Africana Periodical Literature 
bibliographic database
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 | Dreyer, Elfriede (2016) |
 | Of clocks ticking: teterotopic space, time and motion in William Kentridge's 'The refusal of time (2012) |
 | Communicatio: South African journal for communication theory and research. Volume 42 #3. p. 338-360. |
 | Vincent, Cédric (ed.) (2016) |
| De l'art (d'être) contemporain | |
| Cahiers d'études africaines. Volume 56 #223. p. 459-761. |
| Gilvin, Amanda (2015) |
| Games of seduction and games of history: Alioum Moussa's 'Fashion Victims' in Niamey, Niger |
| African Studies Review. Volume 58 #1. p. 55-89. |
| Kusek, Robert; Szymanski, Wojciech (2015) |
| An unlikely pair: Berlinde de Bruyckere and J.M. Coetzee |
| Werkwinkel: a Journal of Low Countries and South African Studies. Volume 10 #1. p. 13-21. |
| Ottenberg, Simon (2015) |
| Conflicting interpretations in the biography of a modern artist of African descent |
| Journal of West African History. Volume 1 #2. p. 45-70. |
| Tewelde, Yonatan T. (2015) |
| Seeing the image of an Eritrean Hero |
| Journal of African Cultural Studies. Volume 27 #2. p. 172-180. |
| Amnim, Ayo Elebute (2014) |
| Influence of Bruce Onobrakpeya's workshop experiments on the development of etching techniques in Nigera | |
| African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 38 #1. p. 1-22. |
| Bela, Bienvenu Cyrille (2014) |
| Le bestiaire dans l'art des anciens beti (Sud-Cameroun) | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. #16. p. 255-279. |
| Hassim, Shireen (2014) |
| Violent modernity: gender, race and bodies in contemporary South African politics |
| Politikon: South African Journal of Political Studies. Volume 41 #2. p. 167-182. |
| McEwen, Haley; Milani, Tommaso M. (eds.) (2014) |
| 'queer & trans Art-iculations': decolonising gender and sexualities in the global South |
| Agenda: Empowering Women for Gender Equity. Volume 28 #4. 153p. |
| Tietze, Anna; Botha, Nicholas (2014) |
| Civilising the Cape: public art exhibitions and Cape visual culture, 1851-1910 |
| Journal of Southern African Studies. Volume 40 #6. p. 1177-1191. |
| Badiane, Alioune (2013) |
| Présentation de l'artiste Djibril Ndiaye de la sculpture à la 'sculpeinture' | |
| Éthiopiques: revue socialiste de culture négro-africaine. #91. p. 289-296. |
| Bocandé, Anne; Vergès, Françoise (eds.) (2013) |
| Exposer l'esclavage: méthodologies et pratiques | |
| Africultures. #91. 224p. |
| Probst, Peter (2013) |
| 'Bedürfnis zur Beachtung': Ikonoklasmus, afrikanisches Kulturerbe und Bildökonomie, Frobenius-Vortrag 2012 |
| Paideuma. Volume 59. p. 31-49. |
| Rutten, Kris; Van Dienderen, An; Soetaert, Ronald (eds.) (2013) |
| Special issue 1: Revisiting the ethnographic turn in contemporary art |
| Critical Arts: A Journal of Media Studies. Volume 27 #5. p. 459-626. |
| Sanger, Nadia (2013) |
| Imagining possibilities: feminist cultural production, non-violent identities, and embracing the Other in post-colonial South Africa | |
| African Identities. Volume 11 #1. p. 61-78. |
| Young-Jahangeer, Miranda (2013) |
| Watermarks: intervening in the City of Cape Town |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 254-262. |
| Mahoney, Dillon (2012) |
| Changing strategies in marketing Kenya's tourist art: from ethnic brands to fair trade labels |
| African Studies Review. Volume 55 #1. p. 161-190. |
| McClain, Lindsay M. (2012) |
| Artistic suggestions for peaceful transition in northern Uganda: what youth are saying |
| African Conflict and Peacebuilding Review. Volume 2 #1. p. 152-163. |
| Van Rooyen, Piet (2012) |
| Namibia, African art and the international market | |
| Journal - Namibia Scientific Society. Volume 61. p. 89-103. |
| Goniwe, Thembinkosi (2011) |
| Debating and framing 'SPace: currencies in contemporary African art' | |
| African Identities. Volume 9 #2. p. 187-248. |
| Riep, David M.M. (2011) |
| Visual revision: intersecting art and film in the work of Jean-Marie Teno and Raoul Peck | |
| Journal of African Cinemas. Volume 3 #1. p. 81-92. |
| Tissières, Hélène (2011) |
| Biennale de Dakar 2010: 'In' et 'Off' entre dénonciation et envolée | |
| Éthiopiques: revue socialiste de culture négro-africaine. #86. p. 215-235. |
| Farber, Leora; Bishop, Ryan (eds.) (2010) |
| The address of the other: the body and the senses in contemporary South African visual art |
| Critical Arts: A Journal of Media Studies. Volume 24 #3. p. 303-485. |
| Obodo, Eva (2010) |
| Rolling, stitching and sewing jute fibre: The 'Line Walk' Sculpture Project | |
| Research Review. Volume 26 #1. p. 23-36. |
| Okeke-Agulu, Chika (2010) |
| Contemporary African art history and the scholarship: Nka roundtable II |
| Nka: Journal of Contemporary African Art. #26. p. 81-151. |
| Allen, Rika (2009) |
| Art activism in South Africa and the ethics of representation in a time of AIDS |
| Critical Arts: A Journal of Media Studies. Volume 23 #3. p. 396-415. |
| Emi, Rod Adoh; Adetoro, Niran (2009) |
| Sources of literature on Nigerian visual art since 1960: history, potentialities and constraints | |
| African Research and Documentation. #111. p. 45-63. |
| Ndinga Nziengui, Alphonse (2009) |
| L'art subsaharien et l'expérience européenne | |
| Palabres actuelles: revue de la Fondation Raponda-Walker pour la Science et la Culture. #3. p. 45-60. |
| Agbontaen-Ekghofona, Kokunre (2008) |
| Interpreting Benin art objects in catalogues and books as indigenous photographs captured in conventional photography | |
| West African Journal of Archaeology. Volume 38 #1-2. p. 65-77. |
| Anonymous (2008) |
| Visual artist, Ndaba | |
| Kutlwano. Volume 46 #2. February. p. 22-23. |
| Assegued, Meskerem (2008) |
| A retrospective observation of Elias Sime | |
| African Identities. Volume 6 #4. p. 477-504. |
| Diop, Babacar Mbaye (2008) |
| Iba Ndiaye Diadji ou l'esthétique africaine de la plasticité | |
| Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 245-269. |
| Odiboh, Freeborn (2008) |
| Old wine in new skins: the University of Benin Art Department and the 'art school' trend in Nigeria | |
| Lagos Historical Review. Volume 8. p. 33-48. |
| Sylla, Abdou (2008) |
| Les arts plastiques sénégalais contemporains: évolution et tendances (1ère partie) | |
| Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 269-292. |
| Van Haute, Bernadette (2008) |
| African tourist art as tradition and product of the postcolonial exotic |
| International Journal of African Renaissance Studies. Volume 3 #2. p. 21-38. |
| Bissiri, Amadou; Sanou, Salaka; Willemse, Hein (eds.) (2007) |
| Burkina Faso: ontluikende letterkunde en artistieke skepping = Burkina Faso: emerging literature and artistic creation = Burkina Faso: littérature émergente et création artistique |
| Tydskrif vir letterkunde. Volume 44 #1. 358p. |
| Irivwieri, Godwin O. (2007) |
| Contemporary Nigerian art: from the 1920s to 2000 | |
| Humanities Review Journal. Volume 7. p. 15-27. |
| Loumpet-Galitzine, Alexandra (2007) |
| L'art postcolonial est-il toujours primitif? Réflexions autour d'Africa Remix | |
| Terroirs: revue africaine de sciences sociales et de culture. #3-4. p. 61-70. |
| Robins, Steven (2007) |
| 'Can't forget, can't remember': reflections on the cultural afterlife of the TRC |
| Critical Arts: A Journal of Media Studies. Volume 21 #1. p. 125-151. |
| Vansina, Jan (2007) |
| La survie du royaume kuba à l'époque coloniale et les arts | |
| Annales aequatoria. Volume 28. p. 5-29. |
| Diop, Babacar Mbaye (2006) |
| Approche des arts africains | |
| Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 375-401. |
| Eyene, Christine (2006) |
| L'art de la lutte |
| Africultures. #66. p. 110-119. |
| Labi, Kwame A. (2006) |
| The transformation of European forts, castles and flags into local Fante 'asafo' iconography | |
| Research Review. Volume 22 #1. p. 83-98. |
| Tissières, Hélène (2006) |
| Biennale de Dakar 2006: oeuvres exposées et témoignages | |
| Éthiopiques: revue socialiste de culture négro-africaine. #77. p. 285-301. |
| Anonymous (2005) |
| Esthétique africaine et discours philosophiques = African aesthetics and philosophy discourses: le cinquantenaire du 1er congrès des écrivains et artistes noirs | |
| Présence africaine. #171. 238p. |
| Mabika, Louis Kouéna (2005) |
| La place et le rôle des oeuvres d'art dans le développement africain: cas du Congo-Brazzaville | |
| Africa Media Review. Volume 13 #2. p. 68-84. |
| Sylla, Abdou (2005) |
| Ethnocide et commerce du nouvel or noir | |
| Éthiopiques: revue socialiste de culture négro-africaine. #74. p. 279-296. |
| Burnet, Éliane (2004) |
| L'Africain de service, des zoos humains aux biennales d'art contemporain | |
| Éthiopiques: revue socialiste de culture négro-africaine. #73. p. 207-240. |
| Carman, Jillian (2004) |
| Arts and Crafts and Reconstruction |
| Social Dynamics. Volume 30 #1. Summer. p. 114-140. |
| Van der Watt, Liese (2004) |
| Exiting whiteness: unthinking race, imagining different paradigms | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #2. p. 93-120. |
| (2003) |
| In the Picture: Alan Githuka |
| Msanii. #3. p. 19. |
| (2003) |
| The Godown Arts Centre. A New Home for the Arts |
| Msanii. #3. p. 4-5. |
| Koloane, David (2003) |
| South African art in the global context | |
| Présence africaine. #167-168. p. 119-126. |
| Mercier, Jacques (2003) |
| Un chef-d'oeuvre inédit de l'orfèvrerie éthiopienne: la croix du Roi des Rois Yost'os Tsähay-Säggäd (1711-1716) | |
| Annales d'Éthiopie. Volume 19. p. 265-291. |
| Pieprzak, Katarzyna (2003) |
| Citizens and Subjects in the Bank: Corporate Visions of Modern Art and Moroccan Identity |
| The Journal of North African Studies. Volume 8 #1. Spring. p. 131-154. |
| Wells, Julia C. (2003) |
| From Grahamstown to Egazini: using art and history to construct post colonial identity and healing in the new South Africa |
| African Studies. Volume 62 #1. July. p. 79-98. |
| (2002) |
| In the Picture: Elijah Ooko |
| Msanii. #2. p. 15. |
| (2002) |
| Samburu Safari. How a desperate situation led to an art project in the bush |
| Msanii. #2. p. 3. |
| (2002) |
| In the Picture: Richard Kimathi |
| Msanii. #1. p. 11. |
| (2002) |
| Art without Frontiers. RAMONA: a showcase for modern African art |
| Msanii. #1. p. 9. |
| (2002) |
| Asia Meets Africa: artists of Indian origin collaborate in Kenya |
| Msanii. #1. p. 8. |
| (2002) |
| Eye on the World: bringing hope to a hospital ward of sick children |
| Msanii. #1. p. 7. |
| (2002) |
| Ngecha Artists: the village that is home to a colony of artist |
| Msanii. #1. p. 6. |
| (2002) |
| Portrait of the Artist as a Young Man: Justus Kyalo |
| Msanii. #1. p. 4-5. |
| (2002) |
| The story of RAMONA: how a contemporary art museum was born |
| Msanii. #1. p. 3. |
| Döring, Tobias (ed.) (2002) |
| African cultures, visual arts, and the museum: sights/sites of creativity and conflict |
| Matatu: Journal for African Culture and Society. Volume 25-26. 288p. |
| Fongue, J. Ndeffo (2002) |
| The market for works of art: the case of African cultural goods |
| South African Journal of Economics. Volume 70 #8. p. 1320-1343. |
| Motswakhumo, B. (2002) |
| Visual arts | |
| Zebra's Voice. Volume 29 #3. December. p. 4-5. |
| Okpe, Tonie (2002) |
| 'Monkey Dey Work'...Artists' Dues and Due: Galleries and Nigerian Art | |
| Humanities Review Journal. Volume 2 #2. p. 79-83. |
| Hess, Janet (2001) |
| Exhibiting Ghana: Display, Documentary, and 'National' Art in the Nkrumah Era |
| African Studies Review. Volume 44 #1. April. p. 59-77. |
| Anonymous (2000) |
| The millennium art exhibition | |
| WASI: [bulletin]. Volume 11 #2. April. p. 13-14. |
| Balahi, I. (2000) |
| Thapelo is our own picasso | |
| Kutlwano. Volume 38 #3. March. p. 4, 37. |
| Duerden, Dennis (2000) |
| The 'discovery' of the African mask |
| Research in African Literatures. Volume 31 #4. p. 29-47. |
| Jong, Anneleen de (2000) |
| Portraying a story: the narrative function of the human form in contemporary art of South Africa |
| Research in African Literatures. Volume 31 #4. p. 125-138. |
| Schipper, Mineke (2000) |
| The verbal and the visual in a globalizing context: African and European connections as an ongoing process |
| Research in African Literatures. Volume 31 #4. p. 139-154. |
| Atondi, Ibéa (1999) |
| La violence muséale: aux origines d'un discours ambigu |
| Cahiers d'études africaines. Volume 39 #155-156. p. 905-921. |
| Fauvelle-Aymar, François-Xavier (1999) |
| Des murs d'Augsbourg aux vitrines du Cap: cinq siècles d'histoire du regard sur le corps des Khoisan |
| Cahiers d'études africaines. Volume 39 #155-156. p. 539-561. |
| Mugumbya, G. (1999) |
| Reflections on art and development |
| Uganda Journal. Volume 45. August. p. 83-86. |
| Musango, F. (1999) |
| Art: the allure of local landscapes |
| Uganda Journal. Volume 45. August. p. 87-89. |
| Chennells, A. (1998) |
| Empires and nations: Anthony Chennells looks at Zimbabwe's culture debates in context | |
| Gallery (Harare, Zimbabwe). #17. September. p. 16-21. |
| Couto, M. (1998) |
| Malangatana, the man who painted water | |
| Gallery (Harare, Zimbabwe). #15. March. p. 12-13. |
| Garlake, P. (1998) |
| Memory, mischief and magic in the country of my heart | |
| Gallery (Harare, Zimbabwe). #17. September. p. 22-25. |
| Hassan, Ibrahim Ali (1998) |
| Rapport d'expertise concernant le régime juridique des antiquités égyptiennes mobilières | |
| L'Égypte contemporaine. Volume 89 #449-450. p. 5-57. |
| Haustein, Lydia (1998) |
| Zeitgenössische Kunst in Afrika: Demontage einer Erwartungshaltung | |
| Internationales Afrikaforum. Volume 34 #3. p. 263-270. |
| Huggins, D; Chennells, A.; Murray, B. (1998) |
| Gallery pays tribute to a gentle friend, a courageous and original artist: Ishmael Wilfred | |
| Gallery (Harare, Zimbabwe). #16. June. p. 3-8. |
| Huggins, D. (1998) |
| Free at last: notes and writings on the life and death of Luis Meque (1966-1998) | |
| Gallery (Harare, Zimbabwe). #17. September. p. 2-11. |
| Mark, Peter (1998) |
| Est-ce que l'art africain existe? |
| Revue française d'histoire d'outre-mer. Volume 85 #318. p. 3-19. |
| Musengezi, C. (1998) |
| The last paintings: Chiedza Musengezi reviews an exhibition of works by Luis Meque | |
| Gallery (Harare, Zimbabwe). #17. September. p. 12-15. |
| Musengezi, C.; Muchena, D.; Chipunza, L. (1998) |
| Looking closely | |
| Gallery (Harare, Zimbabwe). #16. June. p. 16-18. |
| Pankhurst, Richard (1998) |
| A history of the Axum Obelisk return struggle by someone who participated in it | |
| Horn of Africa. Volume 16 #1-4. p. 127-143. |
| Pearce, P. (1998) |
| Early days of the National Gallery of Zimbabwe | |
| Gallery (Harare, Zimbabwe). #15. March. p. 21-23. |
| Picton, John (1998) |
| Observers are worried: the 'tribal image' is no more | |
| Internationales Afrikaforum. Volume 34 #3. p. 281-289. |
| Ramatshaba, S. (1998) |
| Art is not a man's world | |
| Kutlwano. Volume 36 #7. July. p. 5-6. |
| Schernig, Ursula; Schernig, Gerhard (1998) |
| Aspekte der zeitgenössischen Kunst Ägyptens | |
| Internationales Afrikaforum. Volume 34 #3. p. 290-293. |
| Szalay, Miklós (1998) |
| Die Herrschaft des Sinns über die Sinne und Afrikas neue Kunst | |
| Internationales Afrikaforum. Volume 34 #3. p. 271-276. |
| Thompson, P.; Arnold, M.; Murray, B. (1998) |
| Love, memory and landscape: Henry Thompson | |
| Gallery (Harare, Zimbabwe). #15. March. p. 3-11. |
| Van der Watt, Liese (1998) |
| The Comradely Ideal and the Volksmoeder Ideal: Uncovering Gender Ideology in the Voortrekker Tapestry |
| South African Historical Journal. #39. November. p. 91-110. |
| Wright, G. (1998) |
| In praise of artists | |
| Gallery (Harare, Zimbabwe). #15. March. p. 14-19. |
| Ògúngbilé, D.O. (1998) |
| Communication through religious iconography: the example of Ò.sogbo art and life | |
| Afrikanistische Arbeitspapiere: Schriftenreihe des Kölner Instituts für Afrikanistik. #53. p. 67-79. |
| Search: su=visual arts | ||||||||
| Found: 152 | Record 1-100 | |
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