AfricaBib 
bibliographic database
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| Search: su=Dramatic arts | ||||||||
| Found: 49 | Record 1-49 | |||||||
 | Kamera, W.D. (2003) |
| Ebrahim Hussein and dramaturgical dialectics | |
| UNISWA Research Journal. Volume 17. December. p. 21-29. |
| Ogunleye, Foluke (2002) |
| Preserving culture through new artistic forms: the case of Duro Ladipo's folkloric theatre | |
 | Research Review. Volume 18 #2. p. 63-71. |
| Magalasi, Mufunanji (2001) |
 | Malawian theatre at the crossroads: developmental paradigms and underdevelopment of stage drama in Malawi |
| Journal of Humanities. #15. p. 17-42. |
| Ayindo, B. (2000) |
| People's theatre as peacebuilding | |
| Wajibu. Volume 15 #1. p. 8-9. |
| Moses, A.; Brooke, P. (2000) |
| The Story Workshop | |
| WASI: [bulletin]. Volume 11 #2. April. p. 23-26. |
| Oloruntoba-Oju, T. (1999-2001) |
| The language of anger in African theatre: through epic fundamentalism to schism in Nigerian emergent drama | |
| Legon Journal of the Humanities. Volume 12. p. 53-73. |
| Omoregie, F.K. (1999) |
| Efficacy versus entertainment: the mutual transformability of ritual-theatre relationship | |
| Marang: Journal of Language and Literature. #Special issue. p. 138-144. |
| Oyié Ndzié, P. (1999) |
| Théâtre et enseignement de l'histoire: technique de transposition | |
| Héritages des tropiques. Volume 2 #1. p. 137-148. |
| Seda, O. (1999) |
| A review of Edgar Langeveldt's one-man show: 'Stand up chameleon' | |
| Moto. #195. April. p. 31-32. |
| Seda, O. (1999) |
| A review of New Angle Productions and Promotions' 'Jekanyika' | |
| Moto. #194. March. p. 30-31. |
| Sérgio, P. (1999) |
| Teatro em Angola: esforço inventivo acima da dor | |
| Tempo. #1423. 14 de Fev.. p. 42-44. |
| Calder, C. (1998-1999) |
| Some operations of dramatic rhetoric in Richard III, I.ii | |
| The Journal of Humanities (Lusaka). Volume 2. p. 29-40. |
| Anonymous (1997) |
| Art festival wows Bulawayo | |
| Moto. #177. October. p. 17. |
| Omoregie, F.-K. (1997) |
| Acting in traditional perfromances | |
| Zimbabwean Review. Volume 3 #2. April-June. p. 26-27. |
| Ralaivaohita, J. (1997) |
| Le Hira Gasy: operette traditionnelle | |
| Revue de l'océan Indien Madagascar. #172. October. p. 62-63. |
| Addo, W. (1996-1997) |
| The need for a professional national theatre in Ghana | |
| Journal of Performing Arts. Volume 2 #2. p. 58-61. |
| Owusu, M. (1996) |
| Tragic drama: an African dimension | |
| Journal of Performing Arts. Volume 2 #1. June. p. 42-51. |
| Djisenu, J.K. (1995) |
| The art of drama | |
| Legon Journal of the Humanities. Volume 8. p. 55-62. |
| Beukes, L. (1994) |
| Grassroots theatre in Namibia | |
| Kalabash. December. p. 34-35. |
| Chirandu, G. (1993) |
| Southern African film producers cry for help! | |
| Southern Africa Political & Economic Monthly. Volume 7 #3-4. December-Jan. 1994. p. 10-11. |
| Gikaru, J. (1993) |
| Which way Kenya film stars? | |
| Echo (Nairobi, Kenya). March-April. p. 22-28. |
| MacLaren, R.M. (1993) |
| Developing Drama at the University of Zimbabwe |
| Zambezia. Volume 20 #1. p. 35-52. |
| Maruma, O. (1993) |
| Africa does not benefit from its own films | |
| Southern Africa Political & Economic Monthly. Volume 7 #1. October. p. 31-32. |
| Sérgio, P. (1993) |
| Ode à paz: ópera provinciana? | |
| Tempo. #1193. 3 de outubro. p. 21-27. |
| Tungwarara, O. (1993) |
| Shaping the young mind | |
| Nehanda Review. #1. January-March. p. 38-40. |
| Anonymous (1992) |
| Drama controversies | |
| WASI: [bulletin]. Volume 4 #1. December. p. 36-38. |
| Anonymous (1992) |
| Vanishing actresses | |
| WASI: [bulletin]. Volume 4 #1. December. p. 4-7. |
| Anonymous (1992) |
| Drama trophy interview, Steven Mcheka | |
| WASI Writer. Volume 3 #2. June. p. 20-22. |
| Anonymous (1992) |
| Popular drama. Pt.2 | |
| WASI Writer. Volume 3 #2. June. p. 14-16. |
| Anonymous (1992) |
| The man behind Phoenix Players | |
| Society (Nairobi, Kenya). Volume 2 #4. March 23. p. 47-48. |
| Anonymous (1992) |
| Entretien [avec Axel Gauvin] | |
| Italiques. p. 18-21. |
| Ateku, B. (1992) |
| Critics analyse themselves and find much to argue ... | |
| New Age (Nairobi, Kenya). Volume 5 #2. March-April. p. 7. |
| Kerr, D. (1992) |
| How to write plays | |
| WASI Writer. Volume 3 #2. June. p. 10-12. |
| Masinjila, M.; Obyerodhiambo, O. (1992) |
| Francis Imbuga the playwright | |
| Writers' Forum. Volume 1. March. p. 81-85. |
| Ssekibala, T.M. (1992) |
| Artists declare war | |
| 6th of February. Volume 6 #1. January. p. 47-48, 50. |
| Anonymous (1991) |
| Popular drama. Pt.1 | |
| WASI Writer. Volume 3 #1. December. p. 5-8, 19-20. |
| Bontinck, F. (1991) |
| Badibanga, singulier ou pluriel? | |
| Zaïre-Afrique: économie, culture, vie sociale. Volume 31 #259. novembre. p. 485-500. |
| Fox, J. (1991) |
| Gideon Nzoka: eating his cake | |
| Executive (Nairobi, Kenya). March. p. 35-36. |
| Kashombo N. (1991) |
| Antoine m'a vendu son destin de Sony Labou Tansi: une parabole de l'échec | |
| Zaïre-Afrique: économie, culture, vie sociale. Volume 31 #259. novembre. p. 473-484. |
| Kassamani, H. (1991) |
| Paul Onsongo: a man of parts | |
| Executive (Nairobi, Kenya). December-Jan.. p. 51-52. |
| Kerr, D. (1991) |
| Theatre in Malawi | |
| Southern Africa Political & Economic Monthly. Volume 5 #2. November. p. 45-46. |
| Uwanyirigira, S. (1991) |
| 'Le théâtre sert à mettre en relief le bien et le mal' | |
| Burundi Magazine. #130. September. p. 53-56. |
| Ekwuazi, H. (1990) |
| Towards a theory of film acting: the Nigerian experience |
| Africa Media Review. Volume 4 #3. p. 96-105. |
| Gibbs, J. (1990) |
| Ken Saro-Wiwa, Basi and company, Four Television Plays | |
| Journal of Humanities. #4. October. p. 55-56. |
| Kerr, D. (1990) |
| Biodun Jeyifo, The Yoruba Popular Travelling Theatre of Nigeria | |
| Journal of Humanities. #4. October. p. 57-58. |
| Philip, D. (1990) |
| The Mauritius Dramatic Club (December 1932-March 1990) | |
| Mauritius Police Magazine. #37. p. 111. |
| Wafula, R.M. (1990) |
| Mawazo na uwasilishaji katika tamthilia ya 'Marejeo' | |
| Mwamko. Volume 5. p. 46-68. |
| Mulokozi, M.M. (1989) |
| Tanzu za fasihi simulizi | |
| Mulika. #21. p. 1-24. |
| Bamana, Z. (1988) |
| CMAC and Co.: le développement culturel à Mayotte | |
| Jana na Leo. #5. p. 18-28. |
| Search: su=Dramatic arts | ||||||||
| Found: 49 | Record 1-49 | |||||||
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