AfricaBib 
bibliographic database
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 | Ololajulo, Babajide Olusoji (2021) |
 | The incremental houses of urban fringes: Yoruba personhood and popular culture in Ibadan, Nigeria |
| Journal of Contemporary African Studies. Volume 39 #2. p. 169-184. |
| Flint, Adrian (2020) |
| 'African witchdoctors' and popular culture: global hierarchies and the reinforcement of the colonial world order |
| Journal of Contemporary African Studies. Volume 38 #4. p. 594-609. |
| Ference, Meghan E. (2019) |
| Joyriding: Making Place in Nairobi's Matatu Sector |
| City & Society. Volume 31 #2. p. 188-207. |
| Grant, Andrea Mariko (2019) |
| Bringing The Daily Mail to Africa: entertainment websites and the creation of a digital youth public in post-genocide Rwanda |
| Journal of Eastern African Studies. Volume 13 #1. p. 106-123. |
| Hendriks, Thomas (2019) |
| Queer(ing) popular culture: Homo-erotic provocations from Kinshasa |
 | Journal of African Cultural Studies. Volume 31 #1. p. 71-88. |
| Kaarsholm, Preben; Frederiksen, Bodil Folke (2019) |
| Amaoti and Pumwani: Studying urban informality in South Africa and Kenya |
| African Studies. Volume 78 #1. p. 51-73. |
| Srinivasan, Sharath; Diepeveen, Stephanie; Karekwaivanane, George (2019) |
| Rethinking publics in Africa in a digital age |
| Journal of Eastern African Studies. Volume 13 #1. p. 2-17. |
| Förster, Till; Schlehe, Judith (eds.) (2017) |
| Passages of culture: media and mediality in African societies |
| Journal of African Media Studies. Volume 9 #1. p. 3-90. |
 | Julius-Adeoye, 'Rantimi Jays (2017) |
| The Nigeria-Biafra war, popular culture and agitation for sovereignty of a Biafran nation |
| Leiden: African Studies Centre. ASC working paper #138. 21p. |
 | Laachir, Karima (ed.) (2016) |
| Special Issue: the aesthetics and politics of contemporary cultural production in Morocco |
| The Journal of North African Studies. Volume 21 #1. p. 7-147. |
| Omenugha, Kate Azuka; Uzuegbunam, Chikezie Emmanuel; Ndolo, Ike S. (2016) |
| Celebrity culture, media and the Nigerian youth: negotiating cultural identities in a globalised world |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 200-216. |
 | Riedel, Felix (2016) |
| Hexenjagd und Aufklärung in Ghana: von den medialen Inszenierungen des Okkulten zur Realität der Ghettos für Hexenjagdflüchtlinge | |
| Köln: Rüdiger Köppe Verlag. Topics in interdisciplinary African studies. 368p. |
| Röschenthaler, Ute; Schulz, Dorothea Elisabeth (eds.) (2016) |
| Cultural entrepreneurship in Africa | |
| New York, NY: Routledge, Taylor & Francis Group. Routledge African studies #20. 317p. |
 | Shiino, Wakana; Shiraishi, Soichiro; Ondicho, Tom (eds.) (2016) |
| Re-finding African local assets and city environments: governance, research and reflexivity | |
| Fuchu: Research Institute for Languages and Cultures of Asia and Africa, Tokyo University of Foreign Studies. 289p. |
| Braun, Lesley Nicole (2015) |
| Cyber Siren: what Mami Wata reveals about the Internet and Chinese presence in Kinshasa |
| Canadian Journal of African Studies. Volume 49 #2. p. 301-318. |
| Jedlowski, Alessandro (ed.) (2015) |
| Special issue: across media: mobility and transformation of cultural materials in the digital age |
| Journal of African Media Studies. Volume 7 #1. 99p. |
| Kandé Senghor, Fatou (2015) |
| Wala Bok: Une histoire orale du hip hop au Sénégal | |
| Dakar: Éditions Amalion. 289p. |
| Krings, Matthias (2015) |
| African appropriations: cultural difference, mimesis, and media | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 311p. |
| Marais, Danie (2015) |
| Pruimtwak & skaduboksers: rubrieke, heildronke en nagedagtes | |
| Kaapstad: Tafelberg. 222p. |
| Ndiltah, Patrick (2015) |
| Des vidéoclubs pour l'Afrique? 'salles' de cinéma populaires et lieux de sociabilité au Tchad | |
| Paris: L'Harmattan. Collection images plurielles. 252p. |
 | Nederveen, Arda (ed.) (2015) |
| Sabar: Senegal's heartbeat |
| Amsterdam: Arda Nederveen Visuele Producties. |
| Baderoon, Gabeba (2014) |
| Regarding muslims: from slavery to post-apartheid | |
| Johannesburg: Wits University Press. 207p. |
| Beljaars, Ine (2014) |
| The politics of bodily mobility and ethnoracial performativity in a culture of avoidance: dance and difference-making in the Dutch kizomba scene |
| 73p. |
| Engelbrecht, Theunis (2014) |
| Papegaaislaai | |
| Kaapstad: Umuzi. 255p. |
| Obadare, Ebenezer; Willems, Wendy (eds.) (2014) |
| Civic agency in Africa: arts of resistance in the 21st century | |
| Woodbridge: James Currey. 236p. |
| Apedo-Amah, Ayayi Togoata (2013) |
| Théâtres populaires en Afrique: l'exemple de la kantata et du concert-party togolais: essai | |
| Lomé: Éditions Awoudy. Collection Tourbillon. 247p. |
| Ba, Daha Chérif (2013) |
| Cultures populaires en Sénégambie: l'exemple des Fulbe (1512-1980) | |
| Paris: L'Harmattan. Études africaines. 390p. |
| Chire, Amina Saïd (ed.) (2013) |
| Djibouti contemporain | |
| Paris: Karthala. Hommes et sociétés. 354p. |
| Gqola, Pumla Dineo (2013) |
| A renegade called Simphiwe | |
| Johannesburg: MFBooks. 158p. |
| Mungai, Mbugua wa (2013) |
| Nairobi's 'matatu' men: portrait of a subculture | |
| Nairobi: Twaweza Communications. Contact zones NRB #7. 254p. |
| Newell, Stephanie; Okome, Onookome (eds.) (2013) |
| Popular culture in Africa: the episteme of the everyday | |
| New York: Routledge. Routledge research in cultural and media studies #58. 323p. |
| Ofosu, Terry Bright K.; Dei, Tabitha (2013) |
| The 'Azonto' dance - a Ghanaian new creation: exploring new boundaries of popular dance forms | |
| African Performance Review. Volume 7 #1. p. 45-64. |
| Rofheart, Mahriana (2013) |
| Shifting perceptions of migration in Senegalese literature, film and social media | |
| Lanham: Lexington Books. After the empire, The francophone world and postcolonial France. 157p. |
| Shipley, Jesse Weaver (2013) |
| Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music | |
| Durham: Duke University Press. 329p. |
| Ahmed, Imtiaz (ed.) (2012) |
| Democracy and democratisation | |
| Identity, Culture and Politics: an Afro-Asian Dialogue. Volume 13 #1. 129p. |
| Becker, Heike (2012) |
| Anthropology and the study of popular culture: a perspective from the southern tip op Africa |
| Research in African Literatures. Volume 43 #4. p. 17-37. |
| Bisschoff, Lizelle; Overbergh, Ann (2012) |
| Digital as the new popular in African cinema? case studies from the continent |
| Research in African Literatures. Volume 43 #4. p. 112-127. |
| Charry, Eric S. (ed.) (2012) |
| Hip hop Africa: new African music in a globalizing world | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 390p. |
| Falola, Toyin; Fleming, Tyler (eds.) (2012) |
| Music, performance and African identities | |
| New York: Routledge. Routledge African studies #3. 346p. |
| Hafiez, Nada; Mohamed, Alsadig; Mahmoud, Ahmed; Izzeldin, Ebrahim; Fadul, Mosaab (eds.) (2012) |
| NAZRA: New Sudanese documentary films | |
| Khartoum: Goethe Institut. |
| Klein, Debra (2012) |
| A political economy of lifestyle and aesthetics: Yorùbá artists produce and transform popular culture |
| Research in African Literatures. Volume 43 #4. p. 128-146. |
| Ligaga, Dina (2012) |
| 'Virtual expressions': alternative online spaces and the staging of Kenyan popular cultures |
| Research in African Literatures. Volume 43 #4. p. 1-16. |
| Mbah, Emmanuel M.; Salm, Steven J. (eds.) (2012) |
| Globalization and the African experience | |
| Durham, NC: Carolina Academic Press. African world series. 299p. |
| Mudimbe, V.Y. (ed.) (2012) |
| Contemporary African cultural productions |
| Dakar: CODESRIA. 328p. |
| Mustapha, Abdul Raufu (ed.) (2012) |
| Special issue on 'The African public sphere: concepts, histories, voices, and processes' |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 37 #1. 118p. |
| Newell, Sasha (2012) |
| The Modernity Bluff: Crime, Consumption, and Citizenship in Côte d'Ivoire | |
| Chicago: The University of Chicago Press. 305p. |
| Okome, Onookome; Newell, Stephanie (eds.) (2012) |
| Measuring time: Karin Barber and the study of everyday Africa |
| Research in African Literatures. Volume 43 #4. 195p. |
| Osumare, Halifu (2012) |
| The hiplife in Ghana: the West African indigenization of hip-hop | |
| Basingstoke: Palgrave Macmillan. 219p. |
| Raji, Remi (2012) |
| Playful blasphemies: postproverbials as archetypes of modernity in Yorùbá culture | |
| Trier: WVT, Wissenschaftlicher Verlag Trier. LuKA, Studien zu Literaturen und Kunst Afrikas #3. 168p. |
| Schielke, Samuli (2012) |
| The perils of joy: contesting mulid festivals in contemporary Egypt |
| Syracuse, NY: Syracuse University Press. Contemporary issues in the Middle East. 269p. |
| Witte, Marleen de (2012) |
| Television and the Gospel of Entertainment in Ghana |
| Exchange: Journal of Contemporary Christianities in Context. Volume 41 #2. p. 144-164. |
| Abé, Claude (2011) |
| L'espace public au ras du sol en postcolonie: travail de l'imagination et interpellation du politique au Cameroun |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 36 #2. p. 137-173. |
| Akinyemi, Akintunde (ed.) (2011) |
| African creative expressions: mother tongue and other tongues | |
| Eckersdorf: Pia Thielmann & Eckhard Breitinger. Bayreuth African studies series #89. 265p. |
| Akpabli, Kofi (2011) |
| Tickling the Ghanaian: encounters with contemporary culture | |
| Accra: TREC. 142p. |
| Callaci, Emily (2011) |
| Dancehall politics: mobility, sexuality, and spectacles of racial respectability in late colonial Tanganyika, 1930s-1961 |
| The Journal of African History. Volume 52 #3. p. 365-384. |
| Hanafi, Muhammad; el-Kogali, Issraa; Mabor, Mario; Tahir, Gihan El; Zarrouq, Areej; Sir-Alkhatim, Alyaa (eds.) (2011) |
| Made in Sudan: new Sudanese documentary films | |
| Khartoum: Goethe Institut. |
| Mbakwe, Nkechinyere (2011) |
| Die Heilung des Wortes: zur Bedeutung der Oralität in nigerianischen Homevideos |
| Berlin: Universitätsbibliothek der Technischen Universität Berlin. 197p. |
| Mills, Ivy (2011) |
| Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture |
| Ph.D. dissertation (Fall 2011). Berkeley: University of California. 175p. |
| Rangoajane, Francis L. (2011) |
| Political shifts and black theatre in South Africa |
| 370p. |
| Thalén, Oliver (2011) |
| Ghanaian entertainment brokers: urban change, and 'Afro-cosmopolitanism', with neo-liberal reform | |
| Journal of African Media Studies. Volume 3 #2. p. 227-240. |
| Wasserman, Herman (ed.) (2011) |
| Popular media, democracy and development in Africa | |
| London: Routledge. 288p. |
| Dangarembga, Tsitsi (2010) |
| The popular arts and culture in the texture of the public sphere in Africa |
| Dakar: Council for the Development of Social Science Research in Africa (CODESRIA). Codesria lecture series #4. 11p. |
| Englert, Birgit (2010) |
| In need of connection: reflections on youth and the translation of film in Tanzania |
| Stichproben - Vienna Journal of African Studies. Volume 10 #18. p. 137-159. |
| Falola, Toyin; Ngom, Fallou (eds.) (2010) |
| Facts, fiction, and African creative imaginations | |
| London: Routledge. Routledge African studies #1. 332p. |
| Holdridge, Christopher (2010) |
| Laughing with Sam Sly: the cultural politics of satire and colonial British identity in the Cape Colony, c. 1840-1850 |
| Kronos: Journal of Cape History. #36. p. 28-53. |
| Lame, Danielle de; Rassool, Ciraj (eds.) (2010) |
| Popular snapshots and tracks to the past: Cape Town, Nairobi, Lubumbashi | |
| Tervuren: Royal Museum for Central Africa. Collection Sciences Humaines 171. 294p. |
| Makhulu, Anne-Maria; Buggenhagen, Beth Anne; Jackson, Stephen (eds.) (2010) |
| Hard work, hard times: global volatility and African subjectivities | |
| Berkeley, CA: University of California Press. 224p. |
| Mwangi, Evan (2010) |
| The incomplete rebellion: Mau Mau movement in twenty-first-century Kenyan popular culture |
| Africa Today. Volume 57 #2. p. 87-113. |
| Narunsky-Laden, Sonja; Glenn, Ian (eds.) (2010) |
| Cultural economy in post-transitional South Africa |
| Critical Arts: A Journal of Media Studies. Volume 24 #1. 172p. |
| Obiaya, Ikechukwu (2010) |
| Nollywood on the Internet: a preliminary analysis of an online Nigerian video-film audience | |
| Journal of African Media Studies. Volume 2 #3. p. 321-338. |
| Sabry, Tarik (2010) |
| Cultural encounters in the Arab world: on media, the modern and the everyday | |
| London: I.B. Tauris. Library of modern Middle East studies #89. 228p. |
| Saint, Lily (2010) |
| Not Western: race, reading, and the South African photocomic |
| Journal of Southern African Studies. Volume 36 #4. p. 939-958. |
| Benga, Ndiouga (2009) |
| Espace public et culture populaire en Afrique | |
| Annales de la Faculté des lettres et sciences humaines. #39. p. 108-123. |
| Falola, Toyin; Agwuele, Augustine (eds.) (2009) |
| Africans and the politics of popular culture | |
| Rochester, NY: University of Rochester Press. Rochester studies in African history and the diaspora. 333p. |
| Jones, Jeremy (ed.) (2009) |
| Child and youth study in Africa | |
| CODESRIA Bulletin. #3-4. 62p. |
| Prestholdt, Jeremy (2009) |
| The afterlives of 2Pac: imagery and alienation in Sierra Leone and beyond |
| Journal of African Cultural Studies. Volume 21 #2. p. 197-218. |
| Frenkel, Ronit (ed.) (2008) |
| Feminism and contemporary culture in South Africa |
| African Studies. Volume 67 #1. p. 1-138. |
| Githiora, Chege (ed.) (2008) |
| East African culture, language and society |
| Journal of African Cultural Studies. Volume 20 #1. 132p. |
| Grundlingh, Albert M.; Huigen, Siegfried (2008) |
| Van volksmoeder tot fokofpolisiekar: kritiese opstelle oor Afrikaanse herinneringsplekke | |
| Stellenbosch: Sun Press. 221p. |
| Guseh, James S. (2008) |
| Slogans and mottos on commercial vehicles: a reflection of Liberian philosophy and culture |
| Journal of African Cultural Studies. Volume 20 #2. p. 159-171. |
| Kareithi, Peter; Kariithi, Nixon (2008) |
| 'Black Hawk Down' and the framing of Somalia: pop culture as news and news as pop fiction | |
| Africa Media Review. Volume 16 #1. p. 1-20. |
| Kaviti, L. (2008) |
| Hip-hop music: artistic creativity gone bad | |
| Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 96-119. |
| Ludl, Christine (2008) |
| 'To skip a step': new representation(s) of migration, success and politics in Senegalese rap and theatre |
| Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 97-122. |
| Magalasi, Mufunanji (2008) |
| Repression and comedic performances: Kamuzu Banda's rule and Kwathu's 'Ku Chipatala' and Umodzi's 'Akapasule' | |
| African Performance Review. Volume 2 #2-3. p. 48-64. |
| Morna, Colleen Lowe; Ndlovu, Sikhonzile (eds.) (2008) |
| Gender and tabloids in southern Africa: mirror on the media |
| Johannesburg: Gender Links. 100p. |
| Simone, AbdouMaliq (2008) |
| Some reflections on making popular culture in urban Africa |
| African Studies Review. Volume 51 #3. p. 75-89. |
| Van der Westhuizen, Janis (2008) |
| Popular culture, discourse and divergent identities: reconstructing South Africa as an African State | |
| African Identities. Volume 6 #1. p. 45-61. |
| Ambridge, Lindsay June (2007) |
| Searching History: The Non-Elite in Ancient Egypt | |
| History Compass. Volume 5 #2. p. 632-645. |
| Baller, Susann (2007) |
| Youth, theatre and sports: creating 'conscious' citizens within the Senegalese 'nawetaan' movement | |
| Africa Insight. Volume 37 #3. p. 376-387. |
| Dolby, Nadine (2006) |
| Popular Culture and Public Space in Africa: The Possibilities of Cultural Citizenship |
| African Studies Review. Volume 49 #3. December. p. 31-47. |
 | Loimeier, Roman (2006) |
| Coming to terms with 'popular culture': the 'ulama' and the state in Zanzibar | |
| In: The global worlds of the Swahili: interfaces of Islam, identity and space in 19th and 20th-century East Africa. p. 111-130. |
| Lukalo, Fibian Kavulani (2006) |
| Extended handshake or wrestling match? Youth and urban culture celebrating politics in Kenya |
| Uppsala: Nordiska Afrikainstitutet. Discussion paper #32. 66p. |
| Dijck, Bart van (ed.) (2005) |
| Mzansi: een trip door Zuidafrikaanse subculturen |
| Antwerpen: Axe Entertainment. |
| Jacobs, Sean (2005) |
| Big Brother, l'Afrique te regarde | |
| Politique africaine. #100. p. 125-145. |
| Ndjio, Basile (2005) |
| Carrefour de la Joie: Popular Deconstruction of the African Postcolonial Public Sphere |
| Africa: Journal of the International African Institute. Volume 75 #3. p. 265-294. |
| Fenn, John Bennett (2004) |
| Rap and ragga musical cultures, lifestyles, and performances in Malawi | |
| Ann Arbor, MI: UMI. 246p. |
| Wekesa, Peter Wafula (2004) |
| The Politics of Marginal Forms: Popular Music, Cultural Identity and Political Opposition in Kenya |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 29 #4. p. 92-112. |
| Jewsiewicki, Bogumil (2003) |
| Mami Wata: la peinture urbaine au Congo | |
| Paris: Gallimard. Le temps des images. 236p. |
 | (1999) |
| Co.@rtnews: Southern African review of contemporary art and culture | |
| Johannesburg: Co. rtnews Pty. Ltd. |
| Remes, Pieter Walter (1998) |
| 'Karibu geto langu / Welcome in my ghetto': urban youth, popular culture and language in 1990s Tanzania |
| Search: su=popular culture | ||||||||
| Found: 102 | Record 1-100 | |
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