Africana Periodical Literature 
bibliographic database
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 | Cardoso, Renata Freitas (2020) |
 | Cabo Verde e o Teatro: A cultura caboverdiana em Palco |
| Cabo dos Trabalhos. Volume 21. p. 1-13. |
| Gitre, Carmen (2020) |
| Nonsense and Morality: Interwar Egypt and the Comedy of Najib al-Rihani |
| Arab Studies Journal. Volume 28 #1. p. 10-29. |
| Ferreira, Eunice S. (2019) |
| Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance |
| Journal of Cape Verdean Studies. Volume 4. p. 13-42. |
| Bourdin, Philippe (2017) |
| Divertissement et acculturation en temps de campagne. Le théâtre français en Égypte (1798-1801) |
| Dix-huitième siècle. Volume 49. p. 159-180. |
| Plastow, Jane (2017) |
| Teatro Asmara: understanding Eritrean drama through a study of the national theatre |
 | Journal of African Cultural Studies. Volume 29 #3. p. 311-330. |
| Akoh, Ameh Dennis (2016) |
| Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
| African Performance Review. Volume 8 #1. p. 17-29. |
| Bühler-Dietrich, Annette (2016) |
| Contemporary West African monodrama and its stage productions: a challenge | |
| African Performance Review. Volume 8 #1. p. 7-16. |
| Frankland, Stan (2016) |
| The Pygmy mimic |
| Africa: Journal of the International African Institute. Volume 86 #3. p. 552-570. |
| Hahn, Matthew (2016) |
| The research, development and production history of 'The Robben Island Shakespeare' | |
| African Performance Review. Volume 8 #1. p. 30-47. |
| Kasule, Samuel (2016) |
| Re-imagining Bertolt Brecht, redefining British theatre: Oladipo Agboluaje's 'Mother Courage' | |
| African Performance Review. Volume 8 #1. p. 48-63. |
| Mangosho, Tatenda; Chivandikwa, Nehemia; Mlenga, Tafadzwa (2016) |
| Radical acting techniques in Zimbabwean street theatre: implications on audience criticality | |
| Journal for Studies in Humanities and Social Sciences. Volume 5 #2. p. 26-36. |
| Piotrowska, Agnieszka (2016) |
| 'Lovers in time': practice research in the times of patriotic journalism in Zimbabwe |
| Journal of African Media Studies. Volume 8 #2. p. 219-238. |
| Appiah-Adjei, Daniel (2015) |
| Treasure on the shelves and the stage longs for new plays and playwrights | |
| Journal of Performing Arts. Volume 5 #1. p. 7-32. |
| Gitre, Carmen (2015) |
| The Dramatic Middle East: Performance as History in Egypt and beyond |
| History Compass. Volume 13 #10. p. 521-532. |
| Mtukwa, Tendai (2015) |
| Informal peacebuilding initiatives in Africa: removing the table |
| African Journal on Conflict Resolution. Volume 15 #1. p. 85-106. |
| Ravengai, Samuel (2015) |
| Subversion of socialist theatre and the rise of post-realist theatre in Zimbabwe |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 276-292. |
| Tami Yoba, Guy Francis (2014) |
| 'Mathématisation de la mise en scène théâtrale' | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. #16. p. 341-354. |
| Willan, Brian (2014) |
| 'Implanting the better instincts of civilisation'? Black South Africans and Shakespeare in Victorian Grahamstown |
| Journal of African Cultural Studies. Volume 26 #1. p. 1-14. |
| Wiltshire, Richard (2014) |
| Looking for Africa: sources in London archives at London metropolitan archives (LMA) | |
| African Research and Documentation. #126. p. 29-35. |
 | Barnes, Hazel (ed.) (2013) |
| Applied drama and theatre as an interdisciplinary field in the context of HIV/AIDS in Africa |
| Matatu: Journal for African Culture and Society. Volume 43. 294p. |
| Chivandikwa, Nehemiah (2013) |
| Crafting dialogue in high school theatre: an analysis on approaches and implications | |
| Zimbabwe Journal of Educational Research. Volume 25 #1. p. 98-122. |
| Doshi, Neil (2013) |
| Brecht in Algeria: on the question of influence in Kateb Yacine's late theater |
| Research in African Literatures. Volume 44 #3. p. 72-86. |
| Flockemann, Miki (2013) |
| Repeating and disrupting embodied histories through performance: 'Exhibit A', 'Mies Julie' and 'Itsoseng' |
| Critical Arts: A Journal of Media Studies. Volume 27 #4. p. 403-417. |
| Fondzeyuf K., Tume (2013) |
| From people theatre to film: articulating minority voices in Cameroon - an Anglophone grass field minority case study | |
| African Performance Review. Volume 7 #2. p. 54-71. |
| Le Lay, Maëline (2013) |
| De la rumeur de la ville à la voix de l'autorité: les écrits en swahili à Lubumbashi (RDC) | |
| Journal des africanistes. Volume 83 #1. p. 14-37. |
| Oloruntoba-Oju, Omotayo (2013) |
| From 'Alarinjo' to 'Arugba': continuities in indigenous Nigerian drama | |
| African Identities. Volume 11 #4. p. 395-406. |
| Sibanda, Nkululeko (2013) |
| Seeking an alternative approach to teaching scenographic theory and practice: the university of Zimbabwe theatre legacy | |
| African Performance Review. Volume 7 #2. p. 35-53. |
| Ashagrie, Aboneh (2012) |
| The role of women on the Ethiopian stage |
| Journal of African Cultural Studies. Volume 24 #1. p. 1-8. |
| Ashagrie, Aboneh (2012) |
| Children's theatre in Ethiopia |
| Aethiopica: International Journal of Ethiopian Studies. Volume 15. p. 105-117. |
| Ibrahim Abdalla, Anwaar A. Khalik (2012) |
| Acting as survival: the plays of Athol Fugard, John Kani and Winston Ntshona | |
| African Performance Review. Volume 6 #2. p. 75-86. |
| Nii-Dortey, Moses N. (2012) |
| Historical and cultural context of folk opera development in Ghana: Saka Acquaye's 'The lost fishermen' in perspective | |
| Research Review. Volume 27 #2. p. 25-58. |
| Nwadigwe, Charles E. (2012) |
| Body, space, and technology: interrogating conventionality in postmodern african dance theatre | |
| African Performance Review. Volume 6 #2. p. 27-42. |
| Nwadigwe, Charles Emeka (2012) |
| Theatre for development: an alternative programme for reproductive health communication in urban Nigeria |
| African Sociological Review. Volume 16 #2. p. 102-118. |
| Udengwu, Ngozi; Ukaegbu, Victor (eds.) (2012) |
| Women in Nigerian theatre | |
| African Performance Review. Volume 6 #1. 128p. |
| Adeoye, Adul Rasheed Abiodun (2011) |
| Directing styles in the Nigerian literary theatre | |
| Journal of Performing Arts. Volume 4 #2. p. 32-46. |
| Anyanwu, Chika (2011) |
| Intellectual capital contributions to Nigeria: the ideology of Adelugbaism | |
| African Performance Review. Volume 5 #1. p. 54-70. |
| Bühler-Dietrich, Annette; Mandé, Hamadou (2011) |
| The artist as educator: the oeuvre of Jean-Pierre Guingané | |
| African Performance Review. Volume 5 #2. p. 78-94. |
| Dove, Naa Kwaale (2011) |
| Concept for Ghana tourism: encounter with the past - the use of drama at heritage sites | |
| Journal of Performing Arts. Volume 4 #2. p. 119-123. |
| Dunton, Chris (2011) |
| From practice-based to practice-led research: Dapo Adelugba's work on 'Kiriji' and 'Langbodo' as inspiration | |
| African Performance Review. Volume 5 #1. p. 28-35. |
| Fofié, Jacques Raymond (2011) |
| Théâtre camerounais et africain de l'émi-immigration au XXIe siècle | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. Volume 1 #12. p. 145-188. |
| Mbaye, Alioune (2011) |
| L'absence de femmes dramaturges au Sénégal | |
| Annales de la Faculté des lettres et sciences humaines. #41. p. 201-219. |
| Okoye, Chukwuma (2011) |
| Postcolonial African theatre: notes towards a definition | |
| African Performance Review. Volume 5 #1. p. 9-27. |
| Yerima, Ahmed (2011) |
| Issues and development in contemporary Nigerian drama and theatre practice | |
| African Performance Review. Volume 5 #1. p. 36-44. |
| Chivandikwa, Nehemiah; Mhako-Mutonhodza, Doricah; Sambo, Kudakwashe (2010) |
| Theatre education and gender equity: possibilities for the millennium | |
| Zimbabwe Journal of Educational Research. Volume 22 #2. p. 181-201. |
| Francis, Dennis A. (2010) |
| 'Sex is not something we talk about, it's something we do': using drama to engage youth in sexuality, relationship and HIV education |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 228-244. |
| Kasule, Sam (2010) |
| 'Your experience is your only truth': Elvania Namukwaya Zirimu 1939-1980 | |
| African Performance Review. Volume 4 #2. p. 7-22. |
| Mbaye, Alioune (2010) |
| Les prémisses de la réhabilitation des héros noirs et de la lutte anti-coloniale dans le théâtre historique de 'Ponty' (1917-1948) | |
| Annales de la Faculté des lettres et sciences humaines. #40. p. 231-249. |
| Mlambo, Alois (ed.) (2010) |
| Special issue: the culture of crisis and crisis of culture in Zimbabwe | |
| African Identities. Volume 8 #2. p. 89-190. |
| Ugolo, Christopher E. (2010) |
| Ogunde's dance choreography and the quest for national unity in Nigeria | |
| African Performance Review. Volume 4 #2. p. 41-53. |
| Asiama, Elias (2009-2010) |
| Ghanaian community theatre in promoting national development | |
| Journal of Performing Arts. Volume 4 #1. p. 136-142. |
| Abubakar, Abdullahi S. (2009) |
| A new concept of actor/audience interaction and audience participation in modern African dramatic theater: an example of Osofisan |
| Research in African Literatures. Volume 40 #3. p. 174-185. |
| Crow, Brian (2009) |
| 'African Brecht' |
| Research in African Literatures. Volume 40 #2. p. 190-207. |
| Kasule, Sam (2009) |
| More than just musical plays: intersections of politics and folklore in Byron Kawadwa's theatre | |
| African Performance Review. Volume 3 #1. p. 39-58. |
| Le Lay, Maëline; Kabuya, Ramcy; Halen, Pierre (eds.) (2009) |
| Lubumbashi, épicentre littéraire | |
| Études littéraires africaines. #27. p. 4-73. |
| Chinyowa, Kennedy C. (2008) |
| Emerging paradigms for applied drama and theatre practice in African contexts | |
| African Performance Review. Volume 2 #2-3. p. 85-102. |
| Diakhaté, Ousmane (2008) |
| Léopold Sédar Senghor et le théâtre | |
| Annales de la Faculté des lettres et sciences humaines. #38. p. 289-298. |
| Duruaku, A.B.C. Toni (2008) |
| To coma and back: re-awakening stage drama in Nigeria through a systemic overhaul | |
| African Performance Review. Volume 2 #2-3. p. 32-47. |
| Kafewo, Samuel Ayedime (2008) |
| From post-performance discussions to intervention and processing: theatre-for-development and citizenship issues in Nigeria | |
| African Performance Review. Volume 2 #1. p. 58-72. |
| Ludl, Christine (2008) |
| 'To skip a step': new representation(s) of migration, success and politics in Senegalese rap and theatre |
| Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 97-122. |
| Magalasi, Mufunanji (2008) |
| Malawian Popular Commercial State Drama: Origins, Challenges and Growth |
| Journal of Southern African Studies. Volume 34 #1. March. p. 161-177. |
| Magalasi, Mufunanji (2008) |
| Repression and comedic performances: Kamuzu Banda's rule and Kwathu's 'Ku Chipatala' and Umodzi's 'Akapasule' | |
| African Performance Review. Volume 2 #2-3. p. 48-64. |
| Oni, Duro (2008) |
| Theatre training in the Nigeria university system: a critical assessment of selected design and technology courses at Ibadan and Lagos | |
| African Performance Review. Volume 2 #1. p. 82-89. |
| Prentki, Tim (2008) |
| Any color of the rainbow - as long as it's gray: dramatic learning spaces in postapartheid South Africa |
| African Studies Review. Volume 51 #3. p. 91-106. |
| Utoh-Ezeajuh, Tracie (2008) |
| Traditional body design idioms and multimedia application: the Igbo 'uli' art form | |
| African Performance Review. Volume 2 #2-3. p. 65-84. |
| Agoro, S.N.A. (2007) |
| Christian theatre as alternative theatre | |
| Legon Journal of the Humanities. Volume 18. p. 55-70. |
| Chivandikwa, N. (2007) |
| Potential and problematics of commissioned applied theatre in Zimbabwe: the case of 'Hwapindwa Nenhunzi' | |
| Zambezia. Volume 34 #1-2. p. 96-111. |
| Ewu, Jumai (2007) |
| Crossing the 'Zaure': theatre for development and women's empowerment in Northern Nigeria | |
| African Performance Review. Volume 1 #2-3. p. 75-97. |
| Okagbue, Osita (2007) |
| Through other eyes and voices: women in 'Koteba' and 'Mmonwu' performances | |
| African Performance Review. Volume 1 #2-3. p. 114-129. |
| Okong', J.B. (2007) |
| Performing the body: reflections on the role of theatre in dialogues between religion and science at Moi University | |
| Maarifa (Eldoret, Kenya). Volume 2 #2. p. 292-297. |
| Okoye, Chukwuma (2007) |
| Technologies and faith performance: theatre/performance and Pentecostalism in Africa | |
| African Performance Review. Volume 1 #1. p. 80-95. |
| Ranaivoson, Dominique (ed.) (2007) |
| Madagascar | |
| Études littéraires africaines. #23. p. 4-54. |
| Straker, Jay (2007) |
| Stories of 'militant theatre' in the Guinean forest: 'demystifying' the motives and moralities of a revolutionary nation-State |
| Journal of African Cultural Studies. Volume 19 #2. p. 207-233. |
| Adrien, Philippe (ed.) (2006) |
| Théâtres contemporains du sud (1990-2006) | |
| Notre librairie: revue du livre pour l'Afrique et l'océan Indien. #162. 188p. |
| Amin, Dina (2006) |
| Egyptian Theater: Reconstructing Performance Spaces |
| Arab Studies Journal. Volume 14 #2. p. 78-100. |
| Mbassi, Bernard (2006) |
| Le français entre mimesis et poésis dans le théâtre camerounais: des actes de language esthétique | |
| Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 217-238. |
| Mbaye, Alioune (2006) |
| Le théâtre des centres culturels en A.O.F.: 1948-1958, 'du casque colonial au béret tropical' | |
| Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 103-117. |
| Bushra, Judy El-; Kerr, David (2005) |
| NGOs, performance and conflict transformation | |
| African Studies Bulletin. #67. p. 58-72. |
| Driss, Mohamed Messaoud (2005) |
| L'activité théâtrale d'une association française à Tunis: l'Essor (de 1905 à 1965) | |
| Revue d'histoire maghrébine. Volume 32 #117. p. 29-60. |
| Kubuitsile, L. (2005) |
| A performance like no other | |
| Kutlwano. Volume 46 #10. October. p. 34-35. |
| Odhiambo, C.J. (2005) |
| Interrogating performance text as codification in drama for social change in Kenya | |
| Maarifa (Eldoret, Kenya). Volume 1 #1. p. 1-9. |
| Driss, Mohamed Messaoud (2004) |
| Lieux et activités théâtrales des communautés européennes à Tunis durant la fin du XIXe siècle | |
| Revue d'histoire maghrébine. Volume 31 #116. p. 55-78. |
| Kadima-Nzuji, Mukala (2004) |
| Jalons pour une histoire du théâtre congolais moderne: espaces de création dramatique et spectaculaire | |
| Congo-Afrique: économie, culture, vie sociale. Volume 44 #381. p. 23-37. |
| Matzke, Christine (2004) |
| Shakespeare and surgery in the Eritrean liberation struggle: performance culture in Orota | |
| Journal of Eritrean Studies (Asmara). Volume 3 #1. May. p. 26-40. |
| Ogunleye, Foluke (2004) |
| 21st Century Image of Women: A Womanist Reading of Two Nigerian Plays | |
| Research Review. Volume 20 #1. p. 33-47. |
| Oyewo, Segun O. (2004) |
| An Appraisal of Nigeria's Cultural Diplomacy | |
| Humanities Review Journal. Volume 4. p. 31-40. |
| Pereira, Paulo Alves (2004) |
| Aspekte darstellender Kunst in Mosambik: Tradition und Gegenwart | |
| DASP-Hefte Mosambik. #113. p. 100-114. |
| Seda, Owen S. (2004) |
| Transculturalism in post-independence Zimbabwean drama: projections of Zimbabwean theatre at the onset of a new millennium |
| Zambezia. Volume 31 #1-2. p. 136-147. |
| Buthelezi, Mbongiseni; Hurst, Christopher (2003) |
| A Brazilian theatre model meets Zulu performance conventions: Westville Prison, the case in point | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 123-134. |
| Kadima-Nzuji, Mukala (2003) |
| Origines et formation du théâtre congolais moderne | |
| Congo-Afrique: économie, culture, vie sociale. Volume 43 #373. p. 197-208. |
| Maree, Gert (2003) |
| You strike for a woman, you strike a rock!: paradox in worker performances and women's rights | |
| Anthropology Southern Africa. Volume 26 #3-4. p. 150-158. |
| Ngozana, P. (2003) |
| King of theatre: Abram | |
| Kutlwano. Volume 41 #6. June. p. 18-20. |
| Odhiambo, C. (2003) |
| The aesthetics of theatre for community development in Kenya | |
| Nairobi Journal of Literature. #1. March. p. 54-60. |
| Ogunleye, Foluke (2003) |
| The dynamics of finance in the Nigerian traveling theatre | |
| The Nigerian Journal of Economic History. #5-6. p. 29-41. |
| Ogunleye, Foluke (2003) |
| Zimbabwe's theatre for young people: a documentation of personal development and social responsibility | |
| Journal of Humanities. #17. p. 42-61. |
| Uji, Charles (2003) |
| The Determining Status of Aesthetics in Contemporary Nigerian Theatre Practice | |
| Humanities Review Journal. Volume 3 #1. p. 74-79. |
| Cameron, Sheila (2002) |
| Cultural Production in Bulawayo, Zimbabwe, 1984-1991 |
| Critical Arts: A Journal of Media Studies. Volume 16 #2. p. 76-93. |
| El-Bushra, Judy; Dolan, Chris (2002) |
| Don't Touch, Just Listen! Popular Performance from Uganda |
| Review of African Political Economy. Volume 29 #91. March. p. 37-52. |
| Jones, Eldred Durosimi; Jones, Marjorie (eds.) (2002) |
| South & Southern African literature: a review | |
| African Literature Today. #23. 149p. |
| Magalasi, Mufunanji (2002) |
| Ethnicity and marginalisation in South African liberation theatre: Dukuza ka Macu's 'Night of the long wake' |
| Journal of Humanities. #16. p. 25-42. |
| Musa, Rasheed A. (2002) |
| Play Directing and Directors: An Evolutionary Documentation in the Nigerian Theatre | |
| Humanities Review Journal. Volume 2 #1. p. 46-56. |
| Search: su=theatre | ||||||||
| Found: 273 | Record 1-100 | |
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