Search results |
Previous page | New search |
Search: su=Art, Architecture, Music, Drama | ||||||||
Found: 865 | Record 101-200 |
Oladipo, R.M.; Kiambi, P. (2006) | |
A linguistic analysis of cartoons in selected Kenyan Newspapers | |
Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 99-109. |
Osasona, C.O. (2006) | |
The Nigerian ''fence culture'' | |
Africa Habitat Review Journal. Volume 1 #1. November. p. 35-46. |
Phafoli, L.; Shava, P.V. (2006) | |
Basotho accordion musicians and their depiction of women in creative compositions and renditions | |
Tsebo. Volume 1 #1. p. 53-62. |
Phibion, Otukile Sindiso (2006) | |
Bakalanga traditional music instruments ('Zwilidzo zwa ntolo zwe Bakalanga') | |
Botswana Notes and Records. Volume 38. p. 74-88. |
Ravengai, S. (2006) | |
An investigation into the practice of directing and theatre making in post-independence Zimbabwe up to 1990: some urban theatre directors and/or theatre makers as case studies | |
Zambezia. Volume 33 #1-2. p. 67-94. |
Senghor, L.S. (2006) | |
Poésie et théâtre | |
Éthiopiques: revue socialiste de culture négro-africaine. #spécial. 1er semestre. p. 360-364. |
Senghor, L.S. (2006) | |
L'Art de Manessier | |
Éthiopiques: revue socialiste de culture négro-africaine. #spécial. 1er semestre. p. 85-94. |
Senghor, L.S. (2006) | |
La puissance créatrice de Soulages | |
Éthiopiques: revue socialiste de culture négro-africaine. #spécial. 1er semestre. p. 5-12. |
Tissières, Hélène (2006) | |
Biennale de Dakar 2006: oeuvres exposées et témoignages | |
Éthiopiques: revue socialiste de culture négro-africaine. #77. p. 285-301. |
Udoka, A. (2006) | |
Nigerian traditional dances at the digital archival frontiers: prospects of the motion capture | |
Tsebo. Volume 1 #1. p. 63-68. |
Ufford, I.I. (2006) | |
Choreography: basic principles and practice | |
Tsebo. Volume 1 #1. p. 69-75. |
Wambugu, D. (2006) | |
Let the music play on | |
Wajibu. Volume 21 #1. April-May. p. 15-16. |
Wekesa, P.W. (2006) | |
Revitalizing African music studies in higher education: conference lessons for Kenyan universities | |
Chemchemi. Volume 3 #1. p. 86-90. |
Adedeji, Femi (2005) | |
Pitch and tonality in contemporary African music: Nigerian gospel music as a case study | |
Research Review. Volume 21 #2. p. 1-10. |
Adinku, O. (2005) | |
Liturgical dance review: the good samaritan/hail the king | |
Legon Journal of the Humanities. Volume 16. p. 207-210. |
Anonymous (2005) | |
Woman in stone | |
WASI: [bulletin]. Volume 15 #3. August. p. 4-9. |
Anonymous (2005) | |
Poetry to the people | |
WASI: [bulletin]. Volume 15 #2. April. p. 8-10. |
Anonymous (2005) | |
Folksongs are sexier | |
WASI: [bulletin]. Volume 15 #2. April. p. 4-7. |
Bulu, Léon Tsambu (2005) | |
Épure d'un développement de l'industrie du disque congolaise par le mécénat privé | |
Africa Media Review. Volume 13 #2. p. 36-67. |
Chimwenje, J. (2005) | |
Bringing pus to the surface: Dario Fo and the dramaturgy of irreverence | |
Journal of Humanities. #19. p. 19-38. |
Chukwukere, Frances N. (2005) | |
Subjectivity in Servitude: The Servant and Indigenous Family Arrangement in Written Igbo Drama | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 30 #3. p. 112-129. |
Dipio, D. (2005) | |
Creative artists as leaders | |
African Journal of Leadership and Conflict Management. Volume 2 #2. January. p. 123-142. |
Elbadawi, S. (2005) | |
Chants de femmes aux Comores | |
Ya Mkobe. #11. janvier. p. 81-87. |
Kubuitsile, L. (2005) | |
A performance like no other | |
Kutlwano. Volume 46 #10. October. p. 34-35. |
Kubuitsile, L. (2005) | |
Vandalism at old Palapye | |
Kutlwano. Volume 46 #9. September. p. 12. |
Letsholo, A. (2005) | |
A choir master with style | |
Kutlwano. Volume 46 #9. September. p. 14-15. |
Mabika, Louis Kouéna (2005) | |
La place et le rôle des oeuvres d'art dans le développement africain: cas du Congo-Brazzaville | |
Africa Media Review. Volume 13 #2. p. 68-84. |
Makoye, H.F. (2005) | |
Training and natural endowments in Sukuma dance culture in Tanzania | |
Utafiti. Volume 6 #2. December. p. 128-146. |
Meier, P. (2005) | |
Building global but meaning local: reading Sultan Barghash's politics of architecture | |
ZIFF Journal. Volume no. 2. p. 76-83. |
Modukanele, D. (2005) | |
Master of all he surveys | |
Kutlwano. Volume 44 #4. April. p. 22-23. |
Moisakamo, T. (2005) | |
Living off music | |
Kutlwano. Volume 46 #9. September. p. 15. |
Mookantsa, S. (2005) | |
Talented Chippa survives through art | |
Kutlwano. Volume 46 #12. December. p. 36-37. |
Ngozana, P. (2005) | |
Andris Bok: the legend | |
Kutlwano. Volume 46 #10. October. p. 14-15. |
Odhiambo, C.J. (2005) | |
Interrogating performance text as codification in drama for social change in Kenya | |
Maarifa (Eldoret, Kenya). Volume 1 #1. p. 1-9. |
Salvadori, C. (2005) | |
Lamu | |
Kenya Past and Present. #35. p. 51-55. |
Seetso, H. (2005) | |
Dynamite in small package | |
Kutlwano. Volume 46 #10. October. p. 42-43. |
Sylla, Abdou (2005) | |
Ethnocide et commerce du nouvel or noir | |
Éthiopiques: revue socialiste de culture négro-africaine. #74. p. 279-296. |
Anonymous (2004) | |
Indian style | |
Swahili Coast (Zanzibar, Tanzania). #13. October-December. p. 36-39. |
Burnet, Éliane (2004) | |
L'Africain de service, des zoos humains aux biennales d'art contemporain | |
Éthiopiques: revue socialiste de culture négro-africaine. #73. p. 207-240. |
Campbell, Ian (2004) | |
A historical note on Nicolò Brancaleon: as revealed by an iconographic inscription | |
Journal of Ethiopian Studies. Volume 37 #1. June. p. 83-102. |
Elsabet W.G. (2004) | |
Modernist spirits: the images of Skunder Boghossian | |
Journal of Ethiopian Studies. Volume 37 #2. December. p. 139-160. |
Gossa Gebre Selassie (2004) | |
Skunderian dictums, questions, aphorisms, conversations | |
Journal of Ethiopian Studies. Volume 37 #2. December. p. 161-164. |
Ndizié, P.O. (2004) | |
Didactique du texte dramatique et réappropriation de la maïeutique socratique: méthode interactive | |
Fréquence sud. #17. avril. p. 258-285. |
Nii-Yartey, F. (2004) | |
The Gobi dance suite, a paradigm of acculturation | |
Research Review. Volume 20 #1. p. 21-31. |
Patel, Z.; De Wit, C. (2004) | |
Language of the kanga | |
Awaaz (Nairobi, Kenya). #2004, issue 2. p. 55-57. |
Pitcher, G. (2004) | |
Colonial style | |
Swahili Coast (Zanzibar, Tanzania). #12. p. 18-21. |
Seda, Owen S. (2004) | |
Transculturalism in post-independence Zimbabwean drama: projections of Zimbabwean theatre at the onset of a new millennium | |
Zambezia. Volume 31 #1-2. p. 136-147. |
Shiferaw Bekele (2004) | |
A modernising state and the emergence of modernist arts in Ethiopia (1930s to 1970s) with special reference to Gebre Kristos Desta (1932-1981) and Skunder Boghossian(1937-2003) | |
Journal of Ethiopian Studies. Volume 37 #2. December. p. 11-44. |
Sylla, A. (2004) | |
Mamadou Wade: le métier d'artiste | |
Éthiopiques: revue socialiste de culture négro-africaine. #72. 1er semestre. p. 239-254. |
Tissières, Hélène (2004) | |
Représentation et écriture au Sénégal: deux peintres, Abdoullay Ndoye et Chalys Lèye, à la croisée des arts | |
Éthiopiques: revue socialiste de culture négro-africaine. #73. p. 195-206. |
Wint, S.E. (2004) | |
Voices from the past: the pre-independence contributions on music in the Uganda journal | |
Uganda Journal. Volume 50. December. p. 30-33. |
Daavo, Cossi Zéphrin (2003) | |
Approche thématique de l'art béninois, de la période royale à nos jours | |
Éthiopiques: revue socialiste de culture négro-africaine. #71. p. 225-243. |
Kamera, W.D. (2003) | |
Ebrahim Hussein and dramaturgical dialectics | |
UNISWA Research Journal. Volume 17. December. p. 21-29. |
Kayishema, J. (2003) | |
La dimension mythico-rituelle de huis-clos de Jean-Paul Sartre | |
Etudes rwandaises. Volume 7. September. p. 117-137. |
Kithaka wa Mberia (2003) | |
Kiswahili and other indigenous Kenyan languages in the performing arts | |
Nairobi Journal of Literature. #1. March. p. 61-69. |
Ndiaye, Iba Diadji (2003) | |
Plastique africaine et situations conflictuelles contemporaines: interaction et distanciation | |
Éthiopiques: revue socialiste de culture négro-africaine. #71. p. 201-223. |
Ngozana, P. (2003) | |
King of theatre: Abram | |
Kutlwano. Volume 41 #6. June. p. 18-20. |
Odhiambo, C. (2003) | |
The aesthetics of theatre for community development in Kenya | |
Nairobi Journal of Literature. #1. March. p. 54-60. |
Sylla, Abdou (2003) | |
La guerre dans Guernica et dans Little Big Horn | |
Éthiopiques: revue socialiste de culture négro-africaine. #71. p. 181-200. |
Watkin, J. (2003) | |
In the master class | |
Swara. Volume 26 #1. January-March. p. 36-37. |
Anonymous (2002) | |
Malawi's new praise songs | |
WASI: [bulletin]. Volume 13 #2. April. p. 4-5. |
Magalasi, Mufunanji (2002) | |
Ethnicity and marginalisation in South African liberation theatre: Dukuza ka Macu's 'Night of the long wake' | |
Journal of Humanities. #16. p. 25-42. |
Mothebe, R. (2002) | |
Arts and development | |
Kutlwano. Volume 40 #3. March. p. 14-17. |
Motswakhumo, B. (2002) | |
Lokgapho on canvas | |
Zebra's Voice. Volume 29 #3. December. p. 9-10. |
Motswakhumo, B. (2002) | |
Visual arts | |
Zebra's Voice. Volume 29 #3. December. p. 4-5. |
Motswakhumo, B. (2002) | |
Thapong exhibition | |
Zebra's Voice. Volume 29 #1. August. p. 10-11. |
Motswakhumo, B. (2002) | |
M.C.E. exhibition | |
Zebra's Voice. Volume 29 #1. August. p. 8-9. |
Ogunleye, Foluke (2002) | |
Preserving culture through new artistic forms: the case of Duro Ladipo's folkloric theatre | |
Research Review. Volume 18 #2. p. 63-71. |
Okolocha, C. (2002) | |
The paradoxical role of the museum and art market in contemporary African art | |
Chiedza (Harare, Zimbabwe). Volume 5 #1. May. p. 65-70. |
Teka, Zelalem (2002) | |
Rock art sites in the area of Addi Keyih, Eritrea | |
Journal of Eritrean Studies (Asmara). Volume 1 #1. p. 1-28. |
Adande, Joseph C.E. (2001) | |
L'art africain et l'imaginaire des autres entre le XVIe et le début du XXe siècle: essai d'analyse diachronique des prémisses d'un processus de 'globalisation' | |
Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #9-10. p. 60-76. |
Ebewo, P. (2001) | |
Theatre and socio-political consciousness in Lesotho: a study of selected plays by Zakes Mda | |
NUL Journal of Research. Volume 9. p. 121-141. |
Gwasira, Goodman; Kambombo, Foustina; Katjijeko, Betuel (2001) | |
Preliminary report on the rock engravings of Freiheit Ost (No. 80), Witvlei, Namibia | |
Journal - Namibia Scientific Society. Volume 49. p. 41-48. |
Kouam, M. (2001) | |
Humaniser la mondialisation par la musique et la danse: enjeux posés à partir de l'Afrique | |
Revue philosophique de Kinshasa. Volume 15 #27-28. janvier-décembre. p. 107-120. |
Lebotse, T. (2001) | |
Artists in Botswana exhibition | |
Zebra's Voice. Volume 28 #2. p. 18-19. |
Magalasi, Mufunanji (2001) | |
Malawian theatre at the crossroads: developmental paradigms and underdevelopment of stage drama in Malawi | |
Journal of Humanities. #15. p. 17-42. |
Mpata, Daniel (2001) | |
The 'malipenga' dance in Nkhata Bay District | |
The Society of Malawi Journal. Volume 54 #1. p. 23-28. |
Msusa, K. (2001) | |
Beauty of still pictures | |
WASI: [bulletin]. Volume 12 #3. August. p. 16-17. |
Nsapato, L. (2001) | |
Malawi's social themes in pictures | |
WASI: [bulletin]. Volume 12 #4. December. p. 12-14. |
Ramakgathi, M. (2001) | |
Mo' ecstasy: the man behind hit song 'Oule' is also handsome and gifted | |
Kutlwano. Volume 39 #2. February. p. 10. |
Terry, M. Elizabeth (2001) | |
An Overview of the Botswana Handicraft Sector | |
Botswana Notes and Records. Volume 33. p. 129-143. |
Watson, R. (2001) | |
On the rocks | |
Swara. Volume 24 #2. May-August. p. 12-14. |
Yiga, A. (2001) | |
The creative quality roles of visual arts | |
Nkumba Business Journal. Volume 3. March. p. 42-47. |
Anonymous (2000) | |
Politics and photography. Pt. 1 | |
WASI: [bulletin]. Volume 11 #3. August. p. 10-13. |
Anonymous (2000) | |
Taking prize-winning photos | |
WASI: [bulletin]. Volume 11 #2. April. p. 18-19, 22. |
Anonymous (2000) | |
The millennium art exhibition | |
WASI: [bulletin]. Volume 11 #2. April. p. 13-14. |
Anonymous (2000) | |
You'll never eat lunch in this town, period | |
Executive (Nairobi, Kenya). December-Jan.. p. 24-25. |
Ayindo, B. (2000) | |
People's theatre as peacebuilding | |
Wajibu. Volume 15 #1. p. 8-9. |
Balahi, I. (2000) | |
Thapelo is our own picasso | |
Kutlwano. Volume 38 #3. March. p. 4, 37. |
DeLancey, M.D. (2000) | |
The origin of the 'Hausa Dome' | |
Ngaoundere-anthropos. Volume 5. p. 71-86. |
Hall, S. (2000) | |
Music as an aid to literacy | |
Research Review. #14. June. p. 139-143. |
Jenje-Makwenda, J. (2000) | |
The role of women in traditional music | |
Southern Africa Political & Economic Monthly. Volume 14 #1. October-November. p. 18-19. |
Lebotse, T. (2000) | |
Artists in Botswana 2000 | |
Zebra's Voice. Volume 27 #2. p. 26-27. |
Mahmoud, Y. (2000) | |
Taarab music of Zanzibar | |
Swahili Coast (Zanzibar, Tanzania). #5. p. 34-36. |
Moses, A.; Brooke, P. (2000) | |
The Story Workshop | |
WASI: [bulletin]. Volume 11 #2. April. p. 23-26. |
Muchai, E. (2000) | |
The root of all evil | |
Executive (Nairobi, Kenya). December-Jan.. p. 26-27. |
Such, W.A. (2000) | |
The parable of the good samaritan: an application in street theatre to the Swaziland aids crisis | |
UNISWA Research Journal. Volume 14. June. p. 30-48. |
Takora, B.Y. (2000) | |
Traditional dances in Gonja land | |
Research Review. #14. June. p. 163-167. |
Terry, M. Elizabeth (2000) | |
The History of Craft Development in Botswana | |
Botswana Notes and Records. Volume 32. p. 193-200. |
Watson, R. (2000) | |
One man's metal menagerie | |
Swara. Volume 23 #1. April-June. p. 32-33. |
Search: su=Art, Architecture, Music, Drama | ||||||||
Found: 865 | Record 101-200 |
Previous page | New search |