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Search: su=Art, Architecture, Music, Drama | ||||||||
Found: 865 | Record 1-100 |
Dipio, D. (2010) | |
A historical overview of Ugandan film industry | |
Mawazo. Volume 9 #1. February. p. 179-196. |
Adedeji, F. (2009-2010) | |
Compositional techniques and styles in Nigerian gospel music | |
Journal of Performing Arts. Volume 4 #1. p. 2-13. |
Adeyemi, Taiwo (2009-2010) | |
Cultural nationalism: the 'Nollywoodization' of Nigerian cinema | |
Journal of Performing Arts. Volume 4 #1. p. 63-74. |
Adom, Bertha (2009-2010) | |
The thematic analysis of Avatime women's cradlesongs | |
Journal of Performing Arts. Volume 4 #1. p. 75-88. |
Amoah, Joshua A. (2009-2010) | |
The use of traditional musical genre as a pre-compositional resource in Ghanaian contemporary choral art music: perspectives from Newlove Annan's 'Ewuradze' | |
Journal of Performing Arts. Volume 4 #1. p. 42-62. |
Andoh, Timothy Esiam (2009-2010) | |
The growth and development of choral music in Ghana: the contributions and aspects of the choral style of Ephraim Amu | |
Journal of Performing Arts. Volume 4 #1. p. 123-135. |
Asiama, Elias (2009-2010) | |
Ghanaian community theatre in promoting national development | |
Journal of Performing Arts. Volume 4 #1. p. 136-142. |
Brempong, Owusu (2009-2010) | |
Folktale performance in highlife songs: an empirical observation | |
Journal of Performing Arts. Volume 4 #1. p. 14-28. |
Collins, John (2009-2010) | |
Highlife and Nkrumah's independence ethos | |
Journal of Performing Arts. Volume 4 #1. p. 89-100. |
Gbormittah, F. (2009-2010) | |
Technological innovations and realism in cinema: the case of Steadicam and André Bazin's theory of realism | |
Journal of Performing Arts. Volume 4 #1. p. 109-122. |
Olatuji, M.O. (2009-2010) | |
The biography of col. J.A. Olubobokun: a foremost Nigerian military musician | |
Journal of Performing Arts. Volume 4 #1. p. 29-41. |
Vordzorgbe, Pius P.Y. (2009-2010) | |
The ethnic approach to music making: a case for music education in Ghana | |
Journal of Performing Arts. Volume 4 #1. p. 101-108. |
Anonymous (2009) | |
Beyond stone: Chikabadwa's sculpture | |
WASI: [bulletin]. Volume 19 #2. April. p. 4-6. |
Bosc-Tiessé, Claire (2009) | |
A century of research on Ethiopian Church painting: a brief overview | |
Journal of Ethiopian Studies. Volume 42 #1-2. June-December. p. 1-23. |
Kapur, N. (2009) | |
Dialogue through dance | |
Awaaz (Nairobi, Kenya). Volume 6 #2. p. 45-47. |
Kgafela, N. (2009) | |
Images of women in Botswana's modern traditional music | |
Nawa (Windhoek, Namibia). Volume 3 #1. June. p. 31-38. |
Mathangwane, Joyce T. (2009) | |
Bakalanga traditional music: some cultural insights | |
Botswana Notes and Records. Volume 41. p. 83-94. |
Segokgo, B. (2009) | |
Rebel Rhymes | |
Kutlwano. Volume 47 #3. March. p. 40-41. |
Akuno, E.A. (2008) | |
Creativity from an old score: Afro-classics in the concert hall | |
Chemchemi. Volume 5 #1. p. 53-68. |
Andoh, Timothy E. (2008) | |
The choral music scene in the Gold Coast (Ghana) prior to 1933 | |
The Ghana Bulletin of Theology. Volume 3. December. p. 77-110. |
Anonymous (2008) | |
Caught in comic action | |
WASI: [bulletin]. Volume 18 #2. April. p. 21-24. |
Anonymous (2008) | |
Visual artist, Ndaba | |
Kutlwano. Volume 46 #2. February. p. 22-23. |
Emielu, Austin 'Maro (2008) | |
Towards a global 21st century African popular music: Assata Band as a case study | |
Legon Journal of the Humanities. Volume 19. p. 135-149. |
Gachari, R. (2008) | |
And God looked at what He had created and said 'this is good': the role of art in serving mankind | |
Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 22-39. |
Kaviti, L. (2008) | |
Hip-hop music: artistic creativity gone bad | |
Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 96-119. |
Kiambi, P.; Oladipo, R. (2008) | |
Poetry: a divine art | |
Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 61-74. |
Knausenberger, J.G.; Lemunyete, L. (2008) | |
Rendille/Samburu baskets of Northern Kenya: the revival of a dying craft | |
Kenya Past and Present. #37. p. 49-54. |
Kuira, D.M. (2008) | |
Ideology and Kenyan art: a case of understanding Christianity in Kenya's contemporary society | |
Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 40-60. |
Lwanda, John (2008) | |
The history of popular music in Malawi, 1891 to 2007: a preliminary communication | |
The Society of Malawi Journal. Volume 61 #1. p. 26-40. |
Mahehe, R. (2008) | |
Mosienyane: Botswana's urban designer ambassador in Southern Africa | |
Kutlwano. Volume 46 #1. January. p. 6-7. |
Molefhe, K.; Joseph, M. (2008) | |
Rantefe Mothebe, one of Botswana's respected artists | |
Kutlwano. Volume 46 #3. March. p. 12-13. |
Motlatshiping, M.; Moruakgomo, G. (2008) | |
Vusi, the new kid on the block | |
Kutlwano. Volume 46 #3. March. p. 6-8. |
Omoregie, F.-K. (2008) | |
Styles and levels of acting in Zimbabwean traditional performances | |
Marang: Journal of Language and Literature. #18. p. 121-136. |
Pilane, K. (2008) | |
Radinoga: beaten but not fallen | |
Kutlwano. Volume 46 #1. January. p. 24-25. |
Salawu, A. (2008) | |
'Ayan Agalu': art, media and social crusade in Nigeria | |
Pula: Botswana Journal of African Studies. Volume 22 #1. p. 89-101. |
Sebina, T. (2008) | |
Art and revolution: the life and death of Thami Mnyele: South African artist | |
Pula: Botswana Journal of African Studies. Volume 22 #1. p. 107-108. |
Segokgo, B.; Mpuse, G. (2008) | |
Seeds sprouting into decorations | |
Kutlwano. Volume 46 #12. December. p. 18-19. |
Segokgo, B. (2008) | |
Power in the Voice serenades Gaborone | |
Kutlwano. Volume 46 #10. October. p. 28-29. |
Wekesa, P.W. (2008) | |
Representing African music: postcolonial notes, queries, positions | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 33 #1. p. 132-139. |
Chanunkha, R. (2007-2008) | |
Malawian ethnic music: concepts of hand clapping, foot stamping and relaxation | |
Journal of Humanities. #21. p. 25-45. |
Adedeji, Femi (2007) | |
Instrumentation as a stylistic determinant in Nigerian gospel music | |
Research Review. Volume 23 #2. p. 43-59. |
Agoro, S.N.A. (2007) | |
Christian theatre as alternative theatre | |
Legon Journal of the Humanities. Volume 18. p. 55-70. |
Andoh, T.E. (2007) | |
The nationalistic music of I.D. Riverson | |
Legon Journal of the Humanities. Volume 18. p. 159-175. |
Anonymous (2007) | |
Lyrics in Wachiona Ndani? | |
WASI: [bulletin]. Volume 17 #3. August. p. 21-24. |
Anonymous (2007) | |
The revival of Wachiona Ndani? | |
WASI: [bulletin]. Volume 17 #3. August. p. 11-13. |
Anonymous (2007) | |
AIDS art in 3D | |
WASI: [bulletin]. Volume 17 #2. April. p. 19-21. |
Anonymous (2007) | |
Getting cultured in Kampala | |
WASI: [bulletin]. Volume 17 #2. April. p. 11-13. |
Chivandikwa, N. (2007) | |
Potential and problematics of commissioned applied theatre in Zimbabwe: the case of 'Hwapindwa Nenhunzi' | |
Zambezia. Volume 34 #1-2. p. 96-111. |
Collins, J. (2007) | |
Pan African goombay drum-dance music: its ramifications and development in Ghana | |
Legon Journal of the Humanities. Volume 18. p. 179-200. |
Ebewo, P.J.; Mmila, P.G. (2007) | |
Batswana audience and the 'Thokolosi' television drama controversy | |
Marang: Journal of Language and Literature. #17. p. 83-93. |
Keaikitse, M.; Mokowe, T. (2007) | |
Encounters with contemporary Botswana | |
Kutlwano. Volume 48 #9. September. p. 20-21. |
Khamis, Said A.M. (2007) | |
Versatility of the 'taarab' lyric: local aspects and global influences | |
Kiswahili. Volume 70. p. 90-117. |
Krishna, K. (2007) | |
The development of bronze iconography in early India | |
The Journal of Humanities (Lusaka). Volume 7. p. 85-104. |
Moisakamo, T.; Keobaletswe, T. (2007) | |
Moji, wins Redds competition | |
Kutlwano. Volume 49 [i.e. 48] #11. November-December. p. 6-7. |
Moisakamo, T. (2007) | |
Mapetla: the new kid on the block | |
Kutlwano. Volume 48 #1. January. p. 8-9. |
Mosarwa, S. (2007) | |
Up and close with Master Dee | |
Kutlwano. Volume 48 #2. February. p. 32-33. |
Motlatshiping, M. (2007) | |
The rise and rise of Maitisong Festival | |
Kutlwano. Volume 48 #3. March. p. 12-13. |
Ndiaye, A. (2007) | |
Qui a besoin de la critique d'art en Afrique - et ailleurs? | |
Éthiopiques: revue socialiste de culture négro-africaine. #78. 1er semestre. p. 231-233. |
Ngom, A.G. (2007) | |
Refuser d'être le produit des autres | |
Éthiopiques: revue socialiste de culture négro-africaine. #78. 1er semestre. p. 219-228. |
Njoora, T.K. (2007) | |
Mila: exploring music education instructional promise of selected Kenyan folk songs | |
Chemchemi. Volume 4 #2. p. 100-120. |
Njoora, T.K. (2007) | |
Mila: exploring music education instructional promise of selected Kenyan folk songs | |
Chemchemi. Volume 4 #1. p. 44-63. |
Okolocha, C. (2007) | |
Understanding the emergence of modern Nigerian art as a search for a new artistic and creative identity | |
Chiedza (Harare, Zimbabwe). Volume 10 #1. May. p. 70-81. |
Okong', J.B. (2007) | |
Performing the body: reflections on the role of theatre in dialogues between religion and science at Moi University | |
Maarifa (Eldoret, Kenya). Volume 2 #2. p. 292-297. |
Orawo, C.N. (2007) | |
The place of traditional African musical instruments in Church service | |
Chemchemi. Volume 4 #1. p. 83-92. |
Akindele, H.O.F.; Oha, O. (2006) | |
The semiotics of gender relations: in Vanguard's 'Mr & Mrs' cartoons | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 89-98. |
Akuno, E.A. (2006) | |
Music education: conceptual implications for curriculum content and delivery in Kenya | |
Chemchemi. Volume 3 #1. p. 91-98. |
Anonymous (2006) | |
The media created mollywood | |
WASI: [bulletin]. Volume 17 #1. December. p. 19-21. |
Anonymous (2006) | |
AIDS on canvass | |
WASI: [bulletin]. Volume 17 #1. December. p. 12-14. |
Anonymous (2006) | |
Braking Dr Buleki Manga | |
WASI: [bulletin]. Volume 17 #1. December. p. 4-7. |
Anonymous (2006) | |
The evolution of Mai nyamuleni | |
WASI: [bulletin]. Volume 16 #3. August. p. 11-14. |
Anonymous (2006) | |
The WESM art exhibition | |
WASI: [bulletin]. Volume 16 #2. April. p. 12-13. |
Anonymous (2006) | |
On the way out ... | |
Kutlwano. Volume 47 #2. February. p. 15-16. |
Blé, Raoul Germain (2006) | |
Zouglou et réalités sociales des jeunes en Côte d'Ivoire | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 31 #1. p. 168-184. |
Boejharat, J.D. (2006) | |
Indian courtesans: reality and the silver screen | |
Awaaz (Nairobi, Kenya). #2006, issue 2. July-September. p. 9-11. |
Collins, J. (2006) | |
African guitarism: one hundred years of West African highlife | |
Legon Journal of the Humanities. Volume 17. p. 173-196. |
Coulson, D. (2006) | |
The rock art of Lake Victoria | |
Kenya Past and Present. #36. p. 59-62. |
Diop, Babacar Mbaye (2006) | |
Approche des arts africains | |
Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 375-401. |
Galeage, L. (2006) | |
Thapong the home of art | |
Kutlwano. Volume 47 #8. August. p. 10-11. |
Gatabaki, P. (2006) | |
Mamba art gallery | |
Finance (Nairobi, Kenya). April-May. p. 60-61. |
Karago, N. (2006) | |
A film is a good film when..... | |
Wajibu. Volume 21 #1. April-May. p. 5-7. |
Karogi, K. (2006) | |
Teaching history and theory of architecture: proposal for an anthropological approach | |
Africa Habitat Review Journal. Volume 1 #1. November. p. 27-34. |
Kaviti, K.L. (2006) | |
Gender stereotypes in Kenyan cartoons: a case study of cartoons in Kenyan newspapers | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 51-73. |
Kuria, M. (2006) | |
Bringing down the house: the master's tools, the master's house | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 74-88. |
Labi, K.A. (2006) | |
European descriptions of the art and architecture of early Accra, ca. 1450-1800 | |
Research Review. #17. p. 121-136. |
Labi, Kwame A. (2006) | |
The transformation of European forts, castles and flags into local Fante 'asafo' iconography | |
Research Review. Volume 22 #1. p. 83-98. |
Lent, J.A. (2006) | |
The richness of African cartooning: a secret far too long | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 9-40. |
Loefler, I. (2006) | |
Words to wordsmiths | |
Wajibu. Volume 21 #1. April-May. p. 2-4. |
Maingi, D. (2006) | |
Cartooning and philosophy in Kenya | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 41-50. |
Mamvuto, A. (2006) | |
Deconstructing visual imagery by the mentally retarded: implications for methodology theory | |
Zimbabwe Journal of Educational Research. Volume 18 #1. March. p. 50-89. |
Maranga-Musonye, M. (2006) | |
Fantastic realism as vehicle of edutainment in children's cartoons: the example of Lion King II | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 110-119. |
Mbaye, Alioune (2006) | |
Le théâtre des centres culturels en A.O.F.: 1948-1958, 'du casque colonial au béret tropical' | |
Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 103-117. |
Mboya, J. (2006) | |
Shall we watch dance? | |
Wajibu. Volume 21 #1. April-May. p. 10-12. |
Miya, F. (2006) | |
Contextualization of animation programs in Kenya: musical arts and education | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 121-132. |
Moesi, M. (2006) | |
Making a living from waste | |
Kutlwano. Volume 47 #10. October. p. 10-11. |
Motlatshiping, M. (2006) | |
The cry of a derailed artist | |
Kutlwano. Volume 47 #12. December. p. 12-13. |
Ngankoua, M. (2006) | |
Tchicaya U Tam'si: la mise en scène du pouvoir en Afrique: théâtre et réalisme | |
Éthiopiques: revue socialiste de culture négro-africaine. #76. 1er semestre. p. 119-155. |
Ngozana, P. (2006) | |
Jaba: the budding artist | |
Kutlwano. Volume 47 #6. June. p. 30-31. |
Ngozana, P. (2006) | |
Off the blocks: young, handsome and gifted | |
Kutlwano. Volume 47 #2. February. p. 10-11. |
Nii-Yartey, F. (2006) | |
Globalization and African culture: the role of the arts | |
Legon Journal of the Humanities. Volume special ed.. p. 13-28. |
Njenga, E.S. (2006) | |
Saying it with clay and stone | |
Wajibu. Volume 21 #1. April-May. p. 14-15. |
Search: su=Art, Architecture, Music, Drama | ||||||||
Found: 865 | Record 1-100 |
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