Search results |
Previous page | New search |
Search: su=popular music | ||||||||
Found: 265 | Record 201-265 |
Reichenbach, Jérémie (ed.) (2005) | |
Teshumara: les guitares de la rébellion Touareg | |
Paris: Hibou Production. |
Stroeken, Koen (2005) | |
Immunizing Strategies: Hip-Hop and Critique in Tanzania | |
Africa: Journal of the International African Institute. Volume 75 #4. p. 488-509. |
Talmenssour, Abdelaali (2005) | |
La vie et l'oeuvre du rrays Lhusayn Amrraksi | |
Études et documents berbères. #23. p. 61-84. |
Arlt, Veit (2004) | |
The Union Trade Company and its Recordings: An Unintentional Documentation of West African Popular Music, 1931-1957 | |
History in Africa. Volume 31. p. 393-405. |
Collins, John (2004) | |
Ghanaian Christianity and Popular Entertainment: Full Circle | |
History in Africa. Volume 31. p. 407-423. |
Collins, John (2004) | |
Ghanaian popular performance and the urbanisation process: 1900-1980 | |
Transactions of the Historical Society of Ghana. #8. p. 203-226. |
Fenn, John Bennett (2004) | |
Rap and ragga musical cultures, lifestyles, and performances in Malawi | |
Ann Arbor, MI: UMI. 246p. |
Geest, Sjaak van der (2004) | |
Orphans in Highlife: An Anthropological Interpretation | |
History in Africa. Volume 31. p. 425-440. |
Martin, Denis-Constant (2004) | |
Les musiques face au pouvoir | |
Géopolitique africaine. #13. p. 117-132. |
Samper, David A. (2004) | |
'Africa is Still Our Mama': Kenyan Rappers, Youth Identity, and the Revitalization of Traditional Values | |
African Identities. Volume 2 #1. April. p. 37-51. |
Vambe, Maurice Taonezvi (2004) | |
Thomas Mapfumo's 'Toi Toi' in Context: Popular Music as Narrative Discourse | |
African Identities. Volume 2 #1. April. p. 89-112. |
Wekesa, Peter Wafula (2004) | |
The Politics of Marginal Forms: Popular Music, Cultural Identity and Political Opposition in Kenya | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 29 #4. p. 92-112. |
Collins, John (2003) | |
Ghanaian Women Enter into Popular Entertainment | |
Humanities Review Journal. Volume 3 #1. p. 1-10. |
Drewett, Michael (2003) | |
Battling over Borders: Narratives of Resistance to the South African Border War Voiced through Popular Music | |
Social Dynamics. Volume 29 #1. Winter. p. 78-98. |
Englert, Birgit (2003) | |
Bongo Flava (Still) Hidden 'Underground' Rap from Morogoro, Tanzania | |
Stichproben - Vienna Journal of African Studies. Volume 3 #5. p. 73-91. |
Kupe, Tawana (2003) | |
The Meanings of Music: Media Representations of Popular Music in Zimbabwe | |
African Identities. Volume 1 #2. October. p. 187-196. |
Lwanda, John (2003) | |
Mother's Songs: Male Appropriation of Women's Music in Malawi and Southern Africa | |
Journal of African Cultural Studies. Volume 16 #2. December. p. 119-141. |
Lwanda, John (2003) | |
The [in]visibility of HIV/AIDS in the Malawi public sphere | |
African Journal of AIDS Research. Volume 2 #2. p. 113-126. |
Peterson, Bhekizizwe (2003) | |
Kwaito, 'Dawgs' and the Antimonies of Hustling | |
African Identities. Volume 1 #2. October. p. 197-213. |
Sarasin, Jacques (ed.) (2003) | |
Je chanterai pour toi = I'll sing for you | |
Jonathan Demme. |
Konaté, Yacouba (2002) | |
Génération Zouglou | |
Cahiers d'études africaines. Volume 42 #168. p. 777-796. |
Larkin, Brian (2002) | |
Bandiri Music, Globalization and Urban Experience in Nigeria | |
Cahiers d'études africaines. Volume 42 #168. p. 739-762. |
Maraszto, Caroline (2002) | |
Sozialpolitische Wende? Zur Entwicklung des Rap im Senegal | |
Stichproben - Vienna Journal of African Studies. Volume 2 #4. p. 81-104. |
Miliani, Hadj (2002) | |
Culture planétaire et identités frontalières: à propos du rap en Algérie | |
Cahiers d'études africaines. Volume 42 #168. p. 763-776. |
Ogunde, Oke (2002) | |
The revolutionary essence of Fela Kuti's music | |
The African Communist. #161. p. 78-83. |
Olorunyomi, Sola (2002) | |
Fela as a conscious musical Caliban | |
Tinabantu: journal of African national affairs. Volume 1 #1. p. 1-5. |
Schulz, Dorothea E. (2002) | |
The World is Made by Talk: Female Youth Culture, Pop Music Consumption, and Mass-Mediated Forms of Sociality in Urban Mali | |
Cahiers d'études africaines. Volume 42 #168. p. 797-829. |
Shain, Richard M. (2002) | |
Roots in Reverse: 'Cubanismo' in Twentieth-Century Senegalese Music | |
International Journal of African Historical Studies. Volume 35 #1. p. 83-101. |
Auzanneau, Michelle (2001) | |
Identités africaines: le rap comme lieu d'expression | |
Cahiers d'études africaines. Volume 41 #163-164. p. 711-734. |
Glogowski, Maciej (2001) | |
Past and present of the West African music | |
Africana Bulletin. #49. p. 171-187. |
Henderson, Clara (2001) | |
'When Hearts Beat Like Native Drums': Music and the Sexual Dimensions of the Notions of 'Savage' and 'Civilized' in Tarzan and His Mate, 1934 | |
Africa Today. Volume 48 #4. Winter. p. 91-124. |
Kapteijns, Lidwien; Ali, Maryan Omar (2001) | |
'Come Back Safely': Laments about Labor Migration in Somali Love Songs | |
Northeast African Studies. Volume 8 #3. p. 33-45. |
Lutumba, Milau K. (2001) | |
'Atalaku', the people's eye and memory from 'Ndombolo' to 'Plein na Plein': a critique of President L.D. Kabila's regime in popular music | |
Présence africaine. #163-164. p. 69-79. |
MacCracken, John; Lovering, Timothy J.; Chalamanda, Fiona Johnson (eds.) (2001) | |
Twentieth century Malawi: perspectives on history and culture | |
Stirling: Centre of Commonwealth Studies, University of Stirling. Occasional paper #7. 118p. |
Olatunji, Michael O. (2001) | |
The Use of Pidgin English in Contemporary Nigerian Music: A New Approach towards National Identity | |
Humanities Review Journal. Volume 1 #1. p. 41-46. |
Schulz, Dorothea E. (2001) | |
Music Videos and the Effeminate Voices of Urban Culture in Mali | |
Africa: Journal of the International African Institute. Volume 71 #3. p. 345-372. |
Tshonga Onyumbe (2001) | |
Musique et évolution politique en R.D. du Congo | |
Annales aequatoria. Volume 22. p. 7-20. |
Brempong, Owusu (2000) | |
Libation in highlife songs | |
Research Review. Volume 16 #1. p. 39-57. |
Coussy, Denise; Vié, Josette; Alem, Kangni (eds.) (2000) | |
Littératures du Nigeria et du Ghana | |
Notre librairie: revue du livre pour l'Afrique et l'océan Indien. #141. 143p. |
McLaughlin, Fiona (2000) | |
'In the name of God I will sing again, Mawdo Malik the Good': Popular music and the Senegalese Sufi 'tariqas' | |
Journal of Religion in Africa. Volume 30 #2. p. 191-207. |
Thorsén, Stig-Magnus (ed.) (200*) | |
Sounds of change: social and political features of music in Africa | |
Stockholm: Sida. Sida studies #12. 220p. |
Buba, Malami; Furniss, Graham (1999) | |
Youth Culture, Bandiri, and the Continuing Legitimacy Debate in Sokoto Town | |
Journal of African Cultural Studies. Volume 12 #1. June. p. 27-46. |
Schulz, Dorothea (1999) | |
Territorial displacement and moral relocation: voices and images of womanhood in televised 'ladili' performances in Mali | |
Berlin: Das Arabische Buch. Sozialanthropologische Arbeitspapiere #80. 25p. |
Ssewakiryanga, Richard (1999) | |
Imaginer le monde chez soi: les jeunes et la musique internationale en Ouganda | |
Politique africaine. #75. p. 91-106. |
Tshonga Onyumbe (1999) | |
Lutumba Simaro | |
Annales aequatoria. Volume 20. p. 355-377. |
Tshonga Onyumbe (1999) | |
Kallé Jeef ou Joseph Kabasele Tshamala: biographie et oeuvre d'un chanteur congolais | |
Annales aequatoria. Volume 20. p. 323-353. |
White, Bob W. (1999) | |
Modernity's trickster: 'dipping' and 'throwing' in Congolese popular dance music | |
Research in African Literatures. Volume 30 #4. p. 156-175. |
Remes, Pieter Walter (1998) | |
'Karibu geto langu / Welcome in my ghetto': urban youth, popular culture and language in 1990s Tanzania | |
Letlaka, Palesa Ka; Smith, Roger (eds.) (1997) | |
Moses Molelekwa | |
McLaughlin, Fiona (1997) | |
Islam and Popular Music in Senegal: The Emergence of a 'New Tradition' | |
Africa: Journal of the International African Institute. Volume 67 #4. p. 560-581. |
Salamone, Frank A. (1997) | |
Crossing artistic symbolic boundaries: Nigeria and Ghana | |
Africa: rivista trimestrale di studi e documentazione. Volume 52 #1. p. 62-80. |
Anema, Karin (1996) | |
Mali Nafolo: mensen, mode en muziek uit Mali | |
Abcoude: Uniepers. 88p. |
Savishinsky, Neil J. (1994) | |
Rastafari in the Promised Land: The Spread of a Jamaican Socioreligious Movement among the Youth of West Africa | |
African Studies Review. Volume 37 #3. December. p. 19-50. |
Gondola, Charles Didier (1993) | |
Musique moderne et identités citadines: le cas du Congo-Zaïre | |
Afrique contemporaine. #168. p. 155-168. |
Mekacha, Rugatiri D.K. (1992) | |
Are Women Devils? The Portrayal of Women in Tanzanian Popular Music | |
Matatu: Journal for African Culture and Society. Volume 9. p. 99-113. Special issue on: Sokomoko: Popular Culture in East Africa. |
Ballantine, Christopher (1991) | |
Music and Emancipation: The Social Role of Black Jazz and Vaudeville in South Africa between the 1920s and the Early 1940s | |
Journal of Southern African Studies. Volume 17 #1. March. p. 129-152. |
Agovi, Kofi E. (1989) | |
The political relevance of Ghanaian highlife songs since 1957 | |
Research in African Literatures. Volume 20 #2. p. 194-201. |
Raeburn, Michael (ed.) (1989) | |
Under African skies: Zimbabwe | |
BBC. |
Erlmann, Veit (1988) | |
A Feeling of Prejudice: Orpheus M. McAdoo and the Virginia Jubilee Singers in South Africa, 1890-1898 | |
Journal of Southern African Studies. Volume 14 #3. April. p. 331-350. |
Jegede, Dele (1987) | |
Popular culture and popular music: the Nigerian experience | |
Présence africaine. #144. p. 59-72. |
Horton, Christian Dowu (1985) | |
Popular bands of Sierra Leone: 1920 to the present | |
Africana Research Bulletin. Volume 14 #1-2. p. 32-52. |
Yankah, Kwesi (1984) | |
The Akan highlife song: a medium of cultural reflection or deflection | |
Research in African Literatures. Volume 15 #4. p. 568-582. |
Geest, Sjaak van der; Asante-Darko, Nimrod K. (1982) | |
The Political Meaning of Highlife Songs in Ghana | |
African Studies Review. Volume 25 #1. March. p. 27-35. |
Koetting, James T. (1979) | |
The Organization and Functioning of Migrant Kasena Flute and Drum Ensembles in Nima/Accra | |
African Urban Studies. #6. Winter. p. 17-30. |
Kubik, Gerhard (1979) | |
Donald Kachamba's Montage Recordings: Aspects of Urban Music History in Malawi | |
African Urban Studies. #6. Winter. p. 89-122. |
Search: su=popular music | ||||||||
Found: 265 | Record 201-265 |
Previous page | New search |