African Women 
bibliographic database
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| Found: 1081 | Record 1-100 |  |
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 | Mills, Elizabeth (2019) |
 | Art, Vulnerability and HIV in Post-Apartheid South Africa |
| Journal of Southern African Studies. Volume 45 #1. p. 175-195. |
 | Seror, Céline (ed.) (2014) |
| IAM: intense art magazine: the first magazine dedicated to art, women and Africa = Le premier mangazine dédié à l'art, les femmes et l'Afrique | |
| Amsterdam: IAM - Intense Art Magazine. |
 | Falola, Toyin; Ngom, Fallou (eds.) (2010) |
| Facts, fiction, and African creative imaginations | |
 | London: Routledge. Routledge African studies #1. 332p. |
 | Khanna, Ranjana (2008) |
| Algeria cuts: women and representation, 1830 to the present | |
| Stanford, CA: Stanford university press. Cultural memory in the present. 301p. |
| Abderrezak, Hakim (2007) |
| The Modern Harem in Mokneche's 'Le Harem de Mme Osmane' and 'Viva Laldjerie' |
| The Journal of North African Studies. Volume 12 #3. September. p. 347-368. |
| Asakitikpi, Aretha Oluwakemi (2007) |
| Functions of Hand Woven Textiles among Yoruba Women in Southwestern Nigeria |
| Nordic Journal of African Studies. Volume 16 #1. p. 101-115. |
| Batra, Kanika (2007) |
| 'Daughters Who Know the Languages of Power' | |
| Interventions: International Journal of Postcolonial Studies. Volume 9 #1. March. p. 124-138. |
| Berliner, David S. (2007) |
| Caryatid Drums of Baga Women | |
| Arts and Cultures: Antiquity, Africa, Oceania, Asia, Americas. #8. p. 212-223. |
| Berns, Maria C. (2007) |
| Pottery-Making in Bonakire, Ghana | |
| African Arts. Volume 40 #1. Spring. p. 86-91. |
 | Bolzt, Kerstin (2007) |
| Women as Artists in Contemporary Zimbabwe | |
| M.A. Thesis: Bayreuth University, Bayreuth, Germany. 319p. |
 | Cole, Catherine M. (2007) |
| 'Give Her a Slap to Warm Her Up': Post-Gender Theory and Ghana's Popular Culture | |
| In: Cole, Catherine M. and Manuh, Takyiwaa and Miescher, Stephan (eds.). Africa After Gender? Bloomington, Indiana: Indiana University Press. p. 270-284. |
| Cole, Catherine M.; Manuh, Takyiwaa; Miescher, Stephan (eds.) (2007) |
| Africa after Gender? | |
| Bloomington, Indiana: Indiana University Press. 328p. |
| Durán, Lucy (2007) |
| Ngaraya: Women and Musical Mastery in Mali |
| Bulletin of the School of Oriental and African Studies. Volume 70 #3. October. p. 569-602. |
| Ebron, Paulla A. (2007) |
| Constituting Subjects through Performative Acts | |
| In: Cole, Catherine M. and Manuh, Takyiwaa and Miescher, Stephan (eds.). Africa After Gender? Bloomington, Indiana: Indiana University Press. p. 171-190. |
| Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: Marks of Identity | |
| African Arts. Volume 40 #1. Spring. p. 30-41. |
| Gianturco, Paola (2007) |
| Women Who Light the Dark | |
| New York/London: PowerHouse/Turnaround. 239p. |
| Goldner, Janet (2007) |
| The Women of Kalabougou (Mali) | |
| African Arts. Volume 40 #1. Spring. p. 74-79. |
| Maclain, Adrienne (2007) |
| Let us be United in Purpose: Variations on Gender Relations in the Yorub Popular Theatre | |
| In: Cole, Catherine M. and Manuh, Takyiwaa and Miescher, Stephan (eds.). Africa After Gender? Bloomington, Indiana: Indiana University Press. p. 108-124. |
| Maiwada, Salihu; Renne, Elisha P. (2007) |
| New Technologies of Embroidered Robe Production and Changing Gender Roles in Zaria, Nigeria, 1950-2005 | |
| Textile History. Volume 38 #1. May. p. 25-58. |
| Rizk, Mohamed E. (2007) |
| Women in Taarab: The Performing Art in East Africa | |
| Frankfurt, Germany/New York: Peter Lang. 198p. |
| Sanga, Imani (2007) |
| Gender in Church Music: Dynamics of Gendered Space in Muziki wa Injili in Dar es Salaam, Tanzania | |
| Journal of Popular Music. Volume 19 #1. p. 59-91. |
| Schmahmann, Brenda (2007) |
| Needled Women: Representations of Male Conduct in Mapula Embroideries | |
| Textile: The Journal of Cloth and Culture. Volume 5 #1. Spring. p. 10-33. |
| Shafik, Viola (2007) |
| Popular Egyptian Cinema: Gender, Class, and Nation | |
| Cairo/New York: American University in Cairo Press. 349p. |
| Sheedy, Mari (2007) |
| The Creation of Women's Space through Traditional African Dance in Islamic East Africa | |
| M.A. Thesis: City College of New York, New York, New York. 51p. |
| Vambe, Maurice Taonezvi (2007) |
| 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
| African Identities. Volume 5 #3. December. p. 355-369. |
| Abaru, B.M.; Mugera, A.W.; Norman, D.W.; Featherstone, A.M. (2006) |
| The Uganda Rural Farmers Scheme: Women's Accessibility to Agricultural Credit | |
| Agricultural Finance Review. Volume 66 #2. p. 215-234. |
| Akudinobi, Jude G. (2006) |
| Durable Dreams: Dissent, Critique, and Creativity in 'Faat Kine' and 'Moolaade' | |
| Meridians: Feminism, Race, Transnationalism. Volume 6 #2. Spring. |
| Batra, Kanika (2006) |
| Political Acts: Gender, Sexuality, and Citizenship on Postcolonial Drama | |
| Ph.D. dissertation: Loyola University of Chicago, Chicago, Illinois. |
| Becker, Cynthia (2006) |
| The Amazigh Textiles and Dress in Morocco | |
| African Arts. Volume 39 #3. Autumn. p. 42-56. |
| Becker, Cynthia J. (2006) |
| Ait Khabbash Textiles: Weaving Metaphors of Identity | |
| In: Becker, Cynthia J. Amazigh Arts in Morocco: Women Shaping Berber Identity. Austin, Texas: University of Texas Press. p. 15-46. |
| Becker, Cynthia J. (2006) |
| Contemporary Amazigh Arts: Giving Material Form to Amazigh Consciousness | |
| In: Becker, Cynthia J. Amazigh Arts in Morocco: Women Shaping Berber Identity. Austin, Texas: University of Texas Press. p. 177-194. |
| Becker, Cynthia J. (2006) |
| Dance Performance: Negotiating Gender and Social Change | |
| In: Becker, Cynthia J. Amazigh Arts in Morocco: Women Shaping Berber Identity. Austin, Texas: University of Texas Press. p. 76-94. |
| Becker, Cynthia J. (2006) |
| Oh, My Sudanese Mother: The Legacy of Slavery in Ait Khabbash Art | |
| In: Becker, Cynthia J. Amazigh Arts in Morocco: Women Shaping Berber Identity. Austin, Texas: University of Texas Press. p. 162-176. |
| Becker, Cynthia J. (2006) |
| The Art of Dressing the Body | |
| In: Becker, Cynthia J. Amazigh Arts in Morocco: Women Shaping Berber Identity. Austin, Texas: University of Texas Press. p. 47-75. |
| Becker, Cynthia J. (2006) |
| Women as Public Symbols of Identity: The Adornment of the Bride and the Groom | |
| In: Becker, Cynthia J. Amazigh Arts in Morocco: Women Shaping Berber Identity. Austin, Texas: University of Texas Press. p. 95-133. |
| Becker, Cynthia J. (2006) |
| Amazigh Arts in Morocco: Women Shaping Berber Identity | |
| Austin, Texas: University of Texas Press. 241p. |
| Botha, Andries (2006) |
| Voices of Women: Hope, Art, Truth and Reconciliation | |
| Prince Claus Fund Journal. #13. p. 30-33. |
| Box, Laura C. (2006) |
| Outrageous Behavior: Women's Public Performance in North Africa | |
| Meridians: Feminism, Race, Transnationalism. Volume 6 #2. Spring. p. 78-92. |
| Brandeis University, Women's Studies Research Center (2006) |
| Through the Eyes of Nigerian Artists: Confronting Female Genital Mutilation | |
| Waltham, Massachusetts: Brandeis University, Women's Studies Research Center. 31p. |
| Chillag, Kata; Guest, Greg; Bunce, Arwen; Johnson, Laura; Kilmarx, Peter H.; Smith, Dawn K. (2006) |
| Talking about Sex in Botswana: Social Desirability Bias and Possible Implications for HIV-Prevention Research |
| African Journal of AIDS Research. Volume 5 #2. September. p. 123-131. |
| Comley, Robin; Hallett, George; Ntsoma, Neo (eds.) (2006) |
| Women by Women: 50 Years of Women's Photography in South Africa | |
| Johannesburg: Witwatersrand University Press. 272p. |
| Hashimoto, Marika J. (2006) |
| Ndebele Architecture: The Home in Post-Apartheid South Africa | |
| B.A. Honors Thesis: Amherst College, Amherst, Massachusetts. 254p. |
| Hough, Carolyn A. (2006) |
| Disruption and Development: Kanyalengs in the Gambia | |
| Ph.D. dissertation: University of Iowa, Iowa City, Iowa. 273p. |
| Loughran, Kristyne (2006) |
| Tuareg Women and Their Jewelry | |
| In: Seligman, Thomas K. (ed.). Art of Being Tuareg: Sahara Nomads in a Modern World. Los Angeles: University of California-Los Angeles, Iris and B. Gerald Cantor Center for Visual Arts at Stanford University/UCLA Fowler Museum of Cultural History. p. 166-211. |
| McKee, Yates (2006) |
| The Politics of the Plane: On Fatimah Tuggar's Working Woman |
| Visual Anthropology. Volume 19 #5. December. p. 417-422. |
| Muurling, Nienke (2006) |
| Finding Money at Home and Abroad: The Affairs of a Transnational Jelmuso | |
| In: Wooten, Stephen R. (ed.). Wari Matters: Ethnographic Explorations of Money in the Mande World. Munich: Lit. p. 178-190. |
| Nuotio, H. (2006) |
| The Dance That is Not Danced, the Song That is Not Sung: Zanzibari Women in the Maulidi Ritual | |
| In: Loimeier, Roman and Seesemann, Rudiger (eds.). The Global Worlds of the Swahili: Interfaces of Islam, Identity and Space in 19th and 20th- Century East Africa. Berlin: LIT Verlag. |
| Okeke-Agulu, Chika (2006) |
| Politics by Other Means: The Art of Gazbia Sirry and Ghada Amer | |
| Meridians: Feminism, Race, Transnationalism. Volume 6 #2. Spring. |
| Peabody, Stanton (2006) |
| Women Who Made a Difference: A Special Record | |
| Liberian Studies Journal. Volume 31 #1. p. 63-89. |
| Pereira, Taryn; Shackleton, Charlie; Shackleton, Sheona (2006) |
| Trade in Reed-Based Craft Products in Rural Villages in the Eastern Cape, South Africa |
| Development Southern Africa. Volume 23 #4. October. p. 477-495. |
| Prince, Ruth (2006) |
| Popular Music and Luo Youth in Western Kenya: Ambiguities of Modernity, Morality and Gender Relations in the Era of AIDS | |
| In: Navigating Youth, Generating Adulthood: Social Becoming in an African Context. p. 117-152. |
| Scheub, Harold (2006) |
| Storytelling Songs of Zulu Women: Recording Archetypal Rites of Passage and Mythic Paths | |
| Lewiston, New York: Edwin Mellen Press. 292p. |
| Stec, Loretta (2006) |
| Rebecca West in South Africa: The Limits of Liberalism | |
| In: Schweizer, Bernard (ed.). Rebecca West Today: Contemporary Critical Approaches. Newark: University of Delaware Press. |
| Taxil, Gisele; Bourges, Ann (2006) |
| Conservation of Our Lady of Seven Sorrows Cathedral and Safeguarding the Tradition of Decoration of the Nankani Women | |
| In: Rainer, Leslie H. (ed.). Conservation of Decorated Surfaces on Earthen Architecture. Los Angeles: Getty Conservation Institute. p. 152-163. |
| Thema, Kgaladi M. (2006) |
| Sekgapa: A Culture-Based Study of a Musical Tradition of BaPedi Women of Mailula, mmamabolo District, Limpopo Province, South Africa | |
| M.Mus. Thesis: University of Cape Town, Cape Town, South Africa. 88p. |
| Weber-Feve, Stacey A. (2006) |
| There's No Place Like Home: Homemaking, Making Home and Femininity in Contemporary Women's Filmmaking and the Literature of the Metropol and the Maghreb | |
| Ph.D. dissertation: Ohio State University, Columbus, Ohio. 286p. |
| Zubieta, Leslie F. (2006) |
| The Rock Art of Mwana wa Chentcherere II Rock Shelter, Malawi. A Site-Specific Study of Girls' Initiation Rock Art |
| Leiden, Netherlands: Leiden: African Studies Centre, 2006. #83. M.S. Thesis: University of Witwatersrand, Johannesburg, South Africa, 2004. 145p. |
| Ajibade, George O. (2005) |
| Is There No Man with Penis in This Land? Eroticism and Performance in Yoruba Nuptial Songs |
| African Study Monographs. Volume 26 #2. August. p. 99-113. |
| Al-Harithy, Howayda (2005) |
| Female Patronage of Mamluk Architecture in Cairo | |
| In: Sonbol, Amira E. (ed.). Beyond the Exotic: Women's Histories in Islamic Societies. Syracuse, New York: Syracuse University Press. |
| Ampene, Kwasi (2005) |
| Female Song Tradition and the Akan of Ghana: The Creative Process in Nnwonkoro | |
| Burlington, Vermont: Ashgate. SOAS Musicology Series. 234p. |
| Arnold, Marion I. (2005) |
| European Modernism and African Domicile: Women Painters and the Search for Identity | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 51-70. |
| Arnold, Marion I. (2005) |
| Visual Culture in Context: The Implications of Union and Liberation | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 1-32. |
| Arnold, Marion I.; Schmahmann, Brenda (eds.) (2005) |
| Between Union and Liberation: Women Artists in South Africa, 1910-1994 | |
| Aldershot, Great Britain: Ashgate. 240p. |
| Asakitikpi, A.O. (2005) |
| Owo Women's Religious Textiles | |
| In: Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba. p. 71-88. |
| Banoum, Bertrade N-N. (2005) |
| Basaa Women's Verbal Art: Theorizing Identity, Gender and Power Relations | |
| Paper presented at the 48th Annual Meeting of the African Studies Association (ASA), November 17-November 20, 2005, Washington, DC. New Brunswick, New Jersey, Rutgers University. |
| Blackden, C. Mark; Wodon, Quentin (2005) |
| Gender, Time Use, and Poverty in Sub-Saharan Africa | |
| Washington, D.C.: World Bank, Country Analytic Work (CAW). December. 168p. |
| Box, Laura C. (2005) |
| Strategies of Resistance in the Dramatic Texts of North African Women: A Body of Words | |
| New York: Routledge. Middle East Studies. 258p. |
| Byrne, Dulcie (2005) |
| The Embroidered Bookbindings of Rosie Stuart | |
| Quarterly Bulletin of the National Library of South Africa. Volume 59 #1. p. 15-25. |
| Carmen, Jillian (2005) |
| Florence Phillips: Patronage and the Arts at the Time of Union | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 33-50. |
| Cassarino, Severa R. (2005) |
| Celebrating Women through the Eyes of Our Children: With the Participation of 100 Women Achievers in South Africa | |
| Orange Grove, South Africa: Dictum Publishers for Valued Citizens Initiative. 128p. |
| Chepyator-Thomson, Jepkorir R. (ed.) (2005) |
| African Women and Globalization: Dawn of the 21st Century | |
| Trenton, New Jersey: Africa World Press. 292p. |
| Cruise, Wilma (2005) |
| Breaking the Mould: Women Ceramists in KwaZulu-Natal | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 132-151. |
| Danilowitz, Brenda (2005) |
| Constance Stuart Larrabee's Photographs of the Ndundza Ndebele: Performing and History beyond the Modernist Frame | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 71-93. |
| Dougherty, Roberta L. (2005) |
| Music, Women and Leisure: Piano Sheet Music and the Amateur Musician in Early 20th Century Egypt | |
| Paper presented at the Annual Conference of the Middle East Studies Association (MESA), November 19-22, 2004, Washington, D.C. Tucson: University of Arizona. |
| Gilbert, Shirli (2005) |
| Popular Music, Gender Equality and the Anti-Apartheid Struggle | |
| In: Walton, Chris and Muller, Stephanus (eds.). Gender and Sexuality in South African Music. Stellenbosch: SUN ePReSS. |
| Gqola, Pumla D. (2005) |
| Memory, Diaspora and Spiced Bodies in Motion: Berni Searle's Art | |
| African Identities. Volume 3 #2. October. p. 123-138. |
| Ikwuemesi, C. Krydz (2005) |
| The Uli Women Painters of Nri | |
| In: Ikwuemesi, C. Krydz (ed.). Rediscovery of Tradition: Uli and the Politics of Culture. Lagos: Pendulum Centre for Culture and Development. p. 1-20. |
| Ikwuemesi, C. Krydz; Ejiafo, Ifude; Ezechinyelugo; Okaro, Eziafo (2005) |
| 'We Belong to Tradition': Conversation with Eziafo Okaro, If'ude Ejiafo and Ezechinyelugo, at Ogidi, Anambra State, Nigeria, August, 2004 | |
| In: Ikwuemesi, C. Krydz (ed.). Rediscovery of Tradition: Uli and the Politics of Culture. Lagos: Pendulum Centre for Culture and Development. p. 104-124. |
| Kemeh, Shabaash M. (2005) |
| Theatre by Women: Development Projects in Rural Ghana | |
| In: Powell, Mary C. and Marcow-Speiser, Vivien (eds.). The Arts, Education, and Social Change: Little Signs of Hope. New York: Peter Lang. Lesley University Series in Arts and Education. Volume 9. |
| Lambert, Jade M. (2005) |
| Ama Ata Aidoo's 'Anowa' Performative Practice and the Postcolonial Subject | |
| M.A. Thesis: Miami University, Miami, Ohio. 57p. |
| Leibhammer, Nessa (2005) |
| Technologies and Transformations: Baskets, Women and Change in Twentieth-Century KwaZulu-Natal | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 111-131. |
| Lobnibe, Isidore (2005) |
| Forbidden Fruit in the Compound: A Case Study of Migration, Spousal Separation and Group-Wife Adultery in Northwest Ghana |
| Africa: Journal of the International African Institute. Volume 75 #4. p. 559-581. |
| Mack, Beverly B. (2005) |
| Muslim Women Sing: Hausa Popular Song | |
| Bloomington, Indiana: Indiana University Press. 248p. |
| Matchett, Sara (2005) |
| Collaborative Conversations: The Mothertongue Project in Profile |
| Feminist Africa. #4. |
| Medina, Michelle (2005) |
| Our Bodies are Covered in Stories: Narrating Multiple Identities in Contemporary Moroccan Women's Film | |
| Honors Thesis: Smith College, Northampton, Massachusetts. 125p. |
| Mikelle, Antoine (2005) |
| Genevieve Nnaji and the African Woman's Revolution | |
| Women and Environments International Magazine. #66-67. Spring/Summer. p. 7-9. |
| Miller, Kimberly A. (2005) |
| T-Shirts, Testimony, and Truth: Memories of Violence Made Visible | |
| Textiles: A Journal of Cloth and Culture. Volume 3 #3. p. 253-273. |
| Morales-Libove, Jessica (2005) |
| Dancing a Fine Line: Gender, Sexuality and Morality at Women's Tours in Dakar, Senegal | |
| Ph.D. dissertation: Rutgers University, New Brunswick, New Jersey. 242p. |
| Mutia, Babila (2005) |
| Performer, Audience, and Performance Context of Bakweri Pregnancy Rituals and Incantations |
| Cahiers d'études africaines. Volume 45 #177. p. 217-237. |
| Namono, Catherine; Eastwood, Edward B. (2005) |
| Art, Authorship and Female Issues in a Northern Sotho Rock Painting Site | |
| In: Blundell, Geoffrey (ed.). Further Approaches to Southern African Rock Art. Vlaeberg, South Africa: South African Archaeological Society in Association With ASAPA. |
| Nannyonga-Tamusuza, Sylvia A. (2005) |
| Baakisimba: Gender in the Music and Dance of the Baganda People of Uganda | |
| London/New York: Routledge. 272p. |
| Ngufor Samba, Emelda (2005) |
| Women in Theatre for Development in Cameroon: Participation, Contributions and Limitations | |
| Bayreuth, Germany: Bayreuth African Studies #74. 245p. |
| Nolte, Jacqueline (2005) |
| Narrative of Migration in the Works of Noria Mabasa and Mmakgoba Sebidi | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 174-195. |
| Nzegwu, Nkiru (2005) |
| Breaking Taboos: Art and Sexual Violence in Contemporary Nigeria | |
| Paper presented at the 48th Annual Meeting of the African Studies Association (ASA), November 17-November 20, 2005, Washington, DC. New Brunswick, New Jersey, Rutgers University. |
| Phophi, Lufuno (2005) |
| Venda Traditional Female Dress: Use and Significance | |
| MTech. Thesis: Tshwane University of Technology, Pretoria, South Africa. 213p. |
| Pierce, Karen M. (2005) |
| Beyond Islam: The Portrait of the 'Elegant Woman' in Senegalese Reverse-Glass Painting | |
| M.A. Thesis: Georgia State University, Atlanta, Georgia. 124p. |
| Schmahmann, Brenda (2005) |
| On Pins and Needles: Gender Politics and Embroidery Projects before the First Democratic Election | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 152-173. |
| Schmahmann, Brenda (2005) |
| Representing Regulation - Rendering Resistance: Female Bodies in the Art of Penny Siopis | |
| In: Arnold, Marion I. (ed.). Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, Vermont: Ashgate. p. 196-221. |
| Schmahmann, Brenda (2005) |
| Stitches as Sutures: Trauma and Recovery in Works by Women in the Mapula Embroidery Project | |
| African Arts. Volume 38 #3. Autumn. p. 52-68. |
| Sidikou, Aissata (2005) |
| New Perspectives on Women's Songs from Africa | |
| Paper presented at the 48th Annual Meeting of the African Studies Association (ASA), November 17-November 20, 2005, Washington, DC. New Brunswick, New Jersey, Rutgers University. |
| Search: su=arts | ||||||||
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