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| Title: | With open eyes: women and African cinema |
| Editor: | Harrow, Kenneth W. |
| Year: | 1997 |
| Periodical: | Matatu: Journal for African Culture and Society (ISSN 0932-9714) |
| Volume: | 19 |
| Pages: | 263 |
| Language: | English |
| Geographic term: | Africa |
| Subjects: | women cinema |
| External link: | https://brill.com/view/journals/mata/19/1/mata.19.issue-1.xml |
| Abstract: | This special issue on women and African cinema contains the following articles: Women and African cinema, by Kenneth W. Harrow; A problematic sign of African difference in Trinh T. Minh-ha's 'Reassemblage', by Stephen A. Zacks; The mature and older women of African film, by Suzanne H. MacRae; The female body as symbol of change and dichotomy: conflicting paradigms in the representation of women in African film, by Beti Ellerson; The locus of tension: gender in Algerian cinema, by Ratiba Hadj-Moussa; Women in Igbo-language videos: the virtuous and the villainous, by J.O.J. Nwachukwu-Agbada; Nouveau regard, nouvelle parole: le cinéma d'Assia Djebar, by Mildred Mortimer; Visage de femmes: lecture intertextuelle de 'Finzan', film de Cheikh Oumar Sissoko et du roman de Kourouma, 'Les soleils des indépendances', by Madeleine Borgomano; The unreal but visible line: difference and desire for the Other in 'Chocolat', by William A. Vincent; Women with open eyes, women of stone and hammers: the problematic encounter between Western feminism and African feminist filmmaking practice, by Kenneth W. Harrow; Sub-Saharan African women filmmakers: agendas for research, by Nancy Schmidt; Women in African cinema: an annotated bibliography, by Emilie Ngo-Nguidjol. |
