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Found: 132 | Record 1-100 | ![]() |
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![]() | Abdelrahman, Rania (2020) |
![]() | Envisioning 'Freedom': Liberated Gender Identities in Young Egyptian Women Artists' Oral and Visual Narratives |
Studi Magrebini. Volume 18 #2. p. 135-163. |
![]() | El Azhar, Samir (2019) |
![]() | The Changing Roles of Female Visual Artists in Morocco |
Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
![]() | Garratón Mateu, Carmen (2019) |
![]() | El proyecto hshouma, el arte como motor de cambio social |
Al-Andalus Magreb: Estudios árabes e islámicos. Volume 26. p. 1-24. |
![]() | Abderrezak, Hakim (2007) |
![]() | The Modern Harem in Mokneche's 'Le Harem de Mme Osmane' and 'Viva Laldjerie' |
The Journal of North African Studies. Volume 12 #3. September. p. 347-368. |
![]() | Asakitikpi, A.O. (2007) |
![]() | Functions of Hand Woven Textiles among Yoruba Women in Southwestern Nigeria |
Nordic Journal of African Studies. Volume 16 #1. p. 101-115. |
![]() | Batra, Kanika (2007) |
'Daughters Who Know the Languages of Power' | |
Interventions: International Journal of Postcolonial Studies. Volume 9 #1. March. p. 124-138. |
![]() | Duran, Lucy (2007) |
Ngaraya: Women and Musical Mastery in Mali | |
Bulletin of the School of Oriental and African Studies. Volume 70 #3. October. p. 569-602. |
![]() | Frank, Barbara E. (2007) |
Ceramics Arts in Africa: Marks of Identity | |
African Arts. Volume 40 #1. Spring. p. 30-41. |
![]() | Vambe, Mauruce T. (2007) |
![]() | 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
African Identities. Volume 5 #3. December. p. 355-369. |
![]() | Allen, Lara (2006) |
![]() | From Rights to Responsibilities: Identity Politics and Ethnographic Methodology, Dialogues with South African Musicians |
![]() | Social Dynamics. Volume 32 #2. p. 50-80. |
![]() | Becker, Cynthia (2006) |
Amazigh Textiles and Dress in Morocco: Metaphors of Motherhood | |
African Arts. Volume 39 #3. Autumn. p. 42-55. |
![]() | Makhado, Zwoitwa and Kepe, Thembela (2006) |
Crafting a Livelihood: Local-Level Trade in Mats and Baskets in Pondoland, South Africa | |
Development Southern Africa. Volume 23 #4. October. p. 497-509. |
![]() | Oloruntoba-Oju, Taiwo (2006) |
![]() | Dede n de ku iku n de Dede: Fe/Female Sexuality and Dominance in Nigerian Video Films |
Stichproben - Vienna Journal of African Studies. Volume 6 #11. |
![]() | Orlando, Valerie (2006) |
![]() | The Afrocentric Paradigm and Womanist Agendas in Ousmane Sembene's 'Faat Kine (2001)' |
Comparative Studies of South Asia, Africa and the Middle East. Volume 26 #2. p. 213-224. |
![]() | Peabody, Stanton (2006) |
Women Who Made a Difference: A Special Record | |
![]() | Liberian Studies Journal. Volume 31 #1. p. 63-89. |
![]() | Pereira, Taryn and Shackleton, Charlie and Shackleton, Sheona (2006) |
Trade in Reed-Based Craft Products in Rural Villages in the Eastern Cape, South Africa | |
Development Southern Africa. Volume 23 #4. October. p. 477-495. |
![]() | Ajibade, George O. (2005) |
![]() | Is There No Man with Penis in This Land? Eroticism and Performance in Yoruba Nuptial Songs |
African Study Monographs. Volume 26 #2. August. p. 99-113. |
![]() | Gqola, Pumla D. (2005) |
Memory, Diaspora and Spiced Bodies in Motion: Berni Searle's Art | |
African Identities. Volume 3 #2. October. p. 123-138. |
![]() | Mutia, Babila (2005) |
![]() | Performer, Audience, and Performance Context of Bakweri Pregnancy Rituals and Incantations |
![]() | Cahiers d'études africaines. Volume 45 #177. p. 217-237. |
![]() | Richards, Polly (2005) |
Masques Dogons in a Challenging World | |
African Arts. Volume 38 #4. Winter. p. 46-54. |
![]() | Schmahmann, Brenda (2005) |
Stitches as Sutures: Trauma and Recovery in Works by Women in the Mapula Embroidery Project | |
African Arts. Volume 38 #3. Autumn. p. 52-68. |
![]() | Arnfred, Signe (2004) |
![]() | Tufo Dancing: Muslim Women's Culture in Northern Mozambique |
![]() | Lusotopie. p. 39-65. |
![]() | Biaya. Tshikala K. (2004) |
The Arts of Being Beautiful in Addis Ababa and Dakar | |
West Africa Review. #5. |
![]() | Boyd, Jean and Lammers, Mirjam (2004) |
Anti-Islamic Press Bias, a Prime Example from the Netherlands Involving Contemporary Muslim Women and a 19th Century Nigerian Scholar (Nana Asma'u) | |
Maghreb Review. Volume 29 #1-4. p. 186-196. |
![]() | Fleetwood, Nicole R. (2004) |
Visible Seams: Gender, Race, Technology, and the Media Art of Fatimah Tuggar | |
Signs: Journal of Women in Culture and Society. Volume 30 #1. Autumn. p. 1429-1452. |
![]() | Godby, Michael and Dhlomo-Mautloa, Bongi (2004) |
Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby | |
African Arts. Volume 37 #4. Winter. p. 62-67. |
![]() | Lopez, Shaun T. (2004) |
![]() | The Dangers of Dancing: The Media and Morality in 1930's Egypt |
Comparative Studies of South Asia, Africa and the Middle East. Volume 24 #1. Spring. |
![]() | Moorman, Marissa J. (2004) |
![]() | Dueling Bands and Good Girls: Gender, Music, and Nation in Luanda's Musseques, 1961-1905 |
![]() | International Journal of African Historical Studies. Volume 37 #2. p. 255-288. |
![]() | Ododo, Sunday E. (2004) |
Womanhood and Virgo Intacta: Form and Aesthetic Reconstruction in Ivia-Isese Performance | |
Ufahamu. Volume 30 #2-3. Winter/Spring. p. 121-146. |
![]() | Orlando, Valerie (2004) |
African Feminine Transformative Consciousness in Francophone Cinema: Moussa Sene Absa's 'Tableau Ferraille' (1996) | |
African Identities. Volume 2 #2. November. p. 189-202. |
![]() | Van Der Watt, Liese (2004) |
Tracing Berni Searle | |
African Arts. Volume 37 #4. Winter. p. 74-80. |
![]() | Beez, Jigal and Kolbusa, Stefanie (2003) |
![]() | Kibiriti Ngoma: Gender Relations in Swahili Comics and Taarab-Music |
![]() | Stichproben - Vienna Journal of African Studies. Volume 3 #5. p. 49-71. |
![]() | Collins, John (2003) |
Ghanaian Women Enter into Popular Entertainment | |
![]() | Humanities Review Journal. Volume 3 #1. p. 1-10. |
![]() | Gott, Suzanne (2003) |
Golden Emblems of Material Benevolence: Transformations of Form and Meaning in Akan Regalia | |
African Arts. Volume 36 #1. Spring. p. 66-81. |
![]() | Hufbauer, Benjamin and Reed, Bess (2003) |
Adamma: A Contemporary Igbo Maiden Spirit | |
African Arts. Volume 36 #3. Autumn. p. 56-65. |
![]() | Kisambira, Edris (2003) |
Theresa Musoke, East Africa's Top Female Artist, Has Carved Out a Niche in Wildlife Paintings: Her Brush Tames Wildlife | |
Tinabantu: journal of African national affairs. Volume 1 #2. June. |
![]() | Lwanda, John (2003) |
![]() | Mother's Songs: Male Appropriation of Women's Music in Malawi and Southern Africa |
Journal of African Cultural Studies. Volume 16 #2. December. p. 119-141. |
![]() | Ogunleye, Foluke (2003) |
Female Stereotypes in the Nigerian Video Film: A Case for Re-Socialization | |
![]() | Humanities Review Journal. Volume 3 #2. p. 1-14. |
![]() | Osirim, Mary J. (2003) |
African Women's Entrepreneurship and Cultural Production: The Case of Crocheters and Knitters in Southern Africa | |
Contours: A Journal of the African Diaspora. Volume 1 #2. Fall. p. 154-170. |
![]() | Rasmussen, Susan J. (2003) |
Gendered Discourses and Mediated Modernities: Urban and Rural Performances of Tuareg Smith Women | |
Journal of Anthropological Research. Volume 59 #4. Winter. p. 487-509. |
![]() | Waldman, Linda (2003) |
Houses and the Ritual Construction of Gendered Homes in South Africa | |
Journal of the Royal Anthropological Institute. Volume 9 #4. December. p. 656-679. |
![]() | Burns, James (2002) |
![]() | John Wayne on the Zambezi: Cinema, Empire, and the American Western in British Central Africa |
![]() | International Journal of African Historical Studies. Volume 35 #1. p. 103-117. |
![]() | Evwierhoma, Mabel I. (2002) |
Hagher and Women: A Gendered Excursion into Aishatu and Antipeople | |
![]() | Humanities Review Journal. Volume 2 #1. p. 22-29. |
![]() | Fair, Laura (2002) |
![]() | 'It's Just No Fun Anymore': Women's Experiences of Taarab before and After the 1964 Zanzibar Revolution |
![]() | International Journal of African Historical Studies. Volume 35 #1. p. 61-81. |
![]() | Frank, Barbara E. (2002) |
![]() | Thoughts on Who Made the Jenne Terra-Cottas: Gender, Craft Specialization, and Mande Art History |
![]() | Mande Studies. Volume 4. p. 121-132. |
![]() | Goodman, Jane E. (2002) |
![]() | 'Stealing Our Heritage?': Women's Folksongs, Copyright Law, and the Public Domain in Algeria |
Africa Today. Volume 49 #1. Spring. p. 84-97. |
![]() | Janson, Marloes (2002) |
![]() | Praising as a Gendered Activity: How 'Jalimusoolu' and 'Jalikeolu' Exercise Their Profession in Eastern Gambia |
![]() | Mande Studies. Volume 4. p. 65-82. |
![]() | Olajubu, Oyeronke (2002) |
![]() | The Place of Susan Wenger's Art in Yoruba Religion: A Preliminary Survey |
Ijele: Art eJournal. #5. |
![]() | Schulz, Dorothea E. (2002) |
![]() | The World is Made by Talk: Female Youth Culture, Pop Music Consumption, and Mass-Mediated Forms of Sociality in Urban Mali |
![]() | Cahiers d'études africaines. Volume 42 #168. p. 797-829. |
![]() | Shain, Richard M. (2002) |
![]() | Roots in Reverse: 'Cubanismo' in Twentieth-Century Senegalese Music |
![]() | International Journal of African Historical Studies. Volume 35 #1. p. 83-101. |
![]() | Straight, Bilinda (2002) |
From Samburu Heirloom to New Age Artifact: The Cross-Cultural Consumption of Mporo Marriage Beads | |
American Anthropologist. Volume 104 #1. March. p. 7-21. |
![]() | Van Dyke, Kristina (2002) |
![]() | Gender Objectified: Revealing Bodies in Bamana Sculpture |
![]() | Mande Studies. Volume 4. p. 101-119. |
![]() | Yitna, Asaw (2002) |
Levels, Trends, and Determinants of Fertility in Addis Ababa, Ethiopia, 1974-1998 | |
Journal of African Policy Studies. Volume 8 #2-3. p. 131-162. |
![]() | Anyanwu, Chukwuma (2001) |
Artistic Impulse, Musical Videos and Pornography | |
Humanities Review Journal. Volume 1 #2. p. 89-95. |
![]() | Kapteijns, Lidwien and Ali, Maryan O. (2001) |
![]() | 'Come Back Safely': Laments About Labor Migration in Somali Love Songs |
Northeast African Studies. Volume 8 #3. p. 33-45. |
![]() | Schulz, Dorothea E. (2001) |
![]() | Music Videos and the Effeminate Voices of Urban Culture in Mali |
![]() | Africa: Journal of the International African Institute. Volume 71 #3. p. 345-372. |
![]() | Hoard, Adrienne (2000) |
![]() | The Commodification of Art: Ndebele Women in the Stream of Change |
Cultural Survival Quarterly. Volume 24 #4. Winter. |
![]() | Hoover, Deborah H. (2000) |
Revealing the Mbusa as Art: Women Artists in Zambia | |
African Arts. Volume 33 #3. Autumn. p. 40-52. |
![]() | Irbouh, Hamid (2000) |
French Colonial Art Education and the Moroccan Feminine Milieu: A Case Study from Fez, 1927-1930 | |
Maghreb Review. Volume 25 #3-4. p. 275-288. |
![]() | Jordan, Manuel (2000) |
Revisiting Pwo | |
African Arts. Volume 33 #4. Winter. p. 16-25. |
![]() | Layiwola, Dele (2000) |
![]() | GELEDE: Metaphysics and Gender in an African Ritual Play |
Ijele: Art eJournal. Volume 1 #1. March. |
![]() | Nzegwu, Nkiru (2000) |
![]() | Crossing Boundaries: Gender Transmogrification in African Art |
Ijele: Art eJournal. Volume 1 #1. March. |
![]() | Onyile, Onyile B. (2000) |
![]() | Abang Dance: Radiance from the River and Efik Ideal of Femininity |
Ijele: Art eJournal. Volume 1 #1. March. |
![]() | Sieber, Roy and Herreman. Frank (2000) |
Hair in African Art and Culture | |
African Arts. Volume 33 #3. Autumn. p. 54-69. |
![]() | Lloyd, Fran (1999-2000) |
Embodiment and Performing the 'Self' in Contemporary Algeria Art: Houria Niati and Zineb Sedira | |
Algerian Studies. Volume 4-5. Autumn. p. 59-78. |
![]() | James, Deborah (1999) |
![]() | Bagagesu (Those of My Home): Women Migrants, Ethnicity, and Performance in South Africa |
American Ethnologist. Volume 26 #1. February. p. 69-89. |
![]() | Mekuria, Salem (1999) |
![]() | (Post)Colonial Cinema, Rituals and African Womanhood |
Social Identities. Volume 5 #4. December. p. 489-506. |
![]() | Outa, George O. (1999) |
![]() | Lysistrata in Nairobi: Performing the Power of Womanhood in the Post-Colony |
African Studies. Volume 58 #2. December. p. 199-208. |
![]() | Cameron, Elisabeth L. (1998) |
Women=Masks: Initiation Arts in North-Western Province, Zambia | |
African Arts. Volume 31 #2. Spring. p. 50-61. |
![]() | Kasfir, Sidney L. (1998) |
Elephant Women, Furious and Majestic: Women's Masquerades in Africa and the Diaspora | |
African Arts. Volume 31 #2. Spring. p. 18-27. |
![]() | Röschenthaler, Ute M. (1998) |
Honoring Ejagham Women | |
African Arts. Volume 31 #2. Spring. p. 38-49. |
![]() | Van Wyk, Gary N. (1998) |
The Mural Art of Basotho Women | |
African Arts. Volume 31 #3. Summer. p. 58-65. |
![]() | Weil, Peter M. (1998) |
Women's Masks and the Power of Gender in Mande History | |
African Arts. Volume 31 #2. Spring. p. 28-37. |
![]() | Gore, Charles and Nevadomsky, Joseph (1997) |
Practice and Agency in Mammy Wata Worship in Southern Nigeria | |
African Arts. Volume 30 #2. Spring. p. 60-69. |
![]() | Pellow, Deborah (1997) |
![]() | Male Praise-Singers in Accra: In the Company of Women |
![]() | Africa: Journal of the International African Institute. Volume 67 #4. p. 582-601. |
![]() | Kalipeni, Ezekiel and Kamlongera, Christopher (1996) |
![]() | The Role of 'Theatre for Development' in Mobilising Rural Communities for Primary Health Care: The Case of Liwonde PHC Unit in Southern Malawi |
![]() | Journal of Social Development in Africa. Volume 11 #1. p. 53-78. |
![]() | Legassick, Martin (1996) |
![]() | The Will of Abraham and Elizabeth September: The Struggle for Land in Gordonia, 1898-1995 |
![]() | The Journal of African History. Volume 37 #3. p. 371-418. |
![]() | Morrow, Seán (1996) |
![]() | 'The things they have made will live forever': The Estelle Hamilton-Welsh Collection in the F.S. Malan Museum, University of Fort Hare |
![]() | Journal of Southern African Studies. Volume 22 #2. June. p. 271-285. |
![]() | Omari-Obayemi, Mikelle S. (1996) |
![]() | An Indigenous Anatomy of Power and Art: A New Look at Yoruba Women in Society and Religion |
Dialectical Anthropology. Volume 21 #1. March. p. 89-98. |
![]() | Hall, Martin (1994) |
![]() | The Secret Lives of Houses: Women and Gables in the Eighteenth-Century Cape |
![]() | Social Dynamics. Volume 20 #1. Winter. p. 1-48. |
![]() | Heath, Deborah (1994) |
![]() | The Politics of Appropriateness and Appropriation: Recontextualizing Women's Dance in Urban Senegal |
American Ethnologist. Volume 21 #1. February. p. 88-103. |
![]() | Jolles, Frank (1994) |
Contemporary Zulu Dolls from Kwalatha: The Work of Mrs. Hluphekile Zuma and Her Friends | |
African Arts. Volume 27 #2. April. p. 54-69. |
![]() | Mugo, Micere G. (1994) |
![]() | The Woman Artist in Africa Today |
![]() | Africa Development: A Quarterly Journal of CODESRIA. Volume 19 #1. p. 49-69. |
![]() | Rasmussen, Susan J. (1994) |
![]() | The 'Head Dance', Contested Self, and Art as a Balancing Act in Tuareg Spirit Possession |
![]() | Africa: Journal of the International African Institute. Volume 64 #1. p. 74-98. |
![]() | Adams, Monni (Marie-Jeanne) (1993) |
Women's Art as Gender Strategy among the We of Canton Boo | |
African Arts. Volume 26. October. p. 32-43. |
![]() | Berns, Marla C. (1993) |
![]() | Art, History and Gender: Women and Clay in West Africa |
![]() | African Archaeological Review. Volume 11. p. 129-148. |
![]() | Frank, Barbara E. (1993) |
![]() | Reconstructing the History of an African Ceramic Tradition: Technology, Slavery and Agency in the Region of Kadiolo (Mali) |
![]() | Cahiers d'études africaines. Volume 33 #131. p. 381-401. |
![]() | Hunt, Danica L.S. (1993) |
The Changing Role of Women in African Music | |
![]() | Ufahamu. Volume 21 #1-2. p. 41-59. |
![]() | Kaplan, Flora E.S. (1993) |
Images of the Queen Mother in Benin Court Art | |
African Arts. Volume 26 #3. July. p. 54-63. |
![]() | Gosselain, Olivier P. (1992) |
![]() | Technology and Style: Potters and Pottery among Bafia of Cameroon |
Man. Volume 27 #3. September. p. 559-586. |
![]() | Nettleton, Anitra (1992) |
![]() | Ethnic and gender identities in Venda Domba statues |
![]() | African Studies. Volume 51 #2. p. 203-230. |
![]() | Solomon, Anne (1992) |
Gender, Representation, and Power in San Ethnography and Rock Art | |
Journal of Anthropological Archaeology. Volume 11 #4. December. p. 291-329. |
![]() | Blackmun, Barbara W. (1991) |
Who Commissioned the Queen Mother Tusks? A Problem in the Chronology of Benin Ivories | |
African Arts. Volume 24 #2. April. p. 54-65. |
![]() | Sadler, Katherine (1991) |
Gender Ambiguity in Primary Source Material: The Case of Southern Rock Art | |
![]() | Ufahamu. Volume 19 #2-3. p. 112-129. |
![]() | August, Tyrone (1990) |
![]() | Interview with Gcina Mhlope |
Journal of Southern African Studies. Volume 16 #2. June. p. 329-335. |
![]() | Palmer, Jean (1990) |
The Joy Adamson Portraits | |
Kenya Past and Present. #22. p. 34-35. |
![]() | Unterhalter, Elaine (1990) |
![]() | The Impact of Apartheid on Women's Education in South Africa |
![]() | Review of African Political Economy. Volume 17 #48. p. 66-75. |
![]() | Hanna, Judith L. (1989) |
African Dance Frame By Frame: Revelation of Sex Roles through Distinctive Feature Analysis and Comments on Field Research, Film, and Notation | |
Journal of Black Studies. Volume 19 #4. June. p. 422-441. |
![]() | Kingdon, Jonathan (1989) |
The Body, Style and Ethnic Values | |
Journal of the Anthropological Society of Oxford. Volume 20 #2. p. 148-167. |
![]() | Picton, John (1989) |
![]() | On Placing Masquerades in Ebira |
![]() | African Languages and Cultures. Volume 2 #1. p. 73-92. |
Search: su=Architecture and the Arts | ||||||||
Found: 132 | Record 1-100 | ![]() |
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