AfricaBib 
bibliographic database
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 | Bénard, Marie-Claude (2016) |
| La sortie au cinéma: palaces et ciné-jardins d'Égypte, 1930-1980 | |
| Parentheses. Parcours Méditerranéens, Série territoires, traces et tracés. 223p. |
| Cole, Ernest; Diop, Oumar Chérif (eds.) (2016) |
| Ousmane Sembene: writer, filmmaker, and revolutionary artist | |
 | Trenton: Africa World Press. 460p. |
| Dhillon, Mohinder (2016) |
| My camera, my life | |
| Dar es Salaam: Mkuki na Nyota Publishers. |
 | Frassinelli, Pier Paolo (2016) |
 | The making and political life of 'Miners shot down': an interview with Rehad Desai and Anita Khanna |
| Communicatio: South African journal for communication theory and research. Volume 42 #3. p. 422-432. |
| Mizoguchi, Akiko (2016) |
| What languages do aliens speak? Multilingual 'Otherness' of diasporic dystopia in 'District 9' |
| Journal of African Cinemas. Volume 8 #2. p. 169-179. |
| Oyinsan, Bunmi (2016) |
| Orality, documentary, intertextual performance and discursive practices: a reading of 'Ye Wonz Maibel (Deluge)' 1997 by Salem Mekuria |
| Journal of African Cinemas. Volume 8 #2. p. 199-214. |
| Repinecz, Jonathon (2016) |
| 'This is not a pipe'? Reflexivity, fictionality and dialogism in Sembène's films |
| Journal of African Cinemas. Volume 8 #2. p. 181-197. |
| Stobie, Cheryl (2016) |
| Diamonds at the meeting of her thighs: representations of gender and sexuality in 'U-Carmen eKhayelitsha' |
| Journal of African Cinemas. Volume 8 #2. p. 155-168. |
 | Van de Peer, Stefanie (ed.) (2016) |
| Special issue: the North in African cinemas |
| Journal of African Cinemas. Volume 8 #1. p. 3-128. |
| Victor, Anna (2016) |
| Experimental cartographies in Tariq Teguia's 'Inland' |
| Journal of African Cinemas. Volume 8 #3. p. 267-281. |
 | (2015) |
| Awotélé: la revue des critiques ciné |
| Pantin: Sudu Connexion. |
| Abdul-Jabbar, Wisam Kh. (2015) |
| Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
| The Journal of North African Studies. Volume 20 #2. p. 159-171. |
| Almeida, Irène Assiba d'; Lee, Sonia (2015) |
| Essais et documentaires des Africaines francophones: un autre regard sur l'Afrique | |
| Paris: L'Harmattan. Écrire l'Afrique. 195p. |
| Buchanan, Sarah B. (2015) |
| When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
| Research in African Literatures. Volume 46 #3. p. 190-213. |
| Dipio, Dominica; Cherif Diop, Oumar (2015) |
| Art's subtle, liberating ways: violence, trauma and agency in Fanta Regina Nacro's 'The Night of Truth' (2004) |
| Journal of African Cinemas. Volume 7 #1. p. 41-49. |
| Fuhrmann, Wolfgang (2015) |
| Imperial projections: screening the German colonies | |
| New York: Berghahn Books. Film Europa, German cinema in an international context. 309p. |
 | Gadjigo, Samba; Silverman, Jason (eds.) (2015) |
| Sembène!: the inspiring story of the father of African cinema |
| New York, NY: Kino Lorber. |
| Mngadi, Sikhumbuzo (2015) |
| The cultural politics of adaptation: 'Fools' and the politics of gender |
| Journal of African Cinemas. Volume 7 #1. p. 15-30. |
| Tchouaffe, Jean Olivier (2015) |
| Passion of the reel: cinematic versus modernist political fictions in Cameroon | |
| Bristol: Intellect Books. 218p. |
| Vetinde, Lifongo J.; Fofana, Amadou Tidiane (eds.) (2015) |
| Ousmane Sembène and the politics of culture | |
| Lanham, MD: Lexington Books. After the empire, The francophone world and postcolonial France. 179p. |
| Afolayan, Adeshina (ed.) (2014) |
| Auteuring Nollywood: critical perspective on 'The Figurine' | |
| Ibadan: University Press PLC. 457p. |
| Convents, Guido (2014) |
| Images & animation: le cinéma d'animation en Afrique centrale: introduction au cinéma d'animation en République Démocratique du Congo, au Rwanda et au Burundi | |
| Kessel Lo: Afrika Filmfestival. 133p. |
| Hamelin, Simon-Pierre (ed.) (2014) |
| Ahmed Bouanani: comme la terre sous la pluie | |
| Tanger: Colonnes. Nejma #9. 192p. |
| Müller, Louise (2014) |
| On the demonization and discrimination of Akan and Yoruba women in Ghanaian and Nigerian video movies |
| Research in African Literatures. Volume 45 #4. p. 104-120. |
| Senekal, Burgert A.; Stemmet, Jan-Ad (2014) |
| The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis |
| Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
| Stefanson, Blandine; Petly, Sheila (eds.) (2014) |
| Africa | |
| Bristol: Intellect Books. Directory of world cinema #30. 420p. |
 | De Groof, Matthias (2013) |
| Deep focus: the films of Jean-Pierre Bekolo in the context of African cinema |
| Ann Arbor: Proquest. 260p. |
| De Groof, Matthias (2013) |
| How text reflects context: representation of African film audiences in 'Aristotle's Plot' |
| Journal of African Cinemas. Volume 5 #2. p. 181-202. |
| Dima, Vlad (2013) |
| Women and posters as heterotopias in Ousmane Sembene's 'Xala' |
| Journal of African Cinemas. Volume 5 #2. p. 137-148. |
| Janis, Michael (2013) |
| The United States of Africa: Afrofuturistic pasts and Afropolitan futures | |
| Journal of African Cinemas. Volume 5 #1. p. 33-54. |
| Kilian, Cassis (2013) |
| Worth a closer look: a comparative study of 'Xala' and 'Osuofia' in London | |
| Journal of African Cinemas. Volume 5 #1. p. 55-71. |
| Lelièvre, Samuel (2013) |
| La Lumière de Souleymane Cissé: cinéma et culture | |
| Paris: L'Harmattan. Collection images plurielles. 206p. |
| Maingard, Jacqueline (2013) |
| 'Assignment Africa': Donald Swanson's colonial imaginary and 'Chisoko the African' (1949) |
| Journal of Southern African Studies. Volume 39 #3. p. 701-719. |
| Malcic, Steven (2013) |
| Ousmane Sembene's vicious circle: the politics and aesthetics of 'La Noire de …' |
| Journal of African Cinemas. Volume 5 #2. p. 167-180. |
| Sow, Moussa (2013) |
| Ecocinema in Senegalese documentary film | |
| Journal of African Cinemas. Volume 5 #1. p. 3-17. |
| Teversham, Edward (2013) |
| 'Army of Cars': the automobile in Flora Gomes' 'The Blue Eyes of Yonta' | |
| Journal of African Cinemas. Volume 5 #1. p. 73-83. |
| Badoe, Yaba; Mama, Amina; Mekuria, Salem; Dovey, Lindiwe (eds.) (2012) |
| African feminist engagements with film |
| Feminist Africa. #16. 162p. |
| Landau, Joachim (ed.) (2012) |
| Voices | |
|
| Novia, Charles (2012) |
| Nollywood till November: memoirs of a Nollywood insider | |
| Bloomington, IN: Authorhouse. 140p. |
| Rollet, Brigitte (ed.) (2012) |
| Celebrating 40 years of films made by women directors in francophone Africa | |
| Journal of African Cinemas. Volume 4 #2. p. 139-233. |
| Beus, Yifen (2011) |
| Authorship and criticism in self-reflexive African cinema |
| Journal of African Cultural Studies. Volume 23 #2. p. 133-152. |
| Mbakwe, Nkechinyere (2011) |
| Die Heilung des Wortes: zur Bedeutung der Oralität in nigerianischen Homevideos |
| Berlin: Universitätsbibliothek der Technischen Universität Berlin. 197p. |
| Taoua, Phyllis (2011) |
| Dossier: Ousmane Sembène | |
| Études littéraires africaines. #30. p. 5-76. |
| Gadjigo, Samba; Niang, Sada (eds.) (2010) |
| Un viatique pour l'éternité: hommage à Ousmane Sembène |
| Dakar: Éditions Papyrus Afrique. 222p. |
| Ouédraogo, Jean (ed.) (2010) |
| Figuration et mémoire dans les cinémas africains | |
| Paris: L'Harmattan. Collection images plurielles. 258p. |
| Seal, Mark (2010) |
| Wildflower: an extraordinary life and untimely death in Africa | |
| London: Weidenfeld & Nicolson. 232p. |
| Cazenave, Odile (ed.) (2009) |
| L'engagement au féminin | |
| Cultures sud. #172. 189p. |
| Tchouaffé, Jean Olivier (2009) |
| Reframing African cinema and democracy: the case of Cameroon | |
| Journal of African Cinemas. Volume 1 #1. p. 57-77. |
| Cifuentes, Frédérique (ed.) (2008) |
| Cinema in Sudan: conversations with Gadalla Gubara |
| London: Frédérique Cifuentes. |
| Canut, Cécile (ed.) (2007) |
| Profession cinéaste | |
| Montreuil: Athénaïse. |
| Rouch, Jean; Leboutte, Patrick (eds.) (2005) |
| Jean Rouch | |
| Paris: Editions Montparnasse. |
| Sene, Momar Nar (2001) |
| Djibril Diop Mambety: la caméra au bout-- du nez | |
| Paris: L'Harmattan. Collection la bibliothèque d'Africultures. |
| Davis, Peter (200*) |
| On location, Zululand: the making of Silva the Zulu, 1927 | |
| Villon Films. 60p. |
| Tapsoba, Clement (ed.) (1998) |
| Hommage/tribute, Djibril Diop Mambety | |
| Ouagadougou: Fédération Pan Africaine des Cinéastes (FEPACI). Écrans d'Afrique #24. 144p. |
| Bidou, Jacques; Bekolo, Jean-Pierre (eds.) (1997) |
| Le complot d'Aristote = Aristotle's plot |
| Paris: JBA Editions. |
| Signaté, Ibrahima (1994) |
| Med Hondo: un cinéaste rebelle | |
| Paris: Présence africaine. 127p. |
| Pfaff, Françoise (1992) |
| Five West African Filmmakers on Their Films |
| Issue. Volume 20 #2. Summer. p. 31-39. |
| Anonymous (1978) |
| Cinéastes d'Afrique Noire: numéro spécial réalise par Guy Hennebelle et Catherine Ruelle | |
| L'Afrique littéraire et artistique. #49. p. 1-190. |
| Vieyra, Paulin Soumanou (1975) |
| Le cinéma africain | |
| Paris: Présence africaine. |
| Search: su=filmmakers | ||||||||
| Found: 59 | Record 1-59 | |||||||
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