AfricaBib 
bibliographic database
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| Search: su=hip hop | ||||||||
| Found: 22 | Record 1-22 | |||||||
 | Lipenga, Ken Junior (2020) |
 | Youth, alcohol and the forging of community in Malawian hip-hop music |
| Nordic Journal of African Studies. Volume 29 #3. p. 1-15. |
 | Becker, Heike; Schulz, Dorothea (eds.) (2017) |
| Un/making difference through performance and mediation in contemporary Africa |
 | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
| Appert, Catherine M. (2016) |
| Locating hip hop origins: popular music and tradition in Senegal |
| Africa: Journal of the International African Institute. Volume 86 #2. p. 237-262. |
| Aterianus-Owanga, Alice; Moulard, Sophie (eds.) (2016) |
| Le dossier: polyphonies du rap | |
| Politique africaine. #141. p. 5-145. |
| Lambert, Michael C. (2016) |
| Changes: reflections on Senegalese youth political engagement, 1988-2012 |
| Africa Today. Volume 63 #2. p. 33-51. |
| Rantala, Janne (2016) |
| 'Hidrunisa samora': invocations of a dead political leader in Maputo rap |
| Journal of Southern African Studies. Volume 42 #6. p. 1143-1160. |
 | Kandé Senghor, Fatou (2015) |
| Wala Bok: Une histoire orale du hip hop au Sénégal | |
| Dakar: Éditions Amalion. 289p. |
 | Lepeytre, Laurène (2015) |
| Du piment sur les lèvres = Chilly on the lips |
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| Samuel, Ayeni Adekunle (ed.) (2015) |
| A very good bad guy: the story of Innocent '2Face' Idibia | |
| Lagos: Nigerian Entertainment Today. 396p. |
| Traoré, Mahamadou Amadou (2015) |
| Jeux de mots: slam | |
| Paris: L'Harmattan. 59p. |
| Akande, Peju (2014) |
| Avant-garde: the cool DJ Jimmy Jatt story | |
| Lagos: Radi8 Ltd. 168p. |
| Fouquet, Thomas; Bazenguissa-Ganga, Rémy (eds.) (2014) |
| Le dossier: blackness | |
| Politique africaine. #136. p. 5-133. |
| Quarcoo, Millicent; Amuzu, Evershed Kwasi; Owusu, Augustina Pokua (2014) |
| Codeswitching as a means and a message in hiplife music in Ghana | |
| Contemporary Journal of African Studies. Volume 2 #2. p. 1-32. |
| Tissières, Hélène Colette (2013) |
| Créations et défis au Sénégal: Sembène, Diop, Diadji et Awadi | |
| Paris: L'Harmattan. 170p. |
| Tucker, Boima (2013) |
| Musical violence: gangsta rap and politics in Sierra Leone |
| Uppsala: Nordiska Afrikainstitutet. Current African issues #52. 82p. |
| Charry, Eric S. (ed.) (2012) |
| Hip hop Africa: new African music in a globalizing world | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 390p. |
| N'no, Roda; Aterianus-Owanga, Alice (2012) |
| Akamayong-Nkemeyong: recueil de textes de rap en langue fang nzaman | |
| Paris: L'Harmattan. Études africaines. 131p. |
 | Mbaye, Jenny Fatou (2011) |
| Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, Francophone West Africa |
| London: London School of Economics and Political Science. 373p. |
| Reuster-Jahn, Uta; Hacke, Gabriel (2011) |
| The Bongo Flava industry in Tanzania and artists' strategies for success |
| Mainz: Institut für Ethnologie und Afrikastudien, Johannes Gutenberg-Universität. Arbeitspapiere #127. 24p. |
| Wetaba, Aggrey Nganyi R. (2009) |
| Kenyan hip-hop as a site of negotiating urban youth identities in Nairobi | |
| Göttingen: Sierke Verlag. 450p. |
| Dijck, Bart van (ed.) (2005) |
| Mzansi: een trip door Zuidafrikaanse subculturen |
| Antwerpen: Axe Entertainment. |
| Stroeken, Koen (2005) |
| Immunizing Strategies: Hip-Hop and Critique in Tanzania |
| Africa: Journal of the International African Institute. Volume 75 #4. p. 488-509. |
| Search: su=hip hop | ||||||||
| Found: 22 | Record 1-22 | |||||||
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