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Search: au=Harrow, Kenneth W. | ||||||||
Found: 9 | Record 1-9 |
Harrow, Kenneth W. (2016) | |
Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes | |
Journal of African Cinemas. Volume 8 #3. p. 233-248. |
Harrow, Kenneth W. (ed.) (2015) | |
ASR Forum: what's new in African cinema? | |
African Studies Review. Volume 58 #3. p. 5-92. |
Harrow, Kenneth W. (2012) | |
Do we still have postcolonialism? | |
JALA: the Journal of the African Literature Association. Volume 7 #2. p. 56-69. |
Harrow, Kenneth W. (2010) | |
Patrice Nganang's 'L'invention du beau regard' and 'Dog days': three phases of capitalism with two dogs and one devouring pig | |
Research in African Literatures. Volume 41 #2. p. 55-73. |
Harrow, Kenneth W. (2005) | |
'Ancient tribal warfare': foundational fantasies of ethnicity and history | |
Research in African Literatures. Volume 36 #2. p. 34-45. |
Harrow, Kenneth W.; Yewah, Emmanuel (2001) | |
Nationalism: introduction | |
Research in African Literatures. Volume 32 #3. p. 33-212. |
Harrow, Kenneth W. (ed.) (1997) | |
With open eyes: women and African cinema | |
Matatu: Journal for African Culture and Society. Volume 19. 263p. |
Harrow, K.W. (1990) | |
A formal approach to African literature | |
Research in African Literatures. Volume 21 #1. p. 79-89. |
Harrow, Kenneth W. (1987) | |
The power and the word: 'L'aventure ambiguë' and 'The wedding of Zein' | |
African Studies Review. Volume 30 #1. March. p. 63-77. |
Search: au=Harrow, Kenneth W. | ||||||||
Found: 9 | Record 1-9 |
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