AfricaBib 
bibliographic database
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 | Cardoso, Renata Freitas (2020) |
 | Cabo Verde e o Teatro: A cultura caboverdiana em Palco |
| Cabo dos Trabalhos. Volume 21. p. 1-13. |
| Gitre, Carmen (2020) |
| Nonsense and Morality: Interwar Egypt and the Comedy of Najib al-Rihani |
| Arab Studies Journal. Volume 28 #1. p. 10-29. |
| Ferreira, Eunice S. (2019) |
| Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance |
| Journal of Cape Verdean Studies. Volume 4. p. 13-42. |
| Bourdin, Philippe (2017) |
| Divertissement et acculturation en temps de campagne. Le théâtre français en Égypte (1798-1801) |
| Dix-huitième siècle. Volume 49. p. 159-180. |
 | Maedza, Pedzisai (2017) |
| Performing asylum: theatre of testimony in South Africa |
| Leiden: African Studies Centre. African Studies Collection #66. 162p. |
| Mueller, Baerbel (ed.) (2017) |
| [Applied] foreign affairs: investigating spatial phenomena in rural and urban Sub-Saharan Africa | |
 | Basel: Birkhäuser Verlag AG. Edition Angewandte. 450p. |
| Plastow, Jane (2017) |
| Teatro Asmara: understanding Eritrean drama through a study of the national theatre |
| Journal of African Cultural Studies. Volume 29 #3. p. 311-330. |
| Akoh, Ameh Dennis (2016) |
| Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
| African Performance Review. Volume 8 #1. p. 17-29. |
| Anwar, Nadia (2016) |
| Dynamics of distancing in Nigerian drama: a functional approach to metatheatre | |
| Stuttgart: Ibidem-Verlag. Studies in world literature #1. 256p. |
| Bühler-Dietrich, Annette (2016) |
| Contemporary West African monodrama and its stage productions: a challenge | |
| African Performance Review. Volume 8 #1. p. 7-16. |
| Frankland, Stan (2016) |
| The Pygmy mimic |
| Africa: Journal of the International African Institute. Volume 86 #3. p. 552-570. |
| Hahn, Matthew (2016) |
| The research, development and production history of 'The Robben Island Shakespeare' | |
| African Performance Review. Volume 8 #1. p. 30-47. |
| Kasule, Samuel (2016) |
| Re-imagining Bertolt Brecht, redefining British theatre: Oladipo Agboluaje's 'Mother Courage' | |
| African Performance Review. Volume 8 #1. p. 48-63. |
| Mangosho, Tatenda; Chivandikwa, Nehemia; Mlenga, Tafadzwa (2016) |
| Radical acting techniques in Zimbabwean street theatre: implications on audience criticality | |
| Journal for Studies in Humanities and Social Sciences. Volume 5 #2. p. 26-36. |
| Mawere, Munyaradzi (ed.) (2016) |
| Theory, knowledge, development and politics: what role for the academy in the sustainability of Africa? | |
| Mankon: Langaa Research & Publishing CIG. 361p. |
| Osofisan, Femi (2016) |
| Insidious treasons and beyond: forty years of alternative theatre in Nigeria (essays) | |
| Ibadan: Bookcraft. 239p. |
| Piotrowska, Agnieszka (2016) |
| 'Lovers in time': practice research in the times of patriotic journalism in Zimbabwe |
| Journal of African Media Studies. Volume 8 #2. p. 219-238. |
| Ranzini, Paola (ed.) (2016) |
| Les littératures de la Corne de l'Afrique: regards croisés | |
| Paris: Karthala. Lettres du Sud. 308p. |
| Anyachonkeya, Ngozi (ed.) (2015) |
| A lion on the 'Ijele' dance: a festschrift in honour of Professor P. Emeka Nwabueze | |
| Abakaliki, Ebonyi State: Ojiiaka Press. 337p. |
| Appiah-Adjei, Daniel (2015) |
| Treasure on the shelves and the stage longs for new plays and playwrights | |
| Journal of Performing Arts. Volume 5 #1. p. 7-32. |
| Banham, Martin; Gibbs, James; Hutchison, Yvette; Osofisan, Femi; Plastow, Jane (eds.) (2015) |
| Contemporary women | |
| Woodbridge, Suffolk: James Currey. African theatre #14. 144p. |
| Gitre, Carmen (2015) |
| The Dramatic Middle East: Performance as History in Egypt and beyond |
| History Compass. Volume 13 #10. p. 521-532. |
| Lewis, Megan; Krueger, Anton (eds.) (2015) |
| Magnet theatre: three decades of making space | |
| Bristol: Intellect. 304p. |
| Mtukwa, Tendai (2015) |
| Informal peacebuilding initiatives in Africa: removing the table |
| African Journal on Conflict Resolution. Volume 15 #1. p. 85-106. |
| Ravengai, Samuel (2015) |
| Subversion of socialist theatre and the rise of post-realist theatre in Zimbabwe |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 276-292. |
| Asiedu, Awo Mana (ed.) (2014) |
| The performing arts in Africa - Ghanaian perspectives | |
| Oxfordshire, UK: Ayebia Clarke Publishing Limited. University of Ghana readers, Arts & humanities series #5. 144p. |
| Banham, Martin; Gibbs, James Morel; Osofisan, Femi (eds.) (2014) |
| Ngugi wa Thiong'o & Wole Soyinka | |
| Oxford: James Currey. African theatre #13. 128p. |
| Diala, Isidore (ed.) (2014) |
| Syncretic arenas: essays on postcolonial African drama and theatre for Esiaba Irobi | |
| Amsterdam: Rodopi. Cross/cultures #177. 369p. |
| Diala, Isidore (2014) |
| Esiaba Irobi's drama and the postcolony: theory and practice of postcolonial performance | |
| Ibadan: Kraft Books. 316p. |
| Le Lay, Maëline (2014) |
| 'La parole construit le pays': théâtre, langues et didactisme au Katanga (République démocratique du Congo) | |
| Paris: Honoré Champion éditeur. Francophonies #4. 490p. |
| Miliani, Hadj (ed.) (2014) |
| Turath: configurations anthropologiques et pratiques culturelles | |
| Oran: Centre de Recherche en Anthropologie Sociale et Culturelle (CRASC). Les cahiers du CRASC #30. |
| Ogunbiyi, Yemi (ed.) (2014) |
| Drama and theatre in Nigeria: a critical source book | |
| Lagos: Tanus Books Limited. 736p. |
| Tami Yoba, Guy Francis (2014) |
| 'Mathématisation de la mise en scène théâtrale' | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. #16. p. 341-354. |
| Touré, Aboubakar Cyprien (2014) |
| La griotique: mémoires et réflexions | |
| Paris: L'Harmattan. 180p. |
| Willan, Brian (2014) |
| 'Implanting the better instincts of civilisation'? Black South Africans and Shakespeare in Victorian Grahamstown |
| Journal of African Cultural Studies. Volume 26 #1. p. 1-14. |
| Wiltshire, Richard (2014) |
| Looking for Africa: sources in London archives at London metropolitan archives (LMA) | |
| African Research and Documentation. #126. p. 29-35. |
| Apedo-Amah, Ayayi Togoata (2013) |
| Théâtres populaires en Afrique: l'exemple de la kantata et du concert-party togolais: essai | |
| Lomé: Éditions Awoudy. Collection Tourbillon. 247p. |
 | Barnes, Hazel (ed.) (2013) |
| Applied drama and theatre as an interdisciplinary field in the context of HIV/AIDS in Africa |
| Matatu: Journal for African Culture and Society. Volume 43. 294p. |
| Chivandikwa, Nehemiah (2013) |
| Crafting dialogue in high school theatre: an analysis on approaches and implications | |
| Zimbabwe Journal of Educational Research. Volume 25 #1. p. 98-122. |
| Doshi, Neil (2013) |
| Brecht in Algeria: on the question of influence in Kateb Yacine's late theater |
| Research in African Literatures. Volume 44 #3. p. 72-86. |
| Eoan History Project (2013) |
| Eoan: our story | |
| Johannesburg: Fourthwall Books. 260p. |
| Flockemann, Miki (2013) |
| Repeating and disrupting embodied histories through performance: 'Exhibit A', 'Mies Julie' and 'Itsoseng' |
| Critical Arts: A Journal of Media Studies. Volume 27 #4. p. 403-417. |
| Fondzeyuf K., Tume (2013) |
| From people theatre to film: articulating minority voices in Cameroon - an Anglophone grass field minority case study | |
| African Performance Review. Volume 7 #2. p. 54-71. |
| Gabriel, Marie-Christin (2013) |
| Inszenierungen von Nation im Rahmen des Unabhängigkeitsjubiläums in Benin im Jahr 2010 |
| Mainz: Institut für Ethnologie und Afrikastudien, Johannes Gutenberg-Universität. Arbeitspapiere #143. 106p. |
 | Julius-Adeoye, Rantimi Jays (2013) |
| The drama of Ahmed Yerima: studies in Nigerian theatre |
| Leiden University. Ph.D. dissertation (2013-05-08). 263p. |
| Kasule, Samuel (2013) |
| Resistance and politics in contemporary East African theatre: trends in Ugandan theatre since 1960 | |
| London: Adonis & Abbey Publishers Ltd. Adonis & Abbey studies in African cultures and the diaspora. 242p. |
| Le Lay, Maëline (2013) |
| De la rumeur de la ville à la voix de l'autorité: les écrits en swahili à Lubumbashi (RDC) | |
| Journal des africanistes. Volume 83 #1. p. 14-37. |
| Maedza, Pedzisai (2013) |
| Theatre of testimony: an investigation in devising asylum |
| Cape Town: University of Cape Town. 147p. |
| Oloruntoba-Oju, Omotayo (2013) |
| From 'Alarinjo' to 'Arugba': continuities in indigenous Nigerian drama | |
| African Identities. Volume 11 #4. p. 395-406. |
| Osofisan, Femi (2013) |
| Black Dionysos: conversations with Femi Osofisan | |
| Ibadan: Kraft Books Limited. 337p. |
| Plastow, Jane; Banham, Martin (eds.) (2013) |
| Shakespeare in & out of Africa | |
| Woodbridge, Suffolk: James Currey. African theatre #12. 194p. |
| Sibanda, Nkululeko (2013) |
| Seeking an alternative approach to teaching scenographic theory and practice: the university of Zimbabwe theatre legacy | |
| African Performance Review. Volume 7 #2. p. 35-53. |
| Ashagrie, Aboneh (2012) |
| The role of women on the Ethiopian stage |
| Journal of African Cultural Studies. Volume 24 #1. p. 1-8. |
| Ashagrie, Aboneh (2012) |
| Children's theatre in Ethiopia |
| Aethiopica: International Journal of Ethiopian Studies. Volume 15. p. 105-117. |
 | Dahrendorf, Sibylle; Schlingensief, Christoph (eds.) (2012) |
| Knistern der Zeit: Christoph Schlingensief und sein Operndorf in Burkina Faso |
| Berlin: Filmgalerie 451. |
| Ibrahim Abdalla, Anwaar A. Khalik (2012) |
| Acting as survival: the plays of Athol Fugard, John Kani and Winston Ntshona | |
| African Performance Review. Volume 6 #2. p. 75-86. |
| Mugubi, John; Kebaya, Charles (eds.) (2012) |
| African drama & theatre: a criticism | |
| Nairobi: Focus Publishers Ltd. 171p. |
| Nii-Dortey, Moses N. (2012) |
| Historical and cultural context of folk opera development in Ghana: Saka Acquaye's 'The lost fishermen' in perspective | |
| Research Review. Volume 27 #2. p. 25-58. |
| Nwadigwe, Charles E. (2012) |
| Body, space, and technology: interrogating conventionality in postmodern african dance theatre | |
| African Performance Review. Volume 6 #2. p. 27-42. |
| Nwadigwe, Charles Emeka (2012) |
| Theatre for development: an alternative programme for reproductive health communication in urban Nigeria |
| African Sociological Review. Volume 16 #2. p. 102-118. |
| Reznek, Jennie (2012) |
| Moving ideas about moving bodies: teaching physical theatre as a response to violence and the violated body |
| 140p. |
| Udengwu, Ngozi; Ukaegbu, Victor (eds.) (2012) |
| Women in Nigerian theatre | |
| African Performance Review. Volume 6 #1. 128p. |
| Adeoye, Adul Rasheed Abiodun (2011) |
| Directing styles in the Nigerian literary theatre | |
| Journal of Performing Arts. Volume 4 #2. p. 32-46. |
| Anyanwu, Chika (2011) |
| Intellectual capital contributions to Nigeria: the ideology of Adelugbaism | |
| African Performance Review. Volume 5 #1. p. 54-70. |
| Bühler-Dietrich, Annette; Mandé, Hamadou (2011) |
| The artist as educator: the oeuvre of Jean-Pierre Guingané | |
| African Performance Review. Volume 5 #2. p. 78-94. |
| Dove, Naa Kwaale (2011) |
| Concept for Ghana tourism: encounter with the past - the use of drama at heritage sites | |
| Journal of Performing Arts. Volume 4 #2. p. 119-123. |
| Dunton, Chris (2011) |
| From practice-based to practice-led research: Dapo Adelugba's work on 'Kiriji' and 'Langbodo' as inspiration | |
| African Performance Review. Volume 5 #1. p. 28-35. |
| Emane Obiang, Ludovic (ed.) (2011) |
| Gabon: la littérature en question | |
| Lecce: Alliance française. Interculturel Francophonies #20. 324p. |
| Etherton, Michael (2011) |
| Chikwakwa remembered: theatre and politics in Zambia 1968-1972 | |
| Dublin: Original Writing. 276p. |
| Fofié, Jacques Raymond (2011) |
| Théâtre camerounais et africain de l'émi-immigration au XXIe siècle | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. Volume 1 #12. p. 145-188. |
| Mbaye, Alioune (2011) |
| L'absence de femmes dramaturges au Sénégal | |
| Annales de la Faculté des lettres et sciences humaines. #41. p. 201-219. |
| Mulekwa, Charles (2011) |
| Theatre, war and peace in Uganda (summary) |
| Oaklan. |
| Nwabueze, Emeka (2011) |
| Visions and re-visions: selected discourses on literary criticism | |
| Enugu: ABIC Books. 304p. |
| Okoye, Chukwuma (2011) |
| Postcolonial African theatre: notes towards a definition | |
| African Performance Review. Volume 5 #1. p. 9-27. |
| Rangoajane, Francis L. (2011) |
| Political shifts and black theatre in South Africa |
| 370p. |
| Yerima, Ahmed (2011) |
| Issues and development in contemporary Nigerian drama and theatre practice | |
| African Performance Review. Volume 5 #1. p. 36-44. |
| Chivandikwa, Nehemiah; Mhako-Mutonhodza, Doricah; Sambo, Kudakwashe (2010) |
| Theatre education and gender equity: possibilities for the millennium | |
| Zimbabwe Journal of Educational Research. Volume 22 #2. p. 181-201. |
| Francis, Dennis A. (2010) |
| 'Sex is not something we talk about, it's something we do': using drama to engage youth in sexuality, relationship and HIV education |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 228-244. |
| Hemke, Rolf C. (ed.) (2010) |
| Theater südlich der Sahara = Theatre in Sub-Saharan Africa | |
| Berlin: Theater der Zeit. Recherchen #77. 253p. |
| Hutchison, Yvette; Plastow, Jane (eds.) (2010) |
| Histories 1850-1950 | |
| Oxford: James Currey. African theatre #9. 183p. |
| Kasule, Sam (2010) |
| 'Your experience is your only truth': Elvania Namukwaya Zirimu 1939-1980 | |
| African Performance Review. Volume 4 #2. p. 7-22. |
| Mbaye, Alioune (2010) |
| Les prémisses de la réhabilitation des héros noirs et de la lutte anti-coloniale dans le théâtre historique de 'Ponty' (1917-1948) | |
| Annales de la Faculté des lettres et sciences humaines. #40. p. 231-249. |
| Mlambo, Alois (ed.) (2010) |
| Special issue: the culture of crisis and crisis of culture in Zimbabwe | |
| African Identities. Volume 8 #2. p. 89-190. |
| Ugolo, Christopher E. (2010) |
| Ogunde's dance choreography and the quest for national unity in Nigeria | |
| African Performance Review. Volume 4 #2. p. 41-53. |
| Asiama, Elias (2009-2010) |
| Ghanaian community theatre in promoting national development | |
| Journal of Performing Arts. Volume 4 #1. p. 136-142. |
| Abubakar, Abdullahi S. (2009) |
| A new concept of actor/audience interaction and audience participation in modern African dramatic theater: an example of Osofisan |
| Research in African Literatures. Volume 40 #3. p. 174-185. |
| Boscolo, Cristina (2009) |
| Odún: discourses, strategies, and power in Yorùbá play of transformation | |
| Amsterdam: Rodopi. Cross/cultures #111. 337p. |
| Crow, Brian (2009) |
| 'African Brecht' |
| Research in African Literatures. Volume 40 #2. p. 190-207. |
| Kasule, Sam (2009) |
| More than just musical plays: intersections of politics and folklore in Byron Kawadwa's theatre | |
| African Performance Review. Volume 3 #1. p. 39-58. |
 | Kolk, Mieke (ed.) (2009) |
| Performing gender in Arabic/African theatre | |
| Amsterdam: Institute for Theatre Studies. 237p. |
| Le Lay, Maëline; Kabuya, Ramcy; Halen, Pierre (eds.) (2009) |
| Lubumbashi, épicentre littéraire | |
| Études littéraires africaines. #27. p. 4-73. |
| Chinyowa, Kennedy C. (2008) |
| Emerging paradigms for applied drama and theatre practice in African contexts | |
| African Performance Review. Volume 2 #2-3. p. 85-102. |
| Diagana, M'Bouh Séta (2008) |
| Éléments de la littérature mauritanienne de langue française: 'mon pays est une perle discrète' | |
| Paris: L'Harmattan. 232p. |
| Diakhaté, Ousmane (2008) |
| Léopold Sédar Senghor et le théâtre | |
| Annales de la Faculté des lettres et sciences humaines. #38. p. 289-298. |
| Duruaku, A.B.C. Toni (2008) |
| To coma and back: re-awakening stage drama in Nigeria through a systemic overhaul | |
| African Performance Review. Volume 2 #2-3. p. 32-47. |
| Kafewo, Samuel Ayedime (2008) |
| From post-performance discussions to intervention and processing: theatre-for-development and citizenship issues in Nigeria | |
| African Performance Review. Volume 2 #1. p. 58-72. |
| Ludl, Christine (2008) |
| 'To skip a step': new representation(s) of migration, success and politics in Senegalese rap and theatre |
| Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 97-122. |
| Magalasi, Mufunanji (2008) |
| Malawian Popular Commercial State Drama: Origins, Challenges and Growth |
| Journal of Southern African Studies. Volume 34 #1. March. p. 161-177. |
| Magalasi, Mufunanji (2008) |
| Repression and comedic performances: Kamuzu Banda's rule and Kwathu's 'Ku Chipatala' and Umodzi's 'Akapasule' | |
| African Performance Review. Volume 2 #2-3. p. 48-64. |
| Njogu, Kimani (2008) |
| Getting heard: [re]claiming performance space in Kenya | |
| Nairobi: Twaweza. Art, culture & society series #3. 192p. |
| Search: su=theatre | ||||||||
| Found: 327 | Record 1-100 | |
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