AfricaBib 
bibliographic database
| Search results |
| Previous page | New search |
| Search: su=women artists | ||||||||
| Found: 34 | Record 1-34 | |||||||
 | Godin, Marie (2016) |
 | Theatre and photography as new contentious repertoires of Congolese women in the diaspora: towards another politics of representation of rape |
 | African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 101-127. |
 | Mukasonga, Scholastique (2016) |
| Coeur tambour: roman | |
| Paris: Gallimard. 175p. |
 | Van de Peer, Stefanie (ed.) (2016) |
| Special issue: the North in African cinemas |
| Journal of African Cinemas. Volume 8 #1. p. 3-128. |
| Banham, Martin; Gibbs, James; Hutchison, Yvette; Osofisan, Femi; Plastow, Jane (eds.) (2015) |
| Contemporary women | |
| Woodbridge, Suffolk: James Currey. African theatre #14. 144p. |
| Bougdal, Lahsen (2015) |
| La peinture des femmes marocaines: entretiens | |
| Paris: L'Harmattan. 203p. |
| Fraser, Kathleen W (2015) |
| Before they were belly dancers: European accounts of female entertainers in Egypt, 1760-1870 | |
| Jefferson, NC: McFarland and Company. 296p. |
| Kusek, Robert; Szymanski, Wojciech (2015) |
| An unliekley pair: Berlinde de Bruyckere and J.M. Coetzee |
| Werkwinkel: a Journal of Low Countries and South African Studies. Volume 10 #1. p. 13-21. |
| Ottenberg, Simon (2015) |
| Conflicting interpretations in the biography of a modern artist of African descent |
| Journal of West African History. Volume 1 #2. p. 45-70. |
| Rodriguez, Cheryl Rene; Tsikata, Dzodzi; Adomako Ampofo, Akosua (eds.) (2015) |
| Transatlantic feminisms: women and gender studies in Africa and the diaspora | |
| Lanham: Lexington Books. 327p. |
| Brett-Smith, Sarah C. (2014) |
| The silence of women: Bamana mud cloths | |
| Milan: 5 Continents Editions. 317p. |
| Carneson, Ruth (2014) |
| Girl on the edge: a memoir | |
| Cover2cover Books. 216p. |
| Labidi, Lilia (2014) |
| Political, aesthetic, and ethical positions of Tunisian women artists, 2011-13 |
| The Journal of North African Studies. Volume 19 #2. p. 151-171. |
 | Seror, Céline (ed.) (2014) |
| IAM: intense art magazine: the first magazine dedicated to art, women and Africa = Le premier mangazine dédié ŕ l'art, les femmes et l'Afrique | |
| Amsterdam: IAM - Intense Art Magazine. |
| Sieveking, Nadine (2014) |
| 'Create your space!': locating contemporary dance in Ouagadougou |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 55-77. |
| Sanger, Nadia (2013) |
| Imagining possibilities: feminist cultural production, non-violent identities, and embracing the Other in post-colonial South Africa | |
| African Identities. Volume 11 #1. p. 61-78. |
| Webster-Kogen, Ilana (2013) |
| Engendering homeland: migration, diaspora and feminism in Ethiopian music |
| Journal of African Cultural Studies. Volume 25 #2. p. 183-196. |
| Ashagrie, Aboneh (2012) |
| The role of women on the Ethiopian stage |
| Journal of African Cultural Studies. Volume 24 #1. p. 1-8. |
| Barwani, Sauda A. (2012) |
| Life and poems of Bi Zainab Himid (1920-2002): in Swahili with English translation = Maisha na tungo za Bi Zainab Himid (1920-2002): kwa Kiswahili na tafsiri yake kwa Kiingereza | |
| Köln: Rüdiger Köppe Verlag. Wortkunst und Dokumentartexte in afrikanischen Sprachen. 331p. |
| Rollet, Brigitte (ed.) (2012) |
| Celebrating 40 years of films made by women directors in francophone Africa | |
| Journal of African Cinemas. Volume 4 #2. p. 139-233. |
| Stuffelbeam, Katharine (2012) |
| Performing advocacy: women's music and dance in Dagbon, Northern Ghana | |
| African Music Journal. Volume 9 #2. p. 154-169. |
| Martínez Vázquez, Ricardo; Muholi, Zanele (eds.) (2011) |
| Zanele Muholi | |
| Madrid: Casa África La Fábrica. Fotógrafas africanas #1. 108p. |
| Bisschoff, Lizelle (2010) |
| Visions of female emancipation: three recent films from West Africa | |
| Journal of African Cinemas. Volume 2 #1. p. 37-48. |
| Conteh-Morgan, John; Almeida, Irčne Assiba d' (eds.) (2010) |
| 'The original explosion that created worlds': essays on Werewere Liking's art and writings | |
| Amsterdam: Rodopi. Francopolyphonies #8. 363p. |
 | Kolk, Mieke (ed.) (2009) |
| Performing gender in Arabic/African theatre | |
| Amsterdam: Institute for Theatre Studies. 237p. |
| Nieuwkerk, Karin van (2008) |
| Piety, penitence and gender: the case of repentant artists in Egypt | |
| Journal for Islamic studies. Volume 28. p. 37-65. |
 | Westende, Natasja van 't (2008) |
| Female wedding singers in Great Khartoum (Sudan): negotiating discourses on gender, music, and islam | |
| Leiden: Leiden University. 190p. |
| Dasylva, Ademola Omobewaji (2007) |
| Identity and memory in Omobóyňdé Ŕrowá's oríkě performance in (Yoruba) Čkětě dialect |
| African and Asian Studies. Volume 6 #1. p. 173-200. |
| Kasule, Sam (2007) |
| Resistant voices in African popular performance | |
| African Performance Review. Volume 1 #1. p. 38-49. |
| Hawken, T. (2006) |
| The artist, Helen MacLaren |
| The Society of Malawi Journal. Volume 59 #2. p. 35-39. |
| Ngozana, P. (2006) |
| Jaba: the budding artist | |
| Kutlwano. Volume 47 #6. June. p. 30-31. |
| Pawlowska, Aneta (2006) |
| The past and present in gender art of South Africa | |
| Africana Bulletin. #54. p. 147-167. |
| Jacobs, Moze; Verkerk, Marjan; Schulte, Birgit; Currid, Brian (eds.) (2003) |
| Visible visions: DPSPD-Project (Daily producers of sustainable development): art in the context of the World summit on sustainable development 2002 in Johannesburg, South Africa = Kunst im Kontext des Weltgipfels für Nachhaltige Entwicklung 2002 in Johannesburg, Südafrika | |
| Essen: EXILE. 132p. |
| Malik, Saadia I. (2003) |
| Exploring Aghani Al-Banat: a postcolonial ethnographic approach to Sudanese women's songs, culture, and performance | |
| Ann Arbor, MI: UMI Dissertation Services. 171p. |
| Zuhur, Sherifa (2001) |
| Asmahan's secrets: woman, war and song | |
| London: Saqi Books. 247p. |
| Search: su=women artists | ||||||||
| Found: 34 | Record 1-34 | |||||||
| Previous page | New search |