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Periodical article | Leiden University catalogue | WorldCat |
Title: | The ironies of pop: local music production and citizenship in a small Namibian town |
Authors: | Van Wolputte, Steven Bleckmann, Laura E. |
Year: | 2012 |
Periodical: | Africa: Journal of the International African Institute (ISSN 0001-9720) |
Volume: | 82 |
Issue: | 3 |
Pages: | 413-436 |
Language: | English |
Geographic term: | Namibia |
Subjects: | musical groups popular music identity urban society |
External link: | https://www.jstor.org/stable/23240218 |
Abstract: | This case study probes the close link between locality and musical production. The setting is Opuwo, a small city in northern Namibia, notorious for its many bars. Here the music of a local band, Bullet ya Kaoko (Bullet of Kaoko), provides the soundtrack to the quest for belonging and identity that takes place in the marginal space constituted by these bars and pubs. Bullet ya Kaoko performances are characterized by the simultaneous articulation of paradoxical images and different models of identification: they use keyboards and synthesizers to rework an old genre ('omitandu', praise songs), fuse Kwaito moves with the elders' warrior dance, and weave Herero polyphony into a jive-like beat and structure. Lyrics, music and dance address the challenges of (post)modern life and give voice to uncertainty and fragmentation. At the same time, they embed people in kinship and place, evoking a strong yet encrypted sense of belonging. The music of Bullet ya Kaoko is ironizing: it questions, but does not answer. It challenges both the old and the new, but refrains from solving the tensions created by their juxtaposition. Bibliogr., notes, ref., sum. in English and French. [Journal abstract] |