African Women 
bibliographic database
| Search results |
| Previous page | New search |
| Search: su=Architecture and the Arts | ||||||||
| Found: 132 | Record 1-100 |  |
 |
|||||
 | Abdelrahman, Rania (2020) |
 | Envisioning 'Freedom': Liberated Gender Identities in Young Egyptian Women Artists' Oral and Visual Narratives |
| Studi Magrebini. Volume 18 #2. p. 135-163. |
| El Azhar, Samir (2019) |
| The Changing Roles of Female Visual Artists in Morocco |
| Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
| Garratón Mateu, Carmen (2019) |
| El proyecto hshouma, el arte como motor de cambio social |
| Al-Andalus Magreb: Estudios árabes e islámicos. Volume 26. p. 1-24. |
| Abderrezak, Hakim (2007) |
| The Modern Harem in Mokneche's 'Le Harem de Mme Osmane' and 'Viva Laldjerie' |
| The Journal of North African Studies. Volume 12 #3. September. p. 347-368. |
| Asakitikpi, A.O. (2007) |
| Functions of Hand Woven Textiles among Yoruba Women in Southwestern Nigeria |
| Nordic Journal of African Studies. Volume 16 #1. p. 101-115. |
| Batra, Kanika (2007) |
| 'Daughters Who Know the Languages of Power' | |
| Interventions: International Journal of Postcolonial Studies. Volume 9 #1. March. p. 124-138. |
| Duran, Lucy (2007) |
| Ngaraya: Women and Musical Mastery in Mali | |
| Bulletin of the School of Oriental and African Studies. Volume 70 #3. October. p. 569-602. |
| Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: Marks of Identity | |
| African Arts. Volume 40 #1. Spring. p. 30-41. |
| Vambe, Mauruce T. (2007) |
| 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
| African Identities. Volume 5 #3. December. p. 355-369. |
| Allen, Lara (2006) |
| From Rights to Responsibilities: Identity Politics and Ethnographic Methodology, Dialogues with South African Musicians |
 | Social Dynamics. Volume 32 #2. p. 50-80. |
| Becker, Cynthia (2006) |
| Amazigh Textiles and Dress in Morocco: Metaphors of Motherhood | |
| African Arts. Volume 39 #3. Autumn. p. 42-55. |
| Makhado, Zwoitwa and Kepe, Thembela (2006) |
| Crafting a Livelihood: Local-Level Trade in Mats and Baskets in Pondoland, South Africa | |
| Development Southern Africa. Volume 23 #4. October. p. 497-509. |
| Oloruntoba-Oju, Taiwo (2006) |
| Dede n de ku iku n de Dede: Fe/Female Sexuality and Dominance in Nigerian Video Films |
| Stichproben - Vienna Journal of African Studies. Volume 6 #11. |
| Orlando, Valerie (2006) |
| The Afrocentric Paradigm and Womanist Agendas in Ousmane Sembene's 'Faat Kine (2001)' |
| Comparative Studies of South Asia, Africa and the Middle East. Volume 26 #2. p. 213-224. |
| Peabody, Stanton (2006) |
| Women Who Made a Difference: A Special Record | |
| Liberian Studies Journal. Volume 31 #1. p. 63-89. |
| Pereira, Taryn and Shackleton, Charlie and Shackleton, Sheona (2006) |
| Trade in Reed-Based Craft Products in Rural Villages in the Eastern Cape, South Africa | |
| Development Southern Africa. Volume 23 #4. October. p. 477-495. |
| Ajibade, George O. (2005) |
| Is There No Man with Penis in This Land? Eroticism and Performance in Yoruba Nuptial Songs |
| African Study Monographs. Volume 26 #2. August. p. 99-113. |
| Gqola, Pumla D. (2005) |
| Memory, Diaspora and Spiced Bodies in Motion: Berni Searle's Art | |
| African Identities. Volume 3 #2. October. p. 123-138. |
| Mutia, Babila (2005) |
| Performer, Audience, and Performance Context of Bakweri Pregnancy Rituals and Incantations |
| Cahiers d'études africaines. Volume 45 #177. p. 217-237. |
| Richards, Polly (2005) |
| Masques Dogons in a Challenging World | |
| African Arts. Volume 38 #4. Winter. p. 46-54. |
| Schmahmann, Brenda (2005) |
| Stitches as Sutures: Trauma and Recovery in Works by Women in the Mapula Embroidery Project | |
| African Arts. Volume 38 #3. Autumn. p. 52-68. |
| Arnfred, Signe (2004) |
| Tufo Dancing: Muslim Women's Culture in Northern Mozambique |
| Lusotopie. p. 39-65. |
| Biaya. Tshikala K. (2004) |
| The Arts of Being Beautiful in Addis Ababa and Dakar | |
| West Africa Review. #5. |
| Boyd, Jean and Lammers, Mirjam (2004) |
| Anti-Islamic Press Bias, a Prime Example from the Netherlands Involving Contemporary Muslim Women and a 19th Century Nigerian Scholar (Nana Asma'u) | |
| Maghreb Review. Volume 29 #1-4. p. 186-196. |
| Fleetwood, Nicole R. (2004) |
| Visible Seams: Gender, Race, Technology, and the Media Art of Fatimah Tuggar | |
| Signs: Journal of Women in Culture and Society. Volume 30 #1. Autumn. p. 1429-1452. |
| Godby, Michael and Dhlomo-Mautloa, Bongi (2004) |
| Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby | |
| African Arts. Volume 37 #4. Winter. p. 62-67. |
| Lopez, Shaun T. (2004) |
| The Dangers of Dancing: The Media and Morality in 1930's Egypt |
| Comparative Studies of South Asia, Africa and the Middle East. Volume 24 #1. Spring. |
| Moorman, Marissa J. (2004) |
| Dueling Bands and Good Girls: Gender, Music, and Nation in Luanda's Musseques, 1961-1905 |
| International Journal of African Historical Studies. Volume 37 #2. p. 255-288. |
| Ododo, Sunday E. (2004) |
| Womanhood and Virgo Intacta: Form and Aesthetic Reconstruction in Ivia-Isese Performance | |
| Ufahamu. Volume 30 #2-3. Winter/Spring. p. 121-146. |
| Orlando, Valerie (2004) |
| African Feminine Transformative Consciousness in Francophone Cinema: Moussa Sene Absa's 'Tableau Ferraille' (1996) | |
| African Identities. Volume 2 #2. November. p. 189-202. |
| Van Der Watt, Liese (2004) |
| Tracing Berni Searle | |
| African Arts. Volume 37 #4. Winter. p. 74-80. |
| Beez, Jigal and Kolbusa, Stefanie (2003) |
| Kibiriti Ngoma: Gender Relations in Swahili Comics and Taarab-Music |
| Stichproben - Vienna Journal of African Studies. Volume 3 #5. p. 49-71. |
| Collins, John (2003) |
| Ghanaian Women Enter into Popular Entertainment | |
| Humanities Review Journal. Volume 3 #1. p. 1-10. |
| Gott, Suzanne (2003) |
| Golden Emblems of Material Benevolence: Transformations of Form and Meaning in Akan Regalia | |
| African Arts. Volume 36 #1. Spring. p. 66-81. |
| Hufbauer, Benjamin and Reed, Bess (2003) |
| Adamma: A Contemporary Igbo Maiden Spirit | |
| African Arts. Volume 36 #3. Autumn. p. 56-65. |
| Kisambira, Edris (2003) |
| Theresa Musoke, East Africa's Top Female Artist, Has Carved Out a Niche in Wildlife Paintings: Her Brush Tames Wildlife | |
| Tinabantu: journal of African national affairs. Volume 1 #2. June. |
| Lwanda, John (2003) |
| Mother's Songs: Male Appropriation of Women's Music in Malawi and Southern Africa |
| Journal of African Cultural Studies. Volume 16 #2. December. p. 119-141. |
| Ogunleye, Foluke (2003) |
| Female Stereotypes in the Nigerian Video Film: A Case for Re-Socialization | |
| Humanities Review Journal. Volume 3 #2. p. 1-14. |
| Osirim, Mary J. (2003) |
| African Women's Entrepreneurship and Cultural Production: The Case of Crocheters and Knitters in Southern Africa | |
| Contours: A Journal of the African Diaspora. Volume 1 #2. Fall. p. 154-170. |
| Rasmussen, Susan J. (2003) |
| Gendered Discourses and Mediated Modernities: Urban and Rural Performances of Tuareg Smith Women | |
| Journal of Anthropological Research. Volume 59 #4. Winter. p. 487-509. |
| Waldman, Linda (2003) |
| Houses and the Ritual Construction of Gendered Homes in South Africa | |
| Journal of the Royal Anthropological Institute. Volume 9 #4. December. p. 656-679. |
| Burns, James (2002) |
| John Wayne on the Zambezi: Cinema, Empire, and the American Western in British Central Africa |
| International Journal of African Historical Studies. Volume 35 #1. p. 103-117. |
| Evwierhoma, Mabel I. (2002) |
| Hagher and Women: A Gendered Excursion into Aishatu and Antipeople | |
| Humanities Review Journal. Volume 2 #1. p. 22-29. |
| Fair, Laura (2002) |
| 'It's Just No Fun Anymore': Women's Experiences of Taarab before and After the 1964 Zanzibar Revolution |
| International Journal of African Historical Studies. Volume 35 #1. p. 61-81. |
| Frank, Barbara E. (2002) |
| Thoughts on Who Made the Jenne Terra-Cottas: Gender, Craft Specialization, and Mande Art History |
| Mande Studies. Volume 4. p. 121-132. |
| Goodman, Jane E. (2002) |
| 'Stealing Our Heritage?': Women's Folksongs, Copyright Law, and the Public Domain in Algeria |
| Africa Today. Volume 49 #1. Spring. p. 84-97. |
| Janson, Marloes (2002) |
| Praising as a Gendered Activity: How 'Jalimusoolu' and 'Jalikeolu' Exercise Their Profession in Eastern Gambia |
| Mande Studies. Volume 4. p. 65-82. |
| Olajubu, Oyeronke (2002) |
| The Place of Susan Wenger's Art in Yoruba Religion: A Preliminary Survey |
| Ijele: Art eJournal. #5. |
| Schulz, Dorothea E. (2002) |
| The World is Made by Talk: Female Youth Culture, Pop Music Consumption, and Mass-Mediated Forms of Sociality in Urban Mali |
| Cahiers d'études africaines. Volume 42 #168. p. 797-829. |
| Shain, Richard M. (2002) |
| Roots in Reverse: 'Cubanismo' in Twentieth-Century Senegalese Music |
| International Journal of African Historical Studies. Volume 35 #1. p. 83-101. |
| Straight, Bilinda (2002) |
| From Samburu Heirloom to New Age Artifact: The Cross-Cultural Consumption of Mporo Marriage Beads | |
| American Anthropologist. Volume 104 #1. March. p. 7-21. |
| Van Dyke, Kristina (2002) |
| Gender Objectified: Revealing Bodies in Bamana Sculpture |
| Mande Studies. Volume 4. p. 101-119. |
| Yitna, Asaw (2002) |
| Levels, Trends, and Determinants of Fertility in Addis Ababa, Ethiopia, 1974-1998 | |
| Journal of African Policy Studies. Volume 8 #2-3. p. 131-162. |
| Anyanwu, Chukwuma (2001) |
| Artistic Impulse, Musical Videos and Pornography | |
| Humanities Review Journal. Volume 1 #2. p. 89-95. |
| Kapteijns, Lidwien and Ali, Maryan O. (2001) |
| 'Come Back Safely': Laments About Labor Migration in Somali Love Songs |
| Northeast African Studies. Volume 8 #3. p. 33-45. |
| Schulz, Dorothea E. (2001) |
| Music Videos and the Effeminate Voices of Urban Culture in Mali |
| Africa: Journal of the International African Institute. Volume 71 #3. p. 345-372. |
| Hoard, Adrienne (2000) |
| The Commodification of Art: Ndebele Women in the Stream of Change |
| Cultural Survival Quarterly. Volume 24 #4. Winter. |
| Hoover, Deborah H. (2000) |
| Revealing the Mbusa as Art: Women Artists in Zambia | |
| African Arts. Volume 33 #3. Autumn. p. 40-52. |
| Irbouh, Hamid (2000) |
| French Colonial Art Education and the Moroccan Feminine Milieu: A Case Study from Fez, 1927-1930 | |
| Maghreb Review. Volume 25 #3-4. p. 275-288. |
| Jordan, Manuel (2000) |
| Revisiting Pwo | |
| African Arts. Volume 33 #4. Winter. p. 16-25. |
| Layiwola, Dele (2000) |
| GELEDE: Metaphysics and Gender in an African Ritual Play |
| Ijele: Art eJournal. Volume 1 #1. March. |
| Nzegwu, Nkiru (2000) |
| Crossing Boundaries: Gender Transmogrification in African Art |
| Ijele: Art eJournal. Volume 1 #1. March. |
| Onyile, Onyile B. (2000) |
| Abang Dance: Radiance from the River and Efik Ideal of Femininity |
| Ijele: Art eJournal. Volume 1 #1. March. |
| Sieber, Roy and Herreman. Frank (2000) |
| Hair in African Art and Culture | |
| African Arts. Volume 33 #3. Autumn. p. 54-69. |
| Lloyd, Fran (1999-2000) |
| Embodiment and Performing the 'Self' in Contemporary Algeria Art: Houria Niati and Zineb Sedira | |
| Algerian Studies. Volume 4-5. Autumn. p. 59-78. |
| James, Deborah (1999) |
| Bagagesu (Those of My Home): Women Migrants, Ethnicity, and Performance in South Africa |
| American Ethnologist. Volume 26 #1. February. p. 69-89. |
| Mekuria, Salem (1999) |
| (Post)Colonial Cinema, Rituals and African Womanhood |
| Social Identities. Volume 5 #4. December. p. 489-506. |
| Outa, George O. (1999) |
| Lysistrata in Nairobi: Performing the Power of Womanhood in the Post-Colony |
| African Studies. Volume 58 #2. December. p. 199-208. |
| Cameron, Elisabeth L. (1998) |
| Women=Masks: Initiation Arts in North-Western Province, Zambia | |
| African Arts. Volume 31 #2. Spring. p. 50-61. |
| Kasfir, Sidney L. (1998) |
| Elephant Women, Furious and Majestic: Women's Masquerades in Africa and the Diaspora | |
| African Arts. Volume 31 #2. Spring. p. 18-27. |
| Röschenthaler, Ute M. (1998) |
| Honoring Ejagham Women | |
| African Arts. Volume 31 #2. Spring. p. 38-49. |
| Van Wyk, Gary N. (1998) |
| The Mural Art of Basotho Women | |
| African Arts. Volume 31 #3. Summer. p. 58-65. |
| Weil, Peter M. (1998) |
| Women's Masks and the Power of Gender in Mande History | |
| African Arts. Volume 31 #2. Spring. p. 28-37. |
| Gore, Charles and Nevadomsky, Joseph (1997) |
| Practice and Agency in Mammy Wata Worship in Southern Nigeria | |
| African Arts. Volume 30 #2. Spring. p. 60-69. |
| Pellow, Deborah (1997) |
| Male Praise-Singers in Accra: In the Company of Women |
| Africa: Journal of the International African Institute. Volume 67 #4. p. 582-601. |
| Kalipeni, Ezekiel and Kamlongera, Christopher (1996) |
| The Role of 'Theatre for Development' in Mobilising Rural Communities for Primary Health Care: The Case of Liwonde PHC Unit in Southern Malawi |
| Journal of Social Development in Africa. Volume 11 #1. p. 53-78. |
| Legassick, Martin (1996) |
| The Will of Abraham and Elizabeth September: The Struggle for Land in Gordonia, 1898-1995 |
| The Journal of African History. Volume 37 #3. p. 371-418. |
| Morrow, Seán (1996) |
| 'The things they have made will live forever': The Estelle Hamilton-Welsh Collection in the F.S. Malan Museum, University of Fort Hare |
| Journal of Southern African Studies. Volume 22 #2. June. p. 271-285. |
| Omari-Obayemi, Mikelle S. (1996) |
| An Indigenous Anatomy of Power and Art: A New Look at Yoruba Women in Society and Religion |
| Dialectical Anthropology. Volume 21 #1. March. p. 89-98. |
| Hall, Martin (1994) |
| The Secret Lives of Houses: Women and Gables in the Eighteenth-Century Cape |
| Social Dynamics. Volume 20 #1. Winter. p. 1-48. |
| Heath, Deborah (1994) |
| The Politics of Appropriateness and Appropriation: Recontextualizing Women's Dance in Urban Senegal |
| American Ethnologist. Volume 21 #1. February. p. 88-103. |
| Jolles, Frank (1994) |
| Contemporary Zulu Dolls from Kwalatha: The Work of Mrs. Hluphekile Zuma and Her Friends | |
| African Arts. Volume 27 #2. April. p. 54-69. |
| Mugo, Micere G. (1994) |
| The Woman Artist in Africa Today |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 19 #1. p. 49-69. |
| Rasmussen, Susan J. (1994) |
| The 'Head Dance', Contested Self, and Art as a Balancing Act in Tuareg Spirit Possession |
| Africa: Journal of the International African Institute. Volume 64 #1. p. 74-98. |
| Adams, Monni (Marie-Jeanne) (1993) |
| Women's Art as Gender Strategy among the We of Canton Boo | |
| African Arts. Volume 26. October. p. 32-43. |
| Berns, Marla C. (1993) |
| Art, History and Gender: Women and Clay in West Africa |
| African Archaeological Review. Volume 11. p. 129-148. |
| Frank, Barbara E. (1993) |
| Reconstructing the History of an African Ceramic Tradition: Technology, Slavery and Agency in the Region of Kadiolo (Mali) |
| Cahiers d'études africaines. Volume 33 #131. p. 381-401. |
| Hunt, Danica L.S. (1993) |
| The Changing Role of Women in African Music | |
| Ufahamu. Volume 21 #1-2. p. 41-59. |
| Kaplan, Flora E.S. (1993) |
| Images of the Queen Mother in Benin Court Art | |
| African Arts. Volume 26 #3. July. p. 54-63. |
| Gosselain, Olivier P. (1992) |
| Technology and Style: Potters and Pottery among Bafia of Cameroon |
| Man. Volume 27 #3. September. p. 559-586. |
| Nettleton, Anitra (1992) |
| Ethnic and gender identities in Venda Domba statues |
| African Studies. Volume 51 #2. p. 203-230. |
| Solomon, Anne (1992) |
| Gender, Representation, and Power in San Ethnography and Rock Art | |
| Journal of Anthropological Archaeology. Volume 11 #4. December. p. 291-329. |
| Blackmun, Barbara W. (1991) |
| Who Commissioned the Queen Mother Tusks? A Problem in the Chronology of Benin Ivories | |
| African Arts. Volume 24 #2. April. p. 54-65. |
| Sadler, Katherine (1991) |
| Gender Ambiguity in Primary Source Material: The Case of Southern Rock Art | |
| Ufahamu. Volume 19 #2-3. p. 112-129. |
| August, Tyrone (1990) |
| Interview with Gcina Mhlope |
| Journal of Southern African Studies. Volume 16 #2. June. p. 329-335. |
| Palmer, Jean (1990) |
| The Joy Adamson Portraits | |
| Kenya Past and Present. #22. p. 34-35. |
| Unterhalter, Elaine (1990) |
| The Impact of Apartheid on Women's Education in South Africa |
| Review of African Political Economy. Volume 17 #48. p. 66-75. |
| Hanna, Judith L. (1989) |
| African Dance Frame By Frame: Revelation of Sex Roles through Distinctive Feature Analysis and Comments on Field Research, Film, and Notation | |
| Journal of Black Studies. Volume 19 #4. June. p. 422-441. |
| Kingdon, Jonathan (1989) |
| The Body, Style and Ethnic Values | |
| Journal of the Anthropological Society of Oxford. Volume 20 #2. p. 148-167. |
| Picton, John (1989) |
| On Placing Masquerades in Ebira |
| African Languages and Cultures. Volume 2 #1. p. 73-92. |
| Search: su=Architecture and the Arts | ||||||||
| Found: 132 | Record 1-100 | |
|
|||||
| Previous page | New search |