AfricaBib 
bibliographic database
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| Found: 262 | Record 1-100 |  |
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 | Osiebe, Garhe (2020) |
 | Methods in performing Fela in contemporary Afrobeats, 2009-2019 |
| African Studies. Volume 79 #1. p. 88-109. |
| Osiebe, Garhe (2019) |
| Valences of electoral consciousness in the music of democratic Nigeria |
| Canadian Journal of African Studies. Volume 53 #2. p. 251-272. |
 | Becker, Heike and Schulz, Dorothea (eds.) (2017) |
| Un/making difference through performance and mediation in contemporary Africa |
 | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
| Grant, Andrea Mariko (2017) |
| The making of a 'superstar': the politics of playback and live performance in post-genocide Rwanda |
| Africa: Journal of the International African Institute. Volume 87 #1. p. 155-179. |
 | Mans, Minette (2017) |
| Changing faces of Aawambo musical arts | |
| Basel: Basler Afrika Bibliographie. Basel Southern Africa Studies #11. 188p. |
| Aoki, Kay (2016) |
| A social history and concept map analysis on 'Sodade' in Cabo Verdean Morna |
| African Study Monographs. Volume 37 #4. p. 163-187. |
| Federasie van Afrikaanse Kultuurvereniginge (2016) |
| FAK-sangbundel 2 | |
| Pretoria: Protea Boekhuis. 737p. |
 | Mosses, Sarah and Schwartz, Johanna and Morgan, Andy (eds.) (2016) |
| They will have to kill us first: Malian music in exile |
| London: Mojo Music in association with Together Films and Spring Films. |
| Mukasonga, Scholastique (2016) |
| Coeur tambour: roman | |
| Paris: Gallimard. 175p. |
| Osiebe, Garhe (2016) |
| The opportunism of political music culture in democratic Nigeria |
| Journal of African Cultural Studies. Volume 28 #1. p. 13-27. |
| Stasik, Michael (2016) |
| Real love versus real life: youth, music and utopia in Freetown, Sierra Leone |
| Africa: Journal of the International African Institute. Volume 86 #2. p. 215-236. |
| Witulski, Christopher (2016) |
| The gnawa lions: paths towards learning ritual music in contemporary Morocco |
| The Journal of North African Studies. Volume 21 #4. p. 599-622. |
| Adinkrah, Mensah (2015) |
| Witchcraft, witches, and violence in Ghana | |
| New York: Berghahn Books. 325p. |
| Aterianus-Owanga, Alice (2015) |
| 'Orality is my reality': the identity stakes of the oral creation in Libreville hip-hop practices |
| Journal of African Cultural Studies. Volume 27 #2. p. 146-158. |
| Batchiellilys, Annie Flore and Kombila, Jannys (2015) |
| Nzile: itinéraire d'une étoile de Mighoma à l'Olympia | |
| Rungis: la Doxa éditions. Collection empreintes. 155p. |
| Chikowero, Mhoze (2015) |
| African music, power, and being in colonial Zimbabwe | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 346p. |
| Contreras, Arnaud (2015) |
| Sahara rocks ! | |
| Chantepie: Éditions de Juillet. 135p. |
| Eyre, Banning (2015) |
| Lion songs: Thomas Mapfumo and the music that made Zimbabwe | |
| Durham: Duke University Press. 362p. |
| Eyre, Banning (2015) |
| Thomas Mapfumo and the popularization of Shona mbira | |
| African Music Journal. Volume 10 #1. p. 84-101. |
| Jedlowski, Alessandro (ed.) (2015) |
| Special issue: across media: mobility and transformation of cultural materials in the digital age |
| Journal of African Media Studies. Volume 7 #1. 99p. |
| Kandé Senghor, Fatou (2015) |
| Wala Bok: Une histoire orale du hip hop au Sénégal | |
| Dakar: Éditions Amalion. 289p. |
| Krings, Matthias (2015) |
| African appropriations: cultural difference, mimesis, and media | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 311p. |
| Madalane, Ignatia (2015) |
| From Paul to Penny: the emergence and development of Tsonga disco 1985-1990s | |
| African Music Journal. Volume 10 #1. p. 150-179. |
| Mboya, T. Michael (2015) |
| Ethnicity and the brokerage of Kenyan popular music: categorizing 'Riziki' by Ja-Mnazi Afrika |
| Journal of African Cultural Studies. Volume 27 #2. p. 205-215. |
| Samuel, Ayeni Adekunle (ed.) (2015) |
| A very good bad guy: the story of Innocent '2Face' Idibia | |
| Lagos: Nigerian Entertainment Today. 396p. |
 | Solomon, Thomas (ed.) (2015) |
| African musics in context: institutions, culture, identity | |
| Kampala: Fountain Publishers. 365p. |
| Suriano, Maria and Lewis, Clara (2015) |
| 'Afrikaners is plesierig!': Voëlvry music, anti-apartheid identities and Rockey Street nightclubs in Yeoville (Johannesburg), 1980s-90s |
| African Studies. Volume 74 #3. p. 404-428. |
| Waberi, Abdourahman A. (2015) |
| La divine chanson: roman | |
| Paris: Zulma. 237p. |
| Adegoju, Adeyemi (2014) |
| Beautiful Nubia's polemics on child rights and the leadership challenge in Nigeria |
| Journal of African Cultural Studies. Volume 26 #1. p. 82-98. |
| Akande, Peju (2014) |
| Avant-garde: the cool DJ Jimmy Jatt story | |
| Lagos: Radi8 Ltd. 168p. |
| Canut, Cécile (ed.) (2014) |
| Ilia di mudjer = L'île des femmes = The island of women |
| Aulas: Tutti Quanti films. |
| Etou Nianga, Anicet (2014) |
| Papa Wemba: la voix de la musique congolaise moderne: contribution et odyssée | |
| Paris: L'Harmattan. Culture africaine. 269p. |
| Gawa, Franck (2014) |
| Le coupé décalé en Côte d'Ivoire: sens et enjeux d'un succès musical |
| African Sociological Review. Volume 18 #1. p. 112-126. |
| Jaji, Tsitsi (2014) |
| Africa in stereo: modernism, music, and pan-African solidarity | |
| New York: Oxford University Press. 272p. |
| Jhonel (2014) |
| Niamey, cour commune: slam | |
| Paris: L'Harmattan. Écrire l'Afrique. 71p. |
| Koffi, Brou Dieudonné (2014) |
| Tiken Jah Fakoly: les enjeux coups de gueule: essai | |
| Abidjan: Balafons. 143p. |
| Moulard, Sophie (2014) |
| Le regard entre deux rives: la migration et l'exil dans le discours des rappeurs sénégalais | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 415-449. |
| Mugari, Victor (2014) |
| Code-switching in Zimbabwean urban grooves music |
| Language Matters: Studies in the Languages of Africa. Volume 45 #2. p. 224-236. |
| Rabaraona, Rocky A. Harry (2014) |
| L'aventure des Surfs: souvenirs d'un groupe vocal malgache | |
| Paris: L'Harmattan. Graveurs de mémoire, Serie Recits de vie/Arts du spectacle vivant. 283p. |
| Santos, David and Sousa, Vanessa (2014) |
| Voz de Cabo Verde: a história de um povo ... | |
| Alfragide: Fresco Produções. 104p. |
| Strong, Krystal and Ossei-Owusu, Shaun (2014) |
| Naija boy remix: Afroexploitation and the new media creative economies of cosmopolitan African youth |
| Journal of African Cultural Studies. Volume 26 #2. p. 189-205. |
| Williams, Quentin and Stroud, Christopher (2014) |
| Multilingualism remixed: sampling, braggadocio and the stylisation of local voice |
| African Studies. Volume 73 #1. p. 124-145. |
| Akande, Akinmade (2013) |
| Code-switching in Nigerian hip-hop lyrics | |
| Language Matters: Studies in the Languages of Africa. Volume 44 #1. p. 39-57. |
| Baines, Gary (2013) |
| Lionising De la Rey: Afrikaner identity politics and performative nostalgia in post-apartheid South Africa |
| African Identities. Volume 11 #3. p. 249-259. |
| Boka, Anicet (2013) |
| Coupé-décalé: le sens d'un genre musical en Afrique | |
| Paris: L'Harmattan. Points de vue. 246p. |
| Bousbia, Safinez (ed.) (2013) |
| El gusto |
| Arnhem: Contact Film. |
| Brempong, Owusu (2013) |
| Proverbs and proverbial sayings in highlife songs | |
| Journal of Performing Arts. Volume 4 #4. p. 147-156. |
| Brunner, Anja (2013) |
| The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
| African Music Journal. Volume 9 #3. p. 40-58. |
| Diouf, Mamadou and Fredericks, Rosalind (eds.) (2013) |
| Les arts de la citoyenneté au Sénégal: espaces contestés et civilités urbaines | |
| Paris: Karthala. Hommes et sociétés. 377p. |
| Emielu, Austin (2013) |
| Ethnic and regional identities in Nigerian popular music: a special focus on the Edo | |
| African Music Journal. Volume 9 #3. p. 92-110. |
| Emielu, Austin 'Maro (2013) |
| Nigerian highlife music | |
| Lagos: Centre for Black and African Arts and Civilization (CBAAC). 252p. |
| Gronemann, Claudia and Pasquier, Wilfried (eds.) (2013) |
| Scènes des genres au Maghreb: masculinités, critique queer et espaces du féminin/masculin | |
| Amsterdam: Rodopi. Francopolyphonies #11. 339p. |
| Lebry, Léon Francis (2013) |
| Lougah: coulisses d'un artiste | |
| Abidjan: NEI/CEDA. 205p. |
| Mazzoleni, Florent (2013) |
| L'épopée de la musique africaine: rythmes d'Afrique atlantique | |
| Paris: Hors collection. 175p. |
| Musiyiwa, Mickias (2013) |
| Hit songs and the dynamics of postcolonial Zimbabwe: a study in popular music trends, 1980-2009 | |
| African Music Journal. Volume 9 #3. p. 59-91. |
| Mutonya, Maina wa (2013) |
| Politics of everyday life in Gikuyu popular music of Kenya (1990-2000) | |
| Nairobi: Twaweza Communications. 172p. |
| Mutonya, Maina wa (2013) |
| 'Jogoo la shambani haliwiki mjini': the village and the town in the 'Mugithi' and one man guitar performances in Kenya |
| African Studies Quarterly. Volume 14 #4. p. 1-16. |
| N'Goran, Emmanuel Yao (2013) |
| La rumba congolaise: sa splendeur, ses effluves, ses profondeurs | |
| Abidjan: L'Encre Bleue. Collection musicalia. 244p. |
| Schumann, Anne (2013) |
| Songs of a new era: popular music and political expression in the Ivorian crisis |
| African Affairs: The Journal of the Royal African Society. Volume 112 #448. p. 440-459. |
| Shipley, Jesse Weaver (2013) |
| Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music | |
| Durham: Duke University Press. 329p. |
| Teffera, Timkehet (2013) |
| Canvassing past memories through Tezeta | |
| Journal of Ethiopian Studies. Volume 46. p. 31-66. |
| Tucker, Boima (2013) |
| Musical violence: gangsta rap and politics in Sierra Leone |
| Uppsala: Nordiska Afrikainstitutet. Current African issues #52. 82p. |
| Uzor, Tia-Monique (2013) |
| The evolving face of 'Iwa Akwa' | |
| African Performance Review. Volume 7 #1. p. 104-115. |
| Adom, Marie Clémence (2012) |
| Noms d'artistes et horizons identitaires dans la poésie chantée de Côte d'Ivoire (Esquisse d'un imaginaire zouglou) | |
| Intel'actuel: revue de lettres et sciences humaines. #11. p. 153-176. |
| Aterianus, Alice (2012) |
| Des diables, des prophètes et des 'banzis' sur les scènes de Libreville: les réemplois religieux des rappeurs du Gabon | |
| Autrepart. #60. p. 39-53. |
| Ballantine, Christopher (2012) |
| Marabi nights: jazz, 'race' and society in early apartheid South Africa | |
| Scottsville: University of KwaZulu-Natal Press. 247p. |
| Charry, Eric S. (ed.) (2012) |
| Hip hop Africa: new African music in a globalizing world | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 390p. |
| Clark, Msia Kibona (2012) |
| Hip hop as social commentary in Accra and Dar es Salaam |
| African Studies Quarterly. Volume 13 #3. p. 23-46. |
| Eisenberg, Andrew J. (2012) |
| Hip-hop and cultural citizenship on Kenya's 'Swahili coast' |
| Africa: Journal of the International African Institute. Volume 82 #4. p. 556-578. |
| Falola, Toyin and Fleming, Tyler (eds.) (2012) |
| Music, performance and African identities | |
| New York: Routledge. Routledge African studies #3. 346p. |
| Iniesta, Ferran (ed.) (2012) |
| L'Islam de l'Afrique noire | |
| Paris: L'Harmattan. |
| Jackson, Rachel (2012) |
| The trans-atlantic journey of 'gumbé': where and why has it survived? | |
| African Music Journal. Volume 9 #2. p. 128-153. |
| James, Deborah and Hull, Elizabeth (eds.) (2012) |
| Special issue: popular economies in South Africa |
| Africa: Journal of the International African Institute. Volume 82 #1. 186p. |
| Jones, Claire (2012) |
| A modern tradition: the social history of the Zimbabwean marimba | |
| African Music Journal. Volume 9 #2. p. 32-56. |
| Kaurismäki, Mika and Makeba, Miriam (eds.) (2012) |
| Mama Africa: Miriam Makeba |
| Matchbox Films. |
| Khan, Khatija Bibi (2012) |
| Senses of communities: hip hop music, Islam and the Black Atlantic | |
| Harare: Africa Institute for Culture. 145p. |
| Künzler, Daniel and Reuster-Jahn, Uta (2012) |
| 'Mr. President': musical open letters as political commentary in Africa |
| Africa Today. Volume 59 #1. p. 89-113. |
 | Leisink, Tommie (2012) |
| 'For them it's different, they make a statement': ways of dealing with the past among the post-apartheid generation Afrikaners in Cape Town |
| 79p. |
| Liadi, Olusegun Fariudeen (2012) |
| Multilingualism and hip hop consumption in Nigeria: accounting for the local acceptance of a global phenomenon |
| Africa Spectrum. Volume 47 #1. p. 3-19. |
| Mate, Rekopantswe (2012) |
| Youth lyrics, street language and the politics of age: contextualizing the youth question in the Third Chimurenga in Zimbabwe |
| Journal of Southern African Studies. Volume 38 #1. p. 107-127. |
| Mudimbe, V.Y. (ed.) (2012) |
| Contemporary African cultural productions |
| Dakar: CODESRIA. 328p. |
| Ogude, James and Musila, Grace A. and Ligaga, Dina (eds.) (2012) |
| Rethinking Eastern African literary and intellectual landscapes | |
| Trenton, NJ: Africa World Press. 424p. |
| Okome, Onookome and Newell, Stephanie (eds.) (2012) |
| Measuring time: Karin Barber and the study of everyday Africa |
| Research in African Literatures. Volume 43 #4. 195p. |
| Osumare, Halifu (2012) |
| The hiplife in Ghana: the West African indigenization of hip-hop | |
| Basingstoke: Palgrave Macmillan. 219p. |
| Plageman, Nate (2012) |
| Highlife Saturday night: popular music and social change in urban Ghana | |
| Bloomington, IN: Indiana University Press. 318p. |
| Rosenberg, Aaron L. (2012) |
| Living for the city: urban displacement and incarceration in Wright's 'Native Son' and Rajabu's 'Masudi' |
| Journal of African Cultural Studies. Volume 24 #1. p. 35-53. |
| Schumann, Anne (2012) |
| A generation of orphans: the socio-economic crisis in Côte d'Ivoire as seen through popular music |
| Africa: Journal of the International African Institute. Volume 82 #4. p. 535-555. |
| Scott, Claire (2012) |
| Die Antwoord and a delegitimised South African whiteness: a potential counter-narrative? |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 745-761. |
| Spencer, Sylvanus N. (2012) |
| The use of pop songs by Sierra Leonean youths in enjoying the space created for freedom of expression after the civil war |
| Africa Today. Volume 59 #1. p. 71-86. |
| Stasik, Michael (2012) |
| DISConnections: popular music audiences in Freetown, Sierra Leone |
| Bamenda: Langaa Research & Publishing CIG. 237p. |
| Van Wolputte, Steven and Bleckmann, Laura E. (2012) |
| The ironies of pop: local music production and citizenship in a small Namibian town |
| Africa: Journal of the International African Institute. Volume 82 #3. p. 413-436. |
| Wajnberg, Marc-Henri (ed.) (2012) |
| Kinshasa kids | |
| Linkebeek: Wajnbrosse Productions. |
| Bulu, Léon Tsambu (2011) |
| L'agir symbolique du public sur la scène musicale congolaise |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 36 #1. p. 29-48. |
| Collins, John (2011) |
| World music: a stimulus to Ghanaian tourism, education and 'cross-over' musical collaborations | |
| Journal of Performing Arts. Volume 4 #2. p. 71-79. |
| Dijk, Rijk van and Bruijn, Mirjam de (eds.) (2011) |
| Special issue on 'The ideologies of youth' |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 36 #3-4. 145p. |
| Emielu, Austin 'Maro (2011) |
| Popular music and youth empowerment in Nigeria | |
| Journal of Performing Arts. Volume 4 #2. p. 59-70. |
| Fié Doh, Ludovic (2011) |
| Le rôle des musiques populaires urbaines dans les mutations sociopolitiques en Côte d'Ivoire | |
| Éthiopiques: revue socialiste de culture négro-africaine. #86. p. 187-213. |
| Kahn, Rebecca (2011) |
| 'Oop vir misinterpretasie': South African journalism's take-up and representation of the music of Fokofpolisiekar |
| Ecquid Novi: African Journalism Studies. Volume 32 #3. p. 19-33. |
| Létourneau, Yanick and Loumède, Colette and Tétrault, Sébastien and Ouichou, Hany and Awadi, Didier (eds.) (2011) |
| Les États-Unis d'Afrique: au-delà du hip hop = United States of Africa: beyond hip hop |
| Montréal, Québec: National Film Board of Canada. |
| Search: su=popular music | ||||||||
| Found: 262 | Record 1-100 | |
|
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| Previous page | New search |