Africana Periodical Literature 
bibliographic database
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 | Piçarra, Maria do Carmo (2022) |
 | Margem de certa maneira: o caso da censura a Catembe. |
| Diálogos. Volume 26 #1. p. 62-82. |
| Ziani, M. Naima Benaicha (2022) |
| El cine argelino en femenino. Un espacio de resistencia y reivindicación Desde Assia Djebar hasta Yasmine Chouikh |
| Historia Actual Online. Volume 57. p. 117-130. |
| Alfonso González, Julio A. (2021) |
| Amanecer Zulú: Iklwas, Martini-Henrys y celuloide |
| Guerra Colonial. Volume 9. p. 27-45. |
| Blum, Françoise; Chomentowski, Gabrielle; Katsakioris, Constantin (2021) |
| Au cœur des réseaux africano-soviétiques: archives et trajectoire de l'écrivain-cinéaste sénégalais Ousmane Sembène |
| Sources. Matériaux & Terrains en études africaines. Volume 3. p. 99-135. |
| Garvin, Diana (2021) |
| Black markets: Fascist constructions of race in East African marketplace newsreels |
| Journal of Modern European History. Volume 19 #1. p. 103-124. |
| Peralta García, Lidia (2021) |
| Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000-2018) |
| Rethinking History. Volume 25 #2. p. 166-185. |
| Gomes, Vinícius Pinto (2020) |
| A Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970) |
| Em Tempo de Histórias. Volume 37. p. 9-27. |
| Melo, Victor Andrade de (2020) |
| O combate ao mau cinema: propostas para a exibição de filmes em Cabo Verde dos primeiros anos de independência (1974-1980) |
| Africana studia: revista internacional de estudos africanos. Volume 34. p. 61-72. |
| Ramos, Alexandre (2020) |
| Portuguese and Belgian Colonial Cinema: The Filmography of Two Small Big Countries in Africa |
| Cahiers d'études africaines. #239. p. 555-583. |
| Rodet, Marie (2020) |
| Documenting the History of Slavery on Film in Kayes, Mali |
| Journal of Global Slavery. Volume 5 #1. p. 89-104. |
| El Khachab, Chihab (2019) |
| The Sobky Recipe and the Struggle over 'The Popular' in Egypt |
| Arab Studies Journal. Volume 27 #1. p. 34-61. |
| Goerg, Odile (2019) |
| Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) |
| Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
| Khannous, Touria (2019) |
| Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi's Film Rock the Casbah |
| Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
| Vucetic, Radina (2019) |
| We Shall Win: Yugoslav Film Cooperation with FRELIMO |
| Revista Crítica de Ciências Sociais. Volume 118. p. 131-150. |
| Barbosa, Pedro Oliveira (2018) |
| O cinejornal Kuxa Kanema e a imagem de Samora Machel |
| Oficina do Historiador. Volume 11 #2. p. 139-158. |
| Costa, Renata Dariva (2018) |
| Do audiovisual estatal a um cinema angolano: paradigmas sobre a promoção e produção fílmica em Angola |
| Ars Historica. Volume 16. p. 156-171. |
| Grandy, Christine (2018) |
| Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 |
| Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
| Piçarra, Maria do Carmo (2018) |
| Angola: (Re-)Imaginar o Nascimento de uma Nação no Cinema Militante |
| Journal of Lusophone Studies. Volume 3 #1. p. 168-194. |
| Adamu, Abdalla Uba (2017) |
| Transcultural Connections: Hindi Films, Transborder Fandom and Muslim Hausa Audiences in Northern Nigeria |
| African and Asian Studies. Volume 16 #1-2. p. 103-127. |
| Arenas, Fernando (2017) |
| The Filmography of Guinea-Bissau's Sana Na N'Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 68-94. |
| Iskalat, Ifdal (2017) |
| Jungle Films in Egypt: Race, Anti-Blackness, and Empire |
| Arab Studies Journal. Volume 25 #2. p. 8-33. |
| Shule, Vicensia (2017) |
| Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps |
 | Journal of African Cinemas. Volume 9 #1. p. 37-54. |
| Ureke, Oswelled; Tomaselli, Keyan (2017) |
| From 'African Cinema' to film services industries: a cinematic fact |
| Journal of African Cinemas. Volume 9 #1. p. 75-92. |
| Aty, Mourad (2016) |
| Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of the Battle of Algiers | |
| Africana studia: revista internacional de estudos africanos. #26. p. 29-33. |
| Bertho, Elara (2016) |
| Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
| Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
| Fisher, Alexander (2016) |
| Modes of 'griot' inscription in African cinema |
| Journal of African Media Studies. Volume 8 #1. p. 5-16. |
| Gallo, Fernanda Bianca Gonçalves; Oliveira, Maurício Santos de (2016) |
| Filmando o Patrimônio Cultural Imaterial em Moçambique e Cabo Verde, relato de duas experiências |
| Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #2. p. 101-118. |
| Guiga, Lamia Belkaied (2016) |
| Selma Baccar: réalisatrice, productrice et femme politique. L'engagement permanent pour les libertés | |
| Africana studia: revista internacional de estudos africanos. #26. p. 45-51. |
| Harrow, Kenneth W. (2016) |
| Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
| Journal of African Cinemas. Volume 8 #3. p. 233-248. |
| Laranjeiro, Catarina (2016) |
| How many nations are we able to imagine? |
| Comunicação e Sociedade. Volume 29. p. 93-106. |
| Oliveira, Janaina Perreira de (2016) |
| Descolonizando telas: o FESPACO e os primeiros tempos do cinema africano |
| Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 50-74. |
| Omoera, Osakue Stevenson (2016) |
| Benin Video-film: A Case for the Documentary Genre |
| Ufahamu. Volume 39 #2. p. 147-161. |
 | Osinubi, Taiwo Adetunji; Hoad, Neville (eds.) (2016) |
| Queer valences in African literatures and film |
| Research in African Literatures. Volume 47 #2. 191p. |
| Parsons, Neil (2016) |
| Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
| Journal of African Cinemas. Volume 8 #2. p. 133-154. |
| Schefer, Raquel (2016) |
| Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau |
| Comunicação e Sociedade. Volume 29. p. 53-77. |
| Stewart, Katy (2016) |
| Between memory and erasure: Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism |
| Comunicação e Sociedade. Volume 29. p. 255-269. |
| Tavares, Maria (2016) |
| 'Mulheres Novas Com Cabeças Limpas': Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida |
| Journal of Lusophone Studies. Volume 1 #1. p. 153-176. |
| Van de Peer, Stefanie (ed.) (2016) |
| Special issue: the North in African cinemas |
| Journal of African Cinemas. Volume 8 #1. p. 3-128. |
 | (2015) |
| Awotélé: la revue des critiques ciné |
| Pantin: Sudu Connexion. |
| Abdul-Jabbar, Wisam Kh. (2015) |
| Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
| The Journal of North African Studies. Volume 20 #2. p. 159-171. |
| Bisschoff, Lizelle (ed.) (2015) |
| Special issue: Cinema in East Africa |
| Journal of African Cinemas. Volume 7 #2. p. 71-201. |
| Buchanan, Sarah B. (2015) |
| When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
| Research in African Literatures. Volume 46 #3. p. 190-213. |
| Frassinelli, Pier Paolo (2015) |
| Heading south: theory, 'Viva Riva!' and 'District 9' |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
| Harrow, Kenneth W. (ed.) (2015) |
| ASR Forum: what's new in African cinema? |
| African Studies Review. Volume 58 #3. p. 5-92. |
| Mboti, Nyasha; Tomaselli, Keyan (2015) |
| New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
| Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
| Motsaathebe, Gilbert (2015) |
| The rise of film production and the politics of the star system in South Africa |
| Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
| Sharpe, Mani (2015) |
| Representing masculinity in postcolonial Algerian cinema |
| The Journal of North African Studies. Volume 20 #3. p. 450-465. |
| Tomaselli, Keyan (2015) |
| Accessing the archive: a TV history of Afrikaans film |
| Journal of African Cinemas. Volume 7 #1. p. 3-14. |
| Mboti, Nyasha (ed.) (2014) |
| Special issue: Everyday violence(s) and visualities in Africa |
| Journal of African Cinemas. Volume 6 #2. 122p. |
| Milstein, Emily (2014) |
| Nation-Building Through Film in Post-Apartheid South Africa |
| Ufahamu. Volume 38 #1. p. 177-191. |
| Overbergh, Ann (2014) |
| Technological innovation and the diversification of audiovisual storytelling circuits in Kenya |
| Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
| Paleker, Gairoonisa (2014) |
| The State, citizens and control: film and African audiences in South Africa, 1910-1948 |
| Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
| Senekal, Burgert A.; Stemmet, Jan-Ad (2014) |
| The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis |
| Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
| Uys, Gerhard (2014) |
| The 'Maestro Film Project' |
| Journal of African Media Studies. Volume 6 #1. p. 43-55. |
| Visser, Gustav (2014) |
| The film industry and South African urban change | |
| Urban Forum. Volume 25 #1. p. 13-34. |
| Armanios, Febe; Armstutz, Andrew (2013) |
| Emerging Christian media in Egypt: Clerical authority and the visualization of women in Coptic video films |
| International Journal of Middle East Studies. Volume 45 #3. p. 513-533. |
| Mwakalinga, Mona (2013) |
| The political economy of cinema (video film) in Tanzania | |
| The African Review: A Journal of African Politics, Development and International Affairs. Volume 40 #1. p. 203-217. |
| Obiaya, Ikechukwu (2013) |
| Taking Nigeria to the movies: the innovative regulatory role of the National Film and Video Censors Board |
| Journal of African Media Studies. Volume 5 #3. p. 261-274. |
| Ryan, Connor (2013) |
| Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
| Journal of African Cinemas. Volume 5 #1. p. 85-97. |
| Tomaselli, Keyan G. (2013) |
| Film cities and competitive advantage: development factors in South African film |
| Journal of African Cinemas. Volume 5 #2. p. 237-252. |
| Badoe, Yaba; Mama, Amina; Mekuria, Salem; Dovey, Lindiwe (eds.) (2012) |
| African feminist engagements with film |
| Feminist Africa. #16. 162p. |
| Bisschoff, Lizelle; Overbergh, Ann (2012) |
| Digital as the new popular in African cinema? case studies from the continent |
| Research in African Literatures. Volume 43 #4. p. 112-127. |
| Eke, Maureen N.; Kruger, Marie; Mortimer, Mildred (2012) |
| Memory/history, violence, and reconciliation |
| Research in African Literatures. Volume 43 #1. p. 65-165. |
| Goerg, Odile (2012) |
| Entre infantilisation et répression coloniale: censure cinématographique en AOF, 'grands enfants' et protection de la jeunesse | |
| Cahiers d'études africaines. Volume 52 #205. p. 165-198. |
| Haynes, Jonathan (ed.) (2012) |
| Reflections on Nollywood | |
| Journal of African Cinemas. Volume 4 #1. 133p. |
| Klein, Debra (2012) |
| A political economy of lifestyle and aesthetics: Yorùbá artists produce and transform popular culture |
| Research in African Literatures. Volume 43 #4. p. 128-146. |
| Kosansky, Oren; Boum, Aomar (2012) |
| The 'Jewish Question' in Postcolonial Moroccan Cinema |
| International Journal of Middle East Studies. Volume 44 #3. p. 421-442. |
| Okome, Onookome; Newell, Stephanie (eds.) (2012) |
| Measuring time: Karin Barber and the study of everyday Africa |
| Research in African Literatures. Volume 43 #4. 195p. |
| Rollet, Brigitte (ed.) (2012) |
| Celebrating 40 years of films made by women directors in francophone Africa | |
| Journal of African Cinemas. Volume 4 #2. p. 139-233. |
| (2011) |
| Screen Africa: broadcast, film, TV, commercials, new media & technology news |
| Johannesburg: Sun Circle Publishers. |
| Beus, Yifen (2011) |
| Authorship and criticism in self-reflexive African cinema |
| Journal of African Cultural Studies. Volume 23 #2. p. 133-152. |
| Forest, Claude (2011) |
| L'industrie du cinéma en Afrique: introduction thématique | |
| Afrique contemporaine. #238. p. 61-73. |
| Hofmeyr, Isabel; Kaarsholm, Preben (eds.) (2011) |
| Special issue: print cultures, nationalisms and publics of the Indian Ocean |
| Africa: Journal of the International African Institute. Volume 81 #1. 172p. |
| Kadi, Germain-Arsène (2011) |
| Les représentations littéraires et cinématographiques du génocide rwandais | |
| Langues et littératures: revue du Groupe d'études linguistiques et littéraires. #15. p. 151-174. |
| Lelièvre, Samuel (2011) |
| L'industrie cinématographique post-apartheid: production, institution et distribution en Afrique du Sud | |
| Afrique contemporaine. #238. p. 75-90. |
| Levine, Alison J. Murray (2011) |
| 'Provoking situations': Abderrahmane Sissako's documentary fiction | |
| Journal of African Cinemas. Volume 3 #1. p. 93-107. |
| McCain, Carmen (2011) |
| FESPACO in a time of Nollywood: the politics of the 'video' film at Africa's oldest festival | |
| Journal of African Media Studies. Volume 3 #2. p. 241-261. |
| Meleiro, Alessandra (ed.) (2011) |
| Luso-African cinema: nation and cinema | |
| Journal of African Cinemas. Volume 3 #2. p. 133-249. |
| Tomaselli, Keyan G.; Shepperson, Arnold (2011) |
| Mirror communities and straw individualisms: essentialism, cinema and semiotic analysis | |
| Journal of African Cinemas. Volume 3 #1. p. 3-24. |
| Ugochukwu, Françoise (ed.) (2011) |
| African diasporas | |
| African Renaissance. Volume 8 #2. 103p. |
| Van de Peer, Stefanie (2011) |
| Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries | |
| Journal of African Cinemas. Volume 3 #1. p. 109-124. |
| Austin, Guy (2010) |
| Against amnesia: representations of memory in Algerian cinema | |
| Journal of African Cinemas. Volume 2 #1. p. 27-35. |
| Blanchon, Karine (2010) |
| Aperçu du cinéma sur l'île de la Réunion | |
| Études océan Indien. #44. p. 265-271. |
| Cieplak, Piotr A. (2010) |
| Alternative African cinemas: a case study of Rwanda | |
| Journal of African Media Studies. Volume 2 #1. p. 73-90. |
| Colleyn, Jean-Paul (2010) |
| La culture visuelle au sud du Sahara | |
| Cahiers d'études africaines. Volume 50 #198-200. p. 1055-1065. |
| Dovey, Lindiwe (ed.) (2010) |
| African film and video: pleasure, politics, performance |
| Journal of African Cultural Studies. Volume 22 #1. 120p. |
| Emenyonu, Ernest N. (ed.) (2010) |
| Film in African literature today | |
| African Literature Today. #28. 158p. |
| Gana, Nouri (2010) |
| Bourguiba's sons: melancholy manhood in modern Tunisian cinema |
| The Journal of North African Studies. Volume 15 #1. p. 105-126. |
| Legrip, Olivia (2010) |
| Du 'zoro firarazana' à l'autel catholique et de la mémoire familiale au support vidéo: accumulations et nouveaux usages 'modernisés' des images religieuses | |
| Études océan Indien. #44. p. 185-214. |
| Lelièvre, Samuel (2010) |
| Diffuser des films africains en Afrique: le cas du Cinéma numérique ambulant | |
| Études océan Indien. #44. p. 227-241. |
| McClune, Barrie (2010) |
| In search of Sembène | |
| Journal of African Media Studies. Volume 2 #1. p. 107-119. |
| Mhando, Martin R.; Kipeja, Laurian (2010) |
| Creative/cultural industries financing in Africa: a Tanzanian film value chain study | |
| Journal of African Cinemas. Volume 2 #1. p. 3-25. |
| Peghini, Julie (2010) |
| Politique culturelle, télévision nationale et cinéma à l'île Maurice: omissions interculturelles et blocages à la création | |
| Études océan Indien. #44. p. 243-263. |
| Randriamihaingo, Claude Alain (2010) |
| Le film documentaire, une base pour la relance du cinéma malgache: de quelques véhémentes pérégrinations (1980-2000) | |
| Études océan Indien. #44. p. 215-226. |
| Smith, Kate Bolgar (2010) |
| Questions of source in African cinema: the heritage of the griot in Dani Kouyaté's films | |
| Journal of African Media Studies. Volume 2 #1. p. 25-38. |
| Adeyemi, Taiwo (2009-2010) |
| Cultural nationalism: the 'Nollywoodization' of Nigerian cinema | |
| Journal of Performing Arts. Volume 4 #1. p. 63-74. |
| Adeoti, Gbemisola (2009) |
| Home video films and the democratic imperative in contemporary Nigeria | |
| Journal of African Cinemas. Volume 1 #1. p. 35-56. |
| Adesokan, Akin (2009) |
| Practising 'democracy' in Nigerian films |
| African Affairs: The Journal of the Royal African Society. Volume 108 #433. p. 599-619. |
| Bisschoff, Lizelle (2009) |
| Sub-Saharan African cinema in the context of Fespaco: close-ups on francophone West Africa and anglophone South Africa |
| Forum for modern language studies. Volume 45 #4. p. 441-454. |
| Convents, Guido (ed.) (2009) |
| Africa and the moving image | |
| African Research and Documentation. #110. 61p. |
| Search: su=cinema | ||||||||
| Found: 307 | Record 1-100 | |
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