Africana Periodical Literature 
bibliographic database
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 | Ogunleye, Foluke (2002) |
| Preserving culture through new artistic forms: the case of Duro Ladipo's folkloric theatre | |
 | Research Review. Volume 18 #2. p. 63-71. |
| Ebewo, P. (2001) |
| Theatre and socio-political consciousness in Lesotho: a study of selected plays by Zakes Mda | |
| NUL Journal of Research. Volume 9. p. 121-141. |
| Govender, Krijay (2001) |
 | Subverting Identity after 1994: The South African Indian Woman as Playwright |
| Agenda: Empowering Women for Gender Equity. #49. p. 33-43. |
| Kadima-Nzuji, Mukala (2001) |
| Théâtre et politique au Congo sous la deuxième République (1965-1990) | |
| Présence africaine. #163-164. p. 144-157. |
| Magalasi, Mufunanji (2001) |
| Malawian theatre at the crossroads: developmental paradigms and underdevelopment of stage drama in Malawi |
| Journal of Humanities. #15. p. 17-42. |
| Ogunleye, Foluke (2001) |
| Spreading the Word and the Culture: The Stage and Screen as Rostra for Nigeria's Democracy | |
| Humanities Review Journal. Volume 1 #1. p. 20-25. |
 | Anyidoho, Kofi; Gibbs, James (eds.) (2000) |
| FonTomFrom: contemporary Ghanaian literature, theatre and film |
| Matatu: Journal for African Culture and Society. Volume 21-22. 383p. |
| Ayindo, B. (2000) |
| People's theatre as peacebuilding | |
| Wajibu. Volume 15 #1. p. 8-9. |
| Mwamzandi, I.Y. (2000) |
| Mbinu za kidrama katika ushairi wa Kiswahili: mfano wa 'Kutendana' | |
| Egerton Journal of Humanities, Social Sciences and Education. Volume 3 #1. August. p. 118-132. |
| Such, W.A. (2000) |
| The parable of the good samaritan: an application in street theatre to the Swaziland aids crisis | |
| UNISWA Research Journal. Volume 14. June. p. 30-48. |
| Zeeman, T. (2000) |
| God, guerrillas and goats | |
| Journal of Religion and Theology in Namibia. Volume 2. p. 152-189. |
| Djisenu, J.K. (1999-2001) |
| Some controversies associated with drama in the Ghanaian traditional context | |
| Legon Journal of the Humanities. Volume 12. p. 75-87. |
| Oloruntoba-Oju, T. (1999-2001) |
| The language of anger in African theatre: through epic fundamentalism to schism in Nigerian emergent drama | |
| Legon Journal of the Humanities. Volume 12. p. 53-73. |
| Fiebach, Joachim (1999) |
| Dimensions of theatricality in Africa |
| Research in African Literatures. Volume 30 #4. p. 186-201. |
| Fuchs, Anne (ed.) (1999) |
| New theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995 |
| Matatu: Journal for African Culture and Society. Volume 20. 292p. |
| Kruger, Loren (1999) |
| Theater for development and TV nation: notes on an educational soap opera in South Africa |
| Research in African Literatures. Volume 30 #4. p. 106-126. |
| Muikilu Ndaye, Antoine; Muadika Njiba, Josephine (1999) |
| La genèse du théâtre moderne en République démocratique du Congo | |
| Congo-Afrique: économie, culture, vie sociale. Volume 39 #331. p. 44-59. |
| Ngandu Nkashama, Pius (1999) |
| Theatricality and social mimodrama |
| Research in African Literatures. Volume 30 #4. p. 176-185. |
| Omoregie, F.K. (1999) |
| Efficacy versus entertainment: the mutual transformability of ritual-theatre relationship | |
| Marang: Journal of Language and Literature. #Special issue. p. 138-144. |
| Soyinka, Wole (1999) |
| From ghetto to garrison: a chronic case of 'orisunitis' |
| Research in African Literatures. Volume 30 #4. p. 6-23. |
| Sérgio, P. (1999) |
| Teatro em Angola: esforço inventivo acima da dor | |
| Tempo. #1423. 14 de Fev.. p. 42-44. |
| Valy, Sidibé (1999) |
| Bin Kadi-So and dramatic innovation |
| Research in African Literatures. Volume 30 #4. p. 127-134. |
| Wilkinson, Jane (1999) |
| 'The sayings of Tsikinya-Chaka': Shakespeare in South Africa |
| Africa: rivista trimestrale di studi e documentazione. Volume 54 #2. p. 193-230. |
| Chinyowa, K. (1998) |
| Bringing the spirit home | |
| Zimbabwean Review. Volume 4 #3. July-September. p. 12-14. |
| Gilbert, Michelle (1998) |
| Concert Parties: Paintings and Performance |
| Journal of Religion in Africa. Volume 28 #1. p. 62-92. |
| Mavrocordatos, Alex (1998) |
| Development Theatre and the Process of Empowerment: The Gideon Story |
| Development in Practice. Volume 8 #1. February. p. 8-20. |
| Osofisan, Fémi (1998) |
| Reflections on Theatre Practice in Contemporary Nigeria |
| African Affairs: The Journal of the Royal African Society. Volume 97 #386. January. p. 81-89. |
| Prentki, Tim (1998) |
| Must the show go on? The case for Theatre for Development |
| Development in Practice. Volume 8 #4. p. 419-429. |
| Strauss, A. (1998) |
| Theatre in Namibia: now and then | |
| Namibia Review. Volume 7 #1. January. p. 28-33. |
| Cole, Catherine M. (1997) |
| 'This is Actually a Good Interpretation of Modern Civilisation': Popular Theatre and a Social Imaginary in Ghana, 1946-1966 |
| Africa: Journal of the International African Institute. Volume 67 #3. p. 363-388. |
| Fiebach, Joachim (1997) |
| Ebrahim Hussein's dramaturgy: a Swahili multiculturalist's journey in drama and theater |
| Research in African Literatures. Volume 28 #4. p. 19-37. |
| Kruger, Loren (1997) |
| The Drama of Country and City: Tribalization, Urbanization and Theatre under Apartheid |
| Journal of Southern African Studies. Volume 23 #4. p. 565-584. |
| Loots, Lliane (1997) |
| Re-Membering Protest Theatre in South Africa: A Gendered Review of the Historical and Cultural Production of Knowledge around the Two Plays; 'The Hungry Earth' and 'You Strike the Woman, You Strike the Rock' |
| Critical Arts: A Journal of Media Studies. Volume 11 #1-2. p. 142-152. |
| Mhlanga, C. (1997) |
| The need for enterprising theatre | |
| Social Change and Development. #42-43. August. p. 5-6, 18. |
| Muikilu N.A. (1997) |
| Répertoire bibliographique du théâtre en République Démocratique du Congo de 1906 à 1993 (suite) | |
| Revue africaine de communication sociale. Volume 2 #1. janvier-juin. p. 227-254. |
| Noray, Marie-Laure de (1997) |
| Mali: du kotèba traditionnel au théâtre utile | |
| Politique africaine. #66. p. 134-139. |
| Addo, W. (1996-1997) |
| The need for a professional national theatre in Ghana | |
| Journal of Performing Arts. Volume 2 #2. p. 58-61. |
| Kerr, D.; Setumo, S. (1996-1997) |
| I'm afraid of it: a drama for AIDS awareness project in Botswana | |
| Marang: Journal of Language and Literature. #12-13. p. 27-32. |
| Ashagrie, Aboneh (1996) |
| Popular Theatre in Ethiopia | |
| Ufahamu. Volume 24 #2-3. Fall. p. 32-41. |
| Ebewo, P. (1996) |
| Let my people play | |
| Review of Southern African Studies. Volume 1 #2. April. p. 72-75. |
| Kalipeni, Ezekiel; Kamlongera, Christopher (1996) |
| The Role of 'Theatre for Development' in Mobilising Rural Communities for Primary Health Care: The Case of Liwonde PHC Unit in Southern Malawi | |
| Journal of Social Development in Africa. Volume 11 #1. p. 53-78. |
| Mussane, G. (1996) |
| O nosso teatro nao vai morrer? | |
| Tempo. #1321. 14 de abril. p. 29-32. |
| Chemane, C. (1995) |
| Teatro moçambicano: do javalismo ao madrastismo | |
| Tempo. #1280. 2 de julho. p. 26-29. |
| Ebewo, P. (1995) |
| Masitha Hoeane's Cry of the whistle: a directorial approach | |
| NUL Journal of Research. Volume 5. p. 115-137. |
| Henrique, B. (1995) |
| A independência nacional foi sucesso e retrocesso | |
| Tempo. #1267. 2 de abril. p. 13-17. |
| McCartney, M. (1995) |
| The complexities of Chiaroscuro | |
| Zimbabwean Review. Volume 1 #1. April. p. 3-5. |
| Ogundeji, P.A. (1995) |
| Yoruba drama and religion: the pre- & post-colonial situations | |
| Orita: Ibadan Journal of Religious Studies. Volume 27 #2. p. 100-111. |
| Pebuna e Araaita. (1995) |
| O teatro está a tomar lugar dos GD's e régulos | |
| Tempo. #1258. 29 de jan.. p. 30-32. |
| Peterson, Bhekizizwe (1995) |
| 'A Rain a Fall but the Dirt it Tough': Scholarship on African Theatre in South Africa |
| Journal of Southern African Studies. Volume 21 #4. December. p. 573-584. |
| Gibbs, J. (1994-1995) |
| The Cambridge guide to African and Caribbean theatre | |
| Journal of Humanities. #8-9. p. 115-119. |
| Beukes, L. (1994) |
| Grassroots theatre in Namibia | |
| Kalabash. December. p. 34-35. |
| Breitinger, Eckhard (1994) |
| Theatre and political mobilisation: case studies from Uganda |
| Matatu: Journal for African Culture and Society. Volume 11. p. 154-170. |
| Fuchs, Anne (1994) |
| The Market Theatre: drama for a new society? Targeting the spectator |
| Matatu: Journal for African Culture and Society. Volume 11. p. 13-24. |
| Mda, Zakes (1994) |
| Learning from the ancient wisdom of Africa: in the creation and distribution of messages | |
| Current Writing: Text and Reception in Southern Africa. Volume 6 #2. p. 139-150. |
| Oliveira, J. (1994) |
| Carlos Porto e os Moçambicanos: o melhor teatro de Africa | |
| Tempo. #1239. 18 de set.. p. 30-33. |
| Venâncio, B. (1994) |
| Bento Balói: eu e o teatro somos irmaos de longa data | |
| Tempo. #1213. 20 de março. p. 32-33. |
| (1993) |
| Effuvu, the road virus | |
| 6th of February. Volume 7 #1. January. p. 41-42. |
| Hains, S. (1993) |
| Zimbabwean theatre and environmental consciousness | |
| Southern African Art. Volume 2 #1. p. 25-26. |
| MacLaren, R.M. (1993) |
| Developing Drama at the University of Zimbabwe |
| Zambezia. Volume 20 #1. p. 35-52. |
| Sergio, P. (1993) |
| Teatro jovem, teatro militante? | |
| Tempo. #1180. 4 de julho. p. 20-27. |
| Sérgio, P. (1993) |
| Carinho é cultura | |
| Tempo. #1171. 2 de maio. p. 26-31. |
| Sérgio, P. (1993) |
| Nambu: teatro e folk moderno? | |
| Tempo. #1171. 2 de maio. p. 17-25. |
| (1992) |
| Drama controversies | |
| WASI: [bulletin]. Volume 4 #1. December. p. 36-38. |
| (1992) |
| Popular drama. Pt.2 | |
| WASI Writer. Volume 3 #2. June. p. 14-16. |
| (1992) |
| Vanishing actresses | |
| WASI: [bulletin]. Volume 4 #1. December. p. 4-7. |
| Ateku, B. (1992) |
| Critics analyse themselves and find much to argue ... | |
| New Age (Nairobi, Kenya). Volume 5 #2. March-April. p. 7. |
| Breitinger, E. (1992) |
| Populäres Theater in Uganda: zwischen Strategien zur Selbsthilfe und zur Selbstbereicherung | |
| Internationales Afrikaforum. Volume 28 #2. p. 159-180. |
| Huwiler, V. (1992) |
| An introduction to African theatre | |
| Fasette: Facets. Volume 11 #1. p. 26-28. |
| Manuel, F. (1992) |
| Nambu, cantar e dançar a história deste tempo | |
| Tempo. #1113. 16 de fev.. p. 24-28. |
| Agovi, K.E. (1991) |
| Towards an Authentic African Theatre | |
| Ufahamu. Volume 19 #2-3. p. 67-79. |
| Anderson, C. (1991) |
| The science of stage make-up | |
| Meso. #2. April. p. 12. |
| Anyidoho, Kofi (1991) |
| Poetry as dramatic performance: the Ghana experience |
| Research in African Literatures. Volume 22 #2. p. 41-55. |
| Bontinck, F. (1991) |
| Badibanga, singulier ou pluriel? | |
| Zaïre-Afrique: économie, culture, vie sociale. Volume 31 #259. novembre. p. 485-500. |
| Desai, Gaurav (1991) |
| Research resources on popular theater and development in Africa |
| Research in African Literatures. Volume 22 #3. p. 91-132. |
| Drewal, Margaret Thompson (1991) |
| The State of Research on Performance in Africa |
| African Studies Review. Volume 34 #3. December. p. 1-64. |
| Dseagu, Samuel Amanor (1991) |
| Ghana television drama as a reflection of government opinion | |
| Research Review. Volume 7 #1-2. p. 22-31. |
| Erven, E. van (1991) |
| Revolution, freedom, and theater of liberation |
| Research in African Literatures. Volume 22 #3. p. 11-27. |
| Fernandes, A.J. (1991) |
| A morte de Bessie Smith | |
| Tempo. #1057. 13 de jan.. p. 84-87. |
| Fox, J. (1991) |
| Gideon Nzoka: eating his cake | |
| Executive (Nairobi, Kenya). March. p. 35-36. |
| Kashombo N. (1991) |
| Antoine m'a vendu son destin de Sony Labou Tansi: une parabole de l'échec | |
| Zaïre-Afrique: économie, culture, vie sociale. Volume 31 #259. novembre. p. 473-484. |
| Kassamani, H. (1991) |
| Paul Onsongo: a man of parts | |
| Executive (Nairobi, Kenya). December-Jan.. p. 51-52. |
| Kerr, D. (1991) |
| Theatre in Malawi | |
| Southern Africa Political & Economic Monthly. Volume 5 #2. November. p. 45-46. |
| Kerr, D. (1991) |
| Participatory popular theater: the highest stage of cultural underdevelopment? |
| Research in African Literatures. Volume 22 #3. p. 55-75. |
| Layiwola, Dele (1991) |
| The Radical Alternative and the Dilemma of the Intellectual Dramatist in Nigeria | |
| Ufahamu. Volume 19 #1. p. 64-79. |
| Miruka, O. (1991) |
| Dr. Francis Davis Imbuga: the evolution of a playwright | |
| New Age (Nairobi, Kenya). Volume 4 #7. p. 9. |
| Miruka, O. (1991) |
| How National is the Kenya National Theatre? | |
| New Age (Nairobi, Kenya). Volume 4 #8-9. p. 6. |
| Miruka, O. (1991) |
| Of censors, oral tradition, and movies | |
| New Age (Nairobi, Kenya). Volume 4 #7. p. 7. |
| Mlama, Penina Muhando (1991) |
| Women's participation in 'communication for development': the popular theater alternative in Africa |
| Research in African Literatures. Volume 22 #3. p. 41-53. |
| Morrison, Joy F. (1991) |
| Forum theater in West Africa: an alternative medium of information exchange |
| Research in African Literatures. Volume 22 #3. p. 29-40. |
| Mwansa, D. (1991) |
| Critique of popular theatre in Africa: definitions, focuses, and lessons | |
| Journal of the African Association for Literacy and Adult Education (AALAE). Volume 5 #3. p. 25-39. |
| Schmidt, N.J. (1991) |
| The influence of acting on African cinema: agendas for research | |
| Zeitschrift für Afrikastudien. #9-10. p. 33-47. |
| Steadman, I. (1991) |
| Theater beyond apartheid |
| Research in African Literatures. Volume 22 #3. p. 77-90. |
| Agovi, K.E. (1990) |
| The origin of literary theatre in colonial Ghana, 1920-1957 | |
| Research Review. Volume 6 #1. p. 1-23. |
| Chifunyise, Stephen (1990) |
| Trends in Zimbabwean Theatre since 1980 |
| Journal of Southern African Studies. Volume 16 #2. June. p. 276-289. |
| Crehan, Stewart (1990) |
| Patronage, the State and Ideology in Zambian Theatre |
| Journal of Southern African Studies. Volume 16 #2. June. p. 290-306. |
| Desai, Gaurav (1990) |
| Theater as Praxis: Discursive Strategies in African Popular Theater |
| African Studies Review. Volume 33 #1. April. p. 65-92. |
| Heywood, A. (1990) |
| Thoughts on Guerilla Goatherd and people's theatre | |
| Logos. Volume 10 #1-2. p. 123-131. |
| Kaarsholm, Preben (1990) |
| Mental Colonisation of Catharsis? Theatre, Democracy and Cultural Struggle from Rhodesia to Zimbabwe |
| Journal of Southern African Studies. Volume 16 #2. June. p. 246-275. |
| Kavanagh, R. Mshengu (1990) |
| Theatre for Development in Zimbabwe: An Urban Project |
| Journal of Southern African Studies. Volume 16 #2. June. p. 340-351. |
| Mda, Zakes (1990) |
| Marotholi Travelling Theatre: Towards an Alternative Perspective of Development |
| Journal of Southern African Studies. Volume 16 #2. June. p. 352-358. |
| Search: su=theatre | ||||||||
| Found: 273 | |
|
Record 101-200 | |
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