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bibliographic database
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 | Dreyer, Elfriede (2016) |
 | Of clocks ticking: teterotopic space, time and motion in William Kentridge's 'The refusal of time (2012) |
 | Communicatio: South African journal for communication theory and research. Volume 42 #3. p. 338-360. |
 | Magaziner, Daniel (2016) |
| The art of life in South Africa | |
| Athens: Ohio University Press. New African histories series. 377p. |
| Mas Arregui, Lluc Ohian (2016) |
| África: expresiones de lo sobrenatural: cátalogo de la colección Roldán-Palau |
| Vic: CEIBA. 390p. |
| Pensa, Iolanda; Pucciarelli, M. (eds.) (2016) |
| Public art in Africa = Art et tranformation urbaines = Art and urban transformation in Douala | |
| Genève: Metis. 232p. |
 | Vincent, Cédric (ed.) (2016) |
| De l'art (d'être) contemporain | |
| Cahiers d'études africaines. Volume 56 #223. p. 459-761. |
| Blier, Suzanne Preston (2015) |
| Art and risk in ancient Yoruba: Ife history, power, and identity, c. 1300 | |
| Cambridge: Cambridge University Press. 574p. |
| Gilvin, Amanda (2015) |
| Games of seduction and games of history: Alioum Moussa's 'Fashion Victims' in Niamey, Niger |
| African Studies Review. Volume 58 #1. p. 55-89. |
| Holm, Michael Juul; Kallehauge, Mette Marie (eds.) (2015) |
| Africa: architecture, culture identity |
| Humlebæk: Louisiana Museum of Modern Art. 264p. |
| Kusek, Robert; Szymanski, Wojciech (2015) |
| An unlikely pair: Berlinde de Bruyckere and J.M. Coetzee |
| Werkwinkel: a Journal of Low Countries and South African Studies. Volume 10 #1. p. 13-21. |
| Magnin, André (ed.) (2015) |
| Beauté Congo: 1926-2015: Congo kitoko | |
| Paris: Fondation Cartier pour l'art contemporain. 377p. |
| Ngaïde, Abderrahmane (2015) |
| Suintements de couleurs sous fichues banderoles: essai sur l'art de l'in-vu - (Yiyaaka, Nanaaka/Gissuñu-ko, Dëgguñu-ko) | |
| Paris: L'Harmattan. 143p. |
| Ottenberg, Simon (2015) |
| Conflicting interpretations in the biography of a modern artist of African descent |
| Journal of West African History. Volume 1 #2. p. 45-70. |
| Schemmel, Annette (2015) |
| Visual arts in Cameroon: a genealogy of non-formal training, 1976-2014 | |
| Mankon: Langaa Research & Publishing CIG. 406p. |
| Tewelde, Yonatan T. (2015) |
| Seeing the image of an Eritrean Hero |
| Journal of African Cultural Studies. Volume 27 #2. p. 172-180. |
| Abiodun, Rowland (2014) |
| Yoruba art and language: seeking the African in African art | |
| New York, NY: Cambridge University Press. 386p. |
| Amnim, Ayo Elebute (2014) |
| Influence of Bruce Onobrakpeya's workshop experiments on the development of etching techniques in Nigera | |
| African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 38 #1. p. 1-22. |
| Bela, Bienvenu Cyrille (2014) |
| Pour un autre regard sur l'art beti | |
| Paris: L'Harmattan. Les arts d'ailleurs. 131p. |
| Bela, Bienvenu Cyrille (2014) |
| Le bestiaire dans l'art des anciens beti (Sud-Cameroun) | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. #16. p. 255-279. |
| Hassim, Shireen (2014) |
| Violent modernity: gender, race and bodies in contemporary South African politics |
| Politikon: South African Journal of Political Studies. Volume 41 #2. p. 167-182. |
| Hertz, Betti-Sue; Smigiel, Frank; Willsdon, Dominic (eds.) (2014) |
| Public intimacy: art and other ordinary acts in South Africa | |
| San Francisco: Yerba Buena Center for the Arts. 291p. |
| Lambert, Aurélien (2014) |
| Les objets africains, ici et là-bas | |
| Paris: L'Harmattan. Logiques sociales. 248p. |
| McEwen, Haley; Milani, Tommaso M. (eds.) (2014) |
| 'queer & trans Art-iculations': decolonising gender and sexualities in the global South |
| Agenda: Empowering Women for Gender Equity. Volume 28 #4. 153p. |
| Schweizer, Heinrich C. (2014) |
| Visions of grace: 100 african masterpieces from the collection of Daniel and Marian Malcolm | |
| Milan: 5 Continents Edition. 253p. |
| Thomas, Kylie (2014) |
| Impossible mourning: HIV/AIDS and visuality after apartheid | |
| Lewisburg: Bucknell University Press. 168p. |
| Tietze, Anna; Botha, Nicholas (2014) |
| Civilising the Cape: public art exhibitions and Cape visual culture, 1851-1910 |
| Journal of Southern African Studies. Volume 40 #6. p. 1177-1191. |
| Badiane, Alioune (2013) |
| Présentation de l'artiste Djibril Ndiaye de la sculpture à la 'sculpeinture' | |
| Éthiopiques: revue socialiste de culture négro-africaine. #91. p. 289-296. |
| Bisschoff, Lizelle; Van de Peer, Stefanie (eds.) (2013) |
| Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film | |
| London: I.B. Tauris. International library of cultural studies 21. 325p. |
| Bocandé, Anne; Vergès, Françoise (eds.) (2013) |
| Exposer l'esclavage: méthodologies et pratiques | |
| Africultures. #91. 224p. |
 | Diouf, Mamadou; Fredericks, Rosalind (eds.) (2013) |
| Les arts de la citoyenneté au Sénégal: espaces contestés et civilités urbaines | |
| Paris: Karthala. Hommes et sociétés. 377p. |
| Kasfir, Sidney Littlefield; Förster, Till (eds.) (2013) |
| African art and agency in the workshop | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 410p. |
| Kwami, Atta (2013) |
| Kumasi realism, 1951-2007: an African modernism | |
| London: Hurst & Company. 430p. |
| Maart, Brenton; Bloch, Joanne (eds.) (2013) |
| Imaginary fact: contemporary South African art and the archive: an exhibition presented in the South African Pavilion at the 55th La Biennale di Venezia | |
| Grahamstown: National Arts Festival. 178p. |
| Maja-Pearce, Juliet Ezenwa (2013) |
| Issues in contemporary Nigerian art 2000-2010 | |
| Lagos: The New Gong. 202p. |
| Mutu, Wangechi (2013) |
| Wangechi Mutu: a fantastic journey | |
| Durham, NC: Nasher Museum of Art. 167p. |
| Ola, Yomi (2013) |
| Satires of power in Yoruba visual culture | |
| Durham, NC: Carolina Academic Press. African world series. 249p. |
| Probst, Peter (2013) |
| 'Bedürfnis zur Beachtung': Ikonoklasmus, afrikanisches Kulturerbe und Bildökonomie, Frobenius-Vortrag 2012 |
| Paideuma. Volume 59. p. 31-49. |
| Rutten, Kris; Van Dienderen, An; Soetaert, Ronald (eds.) (2013) |
| Special issue 1: Revisiting the ethnographic turn in contemporary art |
| Critical Arts: A Journal of Media Studies. Volume 27 #5. p. 459-626. |
| Sanger, Nadia (2013) |
| Imagining possibilities: feminist cultural production, non-violent identities, and embracing the Other in post-colonial South Africa | |
| African Identities. Volume 11 #1. p. 61-78. |
| Sunjio, Agnès Nana (2013) |
| Le musée La Blackitude: arts et traditions préservées | |
| Paris: L'Harmattan. 113p. |
| Toussaint, Évelyne (2013) |
| Africa remix: une exposition en questions | |
| Éditions la lettre volée. Collection essais la lettre volée. 199p. |
| Young-Jahangeer, Miranda (2013) |
| Watermarks: intervening in the City of Cape Town |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 254-262. |
| Zaake, M. Makanga Jacob (2013) |
| Understand visual art: concepts in Uganda | |
| 126p. |
| Aronson, Lisa; Weber, John S. (eds.) (2012) |
| Environment and object: recent African art | |
| Munich: Prestel Publishing. 151p. |
| Balshaw, Maria; Howes, Natasha; Rice, Alan J.; Eyene, Christine; Kouoh, Koyo; Himid, Lubaina (eds.) (2012) |
| We face forward: art from West Africa today | |
| Manchester: Manchester City Galleries. 128p. |
 | Bassalè, Gérard; Franken, Marlijn (eds.) (2012) |
| The journey |
| Cultural Centre OUADA. |
| Horst, Mariska ter; Schwartz, Gary (eds.) (2012) |
| Changing perspectives: dealing with globalisation in the presentation and collection of contemporary art | |
| Amsterdam: KIT Publishers. 238p. |
| Mahoney, Dillon (2012) |
| Changing strategies in marketing Kenya's tourist art: from ethnic brands to fair trade labels |
| African Studies Review. Volume 55 #1. p. 161-190. |
| McClain, Lindsay M. (2012) |
| Artistic suggestions for peaceful transition in northern Uganda: what youth are saying |
| African Conflict and Peacebuilding Review. Volume 2 #1. p. 152-163. |
| Van Rooyen, Piet (2012) |
| Namibia, African art and the international market | |
| Journal - Namibia Scientific Society. Volume 61. p. 89-103. |
| Goniwe, Thembinkosi (2011) |
| Debating and framing 'SPace: currencies in contemporary African art' | |
| African Identities. Volume 9 #2. p. 187-248. |
| Hoffmann, Nancy; Schau, Didier; Simon, Njami; Mba Bikoro, Nathalie; Malinda, Ato (eds.) (2011) |
| Ato Malinda | |
| Nairobi: Goethe-Institut Kenya. Contact zones NRB #4. 128p. |
| Jebens, Holger; Lindner, Markus H. (eds.) (2011) |
| Herbarium der Kultur: ethnographische Objekte und Bilder aus den Archiven des Frobenius-Instituts | |
| Frankfurt am Main: Frobenius-Institut. 149p. |
| Jones, David (2011) |
| Masquerade mosaic: Charles Partridge's collection from Eastern Nigeria 1903-1913 | |
| Ipswich: Colchester and Ipswich Museum Service. 192p. |
| Riep, David M.M. (2011) |
| Visual revision: intersecting art and film in the work of Jean-Marie Teno and Raoul Peck | |
| Journal of African Cinemas. Volume 3 #1. p. 81-92. |
| Tissières, Hélène (2011) |
| Biennale de Dakar 2010: 'In' et 'Off' entre dénonciation et envolée | |
| Éthiopiques: revue socialiste de culture négro-africaine. #86. p. 215-235. |
 | Woets, R. (2011) |
| What is this? Framing Ghanaian art from the colonial encounter to the present |
| Amsterdam: Vrije Universiteit. 556p. |
| Woets, Rhoda (2011) |
| 'What is this?': framing Ghanaian art from the colonial encounter to the present | |
| Amsterdam: Vrije Universiteit. Dissertatie. 556p. |
| Farber, Leora; Bishop, Ryan (eds.) (2010) |
| The address of the other: the body and the senses in contemporary South African visual art |
| Critical Arts: A Journal of Media Studies. Volume 24 #3. p. 303-485. |
| Glassie, Henry (2010) |
| Prince Twins Seven-Seven: his art, his life in Nigeria, his exile in America | |
| Bloomington, IN: Indiana University Press. 474p. |
| Layiwola, Peju; Olorunyomi, Sola (eds.) (2010) |
| Benin1897.com: art and the restitution question; an art exhibition of installations and sculptures | |
| Ibadan: Wy Art Editions. 216p. |
| Obodo, Eva (2010) |
| Rolling, stitching and sewing jute fibre: The 'Line Walk' Sculpture Project | |
| Research Review. Volume 26 #1. p. 23-36. |
| Okeke-Agulu, Chika (2010) |
| Contemporary African art history and the scholarship: Nka roundtable II |
| Nka: Journal of Contemporary African Art. #26. p. 81-151. |
| Allen, Rika (2009) |
| Art activism in South Africa and the ethics of representation in a time of AIDS |
| Critical Arts: A Journal of Media Studies. Volume 23 #3. p. 396-415. |
| Baker, Charlotte (ed.) (2009) |
| Expressions of the body: representations in African text and image | |
| Bern: Peter Lang. 372p. |
| Emi, Rod Adoh; Adetoro, Niran (2009) |
| Sources of literature on Nigerian visual art since 1960: history, potentialities and constraints | |
| African Research and Documentation. #111. p. 45-63. |
| Frioux-Salgas, Sarah (ed.) (2009) |
| Présence africaine: les conditions noires: une généalogie des discours | |
| Paris: Jean Michel Place. Les cahiers de Gradhiva. 239p. |
| Lahon, Didier (ed.) (2009) |
| Création plastique, traites et esclavages | |
| Nantes: Les Anneaux de la Mémoire. Cahiers des anneaux de la mémoire #12. 206p. |
| Ndinga Nziengui, Alphonse (2009) |
| L'art subsaharien et l'expérience européenne | |
| Palabres actuelles: revue de la Fondation Raponda-Walker pour la Science et la Culture. #3. p. 45-60. |
| Agbontaen-Ekghofona, Kokunre (2008) |
| Interpreting Benin art objects in catalogues and books as indigenous photographs captured in conventional photography | |
| West African Journal of Archaeology. Volume 38 #1-2. p. 65-77. |
| Anonymous (2008) |
| Visual artist, Ndaba | |
| Kutlwano. Volume 46 #2. February. p. 22-23. |
| Assegued, Meskerem (2008) |
| A retrospective observation of Elias Sime | |
| African Identities. Volume 6 #4. p. 477-504. |
| Diop, Babacar Mbaye (2008) |
| Iba Ndiaye Diadji ou l'esthétique africaine de la plasticité | |
| Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 245-269. |
| Garb, Tamar; Enwezor, Okwui; Vladislavic, Ivan (eds.) (2008) |
| Home lands - land marks: contemporary art from South Africa | |
| London: Haunch of Venison. 168p. |
| Hunsinger, Wolfgang (2008) |
| Zeitgenössische Werke marokkanischer Künstler: Traditionsverankerung und emanzipatorische Bestrebungen | |
| Weimar: Verlag und Datenbank für Geisteswissenschaften (VDG). 267p. |
| Manga, Lionel (2008) |
| L'ivresse du papillon: le Cameroun aujourd'hui: ombres et lucioles dans le sillage des artistes | |
| Servoz: Artistafrica/Édimontagne. 211p. |
| Odiboh, Freeborn (2008) |
| Old wine in new skins: the University of Benin Art Department and the 'art school' trend in Nigeria | |
| Lagos Historical Review. Volume 8. p. 33-48. |
| Sylla, Abdou (2008) |
| Les arts plastiques sénégalais contemporains: évolution et tendances (1ère partie) | |
| Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 269-292. |
| Turner, Irina (2008) |
| Comprehending gender issues through photography: a South African case study | |
| Saarbrücken: VDM Verlag Dr. Müller. 85p. |
| Van Haute, Bernadette (2008) |
| African tourist art as tradition and product of the postcolonial exotic |
| International Journal of African Renaissance Studies. Volume 3 #2. p. 21-38. |
| Bissiri, Amadou; Sanou, Salaka; Willemse, Hein (eds.) (2007) |
| Burkina Faso: ontluikende letterkunde en artistieke skepping = Burkina Faso: emerging literature and artistic creation = Burkina Faso: littérature émergente et création artistique |
| Tydskrif vir letterkunde. Volume 44 #1. 358p. |
| Irivwieri, Godwin O. (2007) |
| Contemporary Nigerian art: from the 1920s to 2000 | |
| Humanities Review Journal. Volume 7. p. 15-27. |
| Loumpet-Galitzine, Alexandra (2007) |
| L'art postcolonial est-il toujours primitif? Réflexions autour d'Africa Remix | |
| Terroirs: revue africaine de sciences sociales et de culture. #3-4. p. 61-70. |
| Nagy, Rebecca Martin (2007) |
| Continuity and change: three generations of Ethiopian artists | |
| Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida. 124p. |
| Robins, Steven (2007) |
| 'Can't forget, can't remember': reflections on the cultural afterlife of the TRC |
| Critical Arts: A Journal of Media Studies. Volume 21 #1. p. 125-151. |
| Vansina, Jan (2007) |
| La survie du royaume kuba à l'époque coloniale et les arts | |
| Annales aequatoria. Volume 28. p. 5-29. |
| Avedissian, Chant (2006) |
| Cairo stencils | |
| London: Saqi. 134p. |
| Danjie, Joseph (2006) |
| AfricAura: the African way: fifty-two themes on African perspectives in the context of globalization = AfricAura: la voie africaine: cinquante-deux thèmes sur les perspectives africaines face à la mondialisation | |
| Vaduz: International Music and Art Foundation of Vaduz, Liechtenstein in coop. with Haley's of Athol, Massachusetts. 88p. |
| Diop, Babacar Mbaye (2006) |
| Approche des arts africains | |
| Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 375-401. |
| Eyene, Christine (2006) |
| L'art de la lutte |
| Africultures. #66. p. 110-119. |
| Labi, Kwame A. (2006) |
| The transformation of European forts, castles and flags into local Fante 'asafo' iconography | |
| Research Review. Volume 22 #1. p. 83-98. |
| Tissières, Hélène (2006) |
| Biennale de Dakar 2006: oeuvres exposées et témoignages | |
| Éthiopiques: revue socialiste de culture négro-africaine. #77. p. 285-301. |
| Anonymous (2005) |
| Esthétique africaine et discours philosophiques = African aesthetics and philosophy discourses: le cinquantenaire du 1er congrès des écrivains et artistes noirs | |
| Présence africaine. #171. 238p. |
| Kooij, Judith van der (ed.) (2005) |
| Visions contemporaines: Afrikaanse kunstenaars aan het woord | |
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| Mabika, Louis Kouéna (2005) |
| La place et le rôle des oeuvres d'art dans le développement africain: cas du Congo-Brazzaville | |
| Africa Media Review. Volume 13 #2. p. 68-84. |
| Simon, Njami; Duran, Lucy (eds.) (2005) |
| Africa remix: contemporary art of a continent | |
| London: Hayward Gallery Publishing. 224p. |
| Sylla, Abdou (2005) |
| Ethnocide et commerce du nouvel or noir | |
| Éthiopiques: revue socialiste de culture négro-africaine. #74. p. 279-296. |
| Burnet, Éliane (2004) |
| L'Africain de service, des zoos humains aux biennales d'art contemporain | |
| Éthiopiques: revue socialiste de culture négro-africaine. #73. p. 207-240. |
| Carman, Jillian (2004) |
| Arts and Crafts and Reconstruction |
| Social Dynamics. Volume 30 #1. Summer. p. 114-140. |
| Lesch, Ann M.; Fadl, Osman (eds.) (2004) |
| Coping with torture: images from Sudan | |
| Trenton, NJ: The Red Sea Press. 113p. |
| Njami, Simon; Wesek, Anna (eds.) (2004) |
| Afrika remix: zeitgenössische Kunst eines Kontinents | |
| Ostfildern-Ruit: Hatje Cantz. 350p. |
| Search: su=visual arts | ||||||||
| Found: 214 | Record 1-100 | |
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