African Women 
bibliographic database
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| Search: su=drama | ||||||||
| Found: 27 | Record 1-27 | |||||||
 | Godin, Marie (2016) |
 | Theatre and photography as new contentious repertoires of Congolese women in the diaspora: towards another politics of representation of rape |
 | African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 101-127. |
| Faï, Gilbert Tarka (2014) |
| Female representation and gender dynamics in Commonwealth drama: African and Caribbean perspectives | |
| Rhumsiki: revue scientifique de la Faculté des lettres et sciences humaines de l'Université de Maroua. #1. p. 69-82. |
| Mehta, Brinda (2014) |
| Commemorating the 'disappeared': maternal activism and the Algerian civil war in Fatima Bourega-Gallaire's 'La beauté de l'icône' |
| Research in African Literatures. Volume 45 #2. p. 26-45. |
| Nkealah, Naomi (2014) |
| Women's contribution to the development of Anglophone Cameroonian drama: the plays of Anne Tanyi-Tang |
| Research in African Literatures. Volume 45 #2. p. 122-134. |
 | Tobrise, Mabel (2014) |
| Nigerian feminist theatre: essays on female axes in contemporary Nigerian drama | |
| Ibadan: Wits Publishing Ltd. 208p. |
| Ojukwu, Chinyelu (2012) |
| The politics of power and the struggle for self-assertation: Tess Onwueme's 'The reign of Wazobia'; Akachi Adimora-Ezeigbo's 'Hands that crush stone' and Julie Okoh's 'Edewede' | |
| JALA: the Journal of the African Literature Association. Volume 7 #2. p. 147-163. |
 | Udengwu, Ngozi; Ukaegbu, Victor (eds.) (2012) |
| Women in Nigerian theatre | |
| African Performance Review. Volume 6 #1. 128p. |
| Chivandikwa, Nehemia (2010) |
| Dialects and dynamics of religion in theatre: reflections on gender and sexuality in selected Zimbabwean theatrical performances | |
| Journal for the Study of Religion. Volume 23 #1-2. p. 131-149. |
| Conteh-Morgan, John; Almeida, Irène Assiba d' (eds.) (2010) |
| 'The original explosion that created worlds': essays on Werewere Liking's art and writings | |
| Amsterdam: Rodopi. Francopolyphonies #8. 363p. |
| Kasule, Sam (2010) |
| 'Your experience is your only truth': Elvania Namukwaya Zirimu 1939-1980 | |
| African Performance Review. Volume 4 #2. p. 7-22. |
| Udengwu, Ngozi (2010) |
| Cultural literacy and educational empowerment of women in the 21st century: a study of 'Into the world', 'Nneora: an African doll's house' and 'Our wife is not a woman' | |
| African Performance Review. Volume 4 #1. p. 35-50. |
| Akyea, Gladys Mansa F.; Asante, Comfort (2009) |
| Women in the works of two Ghanaian dramatists: Fiawoo F.K. and Danquah J.B. | |
| Drumspeak: international journal of research in the humanities. Volume 2 #2. p. 72-92. |
| Mwangi, Evan (2009) |
| Amandina Lihamba's gendered adaptation of Sembene Ousmane's 'The money-order' |
| Research in African Literatures. Volume 40 #3. p. 149-173. |
| Abomo-Maurin, Marie-Rose (2007) |
| Destins de la femme: entre fiction et réalisme, Werewere Liking et Tanella Boni | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 41-56. |
| Ukaegbu, Victor I. (2007) |
| Written over, written out: the gendered misrepresentation of women in modern African performance | |
| African Performance Review. Volume 1 #1. p. 7-23. |
| Delisle, Jennifer (2006) |
| Finding the Future in the Past: Nostalgia and Community-Building in Mhlophe's 'Have You Seen Zandie?' |
| Journal of Southern African Studies. Volume 32 #2. June. p. 387-401. |
| Mule, Katwiwa (2004) |
| Theatre and development: modern East African women playwrights and a critique of development | |
| Kiswahili. Volume 67. p. 49-80. |
| Ogunleye, Foluke (2004) |
| 21st Century Image of Women: A Womanist Reading of Two Nigerian Plays | |
| Research Review. Volume 20 #1. p. 33-47. |
| Evwierhoma, Mabel I. (2002) |
| Hagher and Women: A Gendered Excursion into Aishatu and Antipeople | |
| Humanities Review Journal. Volume 2 #1. p. 22-29. |
| Govender, Krijay (2001) |
| Subverting Identity after 1994: The South African Indian Woman as Playwright |
| Agenda: Empowering Women for Gender Equity. #49. p. 33-43. |
| Mojola, Ibiyemi (2001) |
| La femme, bourreau du soi, dans le théâtre d'Oyono Mbia | |
| Présence africaine. #163-164. p. 190-198. |
| Smuts, J.P. (2001) |
| Dramakroniek: Reza de Wet se oeuvre | |
| Tydskrif vir geesteswetenskappe. Volume 41 #3. p. 226-236. |
| Uko, I.I. (1996) |
| African feminism and the theatres of Zulu Sofola and Tess Onwueme: a celebration | |
| Africana Marburgensia: Sonderheft. Volume 16. p. 4-10. |
| Obafemi, Olu (1994) |
| Towards feminist aesthetics in Nigerian drama: the plays of Tess Onwueme | |
| African Literature Today. #19. p. 84-100. |
| Thies-Torkornoo, S. (1987) |
| Die Rolle der Frau in der afrikanischen Gesellschaft: eine Betrachtung von Ama Ata Aidoos 'Anowa' und Efua T. Sutherlands 'Foriwa' | |
| Matatu: Journal for African Culture and Society. Volume 1 #1. p. 53-67. |
| Nwankwo, Chimalum (1985) |
| Women in Ngugi's Plays: From Passivity to Social Responsibility | |
| Ufahamu. Volume 14 #3. p. 85-92. |
| Melamu, M. (1978) |
| Prophets and Women in Nigerian Tragedy | |
| Pula: Botswana Journal of African Studies. Volume 1 #1. p. 43-88. |
| Search: su=drama | ||||||||
| Found: 27 | Record 1-27 | |||||||
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