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| Search: pr=!071124152! | ||||||||
| Found: 18 | Record 1-18 | |||||||
![]() | Healy-Clancy, Meghan (2019) |
| Writing from Johannesburg: Nadine Gordimer in the global anti-apartheid movement | |
| African Studies. Volume 78 #2. p. 246-266. |
![]() | Walder, Dennis (ed.) (2016) |
| Part special issue: Nadine Gordimer then and now | |
| Journal of Southern African Studies. Volume 42 #6. p. 1033-1094. |
![]() | Titlestad, Michael (2015) |
| Moribund whiteness in Nadine Gordimer's 'A guest of honour' and 'Get a life' | |
| The English Academy Review. Volume 32 #2. p. 8-21. |
![]() | Rogez, Mathilde; Samin, Richard (eds.) (2014) |
| Dossier: L'Afrique du Sud et la littérature post-apartheid (1994-2014) = South Africa and post-apartheid literature (1994-2014) | |
| Études littéraires africaines. #38. p. 7-103. |
![]() | Nsuh, Zuhmboshi Eric (2013) |
| Memory and disenchantment in Nadine Gordimer's 'None to Accompany Me' and Zoe Wicomb's 'Playing in the Light' | |
| African Sociological Review. Volume 17 #2. p. 24-42. |
![]() | Stobie, Cheryl (ed.) (2012) |
| [Special issue: Spirituality and sexuality in texts] | |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #2. p. 125-210. |
![]() | Bystrom, Kerry (2009) |
| The DNA of the democratic South Africa: ancestral maps, family trees, genealogical fictions | |
| Journal of Southern African Studies. Volume 35 #1. p. 223-235. |
![]() | Chapman, Michael; Lenta, Margaret (eds.) (2009) |
| Beyond 2000: South African literature today | |
| Current Writing: Text and Reception in Southern Africa. Volume 21 #1-2. 375p. |
![]() | Cole, Ernest (2008) |
| Nadine Gordimer and post-apartheid interregnum: an analysis of 'July's People' | |
| JALA: the Journal of the African Literature Association. Volume 2 #1. p. 60-82. |
![]() | Dimitriu, Ileana (2005) |
| Shifts in Gordimer's recent short fiction: story-telling after apartheid | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 90-107. |
![]() | Gramich, Katie (2005) |
| The politics of location: Nadine Gordimer's fiction then and now | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #2. p. 74-86. |
![]() | Auga, Ulrike (2003) |
| Intellectuals between resistance and legitimation: the cases of Nadine Gordimer and Christa Wolf | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 1-16. |
![]() | Dimitriu, Ileana (2003) |
| The end of history: reading Gordimer's post-apartheid novels | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 17-37. |
![]() | Lenta, Patrick (2001) |
| Executing the death sentence: law and justice in Alan Paton's 'Cry, the Beloved Country' and Nadine Gordimer's 'The House Gun' | |
| Current Writing: Text and Reception in Southern Africa. Volume 13 #1. p. 49-69. |
![]() | Pearsall, Susan (2000) |
| 'Where the banalities are enacted': the everyday in Gordimer's novels | |
| Research in African Literatures. Volume 31 #1. p. 95-118. |
![]() | Medalie, David (1997) |
| Friday updated: 'Robinson Crusoe' as sub-text in Gordimer's 'July's People' and Coetzee's 'Foe' | |
| Current Writing: Text and Reception in Southern Africa. Volume 9 #1. p. 43-54. |
![]() | Huggan, Graham (1994) |
| Echoes from elsewhere: Gordimer's short fiction as social critique | |
| Research in African Literatures. Volume 25 #1. p. 61-73. |
![]() | Peck, R. (1992) |
| Condemned to choose, but what? Existentialism in selected works by Fugard, Brink, and Gordimer | |
| Research in African Literatures. Volume 23 #3. p. 67-84. |
| Search: pr=!071124152! | ||||||||
| Found: 18 | Record 1-18 | |||||||
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