2009) |
| Songs of the king's wives: women, power and performance in the Yoruba public sphere |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 34 #2. p. 47-57. |
| Oti, Sonny (2009) |
| Highlife music in West Africa: down memory lane... | |
| Lagos: Malthouse Press. 192p. |
| Prestholdt, Jeremy (2009) |
| The afterlives of 2Pac: imagery and alienation in Sierra Leone and beyond |
| Journal of African Cultural Studies. Volume 21 #2. p. 197-218. |
| Riber, Jordan (ed.) (2009) |
| Mwamba Ngoma = Tune the drum |
| Media for Development International. |
| Capp, Myrna (2008) |
| Keeping the embers alive: musicians of Zimbabwe | |
| Trenton, NJ: Africa World Press. 126p. |
| Coester, Markus (2008) |
| Localising African popular music transnationally: 'Highlife-travellers' in Britain in the 1950s and 1960s |
| Journal of African Cultural Studies. Volume 20 #2. p. 133-144. |
| Hamel, Chouki El (2008) |
| Constructing a diasporic identity: tracing the origins of the Gnawa spiritual group in Morocco |
| The Journal of African History. Volume 49 #2. p. 241-260. |
| Ilboudo, Yalgabamba (ed.) (2008) |
| Koglb-Zanga or Prince Wendemi, an example of social exclusion fighter |
| Ouagadougou: Alliance production. |
| Imbert-Bouchard, Matthieu; Dupire, Cédric (eds.) (2008) |
| L'homme qu'il faut à la place qu'il faut = The right man at the right place |
| Paris: Studio Shaiprod. |
| Martin, Jean-Philippe (ed.) (2008) |
| Manou Gallo: rhythm gal |
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| Motlatshiping, M.; Moruakgomo, G. (2008) |
| Vusi, the new kid on the block | |
| Kutlwano. Volume 46 #3. March. p. 6-8. |
| Samatar, Ahmed I. (2008) |
| A virtuosic touch: Hodeide, a life with the oud and more | |
| Bildhaan: An International Journal of Somali Studies. Volume 8. p. 31-51. |
| Adjei, Godwin K. (2007) |
| Reducing the male monopoly of State drumming in Ghana: the Axim experience | |
| Research Review. Volume 23 #2. p. 71-79. |
| Kubik, Gerhard (2007) |
| Pierre Gwa: Mpyemõ guitarist: his songs and their sources: Central African Republic, 1966 | |
| African Music Journal. Volume 8 #1. p. 21-35. |
| Majdouli, Zineb (2007) |
| Trajectoires des musiciens Gnawa: approche ethnographique des cérémonies domestiques et des festivals de Musiques du monde | |
| Paris: L'Harmattan. Arts de la piste et de la rue. 242p. |
| Moisakamo, T. (2007) |
| Mapetla: the new kid on the block | |
| Kutlwano. Volume 48 #1. January. p. 8-9. |
| Morupisi, D.; Ketumile, K. (2007) |
| As they depart ... | |
| Kutlwano. Volume 48 #4. April-May. p. 32-33. |
| Mosarwa, S. (2007) |
| Up and close with Master Dee | |
| Kutlwano. Volume 48 #2. February. p. 32-33. |
| Olatunji, Michael Olutayo (2007) |
| The biography of Col. J.A. Olubobokun, a foremost Nigerian military musician | |
| Research Review. Volume 23 #1. p. 27-36. |
| Reuster-Jahn, Uta (2007) |
| The Mwera lamellophone 'luliimba' | |
| African Music Journal. Volume 8 #1. p. 6-20. |
| Allen, Lara (2006) |
| From Rights to Responsibilities: Identity Politics and Ethnographic Methodology, Dialogues with South African Musicians |
| Social Dynamics. Volume 32 #2. p. 50-80. |
| Borgeaud, Pierre-Yves; N'Dour, Youssou (eds.) (2006) |
| Retour à Gorée |
| Lausanne: CAB Productions. |
| Jamanca, Adulai (ed.) (2006) |
| José Carlos Schwarz: the voice of the people | |
| Lisbon: Lx Filmes. |
| Nabti, Mehdi (2006) |
| Soufisme, métissage culturel et commerce du sacré: les Aïssâwa marocains dans la modernité |
| Insaniyat: revue algérienne d'anthropologie et de sciences sociales. Volume 10 #32-33. p. 173-195. |
| Ndyani, C. (2006) |
| So into Q | |
| WASI: [bulletin]. Volume 16 #2. April. p. 10-11. |
| Santos, Yara dos (2006) |
| Ildo Lobo: a voz crioula | |
| Lisboa: SeteCaminhos. 211p. |
| Soko, B. (2006) |
| Homage to Black Paseli: eighth anniversary of his disappearance | |
| WASI: [bulletin]. Volume 16 #2. April. p. 15-17. |
| Wambugu, D. (2006) |
| Let the music play on | |
| Wajibu. Volume 21 #1. April-May. p. 15-16. |
| Billon, Yves; Lecomte, Henri (eds.) (2005) |
| Ali Farka Touré: ça coule de source |
| Paris: L'Harmattan. |
| Kawase, Itsushi (2005) |
| Musical performance and self-designation of Ethiopian minstrels: Azmari |
| African Study Monographs: Supplementary Issue. #29. p. 137-142. |
| Mehari, Senait G. (2005) |
| Feuerherz | |
| München: Knaur-Taschenbuch-Verlag. Knaur Taschenbücher #77835. 359p. |
| Moisakamo, T. (2005) |
| Living off music | |
| Kutlwano. Volume 46 #9. September. p. 15. |
| Olatunji, Michael Olutayo (2005) |
| The biography of T.K.E. Phillips: Nigeria's foremost contemporary art musician | |
| Research Review. Volume 21 #2. p. 11-16. |
| Bolay, Anna (2004) |
| Les poètes-musiciens éthiopiens (azmari) et leurs constructions identitaires: des marginaux qui aspirent à la normalité |
| Cahiers d'études africaines. Volume 44 #176. p. 815-839. |
| Search: su=musicians | ||||||||
| Found: 139 | Record 1-100 | |
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