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 | Mbambi Kungua, Benoît Awazi (ed.) (2016) |
| Dieu et l'Afrique: une approche prophétique, émancipatrice et pluridisciplinaire | |
 | Afroscopie. 532p. |
 | Solomon, Thomas (ed.) (2015) |
| African musics in context: institutions, culture, identity | |
| Kampala: Fountain Publishers. 365p. |
 | Carl, Florian (2014) |
| The ritualization of the self in Ghanaian gospel music | |
| Ghana Studies. Volume 17. p. 101-129. |
| Nosnitsin, Denis; Rabin, Ira (2014) |
 | A fragment of an ancient hymnody manuscript from Me'esar Gwehila (Tegray, Ethiopia) |
| Aethiopica: International Journal of Ethiopian Studies. Volume 17. p. 65-77. |
| Collins, E.John (2013) |
| The Ghanaian and Nigerian gospel music explosion | |
| Journal of Performing Arts. Volume 4 #4. p. 115-131. |
| Adeola, Taiye Shola (2011) |
| Discourse on illness and healing in selected gospel songs in Southwestern Nigeria | |
| Journal of Performing Arts. Volume 4 #2. p. 133-147. |
| Kidula, Jean Ngoya (2011) |
| Gospel music videos in the counter-memory of post-nation identity in Kenya | |
| African Music Journal. Volume 9 #1. p. 116-135. |
| Olatunji, Myke; Babalola, Dipo; Daramola, Yomi (2011) |
| Bi and tri-lingualism: a reflection of code mixing and switching in contemporary Yoruba Christian gospel and Islamized music | |
| Journal of Performing Arts. Volume 4 #2. p. 148-165. |
| Lamont, Mark (2010) |
| Lip-synch gospel: Christian music and the ethnopoetics of identity in Kenya |
| Africa: Journal of the International African Institute. Volume 80 #3. p. 473-496. |
 | Sanga, Imani (2010) |
| Sounds of Muziki Wa Injili: temporal and spatial aesthetics of contemporary church music in Dar es Salaam, Tanzania | |
| Saarbrücken: Lap Lambert. 229p. |
| Sanga, Imani (2010) |
| The practice and politics of hybrid soundscapes in 'Muziki wa Injili' in Dar es Salaam, Tanzania |
| Journal of African Cultural Studies. Volume 22 #2. p. 145-156. |
| Six, Veronika (2010) |
| A Psalter from Tübingen: although inconspicuous the text, nevertheless a treasure for manuscriptology |
| Aethiopica: International Journal of Ethiopian Studies. Volume 13. p. 163-175. |
| Faye, Diâo (2009) |
| Littérature locale ou littérature en langue nationale: le wolofal mouride, un modèle d'écriture à exhumer et à vulgariser | |
| Annales de la Faculté des lettres et sciences humaines. #39. p. 270-286. |
| Gwekwerere, Gadziro (2009) |
| Gospel music as a mirror of the political and socio-economic developments in Zimbabwe, 1980-2007 |
| Exchange: Journal of Contemporary Christianities in Context. Volume 38 #4. p. 329-354. |
| Sanga, Imani (2009) |
| Teaching-learning processes in Muziki Wa Injili in Dar es Salaam | |
| African Music Journal. Volume 8 #3. p. 132-143. |
| Adekoya, J.S. (2008) |
| Thematic study of songs that promote Islamic teachings in Yorubaland | |
| Orita: Ibadan Journal of Religious Studies. Volume 40 #2. p. 103-127. |
| Githiora, Chege (ed.) (2008) |
| East African culture, language and society |
| Journal of African Cultural Studies. Volume 20 #1. 132p. |
| Jorritsma, Marie (2008) |
| The hidden transcripts of sacred song in a South African coloured community | |
| African Music Journal. Volume 8 #2. p. 56-75. |
| Kalu, Ogbu U. (2008) |
| Holy praiseco: negotiating sacred and popular music and dance in African Pentecostalism | |
| The Ghana Bulletin of Theology. Volume 3. December. p. 111-142. |
| Makahamadze, Tompson; Sibanda, Fortune (2008) |
| 'Melodies to God': the place of music, instruments and dance in the Seventh Day Adventist Church in Masvingo Province, Zimbabwe |
| Exchange: Journal of Contemporary Christianities in Context. Volume 37 #3. p. 290-309. |
| Adedeji, Femi (2007) |
| Instrumentation as a stylistic determinant in Nigerian gospel music | |
| Research Review. Volume 23 #2. p. 43-59. |
| Majdouli, Zineb (2007) |
| Trajectoires des musiciens Gnawa: approche ethnographique des cérémonies domestiques et des festivals de Musiques du monde | |
| Paris: L'Harmattan. Arts de la piste et de la rue. 242p. |
| Ngaïde, Abderrahmane (2007) |
| Musique et danse chez les Haratin de Mauritanie: conscience identitaire et/ou dissidence culturelle? | |
| Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #15-16. p. 1-25. |
| Ademiluka, Solomon Olusola (2006) |
| The use of imprecatory psalms in African context | |
| African Journal of Biblical Studies. Volume 23 #2. p. 53-62. |
| Damon, Anne (2006) |
| ''Aqwaqwam' ou la danse des cieux |
| Cahiers d'études africaines. Volume 46 #182. p. 261-290. |
| Rausch, Margaret (2006) |
| Ishelhin Women Transmitters of Islamic Knowledge and Culture in Southwestern Morocco |
| The Journal of North African Studies. Volume 11 #2. June. p. 173-192. |
| Adedeji, Femi (2005) |
| Pitch and tonality in contemporary African music: Nigerian gospel music as a case study | |
| Research Review. Volume 21 #2. p. 1-10. |
| Bjerk, Paul (2005) |
| 'Building a New Eden': Lutheran Church Youth Choir Performance in Tanzania |
| Journal of Religion in Africa. Volume 35 #3. p. 324-361. |
| Coplan, David B.; Jules-Rosette, Bennetta (2005) |
| 'Nkosi Sikelel' iAfrika' and the liberation of the spirit of South Africa |
| African Studies. Volume 64 #2. December. p. 285-308. |
| Olivier, Emmanuelle (2004) |
| La petite musique de la ville: musique et construction de la citadinité à Djenné (Mali) | |
| Journal des africanistes. Volume 74 #1-2. p. 97-123. |
| Wood, Peter; Wild-Wood, Emma (2004) |
| 'One Day We Will Sing in God's Home': Hymns and Songs Sung in the Anglican Church in North-East Congo (DRC) |
| Journal of Religion in Africa. Volume 34 #1-2. p. 145-180. |
| Goodman-Singh, David R. (2002) |
| The space of Africanness: using Gnawa music in Morocco as evidence of North African slavery and slave culture | |
| Journal of Asian and African Studies (Tokyo). #64. p. 75-99. |
| Adedeji, Femi (2001) |
| Revolutionary Trends in Nigerian Contemporary Gospel Music | |
| Humanities Review Journal. Volume 1 #2. p. 46-53. |
| Nikkel, Marc R. (2001) |
| Dinka Christianity: the origins and development of Christianity among the Dinka of Sudan with special reference to the songs of Dinka Christians | |
| Nairobi: Paulines Publications Africa. Faith in Sudan #11. 383p. |
| Spijker, Gerard van 't (2001) |
| Credal hymns as 'summa theologiae': new credal hymns in Rwanda after the 1994 war and genocide |
| Exchange: Journal of Contemporary Christianities in Context. Volume 30 #3. p. 256-275. |
| Tourny, Olivier (2001) |
| Le support de l'écrit, la part de l'oralité dans la psalmodie de l'Église chrétienne orthodoxe de l'Éthiopie: l'exemple du psaume 62 | |
| Annales d'Éthiopie. Volume 17. p. 375-386. |
| McLaughlin, Fiona (2000) |
| 'In the name of God I will sing again, Mawdo Malik the Good': Popular music and the Senegalese Sufi 'tariqas' |
| Journal of Religion in Africa. Volume 30 #2. p. 191-207. |
| Vigne, Randolph (1998) |
| South Africa's First Published Work of Literature and its Author, Pierre Simond |
| South African Historical Journal. #39. November. p. 3-16. |
| Muller, Carol (1997) |
| 'Written' into the Book of Life: Nazarite women's performance inscribed as spiritual text in 'Ibandla lamaNazaretha' |
| Research in African Literatures. Volume 28 #1. p. 3-14. |
| Brown, Duncan (1995) |
| Orality and Christianity: the hymns of Isaiah Shembe and the Church of the Nazarites | |
| Current Writing: Text and Reception in Southern Africa. Volume 7 #2. p. 69-95. |
| Kapteijns, Lidwien; Ali, Mariam Omar (1995) |
| Sittaat: Somali women's songs for 'The mothers of the believers' | |
| Boston: Boston University, African Studies Center. Discussion papers in the African humanities; 25. |
 | Osman, Ahmed Ibrahim (1995) |
| In praise of the Prophet: the performance and thematic composition of the Sudanese religious oral poetry | |
| Ph.D. dissertation. Ann Arbor, MI: UMI Dissertation Services. 366p. |
| Usman, Bello Bala (1995) |
| Narambada's praise song on Dokin Iska dan Filinge, a famous race horse | |
| Frankfurter afrikanistische Blätter. #7. p. 51-63. |
| Na'allah, Abdul Rasheed (1994) |
| The influence of traditional oral poetry on modern religions (Islam and Christianity) among the Yoruba (Nigeria ) | |
| Frankfurter afrikanistische Blätter. #6. p. 65-74. |
| Cillié, G.G. (1993) |
| Willem van Warmelo (1894-1976) se bydrae tot groter kennis van Afrikaanse liederwysies | |
| Tydskrif vir geesteswetenskappe. Volume 33 #1. p. 40-61. |
| Gueunier, Noël J. (1993) |
| 'Aucune langue n'est indigne de louer Dieu': poèmes musulmans malgaches en dialecte sakalava (deuxième recueil) | |
| Études océan Indien. #16. p. 87-103. |
| Noiret, F. (1991) |
| The faith in tune: Christian folk songs in the Betsileo (Madagascar) |
| Exchange: Journal of Contemporary Christianities in Context. Volume 20 #1. p. 46-55. |
| Kiernan, James P. (1990) |
| The Canticles of Zion: Song as Word and Action in Zulu Zionist Discourse |
| Journal of Religion in Africa. Volume 20 #2. June. p. 188-204. |
| Krabill, James R. (1990) |
| Dida Harrist Hymnody (1913-1990) |
| Journal of Religion in Africa. Volume 20 #2. June. p. 118-152. |
| Lindon, Thomas (1990) |
| Oriki Orisa: The Yoruba Prayer of Praise |
| Journal of Religion in Africa. Volume 20 #2. June. p. 205-224. |
| Molyneux, Gordon (1990) |
| The Place and Function of Hymns in the EJSCK (Eglise de Jesus-Christ sur Terre par le Prophete Simon Kimbangu) |
| Journal of Religion in Africa. Volume 20 #2. June. p. 153-187. |
| Kirsch, Thomas G. (199*) |
| Lieder der Macht: religiöse Autorität und Performance in einer afrikanisch-christlichen Kirche Zambias | |
| Münster: Lit Verlag. Spektrum, Berliner Reihe zu Gesellschaft, Wirtschaft und Politik in Entwicklungsländern $ Berlin series on society, economy and politics in developing countries #58. 149p. |
| Waugh, Earle H. (1989) |
| The munshidin of Egypt: Their world and their song | |
| Columbia, SC: University of South Carolina Press. Studies in comparative religion. 246p. |
| Bamikunle, Aderemi (1988) |
| 'Ogun': a poetic tradition of Ijumu District of Oyi Division in Kwara State | |
| Nigeria Magazine. Volume 56 #3-4. p. 78-92. |
 | James, W. (1988) |
| Uduk faith in a five-note scale: mission music and the spread of the Gospel | |
| In: Vernacular Christianity: essays in the social anthropology of religion presented to Godfrey Lienhardt. p. 131-145. |
| Gueunier, N.J. (1985) |
| 'Le monde est une mer par grandes marées': poèmes musulmans malgaches en dialecte sakalava | |
| Études océan Indien. #6. p. 151-182. |
| Haafkens, J. (1983) |
| Chants musulmans en peul: textes de l'héritage religieux de la Communauté musulmane de Maroua, Cameroun | |
| Leiden: Brill. 422p. |
| Said, Inzoudine; Ahmed Chamanga, Mohamed; Gueunier, Noël-Jacques (1982) |
| Un qasida arabe en l'honneur de Sayyid Ahmad al Kabir, missionnaire de l'Islam à Madagascar de 1896 à 1919 | |
| Études océan Indien. Volume 1. p. 137-148. |
| Boyd, Alan W. (1980) |
| To praise the prophet: a processual symbolic analysis of 'maulidi', a Muslim ritual in Lamu, Kenya | |
| Ann Arbor, MI: UMI Dissertation Services. 179p. |
| Ba, Amadou Hampaté (1969) |
| Jésus et Hasdu | |
| Bulletin de l'Institut Fondamental d'Afrique Noire, Série B: Sciences humaines. Volume 31 #3. p. 754-786. |
| Welton, M. (1968) |
| The function of the song in Olokun ceremony | |
| Nigeria Magazine. #98. p. 226-228. |
| Search: su=religious songs | ||||||||
| Found: 61 | Record 1-61 | |||||||
| Previous page | New search |