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Periodical issue | Leiden University catalogue | WorldCat |
Title: | Special edition: Red Assemby: the work remains |
Editor: | Witz, Lelsie |
Year: | 2016 |
Periodical: | Kronos: Journal of Cape History (ISSN 0259-0190) |
Issue: | 42 |
Pages: | 248 |
Language: | English |
City of publisher: | Bellville |
Publisher: | University of the Western Cape, Institute for Historical Research |
Geographic term: | South Africa |
Subjects: | arts history exhibitions 2015 |
About person: | Simon Gush |
External link: | https://www.jstor.org/stable/i40174565 |
Abstract: | This special issue of Kronos emerged from the encounter with 'Red', an art installation by Simon Gush and his collaborators, in the workshop 'Red Assembly', held in East London in August 2015. Contributions: Red Assembly: the work remains (Leslie Witz, Helena Pohlandt-McCormick, Gary Minkley and |ohn Mowitt); Red textures and the work of juxtaposition (Corinne A. Kratz); Photo essay, 'Red' (Simon Gush); Screwing the assembly line: queerness, art-making, and automobility at rest (Elliot James); 'The voices of the people involved: 'Red', representation and histories of labour (Leslie Witz); The factory as a battlefield (Helena Châvez Mac Gregor); The poduction of 'Red': aesthetics, work and time (Patricia Hayes); Listening to 'Red' (Sinazo Mtshemla, Gary Minkley and Helena Pohlandt-McCormick); Hearing 'Red': aurality and performance in a film by Simon Gush (Brett Pyper); Interment: the frame of the Red Location Museum (2006-2013) (Michelle Smith); Blood lines: Cecil the Lion, Mandela, and art in history (Paul Vig); A 'labour of love' in South Africa: Nelson Mandela's Red Mercedes-Benz, auto-biography auto/biography and regimes of value (Ciraj Rassool); Johnny Fingo: war as work on the Eastern Cape Frontier (Hlonipha Mokoena); Red light: reflections at the crossroads of history and art (Thomas Wolfe). [ASC Leiden abstract] |