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bibliographic database
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| Found: 84 | Record 1-84 | |||||||
 | Becker, Heike; Schulz, Dorothea (eds.) (2017) |
 | Un/making difference through performance and mediation in contemporary Africa |
 | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
 | Lentz, Carola; Wiggins, Trevor (2017) |
| 'Kakube has come to stay': the making of a cultural festival in Northern Ghana, 1989-2015 |
| Africa: Journal of the International African Institute. Volume 87 #1. p. 180-210. |
 | Maedza, Pedzisai (2017) |
| Performing asylum: theatre of testimony in South Africa |
| Leiden: African Studies Centre. African Studies Collection #66. 162p. |
| Prince, Lindy Lee (2017) |
| All drag, all the time: one night in Cape Town with Lola Fine |
| Anthropology Southern Africa. Volume 40 #2. p. 122-136. |
| Reid, Graeme (2017) |
| On reading about Lola Fine's night on the town |
| Anthropology Southern Africa. Volume 40 #2. p. 137-141. |
| Brown, Duncan (2016) |
| Oral literature in South Africa: 20 years on |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 108-118. |
| Bühler-Dietrich, Annette (2016) |
| Contemporary West African monodrama and its stage productions: a challenge | |
| African Performance Review. Volume 8 #1. p. 7-16. |
| Hahn, Matthew (2016) |
| The research, development and production history of 'The Robben Island Shakespeare' | |
| African Performance Review. Volume 8 #1. p. 30-47. |
| Kasule, Samuel (2016) |
| Re-imagining Bertolt Brecht, redefining British theatre: Oladipo Agboluaje's 'Mother Courage' | |
| African Performance Review. Volume 8 #1. p. 48-63. |
| Kenya Film Classification Board (KFCB) (2016) |
| Films, stage plays and publications act [draft] |
| Nairobi: Kenya Film Classification Board (KFCB). |
| Röschenthaler, Ute; Diawara, Mamadou (eds.) (2016) |
| Copyright Africa: how intellectual property, media and markets transform immaterial cultural goods | |
| Canon Pyon: Sean Kingston Publishing. 393p. |
| Banham, Martin; Gibbs, James; Hutchison, Yvette; Osofisan, Femi; Plastow, Jane (eds.) (2015) |
| Contemporary women | |
| Woodbridge, Suffolk: James Currey. African theatre #14. 144p. |
| Pype, Katrien (2015) |
| Funerary comedies in contemporary Kinshasa: social difference, urban communities and the emergence of a cultural form |
| Africa: Journal of the International African Institute. Volume 85 #3. p. 457-477. |
 | Solomon, Thomas (ed.) (2015) |
| African musics in context: institutions, culture, identity | |
| Kampala: Fountain Publishers. 365p. |
| Abiodun, Rowland (2014) |
| Yoruba art and language: seeking the African in African art | |
| New York, NY: Cambridge University Press. 386p. |
| Asiedu, Awo Mana (ed.) (2014) |
| The performing arts in Africa - Ghanaian perspectives | |
| Oxfordshire, UK: Ayebia Clarke Publishing Limited. University of Ghana readers, Arts & humanities series #5. 144p. |
| Breed, Ananda (2014) |
| Performing the nation: genocide, justice, reconciliation | |
| London: Seagull Books. Enactments. 221p. |
| Canut, Cécile; Mazauric, Catherine (eds.) (2014) |
| La migration prise aux mots: mise en récits et en images des migrations transafricaines | |
| Paris: Le Cavalier Bleu. 286p. |
| Hertz, Betti-Sue; Smigiel, Frank; Willsdon, Dominic (eds.) (2014) |
| Public intimacy: art and other ordinary acts in South Africa | |
| San Francisco: Yerba Buena Center for the Arts. 291p. |
| Piotrowska, Agnieszka (2014) |
| Mourning and melancholia at the Harare International Festival of the Arts |
| Journal of African Media Studies. Volume 6 #1. p. 111-130. |
| Timera, Mahamet (2014) |
| Mots et maux de la migration: de l'anathème aux éloges | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 27-47. |
 | Aalders Grool, Marjolijn Cornelia (2013) |
| Verbal art of the Fon (Benin) | |
| Köln: Rüdiger Köppe Verlag. Wortkunst und Dokumentartexte in afrikanischen Sprachen #32. 275p. |
| Aalders Grool, Marjolijn Cornelia (2013) |
| Verbal art of the Fon (Benin) | |
| Köln: Rüdiger Köppe Verlag. 275p. |
| Bouttiaux, Anne-Marie; Albinovanus, Benoit; Divinagracia, Emily; Gérard, Isabelle (eds.) (2013) |
| La dynamique des masques en Afrique occidentale = Dynamics of masks in West Africa | |
| Tervuren: Royal Museum for Central Africa. Studies in social sciences and humanities 176. 213p. |
| Kringelbach, Hélène Neveu (2013) |
| Dance circles: movement, morality and self-fashioning in urban Senegal | |
| New York: Berghahn Books. Dance and performance studies. 236p. |
| Sibanda, Nkululeko (2013) |
| Seeking an alternative approach to teaching scenographic theory and practice: the university of Zimbabwe theatre legacy | |
| African Performance Review. Volume 7 #2. p. 35-53. |
| Young-Jahangeer, Miranda (2013) |
| Watermarks: intervening in the City of Cape Town |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 254-262. |
| Mirzeler, Mustafa Kemal (2012) |
| Perfomance and social construction of historical tradition: memories of vulnerable ancestors | |
| JALA: the Journal of the African Literature Association. Volume 7 #2. p. 3-36. |
| Mudimbe, V.Y. (ed.) (2012) |
| Contemporary African cultural productions |
| Dakar: CODESRIA. 328p. |
| Coulon, Virginia; Garnier, Xavier (eds.) (2011) |
| Les littératures africaines: textes et terrains / textwork and fieldwork: hommage à Alain Ricard | |
| Paris: Karthala. Lettres du Sud. 496p. |
| Hoffmann, Nancy; Schau, Didier; Simon, Njami; Mba Bikoro, Nathalie; Malinda, Ato (eds.) (2011) |
| Ato Malinda | |
| Nairobi: Goethe-Institut Kenya. Contact zones NRB #4. 128p. |
| Kerr, David; Plastow, Jane (eds.) (2011) |
| Media & performance | |
| Woodbridge: James Currey. African theatre #10. 154p. |
| Llewellyn, Leah Olwen (2011) |
| Juggling agendas: circus in Ethiopia |
| 118p. |
| Thalén, Oliver (2011) |
| Ghanaian entertainment brokers: urban change, and 'Afro-cosmopolitanism', with neo-liberal reform | |
| Journal of African Media Studies. Volume 3 #2. p. 227-240. |
 | (2009) |
| Journal of Performing Arts | |
| Accra: School of Performing Arts, University of Ghana. |
| Bekers, Elisabeth; Helff, Sissy (eds.) (2009) |
| Transcultural modernities: narrating Africa in Europe |
| Matatu: Journal for African Culture and Society. Volume 36. 442p. |
| Kithaka wa Mberia (2009) |
| Indigenous languages, performing arts and the HIV/AIDS pandemic | |
| Hekima. Volume 4 #1. p. 50-61. |
| Nwaozuzu, Uche-Chinemere (2009) |
| Theatre and globalization: emerging trends in the dialectics of performance in sub-Saharan Africa | |
| African Performance Review. Volume 3 #1. p. 86-99. |
| Kasule, Sam (2007) |
| Resistant voices in African popular performance | |
| African Performance Review. Volume 1 #1. p. 38-49. |
| Motlatshiping, M. (2007) |
| The rise and rise of Maitisong Festival | |
| Kutlwano. Volume 48 #3. March. p. 12-13. |
| Okagbue, Osita (2007) |
| African theatres and performances | |
| London: Routledge. Theatres of the world. 200p. |
| Collins, John (2006) |
| A century of changing locations of Ghanaian commercial popular entertainment venues |
| Transactions of the Historical Society of Ghana. #10. p. 149-170. |
| Kerr, David (2006) |
| 'Folklore', cultural property and modernisation in sub-Saharan Africa |
| Critical Arts: A Journal of Media Studies. Volume 20 #1. p. 144-157. |
| Mboya, J. (2006) |
| Shall we watch dance? | |
| Wajibu. Volume 21 #1. April-May. p. 10-12. |
| Anonymous (2005) |
| Poetry to the people | |
| WASI: [bulletin]. Volume 15 #2. April. p. 8-10. |
| Makoye, H.F. (2005) |
| Training and natural endowments in Sukuma dance culture in Tanzania | |
| Utafiti. Volume 6 #2. December. p. 128-146. |
| Collins, John (2004) |
| Ghanaian Christianity and Popular Entertainment: Full Circle |
| History in Africa. Volume 31. p. 407-423. |
| Collins, John (2004) |
| Ghanaian popular performance and the urbanisation process: 1900-1980 |
| Transactions of the Historical Society of Ghana. #8. p. 203-226. |
| Ignatowski, Clare A. (2004) |
| Making Ethnic Elites: Ritual Poetics in a Cameroonian Lycée |
| Africa: Journal of the International African Institute. Volume 74 #3. p. 411-432. |
| Kithaka wa Mberia (2003) |
| Kiswahili and other indigenous Kenyan languages in the performing arts | |
| Nairobi Journal of Literature. #1. March. p. 61-69. |
| Ngozana, P. (2003) |
| King of theatre: Abram | |
| Kutlwano. Volume 41 #6. June. p. 18-20. |
| Ebewo, P. (1999) |
| Satire and the performing arts: the African heritage | |
| South-South Journal of Culture and Development. Volume 1 #1. June. p. 1-19. |
| Msosa, Watson (1999) |
| From cultural aesthetic to performance technique: continuities and contrasts in improvisational milieux of 'vimbuza' and jazz | |
| Journal of Humanities. #13. p. 47-58. |
| Mwaura, B. (1999) |
| Rethinking African art | |
| East African Alternatives. May-June. p. 37-38. |
| Kerr, David (1997) |
| Cultural Engineering and Development |
| Africa Media Review. Volume 11 #1. p. 64-74. |
| Njogu, K. (1997) |
| On the dialogic nature of performance | |
| Kiswahili. Volume 60. p. 31-44. |
| Djisenu, J.K. (1996) |
| Performance spaces and institutional organisation in Ghana | |
| Journal of Performing Arts. Volume 2 #1. June. p. 22-28. |
| Lubbe, A. (1996) |
| Building Namibia through culture | |
| Namibia Review. Volume 5 #1. March-April. p. 12-19. |
| Moses M.M. (1996) |
| NASCAM: protecting composers and musicians | |
| Namibia Review. Volume 5 #1. March-April. p. 34-37. |
| Muikilu Ndaye, A. (1996) |
| Répertoire bibliographique du théatre du Zaïre de l906 à 1993 | |
| Revue africaine de communication sociale. Volume 1 #2. juin-déc.. p. 229-242. |
| Mussane, G. (1996) |
| Música Africana 'arrasta' públicos | |
| Tempo. #1317. 17 de março. p. 29-32. |
| Djisenu, J.K. (1995) |
| The art of drama | |
| Legon Journal of the Humanities. Volume 8. p. 55-62. |
| Nazombe, Anthony J.M. (1994) |
| The Tchopa Dance as it is Performed in Traditional Authority (T.A.) Chitera in Chiradzulu District | |
| Religion in Malawi. #4. February. p. 15-18. |
| Sergio, P. (1994) |
| Joaquina Siquice: a boa vova da Alemanha | |
| Tempo. #1206. 23 de jan.. p. 24-29. |
| Anonymous (1993) |
| Dance and the referendum | |
| WASI: [bulletin]. Volume 5 #1. December. p. 17-22. |
| Anonymous (1993) |
| Effuvu, the road virus | |
| 6th of February. Volume 7 #1. January. p. 41-42. |
| Hains, S. (1993) |
| Zimbabwean theatre and environmental consciousness | |
| Southern African Art. Volume 2 #1. p. 25-26. |
| Kerr, D. (1993) |
| Ideology, resistance and the transformation of performance traditions in post-colonial Malawi | |
| Marang: Journal of Language and Literature. #10. October. p. 1-37. |
| Manuel, F. (1993) |
| Circo da paz: o lugar do sorriso na resoluçao de conflitos | |
| Tempo. #1188. 29 de agosto. p. 13-17. |
| Sergio, P. (1993) |
| Acordo Friedrich Ebert/CNCD: 730.000 dólares em prol do bailado cívico- eleitoral | |
| Tempo. #1185. 8 de agosto. p. 25-31. |
| Anonymous (1992) |
| Drama controversies | |
| WASI: [bulletin]. Volume 4 #1. December. p. 36-38. |
| Chiwome, Emmanuel Mudhliwa (1992) |
| Traditional Shona Poetry and Mental Health |
| Zambezia. Volume 19 #1. p. 1-17. |
| Kerr, D. (1992) |
| How to write plays. Pt. 2 | |
| WASI: [bulletin]. Volume 4 #1. December. p. 14-15. |
| Manuel, F. (1992) |
| Nambu, cantar e dançar a história deste tempo | |
| Tempo. #1113. 16 de fev.. p. 24-28. |
| Morrow, B. (1992) |
| Maseru's vocal waves | |
| Molepe. Volume 6 #29. May-June. p. 4-7. |
| Roder, V. (1992) |
| Culture and all that jazz | |
| Kalabash. #1. August. p. 12-14. |
| Sergio, P. (1992) |
| Kathak Dance, projecçao, beleza e drama | |
| Tempo. #1146. November 08. p. 23-27. |
| Zeeman, T. (1992) |
| The radical relocation of the cultural debate and its (con)textualizers | |
| Kalabash. #1. August. p. 34-35. |
| Anonymous (1991) |
| Kanda Bongoman, the high priest of kwasa kwasa | |
| Drum. May. p. 21-23. |
| Anonymous (1991) |
| Where We Belong | |
| Drum. April. p. 9-10. |
| Britz, E. (1991) |
| Her sights are set | |
| Times of Namibia. Volume 1 #14. 4 Dec.. p. 8-9. |
| Sergio, P. (1991) |
| Xitukulumukumba, interpretação metafísica das malvivências (afro-moçambicanas)? | |
| Tempo. #1100. 17 de nov.. p. 26-31. |
| Weiss, P. (1991) |
| Mbube, transformation of a culture | |
| Southern Africa Political & Economic Monthly. Volume 5 #3-4. December-Jan. 1992. p. 36-37. |
| Sengo, C. (1989) |
| Lucrécia Paco: o teatro é uma forma de educar | |
| Tempo. #955. 29 de jan.. p. 47-49. |
| Search: su=performing arts | ||||||||
| Found: 84 | Record 1-84 | |||||||
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