AfricaBib 
bibliographic database
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| Found: 150 | Record 1-100 |  |
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 | Bevilacqua, Juliana Ribeiro da Silva (2017) |
 | As esculturas cokwe como respostas às assimetrias civilizacionais |
| Anais do Museu Paulista: História e Cultura Material. Volume 25 #2. p. 117-139. |
| Laranjeira, Lia Dias (2017) |
| Migração makonde, produção de esculturas e mercado de arte no Tanganyika: a questão do estilo Shetani (1950-60) |
| Anais do Museu Paulista: História e Cultura Material. Volume 25 #2. p. 141-162. |
| Martins, Maria do Rosário Antunes Rodrigues; Tavares, Ana Cristina Pessoa (2017) |
| Singularidades museológicas de uma tábua com esculturas em diálogo: do alambamento ao casamento em Cabinda (Angola) |
| Anais do Museu Paulista: História e Cultura Material. Volume 25 #2. p. 83-115. |
 | Mas Arregui, Lluc Ohian (2016) |
| África: expresiones de lo sobrenatural: cátalogo de la colección Roldán-Palau |
| Vic: CEIBA. 390p. |
| Mshana, Fadhili Safieli (2016) |
| The art of the Zaramo: identity, tradition and social change in Tanzania | |
| Dar es Salaam: Mkuki Na Nyota. 189p. |
| Männel, Tanja M.; Breunig, Peter (2016) |
| The Nok terracotta sculptures of Pangwari |
| Journal of African Archaeology. Volume 14 #3. p. 313-329. |
| Pain, Marc (2016) |
| Kasaï rencontre avec le roi des Lele: carnets de voyage 1980-1981 | |
| Bruxelles: Husson. 143p. |
| Passot, Bernard (2016) |
| Le Bénin, les hommes et leur milieu: guide pratique | |
| Paris: L'Harmattan. 371p. |
| Pensa, Iolanda; Pucciarelli, M. (eds.) (2016) |
| Public art in Africa = Art et tranformation urbaines = Art and urban transformation in Douala | |
| Genève: Metis. 232p. |
| Roufe, Gai (2016) |
| Soapstone birds in soapstone nests: ethnohistorical interpretation of the Zimbabwe birds based on sixteenth- to nineteenth-century Portuguese documents |
| Azania: Archaeological Research in Africa. Volume 51 #2. p. 178-196. |
| Volper, Julien (ed.) (2016) |
| Nswo: statuettes et culte du Sud-Ouest de la République Démocratique du Congo | |
| Tervuren: Musée royale de l'Afrique centrale. 96p. |
| Clarke, Christa; Bourgeois, Arthur Paul (2015) |
| African art in the Barnes Foundation: the triumph of L'Art nègre and the Harlem Renaissance | |
| New York, NY: Skira Rizzoli. 294p. |
| Bela, Bienvenu Cyrille (2014) |
| Pour un autre regard sur l'art beti | |
| Paris: L'Harmattan. Les arts d'ailleurs. 131p. |
| Breunig, Peter (ed.) (2014) |
| Nok: African sculpture in archaeological context | |
| Frankfurt am Main: Africa Magna Verlag. 303p. |
| Fischer, Eberhard; Homberger, Lorenz (2014) |
| African masters: art from the Ivory Coast | |
| Zürich: Scheidegger & Spiess. 240p. |
| Nazier, Farieda (2014) |
| Beyond the 'After Math': exploring psychological decolonisation in a post-apartheid context of artistic praxis |
 | Critical Arts: A Journal of Media Studies. Volume 28 #2. p. 199-215. |
| Schweizer, Heinrich C. (2014) |
| Visions of grace: 100 african masterpieces from the collection of Daniel and Marian Malcolm | |
| Milan: 5 Continents Edition. 253p. |
| Curtis, Marie Yvonne (2013) |
| À la rencontre des Nalu: arts de la côte de Guinée | |
| Paris: l'Harmattan. Collection 'Ethnoesthétique'. 171p. |
| Raymaekers, Jan (2013) |
| Het Museum voor Kunst en Folklore van Luluaburg | |
| Bulletin des séances = Mededelingen der zittingen. Volume 59 #2-4. p. 243-282. |
| Sunjio, Agnès Nana (2013) |
| Le musée La Blackitude: arts et traditions préservées | |
| Paris: L'Harmattan. 113p. |
| Vorster, Stacey (2013) |
| Inner-city safaris and wild public art |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 147-162. |
| Zagré Kaboré, Edwige (2013) |
| Diversité des oeuvres de Laongo et culture de la paix | |
| Éthiopiques: revue socialiste de culture négro-africaine. #90. p. 249-260. |
| Diop, Babacar Mbaye (2012) |
| Arts d'Afrique noire et musées occidentaux | |
| Éthiopiques: revue socialiste de culture négro-africaine. #89. p. 277-287. |
| Gayibor, Théodore Nicoué Lodjou (ed.) (2012) |
| Cinquante ans d'indépendance en Afrique subsaharienne et au Togo | |
| Paris: L'Harmattan. Études africaines. 289p. |
| Kaboré, Edwige Zagré (2011) |
| Le site de Laongo: intérêt touristique et iconographie féminine | |
| Revue africaine: philosophie/art, littérature/linguistique, sociologie/économie. #5. p. 55-75. |
| Koening, Robert J.; Cade, Peter H. (2011) |
| The SMA African Art museum: guide to collections |
| Tenafly, NJ: African Art Museum of the S.M.A. Fathers. 64p. |
| Leloup, Hélène (2011) |
| Dogon | |
| Paris: Musée du quai Branly. 415p. |
| Martinez, Nadine (2011) |
| Des oeuvres d'art Dogon ou Tellem? Regard sur l'exposition 'Dogon', quai Branly 2011 | |
| Paris: L'Harmattan. Collection 'Ethnoesthétique'. 81p. |
| Musée d'Aquitaine de la ville de Bordeaux (2011) |
| Arts d'Afrique: voir l'invisible | |
| Bordeaux: Musée d'Aquitaine. 240p. |
| Ogbechie, Sylvester Okwunodu (2011) |
| Making history: African collectors and the canon of African art: the Femi Akinsanya African Art Collection | |
| Milan: 5 Continents Editions. 278p. |
| Okwunodu Ogbechie, Sylvester (2011) |
| Refaire l'histoire: les collectionneurs africains et le canon de l'art africain: la collection d'art africain de Femi Akinsanya | |
| Milan: 5 Continents Editions. 279p. |
| Perrois, Louis (2011) |
| Arts du Gabon | |
| Genève: Musée Barbier-Mueller. 24p. |
| Relke, Joan (2011) |
| The Predynastic dancing Egyptian figurine |
| Journal of Religion in Africa. Volume 41 #4. p. 396-426. |
| Suková, Lenka (2011) |
| The 'Venus' of Jebel Uweinat (SE Libya) | |
| Sahara: Prehistory and History of the Sahara. #22. p. 117-124. |
| Aleru, J.O.; Adekola, K. (2010) |
| Exploring frontiers of archaeology and cultural resource management: untold stories of the Esie stone figurines | |
| Journal of environment and culture. Volume 7 #2. p. 50-64. |
| Bidima, Yamba (2010) |
| Création et fonctions dans l'art statuaire lobi | |
| Cahiers du CERLESHS. Volume 25 #35. p. 259-296. |
| Colleyn, Jean-Paul (2010) |
| Les chevaux de la satire = The horses of satire: les kórèdugaw du Mali | |
| Paris: Gourcuff Gradenigo. 159p. |
| Dederen, Jean-Marie (2010) |
| Women's power, 1000 A.D.: figurine art and gender politics in prehistoric southern Africa |
| Nordic Journal of African Studies. Volume 19 #1. p. 23-42. |
| Layiwola, Peju; Olorunyomi, Sola (eds.) (2010) |
| Benin1897.com: art and the restitution question; an art exhibition of installations and sculptures | |
| Ibadan: Wy Art Editions. 216p. |
| Panella, Cristiana (2010) |
| 'Patrons' et 'petits patrons': knowledge and hierarchy in illicit networks of trade in archaeological objects in the Baniko region of Mali |
| Review of African Political Economy. Volume 37 #124. p. 228-237. |
| Anonymous (2009) |
| Beyond stone: Chikabadwa's sculpture | |
| WASI: [bulletin]. Volume 19 #2. April. p. 4-6. |
| Casanovas, Ana; Casanovas, Antonio; Geoffroy-Schneiter, Bérénice (eds.) (2009) |
| La magie des images = Visual encounters | |
| Arquennes: Primedia. Tribal art #1. 49p. |
| Ntuli, Pitika P. (2009) |
| Indigenous African art and healing: forgotten memories, planting memories of tomorrow | |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 8 #2. p. 138-146. |
| Auleley, Guy-Robert (2008) |
| Corps malade, 'corps-traitement' et 'corps-médiateur': la maladie dans la sculpture africaine traditionnelle | |
| Palabres actuelles: revue de la Fondation Raponda-Walker pour la Science et la Culture. #2. p. 51-64. |
| Du Toit, André (2008) |
| 'Afrikaander circa 1600': reflections and suggestions regarding the origins and fate of Afrikaner nationalism |
| South African Historical Journal. Volume 60 #4. p. 562-578. |
| Labi, Kwame Amoah (2008) |
| The 'commercial' and 'museum' life of some Akan brass works | |
| Ghana Studies. Volume 11. p. 175-216. |
| Pilane, K. (2008) |
| Radinoga: beaten but not fallen | |
| Kutlwano. Volume 46 #1. January. p. 24-25. |
| Sylla, Abdou (2008) |
| Les arts plastiques sénégalais contemporains: évolutions et tendances (2ème partie) | |
| Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 219-243. |
| Burnet, Éliane (2007) |
| Ndary Lô, un art des passages | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 269-279. |
 | Kinsella, Joseph James (2007) |
| Carving identity: artistic traditions and aesthetic knowledge in contemporary Zimbabwe | |
| Ann Arbor, MI: UMI Dissertation Services. 266p. |
| Mark, Peter (2007) |
| Towards a reassessment of the dating and the geographical origins of the Luso-African ivories, fifteenth to seventeenth centuries |
| History in Africa. Volume 34. p. 189-211. |
| Plankensteiner, Barbara (ed.) (2007) |
| Benin: kings and rituals: court arts from Nigeria | |
| Ghent: Snoeck Publishers. 535p. |
| Sylla, Abdou (2007) |
| 'Trajectoires': entretiens avec Bassam Chaïtou | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 281-292. |
| Anonymous (2006) |
| The evolution of Mai nyamuleni | |
| WASI: [bulletin]. Volume 16 #3. August. p. 11-14. |
| Joubert, Hélène (2006) |
| L'art africain | |
| Paris: Éditions Scala. Tableaux choisis. 127p. |
| Malaquais, Dominique (2006) |
| Une nouvelle liberté? Art et politique urbaine à Douala (Cameroun) | |
| Afrique & histoire. #5. p. 111-134. |
| Njenga, E.S. (2006) |
| Saying it with clay and stone | |
| Wajibu. Volume 21 #1. April-May. p. 14-15. |
| Sidibé, Samuel (ed.) (2006) |
| Le Musée National du Mali: catalogue de l'exposition permanente | |
| Bamako: Musée National du Mali. 103p. |
| Anonymous (2005) |
| AIDS in stone | |
| WASI: [bulletin]. Volume 15 #3. August. p. 15-17. |
| Anonymous (2005) |
| Woman in stone | |
| WASI: [bulletin]. Volume 15 #3. August. p. 4-9. |
| Bonnet, Charles (2005) |
| Des pharaons venus d'Afrique: la cachette de Kerma | |
| Paris: Citadelles & Mazenod. 215p. |
| Elmquist, Dana (2005) |
| A bird cloaked in guns: post-conflict sculpture from Maputo | |
| Politique africaine. #100. p. 198-213. |
| L'Haridon, Nolwenn; Polet, Jean (2005) |
| Les statuettes funéraires en terre cuite de la Côte de l'Or témoignent-elles d'une première christianisation? | |
| Journal des africanistes. Volume 75 #2. p. 64-85. |
| Layiwola, Peju (2005) |
| Continuity and change in style and themes of Benin brass casting | |
| West African Journal of Archaeology. Volume 35 #1-2. p. 89-104. |
| Modukanele, D. (2005) |
| Master of all he surveys | |
| Kutlwano. Volume 44 #4. April. p. 22-23. |
| Neyt, François (2005) |
| La redoutable statuaire songye d'Afrique centrale | |
| Bulletin des séances = Mededelingen der zittingen. Volume 51 #4. p. 449-463. |
| Rupp, Nicole; Ameje, James; Breunig, Peter (2005) |
| New Studies on the Nok Culture of Central Nigeria |
| Journal of African Archaeology. Volume 3 #2. p. 283-290. |
| Hambolu, M.O. (2004) |
| Terracotta sculptures of Northwestern Nigeria | |
| West African Journal of Archaeology. Volume 34 #1-2. p. 55-70. |
| Aka-Evy, Jean-Luc (2003) |
| Considérations historiques sur les tendances actuelles de la sculpture congolaise moderne | |
| Présence africaine. #167-168. p. 195-205. |
| Areia, M.L. Rodrigues de (ed.) (2003) |
| Chokwe and their Bantu neighbours | |
| Zürich: Jean David & Gerhard Merzeder. 131p. |
| Goscinny, Yves (ed.) (2003) |
| Tribute to George Lilanga: a solo-exhibition of George Lilanga's recent paintings and sculptures at the Alliance Française of Dar es Salaam, Tanzania (September 18-October 6, 2001) | |
| Dar es Salaam: East African Movies Ltd. 104p. |
| Pankhurst, Richard (2003) |
| Ethiopia and the Return of Africa's Cultural Heritage | |
| Africa Quarterly. Volume 43 #3. p. 27-39. |
| Sylla, Abdou (2003) |
| La guerre dans Guernica et dans Little Big Horn | |
| Éthiopiques: revue socialiste de culture négro-africaine. #71. p. 181-200. |
| Frank, Barbara E. (2002) |
| Thoughts on Who Made the Jenné Terra-Cottas: Gender, Craft Specialization, and Mande Art History |
| Mande Studies. Volume 4. p. 121-132. |
| Grabski, Joanna L. (2002) |
| The historical invention and contemporary practice of modern Senegalese art: three generations of artists in Dakar | |
| Ann Arbor, MI: UMI Dissertation Services. 277p. |
| Panella, Cristiana (2002) |
| Les terres cuites de la discorde: déterrement et écoulement des terres cuites anthropomorphes du Mali: les réseaux locaux | |
| Leiden: Research School of Asian, African, and Amerindian Studies, Universiteit Leiden. CNWS publications #113. 233p. |
| Van Dyke, Kristina (2002) |
| Gender Objectified: Revealing Bodies in Bamana Sculpture |
| Mande Studies. Volume 4. p. 101-119. |
| Van Schalkwyk, J.A.; Hanisch, E.O.M. (eds.) (2002) |
| Sculptured in clay: iron age figurines from Schroda, Limpopo province, South Africa | |
| Pretoria: National Cultural History Museum. 124p. |
| Colleyn, Jean-Paul; Arnoldi, Mary Jo; Clippel, Catherine de; Homberger, Lorenz; Herreman, Frank (eds.) (2001) |
| Bamana: Afrikanische Kunst aus Mali | |
| Zürich: Museum Rietberg. 264p. |
| Couloubaly, Pascal Baba (2001) |
| La Gwandusu: une forme de sculpture chez les Bamanan du Mali: (réponse à P.J. Imperato et à K. Ezra) = The Gwandusu: a gender of sculpture among the Bamanan in Mali: (a reply to P.J. Imperato and to K. Ezra) | |
| Bamako: Jamana. 86p. |
| Parsons, Kate (2000) |
| The Aesthetic and Spiritual Contexts of Giriama Vigango in Kenya and Their Relationship to Contemporary Sculptural Form |
| Azania: Archaeological Research in Africa. Volume 35. p. 226-230. |
| Watson, R. (2000) |
| One man's metal menagerie | |
| Swara. Volume 23 #1. April-June. p. 32-33. |
| Anonymous (1999) |
| Carving trees into extinction | |
| Moto. #195. April. p. 23. |
| Diadji, I.N. (1998) |
| La sculpture d'après la matière dans l'art nègre: nouveaux horizons de liberté et de séduction | |
| Éthiopiques: revue socialiste de culture négro-africaine. #61. p. 93-101. |
| Garlake, M. (1998) |
| A changed world | |
| Gallery (Harare, Zimbabwe). #18. December. p. 16-20. |
| Huggins, D. (1998) |
| New forms for old | |
| Gallery (Harare, Zimbabwe). #18. December. p. 3-9. |
| Mark, Peter (1998) |
| Est-ce que l'art africain existe? |
| Revue française d'histoire d'outre-mer. Volume 85 #318. p. 3-19. |
| Matenga, Edward (1998) |
| The soapstone birds of Great Zimbabwe: symbols of a nation | |
| Harare: African Publishing Group. 88p. |
| Pogoson, Ohioma Ifounu (1998) |
| Another reconsideration of the origin of the Tsoede bronzes | |
| West African Journal of Archaeology. Volume 28 #2. p. 97-111. |
| Bognolo, Daniela (1997) |
| Djetó! fais attention!: le 'chemin de la sculpture' chez les Lobi du Burkina Faso | |
| Journal des africanistes. Volume 67 #1. p. 123-133. |
| Stanislawska, Zofia (1997) |
| Tradition and modernity in Mozambican sculpture | |
| Africana Bulletin. #44. p. 63-75. |
| Kaplan, Steven; Rosen, Chaim (1996) |
| Created in Their Own Image: A Comment on Beta Israel Figurines |
| Cahiers d'études africaines. Volume 36 #141-142. p. 171-182. |
| Anonymous (1995) |
| Kaunda's current sculpture | |
| WASI: [bulletin]. Volume 6 #2. April. p. 4-7. |
| Cornet, J.-A. (1995) |
| L'art funéraire du Bas-Zaïre | |
| Bulletin des séances = Mededelingen der zittingen. Volume 41 #2. p. 117-135. |
| Curling, P. (1995) |
| A gift that was hiding: Job Kekana | |
| Gallery (Harare, Zimbabwe). #4. June. p. 10-11. |
| Musée National du Mali, Bamako (1995) |
| Musée National du Mali: collections permanentes | |
| Bamako: Musée National du Mali. 63p. |
| Rankin, E. (1995) |
| Living and working in the mission tradition: in memoriam Job Kekana | |
| Gallery (Harare, Zimbabwe). #4. June. p. 12. |
| Brett-Smith, Sarah C. (1994) |
| The making of Bamana sculpture: creativity and gender | |
| Cambridge: Cambridge University Press. RES monographs on anthropology and aesthetics. 352p. |
| Huggins, D. (1994) |
| Zimsculpture Pachipamwe Workshop, Shurugwe September/October 1994 | |
| Gallery (Harare, Zimbabwe). #2. December. p. 3-6. |
| Leyten, Harrie M. (1994) |
| Tengenenge: een beeldhouwersgemeenschap in Zimbabwe | |
| Baarn: Kasteel Groeneveld. 120p. |
| Search: su=sculpture | ||||||||
| Found: 150 | Record 1-100 | |
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