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Found: 298 | Record 1-100 | ![]() |
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![]() | Garvin, Diana (2021) |
![]() | Black markets: Fascist constructions of race in East African marketplace newsreels |
Journal of Modern European History. Volume 19 #1. p. 103-124. |
![]() | Ramos, Alexandre (2020) |
![]() | Portuguese and Belgian Colonial Cinema: The Filmography of Two Small Big Countries in Africa |
Cahiers d'études africaines. #239. p. 555-583. |
![]() | Rodet, Marie (2020) |
![]() | Documenting the History of Slavery on Film in Kayes, Mali |
Journal of Global Slavery. Volume 5 #1. p. 89-104. |
![]() | El Khachab, Chihab (2019) |
![]() | The Sobky Recipe and the Struggle Over 'The Popular' in Egypt |
Arab Studies Journal. Volume 27 #1. p. 34-61. |
![]() | Goerg, Odile (2019) |
![]() | Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) |
Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
![]() | Khannous, Touria (2019) |
![]() | Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi's Film Rock the Casbah |
Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
![]() | Vucetic, Radina (2019) |
![]() | We Shall Win: Yugoslav Film Cooperation with FRELIMO |
Revista Crítica de Ciências Sociais. Volume 118. p. 131-150. |
![]() | Barbosa, Pedro Oliveira (2018) |
![]() | O cinejornal Kuxa Kanema e a imagem de Samora Machel |
Oficina do Historiador. Volume 11 #2. p. 139-158. |
![]() | Costa, Renata Dariva (2018) |
![]() | Do audiovisual estatal a um cinema angolano: paradigmas sobre a promoção e produção fílmica em Angola |
Ars Historica. Volume 16. p. 156-171. |
![]() | Grandy, Christine (2018) |
![]() | Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 |
Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
![]() | Piçarra, Maria do Carmo (2018) |
![]() | Angola: (Re-)Imaginar o Nascimento de uma Nação no Cinema Militante |
Journal of Lusophone Studies. Volume 3 #1. p. 168-194. |
![]() | Adamu, Abdalla Uba (2017) |
![]() | Transcultural Connections: Hindi Films, Transborder Fandom and Muslim Hausa Audiences in Northern Nigeria |
African and Asian Studies. Volume 16 #1-2. p. 103-127. |
![]() | Arenas, Fernando (2017) |
![]() | The Filmography of Guinea-Bissau's Sana Na N'Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking |
Portuguese Literary & Cultural Studies. Volume 30-31. p. 68-94. |
![]() | Iskalat, Ifdal (2017) |
Jungle Films in Egypt: Race, Anti-Blackness, and Empire | |
Arab Studies Journal. Volume 25 #2. p. 8-33. |
![]() | Shule, Vicensia (2017) |
![]() | Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps |
![]() | Journal of African Cinemas. Volume 9 #1. p. 37-54. |
![]() | Ureke, Oswelled and Tomaselli, Keyan (2017) |
![]() | From 'African Cinema' to film services industries: a cinematic fact |
![]() | Journal of African Cinemas. Volume 9 #1. p. 75-92. |
![]() | Aty, Mourad (2016) |
Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of the Battle of Algiers | |
Africana studia: revista internacional de estudos africanos. #26. p. 29-33. |
![]() | Bertho, Elara (2016) |
Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
![]() | Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
![]() | Fisher, Alexander (2016) |
![]() | Modes of 'griot' inscription in African cinema |
![]() | Journal of African Media Studies. Volume 8 #1. p. 5-16. |
![]() | Guiga, Lamia Belkaied (2016) |
Selma Baccar: réalisatrice, productrice et femme politique. L'engagement permanent pour les libertés | |
Africana studia: revista internacional de estudos africanos. #26. p. 45-51. |
![]() | Harrow, Kenneth W. (2016) |
![]() | Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
![]() | Journal of African Cinemas. Volume 8 #3. p. 233-248. |
![]() | Laranjeiro, Catarina (2016) |
![]() | How many nations are we able to imagine? |
Comunicação e Sociedade. Volume 29. p. 93-106. |
![]() | Omoera, Osakue Stevenson (2016) |
![]() | Benin Video-film: A Case for the Documentary Genre |
Ufahamu. Volume 39 #2. p. 147-161. |
![]() | Osinubi, Taiwo Adetunji and Hoad, Neville (eds.) (2016) |
![]() | Queer valences in African literatures and film |
![]() | Research in African Literatures. Volume 47 #2. 191p. |
![]() | Parsons, Neil (2016) |
![]() | Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
![]() | Journal of African Cinemas. Volume 8 #2. p. 133-154. |
![]() | Peer, Stefanie Van de (ed.) (2016) |
![]() | Special issue: the North in African cinemas |
![]() | Journal of African Cinemas. Volume 8 #1. p. 3-128. |
![]() | Schefer, Raquel (2016) |
![]() | Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau |
Comunicação e Sociedade. Volume 29. p. 53-77. |
![]() | Stewart, Katy (2016) |
![]() | Between memory and erasure: Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism |
Comunicação e Sociedade. Volume 29. p. 255-269. |
![]() | Tavares, Maria (2016) |
![]() | 'Mulheres Novas Com Cabeças Limpas': Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida |
Journal of Lusophone Studies. Volume 1 #1. p. 153-176. |
![]() | (2015) |
![]() | Awotélé: la revue des critiques ciné |
Pantin: Sudu Connexion. |
![]() | Abdul-Jabbar, Wisam Kh. (2015) |
![]() | Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
![]() | The Journal of North African Studies. Volume 20 #2. p. 159-171. |
![]() | Bisschoff, Lizelle (ed.) (2015) |
![]() | Special issue: Cinema in East Africa |
![]() | Journal of African Cinemas. Volume 7 #2. p. 71-201. |
![]() | Buchanan, Sarah B. (2015) |
![]() | When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
![]() | Research in African Literatures. Volume 46 #3. p. 190-213. |
![]() | Frassinelli, Pier Paolo (2015) |
![]() | Heading south: theory, 'Viva Riva!' and 'District 9' |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
![]() | Harrow, Kenneth W. (ed.) (2015) |
![]() | ASR Forum: what's new in African cinema? |
![]() | African Studies Review. Volume 58 #3. p. 5-92. |
![]() | Mboti, Nyasha and Tomaselli, Keyan (2015) |
![]() | New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
![]() | Motsaathebe, Gilbert (2015) |
![]() | The rise of film production and the politics of the star system in South Africa |
![]() | Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
![]() | Sharpe, Mani (2015) |
![]() | Representing masculinity in postcolonial Algerian cinema |
![]() | The Journal of North African Studies. Volume 20 #3. p. 450-465. |
![]() | Tomaselli, Keyan (2015) |
![]() | Accessing the archive: a TV history of Afrikaans film |
![]() | Journal of African Cinemas. Volume 7 #1. p. 3-14. |
![]() | Mboti, Nyasha (ed.) (2014) |
![]() | Special issue: Everyday violence(s) and visualities in Africa |
![]() | Journal of African Cinemas. Volume 6 #2. 122p. |
![]() | Milstein, Emily (2014) |
![]() | Nation-Building Through Film in Post-Apartheid South Africa |
Ufahamu. Volume 38 #1. p. 177-191. |
![]() | Overbergh, Ann (2014) |
![]() | Technological innovation and the diversification of audiovisual storytelling circuits in Kenya |
![]() | Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
![]() | Paleker, Gairoonisa (2014) |
![]() | The State, citizens and control: film and African audiences in South Africa, 1910-1948 |
![]() | Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
![]() | Senekal, Burgert A. and Stemmet, Jan-Ad (2014) |
![]() | The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis |
![]() | Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
![]() | Uys, Gerhard (2014) |
![]() | The 'Maestro Film Project' |
![]() | Journal of African Media Studies. Volume 6 #1. p. 43-55. |
![]() | Visser, Gustav (2014) |
The film industry and South African urban change | |
![]() | Urban Forum. Volume 25 #1. p. 13-34. |
![]() | Armanios, Febe and Armstutz, Andrew (2013) |
![]() | Emerging Christian media in Egypt: Clerical authority and the visualization of women in Coptic video films |
International Journal of Middle East Studies. Volume 45 #3. p. 513-533. |
![]() | Mwakalinga, Mona (2013) |
The political economy of cinema (video film) in Tanzania | |
![]() | The African Review: A Journal of African Politics, Development and International Affairs. Volume 40 #1. p. 203-217. |
![]() | Obiaya, Ikechukwu (2013) |
![]() | Taking Nigeria to the movies: the innovative regulatory role of the National Film and Video Censors Board |
![]() | Journal of African Media Studies. Volume 5 #3. p. 261-274. |
![]() | Ryan, Connor (2013) |
Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 85-97. |
![]() | Tomaselli, Keyan G. (2013) |
![]() | Film cities and competitive advantage: development factors in South African film |
![]() | Journal of African Cinemas. Volume 5 #2. p. 237-252. |
![]() | Badoe, Yaba and Mama, Amina and Mekuria, Salem and Dovey, Lindiwe (eds.) (2012) |
![]() | African feminist engagements with film |
![]() | Feminist Africa. #16. 162p. |
![]() | Bisschoff, Lizelle and Overbergh, Ann (2012) |
![]() | Digital as the new popular in African cinema? case studies from the continent |
![]() | Research in African Literatures. Volume 43 #4. p. 112-127. |
![]() | Eke, Maureen N. and Kruger, Marie and Mortimer, Mildred (2012) |
![]() | Memory/history, violence, and reconciliation |
![]() | Research in African Literatures. Volume 43 #1. p. 65-165. |
![]() | Goerg, Odile (2012) |
Entre infantilisation et répression coloniale: censure cinématographique en AOF, 'grands enfants' et protection de la jeunesse | |
![]() | Cahiers d'études africaines. Volume 52 #205. p. 165-198. |
![]() | Haynes, Jonathan (ed.) (2012) |
Reflections on Nollywood | |
![]() | Journal of African Cinemas. Volume 4 #1. 133p. |
![]() | Klein, Debra (2012) |
![]() | A political economy of lifestyle and aesthetics: Yorùbá artists produce and transform popular culture |
![]() | Research in African Literatures. Volume 43 #4. p. 128-146. |
![]() | Kosansky, Oren and Boum, Aomar (2012) |
![]() | The 'Jewish Question' in Postcolonial Moroccan Cinema |
International Journal of Middle East Studies. Volume 44 #3. p. 421-442. |
![]() | Okome, Onookome and Newell, Stephanie (eds.) (2012) |
![]() | Measuring time: Karin Barber and the study of everyday Africa |
![]() | Research in African Literatures. Volume 43 #4. 195p. |
![]() | Rollet, Brigitte (ed.) (2012) |
Celebrating 40 years of films made by women directors in francophone Africa | |
![]() | Journal of African Cinemas. Volume 4 #2. p. 139-233. |
![]() | (2011) |
![]() | Screen Africa: broadcast, film, TV, commercials, new media & technology news |
Johannesburg: Sun Circle Publishers. |
![]() | Beus, Yifen (2011) |
![]() | Authorship and criticism in self-reflexive African cinema |
![]() | Journal of African Cultural Studies. Volume 23 #2. p. 133-152. |
![]() | Forest, Claude (2011) |
L'industrie du cinéma en Afrique: introduction thématique | |
![]() | Afrique contemporaine. #238. p. 61-73. |
![]() | Hofmeyr, Isabel and Kaarsholm, Preben (eds.) (2011) |
![]() | Special issue: print cultures, nationalisms and publics of the Indian Ocean |
![]() | Africa: Journal of the International African Institute. Volume 81 #1. 172p. |
![]() | Kadi, Germain-Arsène (2011) |
Les représentations littéraires et cinématographiques du génocide rwandais | |
Langues et littératures: revue du Groupe d'études linguistiques et littéraires. #15. p. 151-174. |
![]() | Lelièvre, Samuel (2011) |
L'industrie cinématographique post-apartheid: production, institution et distribution en Afrique du Sud | |
![]() | Afrique contemporaine. #238. p. 75-90. |
![]() | Levine, Alison J. Murray (2011) |
'Provoking situations': Abderrahmane Sissako's documentary fiction | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 93-107. |
![]() | McCain, Carmen (2011) |
FESPACO in a time of Nollywood: the politics of the 'video' film at Africa's oldest festival | |
![]() | Journal of African Media Studies. Volume 3 #2. p. 241-261. |
![]() | Meleiro, Alessandra (ed.) (2011) |
Luso-African cinema: nation and cinema | |
![]() | Journal of African Cinemas. Volume 3 #2. p. 133-249. |
![]() | Tomaselli, Keyan G. and Shepperson, Arnold (2011) |
Mirror communities and straw individualisms: essentialism, cinema and semiotic analysis | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 3-24. |
![]() | Ugochukwu, Françoise (ed.) (2011) |
African diasporas | |
African Renaissance. Volume 8 #2. 103p. |
![]() | Van de Peer, Stefanie (2011) |
Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 109-124. |
![]() | Austin, Guy (2010) |
Against amnesia: representations of memory in Algerian cinema | |
Journal of African Cinemas. Volume 2 #1. p. 27-35. |
![]() | Blanchon, Karine (2010) |
Aperçu du cinéma sur l'île de la Réunion | |
![]() | Études océan Indien. #44. p. 265-271. |
![]() | Cieplak, Piotr A. (2010) |
Alternative African cinemas: a case study of Rwanda | |
![]() | Journal of African Media Studies. Volume 2 #1. p. 73-90. |
![]() | Colleyn, Jean-Paul (2010) |
La culture visuelle au sud du Sahara | |
![]() | Cahiers d'études africaines. Volume 50 #198-200. p. 1055-1065. |
![]() | Dovey, Lindiwe (ed.) (2010) |
![]() | African film and video: pleasure, politics, performance |
![]() | Journal of African Cultural Studies. Volume 22 #1. 120p. |
![]() | Emenyonu, Ernest N. (ed.) (2010) |
Film in African literature today | |
![]() | African Literature Today. #28. 158p. |
![]() | Gana, Nouri (2010) |
![]() | Bourguiba's sons: melancholy manhood in modern Tunisian cinema |
The Journal of North African Studies. Volume 15 #1. p. 105-126. |
![]() | Legrip, Olivia (2010) |
Du 'zoro firarazana' à l'autel catholique et de la mémoire familiale au support vidéo: accumulations et nouveaux usages 'modernisés' des images religieuses | |
![]() | Études océan Indien. #44. p. 185-214. |
![]() | Lelièvre, Samuel (2010) |
Diffuser des films africains en Afrique: le cas du Cinéma numérique ambulant | |
![]() | Études océan Indien. #44. p. 227-241. |
![]() | McClune, Barrie (2010) |
In search of Sembène | |
![]() | Journal of African Media Studies. Volume 2 #1. p. 107-119. |
![]() | Mhando, Martin R. and Kipeja, Laurian (2010) |
Creative/cultural industries financing in Africa: a Tanzanian film value chain study | |
![]() | Journal of African Cinemas. Volume 2 #1. p. 3-25. |
![]() | Peghini, Julie (2010) |
Politique culturelle, télévision nationale et cinéma à l'île Maurice: omissions interculturelles et blocages à la création | |
![]() | Études océan Indien. #44. p. 243-263. |
![]() | Randriamihaingo, Claude Alain (2010) |
Le film documentaire, une base pour la relance du cinéma malgache: de quelques véhémentes pérégrinations (1980-2000) | |
![]() | Études océan Indien. #44. p. 215-226. |
![]() | Smith, Kate Bolgar (2010) |
Questions of source in African cinema: the heritage of the griot in Dani Kouyaté's films | |
![]() | Journal of African Media Studies. Volume 2 #1. p. 25-38. |
![]() | Adeyemi, Taiwo (2009-2010) |
Cultural nationalism: the 'Nollywoodization' of Nigerian cinema | |
Journal of Performing Arts. Volume 4 #1. p. 63-74. |
![]() | Adeoti, Gbemisola (2009) |
Home video films and the democratic imperative in contemporary Nigeria | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 35-56. |
![]() | Adesokan, Akin (2009) |
![]() | Practising 'democracy' in Nigerian films |
![]() | African Affairs: The Journal of the Royal African Society. Volume 108 #433. p. 599-619. |
![]() | Bisschoff, Lizelle (2009) |
![]() | Sub-Saharan African cinema in the context of Fespaco: close-ups on francophone West Africa and anglophone South Africa |
Forum for modern language studies. Volume 45 #4. p. 441-454. |
![]() | Convents, Guido (ed.) (2009) |
Africa and the moving image | |
![]() | African Research and Documentation. #110. 61p. |
![]() | Diop, Samba (2009) |
Music and narrative in five films by Ousmane Sembène | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 207-224. |
![]() | Kruger, Loren (2009) |
![]() | 'Africa Thina'? Xenophobic and cosmopolitan agency in Johannesburg's film and television drama |
![]() | Journal of Southern African Studies. Volume 35 #1. p. 237-252. |
![]() | Matsunami, Yasuo and Ishihara, Minako (2009) |
![]() | Filming pilgrimage to Ya'a: toward a participatory filmmaking |
Nilo-Ethiopian Studies. #13. p. 33-46. |
![]() | Mhando, Martin (2009) |
Globalization and African cinema: distribution and reception in the anglophone region | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 19-34. |
![]() | Mushengyezi, Aaron (2009) |
Problematizing a 'fundamentalist' ideology: a close analysis of Atef Hetata's 'The Closed Doors' and Phil Mullaly's 'The Martyrs of Uganda' | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 173-188. |
![]() | Nkunzimana, Obed (2009) |
Beyond colonial stereotypes: reflections on postcolonial cinema in the African Great Lakes region | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 79-94. |
![]() | Papaioannou, P. Julie (2009) |
From orality to visuality: the question of aesthetics in African cinema | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 141-157. |
![]() | Petty, Sheila (2009) |
The rise of the African musical: postcolonial disjunction in 'Karmen Geï' and 'Madame Brouette' | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 95-112. |
![]() | Rice, Alison (ed.) (2009) |
Métropoles maghrébines | |
Expressions maghrébines. Volume 8 #2. 150p. |
Search: su=cinema | ||||||||
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